1835 in music

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This article is about music-related events in 1835 .

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<span class="mw-page-title-main">Robert Schumann</span> German composer, pianist and critic (1810–1856)

Robert Schumann was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

<span class="mw-page-title-main">Clara Schumann</span> German musician and composer

Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.

<span class="mw-page-title-main">Felix Mendelssohn</span> German composer (1809–1847)

Jakob Ludwig Felix Mendelssohn Bartholdy, born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.

<span class="mw-page-title-main">Fanny Mendelssohn</span> 19th-century German pianist and composer

Fanny Mendelssohn was a German composer and pianist of the early Romantic era who was also known as Fanny (Cäcilie) Mendelssohn Bartholdy and, after her marriage, Fanny Hensel. Her compositions include a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano, and over 250 lieder, most of which went unpublished in her lifetime. Although praised for her piano technique, she rarely gave public performances outside her family circle.

This article is about music-related events in 1840.

This article is about music-related events in 1837.

This article is about music-related events in 1827.

This article is about music-related events in 1833.

This article is about music-related events in 1831.

This article is about music-related events in 1830.

<span class="mw-page-title-main">Joseph Joachim</span> Hungarian violinist, composer, and teacher

Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.

<span class="mw-page-title-main">Sigismond Thalberg</span> Austrian composer and pianist (1812–1871)

Sigismond Thalberg was an Austrian composer and one of the most distinguished virtuoso pianists of the 19th century.

<span class="mw-page-title-main">University of Music and Theatre Leipzig</span> Public university in Leipzig, Germany

The University of Music and Theatre "Felix Mendelssohn Bartholdy" Leipzig (German: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig) is a public university in Leipzig (Saxony, Germany). Founded in 1843 by Felix Mendelssohn as the Conservatorium der Musik (Conservatory of Music), it is the oldest university school of music in Germany.

<span class="mw-page-title-main">Ann Mounsey</span>

Ann Mounsey or Ann Sheppard Mounsey or Ann Mounsey Bartholomew' was born on 17 April 1811 and died on 24 June 1891. She was well known in London as a teacher, conductore and organist. As a composer she published, songs, hymns, partsongs, large-scale choral worka and many pieces for the piano and for the organ.

<span class="mw-page-title-main">Transcriptions by Franz Liszt</span>

This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.

Eleonore Henriette Magdalena Grabau-Bünau, also Henriette Grabau or Henriette Bünau, was a German operatic alto and mezzo-soprano. For twelve years she was the main singer at the Leipzig Gewandhaus and from 1843 to 1849 she was the first teacher at the Leipzig Conservatory.

<span class="mw-page-title-main">Reception of Johann Sebastian Bach's music</span>

Throughout the 18th century, the appreciation of Johann Sebastian Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with publication of the first biography of the composer and ended with the completion of the publication of all of Bach's known works by the Bach Gesellschaft. A Bach Revival had started from Mendelssohn's performance of the St Matthew Passion in 1829. Soon after that performance, Bach started to become regarded as one of the greatest composers of all times, if not the greatest, a reputation he has retained ever since. A new extensive Bach biography was published in the second half of the 19th century.

Virginia Livia Frege, née Gerhardt was a German singer (soprano), Prima Donna of the Leipzig Stadttheater, arts patron and co-founder of the Leipzig Bach Society. She was referred to as the "Queen of Leipzig's romantic song singing". Frege is best known for her performances of the works by Felix Mendelssohn Bartholdy. Her repertoire included songs by Heinrich Marschner, Franz Schubert, Robert Schumann and Mendelssohn.

References

  1. 1 2 3 4 5 MusicAndHistory.com: 1835 [ permanent dead link ]
  2. Randel, Don Michael (30 October 2002). The Harvard Concise Dictionary of Music and Musicians. Harvard University Press. p. 866. ISBN   978-0-674-25572-2.