The film is about a United States Army captain in post-World War II Berlin, occupied by the Allies during the early days of the Cold War, who is torn between an ex-Nazi cafe singer and the United States congresswoman investigating her. Though a comedy, the film has a serious and cynical political tone, attesting to the fascination of both Wilder and American audiences with the multiple legacies of Berlin.[2]
Plot
In 1947, a United States congressional committee which includes prim Phoebe Frost of Iowa arrives in post-World War IIBerlin to visit the American troops stationed there. Phoebe hears rumors that cabarettorch singer Erika von Schlütow, suspected of being the former mistress of either Hermann Göring or Joseph Goebbels, is being protected by an unidentified American officer. She enlists Captain John Pringle, another Iowan, to assist in her investigation, unaware that he is Erika's current lover.
After seeing Erika with Adolf Hitler in a newsreel filmed during the war, Phoebe asks John to take her to army headquarters after hours to retrieve the singer's official file. In order to distract her, John woos Phoebe, who initially resists his romantic advances but eventually succumbs to his charms.
Colonel Rufus J. Plummer advises John he is aware of his relationship with Erika and orders him to continue seeing her in the hope she will lead them to another of her ex-lovers, ex-Gestapo agent Hans Otto Birgel, believed to be hiding in the American occupation zone. Meanwhile, Erika and Phoebe are arrested during a raid designed to catch Germans without proper identification papers at the Lorelei, the nightclub where Erika performs. At the police station, Erika claims Phoebe as her cousin in order to secure her release without revealing her identity.
Phoebe, grateful for Erika's intercession on her behalf, goes with her to her apartment, where Erika confesses that John is her lover just before he arrives. Humiliated, Phoebe leaves. Later, at the military airport waiting for the fog to clear, Colonel Plummer attempts to reconcile Phoebe and John. John is targeted by a jealous and armed Birgel at the Lorelei, but Birgel is killed by American soldiers who shoot him first. Erika is arrested for her complicity with Birgel, and Phoebe and John are reunited.
While serving with the United States Army in Germany during World War II, Billy Wilder was promised government assistance if he made a film about Allied-occupied Germany, and he took advantage of the offer by developing A Foreign Affair with Charles Brackett and Richard L. Breen. Erich Pommer, who was responsible for the rebuilding of the German film industry, placed what was left of the facilities at Universum Film AG at Wilder's disposal. While researching the existing situation for his screenplay, he interviewed many of the American military personnel stationed in Berlin, as well as its residents, many of whom were having difficulty dealing with the destruction of their city. One of them was a woman he met while she was clearing rubble from the streets. "The woman was grateful the Allies had come to fix the gas," Wilder later recalled. "I thought it was so she could have a hot meal, but she said it was so she could commit suicide".[3]
Marlene Dietrich was Wilder's first choice to play Erika, and Friedrich Hollaender already had written three songs – "Black Market", "Illusions", and "The Ruins of Berlin" – for her to sing in the film (the lyrics were closely tied to the plot), but the director suspected she would be opposed to portraying a woman who collaborated with the Nazis. En route home from Berlin, he stopped in Paris to visit her, ostensibly to hear her opinion about a screen test he had made with June Havoc. "She kept making criticisms and suggestions ... and finally I said, like I had thought of it just that moment, 'Marlene, only you can play this part.' And she agreed with me," Wilder said.[3]
Wilder persuaded Jean Arthur, who was attending college at the time, to come out of retirement to play Phoebe. Throughout filming, the actress felt the director was favoring Dietrich, and late one night she and her husband Frank Ross went to Wilder's home to confront him with her suspicions. "Marlene told you to burn my close-up", an extremely upset Arthur insisted. "She doesn't want me to look better than she does." Wilder, knowing such insecurities were common when two very different personalities were working together, tried to reassure her he was not playing favorites, although of all the actresses he directed, he admired Dietrich most of all. "The crews adored her ... She liked to find somebody with a cold, so she could make chicken soup for him. She loved to cook," Wilder recollected. Years later, Arthur called Wilder to tell him she finally had seen the film and liked it, apologized and said she would act in any future Wilder project.[3]
Bosley Crowther of The New York Times called the film "a dandy entertainment which has some shrewd and realistic things to say" and added, "Congress may not like this picture . . . and even the Department of the Army may find it a shade embarrassing. For the Messrs. Brackett and Wilder, who are not the sort to call a spade a trowel . . . are here making light of regulations and the gravity of officialdom in a smoothly sophisticated and slyly sardonic way". He continued, "Under less clever presentation this sort of traffic with big stuff in the current events department might be offensive to reason and taste. But as handled by the Messrs. Brackett and Wilder . . . it has wit, worldliness and charm. It also has serious implications, via some actuality scenes in bombed Berlin, of the wretched and terrifying problem of repairing the ravages of war. Indeed, there are moments when the picture becomes down-right cynical in tone, but it is always artfully salvaged by a hasty nip-up of the yarn".[4]
In later years, Channel 4 lauded A Foreign Affair as "one of Wilder's great forgotten films ... worthy of rapid rediscovery",[5] while Andrea Mullaney of Eye For Film wrote in 2006 that the film was "talky, intelligent, cynical" and "as relevant to the current American involvement in Iraq as if it had been made yesterday".[6] On the review aggregator website Rotten Tomatoes, A Foreign Affair has an approval rating of 100% based on 14 reviews, with an average score of 7.5/10.[7] Its rank on Metacritic is at 75 out of a 100 basing on 7 critics, indicating "generally favorable reviews".[8]
A Foreign Affair has been released in both VHS and DVD formats. On 27 November 2006, it was released as part of the 18-film Marlene Dietrich: The Movie Collection for the UK market.[11] However, in April 2007 Dietrich's estate, Die Marlene Dietrich Collection GmbH, obtained an injunction which forced Universal Pictures to withdraw the DVD set due to an alleged contract breach.[12][13]
In 2012, Universal through TCM released a 2-DVD set Directed by Billy Wilder featuring Five Graves to Cairo and A Foreign Affair.
Destry Rides Again is a 1939 American Western comedy film directed by George Marshall and starring Marlene Dietrich and James Stewart. The supporting cast includes Mischa Auer, Charles Winninger, Brian Donlevy, Allen Jenkins, Irene Hervey, Billy Gilbert, Bill Cody Jr., Lillian Yarbo, and Una Merkel.
Billy Wilder was an Austrian-born filmmaker and screenwriter. His career in Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He received seven Academy Awards, a BAFTA Award, the Cannes Film Festival's Palme d'Or and two Golden Globe Awards.
Morocco is a 1930 American pre-Code romantic drama film directed by Josef von Sternberg and starring Gary Cooper, Marlene Dietrich, and Adolphe Menjou. Based on the 1927 novel Amy Jolly by Benno Vigny and adapted by Jules Furthman, the film is about a cabaret singer and a Legionnaire who fall in love during the Rif War, and whose relationship is complicated by his womanizing and the appearance of a rich man who is also in love with her. The film is famous for a scene in which Dietrich performs a song dressed in a man's tailcoat and kisses another woman, both of which were considered scandalous for the period.
Sunset Boulevard is a 1950 American black comedy film noir directed by Billy Wilder and co-written by Wilder and Charles Brackett. It was named after a major street that runs through Hollywood.
Witness for the Prosecution is a 1957 American legal mystery thriller film directed by Billy Wilder and starring Tyrone Power, Marlene Dietrich, Charles Laughton, and Elsa Lanchester. The film, which has elements of bleak black comedy and film noir, is a courtroom drama set in the Old Bailey in London and is based on the 1953 play of the same name by Agatha Christie. The first film adaptation of Christie's story, Witness for the Prosecution was adapted for the screen by Larry Marcus, Harry Kurnitz, and Wilder. The film was acclaimed by critics and received six Academy Award nominations, including Best Picture. It also received five Golden Globes nominations including a win for Elsa Lanchester as Best Actress in a Supporting Role. Additionally, the film was selected as the sixth-best courtroom drama ever by the American Film Institute for their AFI's 10 Top 10 list.
Marie Magdalene "Marlene" Dietrich was a German and American actress and singer whose career spanned from the 1910s to the 1980s.
Stage Fright is a 1950 British thriller film noir directed and produced by Alfred Hitchcock and starring Jane Wyman, Marlene Dietrich, Michael Wilding and Richard Todd. The cast also features Alastair Sim, Sybil Thorndike, Kay Walsh, Hitchcock's daughter Pat Hitchcock in her film debut, and Joyce Grenfell in a vignette.
The Blue Angel is a 1930 German musical comedy-drama film directed by Josef von Sternberg and starring Marlene Dietrich, Emil Jannings and Kurt Gerron. Written by Carl Zuckmayer, Karl Vollmöller and Robert Liebmann, with uncredited contributions by Sternberg, it is based on Heinrich Mann's 1905 novel Professor Unrat and set in an unspecified northern German port city. The Blue Angel presents the tragic transformation of a respectable professor into a cabaret clown and his descent into madness. The film was the first feature-length German sound film and brought Dietrich international fame. It also introduced her signature song, Friedrich Hollaender and Robert Liebmann's "Falling in Love Again ". The film is considered a classic of German cinema.
Charles William Brackett was an American screenwriter and film producer. He collaborated with Billy Wilder on sixteen films.
Friedrich Hollaender was a German film composer and author.
John Lund was an American film, stage, and radio actor who is probably best remembered for his role in the film A Foreign Affair (1948) and a dual role in To Each His Own (1946).
Billy Wilder (1906–2002) was an Austrian filmmaker. Wilder initially pursued a career in journalism after being inspired by an American newsreel. He worked for the Austrian magazine Die Bühne and the newspaper Die Stunde in Vienna, and later for the German newspapers Berliner Nachtausgabe, and Berliner Börsen-Courier in Berlin. His first screenplay was for the German silent thriller The Daredevil Reporter (1929). Wilder fled to Paris in 1933 after the rise of the Nazi Party, where he co-directed and co-wrote the screenplay of French drama Mauvaise Graine (1934). In the same year, Wilder left France on board the RMS Aquitania to work in Hollywood despite having little knowledge of English.
Just a Gigolo is a 1978 West German drama film directed by David Hemmings and starring David Bowie. Set in post-World War I Berlin, it also features Sydne Rome, Kim Novak and Marlene Dietrich in her final film role.
Fedora is a 1978 German-French drama film directed by Billy Wilder and starring William Holden and Marthe Keller. The screenplay by Wilder and I.A.L. Diamond is based on Tom Tryon's novella in the collection Crowned Heads.
Bluebeard's Eighth Wife is a 1938 Paramount Pictures American romantic comedy film directed and produced by Ernst Lubitsch and starring Claudette Colbert and Gary Cooper. The film is based on the 1921 French play La huitième femme de Barbe-Bleue by Alfred Savoir and the English translation of the play by Charlton Andrews. The screenplay was the first of many collaborations between Charles Brackett and Billy Wilder. The film is a remake of the 1923 silent version directed by Sam Wood and starring Gloria Swanson.
Seven Sinners is a 1940 American drama romance film directed by Tay Garnett starring Marlene Dietrich and John Wayne in the first of three films they made together. The film was produced by Universal Pictures in black and white.
Marlene Dietrich was a German and American actress and singer.
Max Colpet was an American writer, scriptwriter and lyricist of Russian-German descent.
20th Century Blues is a live 1996 album by English singer Marianne Faithfull, in collaboration with pianist Paul Trueblood.
Marlene Dietrich's recording career spanned sixty years, from 1928 until 1988. She introduced the songs "Falling in Love Again " and "See What the Boys in the Back Room Will Have". She first recorded her version of "Lili Marlene" in 1945.
Smedley, Nick (2011). A Divided World: Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948. Bristol, UK: Intellect. pp.218–223. ISBN978-1-84150-402-5. LCCN2010041838.
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