Bares y Fondas | ||||
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Studio album by | ||||
Released | 1986 | |||
Genre | Rock en español, ska | |||
Length | 40:47 | |||
Label | Interdisc Universal Music | |||
Producer | Daniel Melingo | |||
Los Fabulosos Cadillacs chronology | ||||
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Bares y Fondas (Spanish for Bars and Taverns) released in 1986, is the first studio album recorded by Los Fabulosos Cadillacs of Argentina. The album's main genre is Ska. The music, just like the wardrobe in the early band's concerts, was influenced by bands like Madness and The Specials. These aspects were unusual for Argentine rock bands of that period, and gave the Cadillacs (the popular shortened version of the band's name) a distinctive artistic appeal.
The album was originally going to be called "Noches Cálidas en Bares y Fondas" (Warm Nights in Bars and Taverns), based on the places where the band hung out and played, but in the end it was decided to use the shorter name, with the same meaning.
The singles of the album were the energetic "Yo Quiero Morirme Aca" ('I Want to Die Here'), the nervous "Silencio Hospital" ('Be Quiet, This is a Hospital') and the ballad "Basta de Llamarme Asi" ('Stop Calling Me That', a song composed by Vicentico as a homage to his defunct sister Tamara).
The album was coldly received by the press, who accused the band of having simple-minded lyrics. To this Vicentico replied:
“Our songs hold a little irony, they are personal stories, anyone can relate to them. Essentially we like people to have just as much fun as we do on the stage. Our message is basically given through our music, something like "dance and shut up", something that our audience understands perfectly”. [1]
Nonetheless, in recent years Vicentico accepted that early criticism to some extent:
“We were pretty dumb, stupid, truly retarded. We couldn't play. But there were some respectable songs like "Basta de Llamarme Asi"”. [2]
The Allmusic review by Victor W. Valdivia awarded the album 2 stars stating "Their first album... was barely an embryonic precursor to future glories... This is definitely a tamer, gentler Fabulosos Cadillacs... There's even a sensitive love ballad, "Galapagos," the kind that they would never even come close to again. It's obvious that at this point the Cadillacs are not much more than the sum of their influences. It's a pleasant enough listen, but hardly representative of their music, and would really be worthy only for diehards". [3]
Review scores | |
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Source | Rating |
Allmusic | [3] |
Vasos Vacíos is the 8th album by Argentine rock, ska, and reggae band Los Fabulosos Cadillacs. This album, released in 1993, was a compilation album which included tracks from the band's previous seven albums (1986–1992). This album also contained new arrangements of previous songs, and new songs such as "El Matador".
"Matador" or "El matador", is a song written by Flavio Cianciarulo, bass player of Los Fabulosos Cadillacs, a rock band from Argentina. It was first released in their 1993 album Vasos Vacíos and it is considered their signature song since the song topped the charts all across Hispanic America.
Fabulosos Calavera Released in 1997 is the eleventh album by Argentine band Los Fabulosos Cadillacs. This album has a much darker theme than the previous album of the band talking about death, the devil and hidden messages. This fact, however, didn't stop it for getting gold disc and latter platinum on remastering and the Carlos Gardel Award. The best example of the tone of the album is the fourth track "Sábato", a tribute to Ernesto Sábato and his books El Túnel and Sobre Heroes y Tumbas, while track 11 is a homage to Argentine tango musician and composer Ástor Piazzolla. Track 7, "Hoy Lloré Canción", features famous salsa songwriter Rubén Blades.
Yo Te Avisé! is the second studio album from the Argentine Ska band Los Fabulosos Cadillacs and was released in 1987. Having built on their experience from the first album, the band also benefited from the assistance of Andres Calamaro in production. On this album, Daniel Lozano joined the band as a guest player on the trumpet, eventually becoming a full-time member.
El Ritmo Mundial Released in 1988 is the third studio album of the Argentine Ska, Reggae band Los Fabulosos Cadillacs. Recorded and edited in 1988, in this album the band expands their musical range to more current commercial genres. The album now includes the classic Ska along with the apparition of a couple of ballads "Siempre me Hablaste de Ella" and "No. 2 en tu Lista".
El Satanico Dr. Cadillac Released in 1989 is the fourth studio album from the Argentine Ska, reggae band Los Fabulosos Cadillacs.
Vol. 5 Released in 1990 is the fifth studio album from the Argentine Ska, Reggae band Los Fabulosos Cadillacs.
El León is the seventh studio album by the Argentine ska and reggae band Los Fabulosos Cadillacs. Released in 1992, the album combines multiple genres and incorporates Caribbean rhythms as well as salsa, calypso and reggae influences. It is a notable album in the history of Argentine rock. In 2007, the Argentine edition of Rolling Stone ranked it 21 on its list of "The 100 Greatest Albums of National Rock".
La Marcha del Golazo Solitario Released in 1999 is the ninth studio album from the Argentine Ska Reggae Latin Rock band Los Fabulosos Cadillacs to reach gold.
Gabriel Julio Fernández Capello, better known as Vicentico, is an Argentine musician and composer. Co-founder and vocalist of the band Los Fabulosos Cadillacs along with Flavio Cianciarulo. He was part of the group since its creation in 1984 to the year 2001, when he began a solo career as a singer. Vicentico won the Latin Grammy Award for Best Rock Album in 2021 for El Pozo Brillante and Best Rock Song for "Ahora 1".
Flavio Oscar Cianciarulo, a.k.a.Sr. Flavio, is the electric and upright bass player from the reunited Argentine band Los Fabulosos Cadillacs and Latin American supergroup De La Tierra.
Hola/Chau, released in 2001, are the thirteenth and fourteenth albums from the Argentine band Los Fabulosos Cadillacs. These, their second live album set, are twin concert albums recorded at the Estadio Obras Sanitarias in Argentina. The concert includes most of the band's hits as well as a reunion with some of the former members of the band.
En Vivo en Buenos Aires Released in 1994 is the ninth album and first live one from the Argentine ska reggae Latin rock band Los Fabulosos Cadillacs. It was well received and earned a gold disc.
La Luz del Ritmo is the fifteenth album by Argentine ska band Los Fabulosos Cadillacs. After a 7-year-long hiatus of the group in which some of the members of the band spent some time in their own projects, Los Fabulosos Cadillacs regrouped to launch a very anticipated disc which includes 5 new songs, 6 remakes and 2 covers, all new versions.
El Arte de la Elegancia de LFC (2009) is the sixteenth album by Argentine ska band Los Fabulosos Cadillacs.
Rey Azúcar is the tenth album by Argentine band Los Fabulosos Cadillacs. It was produced by Tina Weymouth and Chris Frantz of Talking Heads, and contained guest appearances from punk icons Mick Jones of The Clash and Blondie's Debbie Harry, as well as reggae star Big Youth on several tracks. The album title comes from a line on the song "Las Venas Abiertas de América Latina". The song is based on Eduardo Galeano's book of the same title, which also contains a chapter called Rey Azúcar.
Sólo un Momento is the fourth album by Argentine rock and pop singer-songwriter Vicentico. It was released on September 29, 2010.
20 Grandes Exitos is the second Compilation album by Argentine rock and ska band Los Fabulosos Cadillacs, released in 1998. It is a two-CDs set covering 8 years and 6 albums plus a never-released song "Igual a Quien"
Los Fabulosos Cadillacs is an Argentine musical group from Buenos Aires. Their music fuses ska with Latin rock and various other styles.
The 17th Annual Latin Grammy Awards were held on November 17, 2016 at the T-Mobile Arena in Paradise, Nevada.