"You're in a Bad Way" | ||||
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Single by Saint Etienne | ||||
from the album So Tough | ||||
B-side |
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Released | 1 February 1993 [1] | |||
Length | 3:20 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
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Saint Etienne singles chronology | ||||
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Music video | ||||
"You're in a Bad Way" on YouTube |
"You're in a Bad Way" is a song by British pop group Saint Etienne, released in February 1993 by Heavenly and Warner as the second single from their second album, So Tough (1993). The song is a deliberately old-fashioned throwback to 1960s pop music. In an interview with Melody Maker magazine, Bob Stanley claims that it was written in ten minutes as a simple imitation of Herman's Hermits, and was only intended to be a B-side to "Everlasting", but the record company decided that it should be a single. [2] "Everlasting" was dropped as a single and remained unreleased until it was eventually included on disc 2 on the deluxe edition of So Tough in 2009.
The album version of the song begins with a sample from the film Billy Liar (1963): [2] "A man could lose himself in London. Lose himself. Lose himself. Lose himself in London!" The lyrics describe a man who is depressed and has ceased to care for himself - the singer tells him "jeans are old and your hair's all wrong / Don't you know that crewcuts and trainers are out again?" The singer invites him to "Just dial my number or call my name". It also makes reference to "watching Bruce on the old Generation Game ", which led to the song being self-mockingly described as "the one about Bruce Forsyth" in the sleevenotes to the compilation Too Young to Die – Singles 1990–1995 .
On the CD single (but not the other formats), pieces of dialogue follow each track to segue into the next. Between "You're In a Bad Way" and "Archway People", there is a sample of dialogue from the film Brighton Rock (1947) spoken by Richard Attenborough. [3] The third b-side, "Duke Duvet" is based on a drum break from "Enjoy the Silence" by Depeche Mode, and concludes with a comic monologue called "Spong-Bake" written by Christopher Morris. [4]
In 2019 the writer and theatre maker John Osborne used the song as the starting point for his theatre show You're in a Bad Way. It's a storytelling show about dementia, music and festivals.
"You're in a Bad Way" was one of the group's biggest hits, reaching #12 on the UK Singles Chart. [5] In Iceland the song reached #26. [6] The single, produced by Alan Tarney, is different from the version on the UK edition of So Tough, with a "brighter" arrangement featuring chimes and an alternate vocal for the last chorus. The US and Australian editions of "So Tough" use the single version of the track.
Stephen Thomas Erlewine from AllMusic named the song a "stand out" of the album. [7] Larry Flick from Billboard wrote that the "sweet and perky British trio is gunning for pop radio with this sweet and perky synth number." He added that "feathery vocals and faint island percussion will make listeners want to go roller-skating, or at least bop happily along when they hear this one on the radio." [8] Linda Ryan from the Gavin Report described the song as a "Dusty Springfield-does-Motown gem". [9] Kingston Informer viewed it as "trite but memorable". [10] In his weekly UK chart commentary, James Masterton wrote, "...I make no apologies whatsoever about saying to the world in general that it has been a long long time since a record of such genius has made the charts. Having made their name with a series of ambient, dreamy dance hits which include a cover of Neil Young's "Only Love Can Break Your Heart" the band get their biggest hit ever with this masterpiece of classic pop. Sounding all at once like several old tracks at once". [11]
Simon Reynolds from Melody Maker said, "I'm not crazy about this new St Etienne record. While it's not as fluffy and frothy as "Join Our Club", it's certainly no sequel to the sublime "Avenue", either." [12] Simon Williams from NME commented, "'You're in a Bad Way' is a pop purist's wet dream, all saccharine-drenched vocals, post-modern ironic topspins and sly references to The Generation Game , all less overtly dancefloor friendly than "Only Love Can Break Your Heart", but still kitsch and strange." [13] The magazine's Ted Kessler complimented it as "a genuinely good song with bits you could hum and everything". [14] Neil Spencer from The Observer felt the trio's "fey sensibilities" work well on the track, "which sets Sarah Cracknell's dreamy voice to an innocuous backing". [15] Armond White from Rolling Stone noted its "girl-group pledge". [16] Another Rolling Stone editor, Rob Sheffield, called it a "perfect" UK hit. [17] Mark Frith from Smash Hits gave it five out of five and named it Best New Single, adding that this is a "lively, warm, best friend of a record." [18] In his review of the album, Smash Hits editor Peter Stanton stated that the singles "Avenue" and "You're in a Bad Way" "are classic pop beauties". [19]
There were made two different music videos for the song. One is a low-budget production featuring split-screen photography of the band performing in a blank space and wearing restrained 60s attire. The other is more spectacular: the band performs in a stylized, garishly-coloured version of a 1960s TV show, with scantily-clad dancers and a backdrop of retro home furnishing. This version was later made available on Saint Etienne's official YouTube channel in 2009. [20]
All tracks written and composed by Stanley and Wiggs; except where indicated
Chart (1993) | Peak position |
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Europe (Eurochart Hot 100) [21] | 66 |
Iceland (Íslenski Listinn Topp 40) | 26 |
UK Singles (OCC) | 12 |
UK Airplay ( Music Week ) [22] | 17 |
UK Dance ( Music Week ) [23] | 9 |
Saint Etienne are an English band from Greater London, formed in 1990. The band consists of Sarah Cracknell, Bob Stanley and Pete Wiggs. They became associated with the UK's indie dance scene in the 1990s, beginning with the release of their debut album Foxbase Alpha in 1991. Their work has been described as uniting 1990s club culture with 1960s pop and other disparate influences. The name of the band comes from the French football club of AS Saint-Étienne.
Tales from Turnpike House is the seventh studio album by English alternative dance band Saint Etienne, released on 13 June 2005 by Sanctuary Records. It is a concept album in which the songs depict characters who all live in the eponymous block of flats in London.
Sarah Jane Cracknell is an English singer-songwriter and lead singer of the electronic music band Saint Etienne.
Sound of Water is an album by Saint Etienne, released in 2000. Sound of Water was developed as Saint Etienne's ambient and trip hop statement.
Foxbase Alpha is the debut studio album by English band Saint Etienne, released on 16 September 1991 by Heavenly Recordings.
So Tough is the second studio album by British band Saint Etienne, released in 1993. It is their highest-charting album to date, reaching No. 7 on the UK Album Chart.
Good Humor is the fourth studio album by English alternative dance band Saint Etienne. It was released on 4 May 1998 by Creation Records. The American spelling of humor is used in the title as the band were, according to Sarah Cracknell, "fed up with the 'quintessentially English' tag, so there was a bit of a backlash against that."
Smash the System: Singles and More (2001) is a double-CD greatest hits album by Saint Etienne. The compilation samples music from most of their releases spanning the years from 1990 to 1999. Most tracks are featured in their single or edit versions, with the exception of 'Join Our Club' which is a new mix as the original sounded too 'muddy'. Smash The System was also going to be the CD debut of 'Lover Plays The Bass', but the band 'forgot' to include it.
"Only Love Can Break Your Heart" is a song written by Canadian-American singer-songwriter, musician, and activist Neil Young. It has been covered by many bands.
"He's on the Phone" is a song by British pop group Saint Etienne in collaboration with French singer-songwriter Étienne Daho, released in October 1995 by Heavenly and MCA as a single from their third compilation album, Too Young to Die (1995). A fast-paced dance track, it is one of Saint Etienne's biggest hits, reaching number 11 on the UK Singles Chart, number 31 in Iceland, number 41 in Sweden and number 33 on the US Billboard Dance Club Songs chart. The lyrics tell of an "academia girl" trying to escape from a relationship with a married man: He's on the phone / And she wants to go home, / Shoes in hand, / Don't make a sound, / It's time to go. At the centre of the track is a spoken-word section by Daho.
"Pale Movie" is a song by British pop group Saint Etienne, released in February 1994 by Heavenly Records as the first single from the group's third album, Tiger Bay (1994). The song reached number 28 on the UK Singles Charts and also became a hit in Iceland, peaking at number 24. In common with the folk music theme of the album, the song combines a Eurodance beat with Spanish folk-style guitars. The lyrics use surreal imagery to describe a man's love for a mysterious woman. Although the title is not sung, some of the words refer to cinema: "In the bed where they make love / She's in a film on the sheets. / He shows dreams like a movie, / She's the softness of cinema seats." Other lines are stranger: "her skin as white as the milk, / Just like a Sherpa Tenzing / under a Manila silk."
"Hobart Paving" is a song by British pop group Saint Etienne from their second album, So Tough (1993). It was released by Heavenly Records on 11 May 1993 as a double A-side with the band's cover of "Who Do You Think You Are", originally released in 1974 by Jigsaw and a hit for Candlewick Green. It reached number 23 on the UK Singles Chart and number ten on the UK Dance Singles Chart.
"Avenue" is a song by British pop group Saint Etienne, released in October 1992 as the first single from their second album, So Tough (1992). It was originally titled "Lovely Heart" or "Young Heart". The album version is a 7-minute version with lengthy instrumental sequences; it was edited down to around 4 minutes for radio play, though the commercial single contained the full-length version, with the radio edit only released on promotional material. The edit wasn't released commercially until 2005's Travel Edition 1990-2005.
"Like a Motorway" is a song by British pop group Saint Etienne. It appears on their third album, Tiger Bay (1994) and was released as a single by Heavenly Records in May 1994, reaching number 47 on the UK Singles Chart and number 13 on the UK Dance Singles Chart. The US release of Tiger Bay also features an "alternate version" with more complex percussion and electric guitar stings. It also appears on the original soundtrack for the 1994 film Speed, although the single is never heard in the actual film itself.
"Kiss and Make Up" is a song by Saint Etienne, released as a single in 1990. It is a cover version of "Let's Kiss and Make Up", a song by The Field Mice from their 1989 album, Snowball.
"Nothing Can Stop Us" is a song by English band Saint Etienne, released in May 1991 by Heavenly Records as the third single from their debut album, Foxbase Alpha (1991). It is the first release to feature Sarah Cracknell, who would continue to front the band from this release on. The single reached the number one spot on the American dance charts for one week. The song is based on a looped sample from Dusty Springfield's recording of "I Can't Wait Until I See My Baby's Face".
"Xmas 93" is a Christmas-themed single by English alternative dance band Saint Etienne. It was released in the United Kingdom on 6 December 1993 by Heavenly Recordings. The lead track "I Was Born on Christmas Day" features guest vocals from The Charlatans singer Tim Burgess, and peaked at number 37 on the UK Singles Chart. The song's title is a nod to band member Bob Stanley, who was born on 25 December 1964. The music video for the single was filmed in the vicinity of Kensington and Chelsea Register Office in London.
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"One Goodbye in Ten" is a song by British singer-songwriter Shara Nelson, released in September 1993 by Cooltempo as the second single from the singer's first solo album, What Silence Knows (1993). Written by her with British band Saint Etienne and produced by Michael Peden, the song received critical acclaim and peaked at number 21 on the UK Singles Chart. Additionally, it was a top-30 hit in Austria and a top-50 hit in the Netherlands.