| A.T.'s Delight | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1960 | |||
| Recorded | August 6, 1960 Van Gelder Studio, Englewood Cliffs | |||
| Genre | Jazz | |||
| Length | 37:00 | |||
| Label | Blue Note BST 84047 | |||
| Producer | Alfred Lion | |||
| Art Taylor chronology | ||||
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A.T.'s Delight is an album by American drummer Art Taylor recorded and released in 1960, his only recording as a leader for Blue Note. [1]
| Review scores | |
|---|---|
| Source | Rating |
| All About Jazz |    [2] |
| AllMusic | [3] |
| MusicHound Jazz | [4] |
| Tom Hull – on the Web | B+ [5] |
The editors of AllMusic awarded the album 4 stars, and reviewer Steve Leggett called it "bright and percussive," writing: "A.T.'s Delight is a solid outing, with a wonderfully nervous but completely focused energy". [3]
Chris Hovan of MusicHound Jazz described the album as "a brilliantly arranged session," and noted the "spirited exchanges between Taylor and conga drummer Potato Valdez," as well as "the appearance of two stellar Kenny Dorham compositions." [4]
Writing for Coda , Duck Baker commented: "Stanley Turrentine and seldom-heard trumpeter Dave Burns are in top form, the rhythm section is fantastic, and excellent arrangements of challenging jazz fare... make Delight a must." [6]
McKinley Howard "Kenny" Dorham was an American jazz trumpeter, composer, and occasional singer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with 'underrated'."
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers, recorded in 1961 and released in 1964 by Blue Note Records. Continuing Blakey's distinct brand of hard bop, this album features compositions from Wayne Shorter, Lee Morgan, Blakey himself, and Kenny Dorham, a former Jazz Messenger. This was the final album by this particular edition of the Jazz Messengers, who had been together for 18 months, as Lee Morgan left after this album and was replaced by Freddie Hubbard.
Max Roach + 4 is an LP recorded by jazz drummer Max Roach, which featured Kenny Dorham on trumpet, Sonny Rollins on tenor sax, Ray Bryant on piano, and George Morrow on bass. It was the first album Roach recorded after his collaborators, trumpeter Clifford Brown and pianist Richie Powell, died in a car crash in June 1956.
Midnight Blue is a 1963 album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. Jazz Improv magazine lists the album among its top five recommended recordings for Burrell, indicating that "[i]f you need to know 'the Blue Note sound', here it is". In 2005, NPR included the album in its "Basic Jazz Library", describing it as "one of the great jazzy blues records". The album has been re-issued by Blue Note.
Carlos Valdés Galán, better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today".
Hank Mobley Quintet, also known as Hank Mobley with Farmer, Silver, Watkins, Blakey, is an album by American jazz saxophonist Hank Mobley recorded on March 8, 1957 and released on Blue Note later that year. The quintet features trumpeter Art Farmer and rhythm section Horace Silver, Doug Watkins and Art Blakey.
The Sugar Man is an album by Stanley Turrentine. The recording is a compilation of four separate dates, each with different conductors, arrangers and other personnel. The album was recorded in 1971 after his successful debut, Sugar for the CTI label, but not released until 1975 after Turrentine had left for Fantasy Records.
Blue Spring is a 1959 album by jazz trumpeter Kenny Dorham and saxophonist Cannonball Adderley released on the Riverside label, featuring performances by Dorham and Adderley with Dave Amram, Cecil Payne, Cedar Walton, Paul Chambers, and Philly Joe Jones or Jimmy Cobb.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
The Return of the Prodigal Son is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson featuring McCoy Tyner.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham, recorded for Blue Note on March 29, 1955 and released later that year on the Blue Note Modern Jazz Series, shortly before the label discontinued the format. It was soon reissued on the new 1500 series, recompiled with a session by an early incarnation of the ensemble, with new cover art.
Quiet Kenny is an album by the American jazz trumpeter Kenny Dorham of performances recorded in 1959 and released on the New Jazz label. The album features Dorham's own composition "Lotus Blossom", which was earlier recorded by Sonny Rollins under the title "Asiatic Raes". The tune has been recorded under both titles subsequently.
Inta Somethin' is a live album by American jazz trumpeter Kenny Dorham featuring performances recorded at The Jazz Workshop in San Francisco in 1961 and released on the Pacific Jazz label.
Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1959 for the Riverside label.
Quiet as It's Kept is an album by American jazz drummer Max Roach featuring tracks recorded in 1959 and released on the Mercury label.
Long as You're Living is a live album by American jazz drummer Max Roach, featuring tracks recorded in West Germany in 1960 and released on the Enja label.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Alone Together: The Best of the Mercury Years is a compilation album featuring recordings by trumpeter Clifford Brown and drummer Max Roach in groups together and separately which were originally released on Mercury and subsidiary labels.
Manhattan Egos is an album by saxophonist Sonny Simmons. It was recorded at Sierra Sound Studios in Berkeley, California on February 10, 1969, and was released on LP later that year by Arhoolie Records. On the album, Simmons is joined by trumpeter Barbara Donald, bassist and percussionist Juma Sultan, drummer Paul Smith, and conga player Voodoo Bembe. In 2000, Arhoolie reissued the album on CD with four additional tracks recorded live on November 6, 1970, at the Newman Center in Berkeley, California, with Simmons in a quartet that features violinist Michael White, bassist Kenny Jenkins, and drummer Eddie Marshall.