Photo of Gloria Swanson with Billy Wilder in 1950. | ||
Award | Wins | Nominations |
---|---|---|
7 | 21 | |
1 | 5 | |
1 | 10 | |
3 | 6 | |
3 | 6 | |
3 | 6 |
The following is a list of awards and nominations received by American filmmaker Billy Wilder.
Wilder was an American film writer, director, producer, with a Hollywood career that spanned over five decades, and is regarded as one of the most brilliant and versatile filmmakers for Classical Hollywood cinema. His most recognized films include: the crime noir Double Indemnity (1944), the film noir The Lost Weekend (1945), the black comedy Sunset Boulevard (1950), the newspaper drama Ace in the Hole (1951), the war film Stalag 17 (1953), the romance Sabrina (1954), the comedy The Seven Year Itch (1955), the epic The Spirit of St. Louis , the romantic comedy Love in the Afternoon , and the courtroom drama Witness for the Prosecution (all 1957), as well as gender bending comedy Some Like It Hot (1959), and the romance drama The Apartment (1960).
Over his distinguished and varied career as a director he has received 21 Academy Award nominations winning six awards for The Lost Weekend, Sunset Boulevard, and The Apartment. He also earned two British Academy Film Award nominations and a win for The Apartment as well as seven Golden Globe Award nominations winning twice for The Lost Weekend and Sunset Boulevard. He has also received 5 Writers Guild of America Award wins as well as the Cannes Film Festival's prestigious Palme d'Or for The Lost Weekend in 1945 and the Venice Film Festival award for Best Director for Ace in the Hole.
He has also received various honorary awards, and tributes including the Academy of Motion Pictures Arts and Sciences' Irving G. Thalberg Memorial Award in 1987, and the BAFTA Fellowship in 1995. He has also received the Directors Guild of America Lifetime Achievement Award, the Producers Guild of America's David O. Selznick Achievement Award and two Laurel Awards for Screenwriting Achievements from the Writers Guild of America. He has also been honored with a Gala Tribute at Film at Lincoln Center (1982), the American Film Institute's Life Achievement Award (1986), Berlin International Film Festival's Honorary Golden Bear (1993), the Kennedy Center Honors (1990), and a National Endowment for the Arts (1993).
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1939 | Best Screenplay | Ninotchka | Nominated | [1] |
1941 | Best Story | Ball of Fire | Nominated | [2] |
Best Screenplay | Hold Back the Dawn | Nominated | ||
1944 | Best Director | Double Indemnity | Nominated | [3] |
Best Screenplay | Nominated | |||
1945 | Best Director | The Lost Weekend | Won | [4] |
Best Screenplay | Won | |||
1948 | A Foreign Affair | Nominated | [5] | |
1950 | Best Director | Sunset Boulevard | Nominated | [6] |
Best Original Screenplay | Won | |||
1951 | Ace in the Hole | Nominated | [7] | |
1953 | Best Director | Stalag 17 | Nominated | [8] |
1954 | Sabrina | Nominated | [9] | |
Best Screenplay | Nominated | |||
1957 | Best Director | Witness for the Prosecution | Nominated | [10] |
1959 | Some Like It Hot | Nominated | [11] | |
Best Screenplay | Nominated | |||
1960 | Best Picture | The Apartment | Won | [12] |
Best Director | Won | |||
Best Original Screenplay | Won | |||
1966 | The Fortune Cookie | Nominated | [13] | |
1987 | Irving G. Thalberg Memorial Award | Won | [14] | |
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1960 | Best Film | Some Like It Hot | Nominated | [15] |
1961 | The Apartment | Won | [16] | |
1995 | BAFTA Fellowship | Won | [17] | |
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1946 | Best Director | The Lost Weekend | Won | [18] |
1951 | Sunset Boulevard | Won | [18] | |
Best Screenplay | Nominated | |||
1958 | Best Director | Witness for the Prosecution | Nominated | [18] |
1961 | The Apartment | Nominated | [18] | |
1973 | Avanti! | Nominated | [18] | |
Best Screenplay | Nominated | |||
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1950 | Outstanding Directing – Feature Film | Sunset Boulevard | Nominated | [19] [20] |
1953 | Stalag 17 | Nominated | ||
1954 | Sabrina | Nominated | ||
1956 | The Seven Year Itch | Nominated | ||
1957 | Love in the Afternoon | Nominated | ||
Witness for the Prosecution | Nominated | |||
1959 | Some Like It Hot | Nominated | ||
1960 | The Apartment | Won | ||
1984 | D.W. Griffith Award | Won | ||
1990 | Preston Sturges Award | Won | ||
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1997 | David O. Selznick Achievement Award | Won | [21] | |
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1951 | Best Written Drama | Sunset Boulevard | Won | [22] [23] |
1955 | Best Written Comedy | Sabrina | Won | |
1957 | Laurel Award for Screenwriting Achievement | Won | ||
1958 | Best Written Comedy | Love in the Afternoon | Won | |
1960 | Some Like It Hot | Won | ||
1961 | The Apartment | Won | ||
1980 | Laurel Award for Screenwriting Achievement | Won | ||
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1946 | Palme d'Or | The Lost Weekend | Won | [24] |
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1951 | International Award for Best Director | Ace in the Hole | Won |
New York Film Critics Circle Awards
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1944 | Best Director | Double Indemnity | Nominated | [25] [26] [27] |
1946 | The Lost Weekend | Won | ||
1950 | Sunset Boulevard | Nominated | ||
1960 | The Apartment | Won | ||
Best Screenplay | Won | |||
Best Film | Won | |||
1961 | Best Director | One, Two, Three | Nominated | |
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
1982 | Film at Lincoln Center | Gala tribute | Won | [19] |
1986 | American Film Institute | Life Achievement Award | Won | [19] |
1993 | Berlin International Film Festival | Honorary Golden Bear | Won | [19] |
1990 | John F. Kennedy Center for the Performing Arts | Kennedy Center Honors | Won | [28] |
1993 | National Endowment for the Arts | National Medal of Arts | Won | [21] |
Billy Wilder was an Austrian-born filmmaker and screenwriter. His career in Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He received seven Academy Awards, a BAFTA Award, the Cannes Film Festival's Palme d'Or and two Golden Globe Awards.
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The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
George Cooper Stevens was an American film director, producer, screenwriter and cinematographer. He received two Academy Awards and the Irving G. Thalberg Memorial Award in 1953.
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Charles William Brackett was an American screenwriter and film producer. He collaborated with Billy Wilder on sixteen films.
Billy Wilder (1906–2002) was an Austrian filmmaker. Wilder initially pursued a career in journalism after being inspired by an American newsreel. He worked for the Austrian magazine Die Bühne and the newspaper Die Stunde in Vienna, and later for the German newspapers Berliner Nachtausgabe, and Berliner Börsen-Courier in Berlin. His first screenplay was for the German silent thriller The Daredevil Reporter (1929). Wilder fled to Paris in 1933 after the rise of the Nazi Party, where he co-directed and co-wrote the screenplay of French drama Mauvaise Graine (1934). In the same year, Wilder left France on board the RMS Aquitania to work in Hollywood despite having little knowledge of English.
The Academy Award for Best Original Screenplay is the Academy Award for the best screenplay not based upon previously published material. It was created in 1940 as a separate writing award from the Academy Award for Best Story. Beginning with the Oscars for 1957, the two categories were combined to honor only the screenplay.