1828 in music

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This article is about music-related events in 1828 .

Contents

Events

Classical music

Opera

Publications

Births

Deaths

Related Research Articles

<span class="mw-page-title-main">Daniel Auber</span> French opera composer

Daniel-François-Esprit Auber was a French composer and director of the Paris Conservatoire.

This article is about music-related events in 1839.

This article is about music-related events in 1837.

This is a list of music-related events in 1812.

This is a list of music-related events in 1816.

This is a list of music-related events in 1817.

This article is about music-related events in 1824.

This article is about music-related events in 1827.

This article is about music-related events in 1835.

This article is about music-related events in 1834.

This article is about music-related events in 1833.

This article is about music-related events in 1832.

This article is about music-related events in 1831.

This article is about music-related events in 1830.

<span class="mw-page-title-main">Adolphe Nourrit</span> French opera singer

Adolphe Nourrit was a French operatic tenor, librettist, and composer. One of the most esteemed opera singers of the 1820s and 1830s, he was particularly associated with the works of Gioachino Rossini and Giacomo Meyerbeer.

<span class="mw-page-title-main">Alexis Dupont</span> French opera singer (1796–1874)

Alexis Dupont was a French operatic tenor who sang at the Opéra-Comique from 1821 to 1823 and the Paris Opera from 1826 to 1841. There he created a number of roles in operas by Rossini, Auber, Halévy and Meyerbeer. He had a significant association with Berlioz, creating the tenor solo in Roméo et Juliette in 1839; and he sang in the Mozart Requiem at Chopin's funeral in 1849.

References

  1. Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. pp.  265-6. ISBN   0-520-21957-0.
  2. Teatri, arti e letteratura (29 January 1829) p. 202. Original Italian: "La signora Elisa Manfredini egregia cantante, ne sostiene con plauso distinto la parte di prima donna , ed il suo canto finito, ed un nobil portamento la rendono degna degl' encomi che riceve unanimi."
  3. Baines, Anthony (January 1993). Brass Instruments: Their History and Development. Courier Corporation. p. 230. ISBN   9780486275741.