| 20 Grandes Exitos | ||||
|---|---|---|---|---|
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| Compilation album by | ||||
| Released | April 28, 1998 | |||
| Genre | Rock, ska, reggae | |||
| Length | 84:41 | |||
| Label | Sony | |||
| Producer | Los Fabulosos Cadillacs, KC. Porter | |||
| Los Fabulosos Cadillacs chronology | ||||
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20 Grandes Exitos (English: 20 Big Hits) is the second Compilation album by Argentine rock and ska band Los Fabulosos Cadillacs, released in 1998. It is a two-CDs set covering 8 years and 6 albums plus a never-released song "Igual a Quien"
The Allmusic review by Stephen Thomas Erlewine awarded the album 4 stars stating "20 Grandes Exitos is an excellent collection of newly-recorded versions of Los Fabulosos Cadillacs' best and best-known songs that should serve as a good introduction for the curious. ". [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| No. | Title | Writer(s) | Original Album and Year | Length |
|---|---|---|---|---|
| 1. | "Yo No Me Sentaría En Tu Mesa" (I Would not Sit at Your Table) | Vicentico, Flavio Cianciarulo, Fernando Ricciardi, Sergio Rotman | Yo Te Avise , 1987 | 2:55 |
| 2. | "Mi Novia Se Cayó En Un Pozo Ciego" (My Girlfriend Fell in a Blind Hole) | Vicentico, Cianciarulo, Luciano Giugno, Vaino Rigozzi | Yo Te Avise, 1987 | 3:54 |
| 3. | "Conversación Nocturna" (Night Time Conversation) | Vicentico, Ricciardi, Rigozzi, Mario Siperman | El Ritmo Mundial , 1988 | 3:34 |
| 4. | "Contrabando de Amor" (Smuggling of love) | Vicentico | El Satanico Dr. Cadillac , 1989 | 3:27 |
| 5. | "Caballo de Madera" (Wooden Horse) | Cianciarulo | Volumen 5 , 1990 | 3:15 |
| 6. | "Radio Kriminal" | Vicentico, Cianciarulo | Volumen 5, 1990 | 4:20 |
| 7. | "Carnaval Toda la Vida" (Lifelong Carnaval) | Vicentico | El León , 1992 | 6:07 |
| 8. | "Rios De Lágrimas" (Rivers of tears) | Rotman | El León, 1992 | 2:56 |
| 9. | "Arde Buenos Aires" (Buenos Aires Burns) | Cianciarulo | El León, 1992 | 3:14 |
| 10. | "Gallo Rojo" (Red Rooster) | Vicentico | El León, 1992 | 4:27 |
| No. | Title | Writer(s) | Original Album and Year | Length |
|---|---|---|---|---|
| 1. | "Manuel Santillan, El León (Tumbao)" (Manuel Santillan, The Lion) | Cianciarulo | 3:24 | |
| 2. | "Matador" (Killer) | Vicentico | Vasos Vacíos , 1994 | 4:34 |
| 3. | "Vasos Vacíos (En Vivo)" (Empty Glasses (Live)) | Vicentico | El Ritmo Mundial, 1988 | 4:19 |
| 4. | "Mal Bicho" (Bad Bug) | Cianciarulo | Rey Azúcar , 1995 | 4:04 |
| 5. | "Carmela" | Ricciardi | Rey Azúcar, 1995 | 2:58 |
| 6. | "Saco Azul" (Blue Coat) | Vicentico, Valeria Bertuccelli | Rey Azúcar, 1995 | 3:34 |
| 7. | "Las Venas Abiertas De América" (The Open Veins of America) | Cianciarulo | Rey Azúcar, 1995 | 2:43 |
| 8. | "Strawberry Fields Forever" | Lennon–McCartney | Rey Azúcar, 1995 | 4:17 |
| 9. | "Padre Nuestro (Versión Dub)" (Our Father (Dub Version)) | Vicentico | Rey Azúcar, 1995 | 3:37 |
| 10. | "Queen Of The Ghetto (Versión Dub)" | Big Youth, Rotman | Rey Azúcar, 1995 | 5:28 |
| 11. | "Mal Bicho (Babasónicos)" (Bad Bug (Babasónicos band)) | Cianciarulo | 3:56 | |
| 12. | "Igual A Quien (Inédita)" (Same as Who (Unpublished)) | Vicentico | 3:38 |
Free as a Bird is the ninth studio album by the English rock band Supertramp, released in October 1987.
Vasos Vacíos is the 8th album by Argentine rock, ska, and reggae band Los Fabulosos Cadillacs. This album, released in 1993, was a compilation album which included tracks from the band's previous seven albums (1986–1992). This album also contained new arrangements of previous songs, and new songs such as "El Matador".
Released in 1986, Bares y Fondas is the first studio album recorded by Los Fabulosos Cadillacs of Argentina. The album's main genre is Ska. The music, just like the wardrobe in the early band's concerts, was influenced by bands like Madness and The Specials. These aspects were unusual for Argentine rock bands of that period, and gave the Cadillacs a distinctive artistic appeal.
Fabulosos Calavera Released in 1997 is the eleventh album by Argentine band Los Fabulosos Cadillacs. This album has a much darker theme than the previous album of the band talking about death, the devil and hidden messages. This fact, however, didn't stop it for getting gold disc and latter platinum on remastering and the Carlos Gardel Award. The best example of the tone of the album is the fourth track "Sábato", a tribute to Ernesto Sábato and his books El Túnel and Sobre Heroes y Tumbas, while track 11 is a homage to Argentine tango musician and composer Ástor Piazzolla. Track 7, "Hoy Lloré Canción", features famous salsa songwriter Rubén Blades.
Yo Te Avisé! is the second studio album from the Argentine Ska band Los Fabulosos Cadillacs, and was released in 1987. Having built on their experience from the first album, the band also benefited from the assistance of Andres Calamaro in production. On this album, Daniel Lozano joined the band as a guest player on the trumpet, eventually becoming a full-time member.
El Ritmo Mundial Released in 1988 is the third studio album of the Argentine Ska, Reggae band Los Fabulosos Cadillacs. Recorded and edited in 1988, in this album the band expand their musical range to more commercials genres to the age. The album now include the classic Ska along with the apparition of a couple of ballads "Siempre me Hablaste de Ella" and "No. 2 en tu Lista".
El Satanico Dr. Cadillac Released in 1989 is the fourth studio album from the Argentine Ska, reggae band Los Fabulosos Cadillacs.
Vol. 5 Released in 1990 is the fifth studio album from the Argentine Ska, Reggae band Los Fabulosos Cadillacs
El León is the seventh studio album by the Argentine ska and reggae band Los Fabulosos Cadillacs. Released in 1992, the album combines multiple genres and incorporates Caribbean rhythms as well as salsa, calypso and reggae influences. It is a notable album in the history of Argentine rock. In 2007, the Argentine edition of Rolling Stone ranked it 21 on its list of "The 100 Greatest Albums of National Rock".
La Marcha del Golazo Solitario Released in 1999 is the ninth studio album from the Argentine Ska Reggae Latin Rock band Los Fabulosos Cadillacs to reach gold.
Sopa de Caracol Released in 1991 is an EP from the Argentine Ska, Reggae band Los Fabulosos Cadillacs
Hola/Chau, released in 2001, are the thirteenth and fourteenth albums from the Argentine band Los Fabulosos Cadillacs. These, their second live album set, are twin concert albums recorded at the Estadio Obras Sanitarias in Argentina. The concert includes most of the band's hits as well as a reunion with some of the former members of the band.
En Vivo en Buenos Aires Released in 1994 is the ninth album and first live one from the Argentine ska reggae Latin rock band Los Fabulosos Cadillacs. It was well received and earned a gold disc.
La Luz del Ritmo is the fifteenth album by Argentine ska band Los Fabulosos Cadillacs. After a 7-year-long hiatus of the group in which some of the members of the band spent some time in their own projects, Los Fabulosos Cadillacs regrouped to launch a very anticipated disc which includes 5 new songs, 6 remakes and 2 covers, all new versions.
Memorial Collection is a 2009 compilation album of American singer–songwriter and rock and roll pioneer Buddy Holly's master takes and hit singles, including some rare recordings. Along with Down the Line: Rarities, this album was released to commemorate the fiftieth anniversary of Holly's death.
El Arte de la Elegancia de LFC (2009) is the sixteenth album by Argentine ska band Los Fabulosos Cadillacs.
Rey Azúcar is the tenth album by Argentine band Los Fabulosos Cadillacs. It was produced by Tina Weymouth and Chris Frantz of Talking Heads, and contained guest appearances from punk icons Mick Jones of The Clash and Blondie's Debbie Harry, as well as reggae star Big Youth on several tracks. The album title comes from a line on the song "Las Venas Abiertas de América Latina". The song is based on Eduardo Galeano's book of the same title, which also contains a chapter called Rey Azúcar.
Los Fabulosos Cadillacs is an Argentine ska band from Buenos Aires.
Grandes éxitos or Grandes Éxitos may refer to:
20 Grandes Éxitos may refer to:
