| Alien: Specimen | |
|---|---|
| Directed by | Kelsey Taylor [1] [2] |
| Written by | Federico Fracchia [3] |
| Based on | |
| Produced by |
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| Starring |
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| Cinematography | Adam Lee |
| Edited by | Kelsey Taylor |
| Music by | Robert Evan Hunt |
Production companies | |
| Distributed by | IGN 20th Century Fox |
Release dates |
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Running time | 10 minutes |
| Country | United States |
Alien: Specimen, originally Alien: The Greenhouse Effect, [4] is a short film based on the science fiction action media franchise Alien . Released via IGN on April 5, 2019, coinciding with the 40th anniversary of the franchise, the film was written by Federico Fracchia and directed by Kelsey Taylor, through Tongal Studios and 20th Century Fox. [5] Starring Jolene Andersen, Goose, and Aubrey Wakeling, the film follows botanist Julie and her dog Maggie as they attempt to escape a facehugger.
The seventeenth short film in the Alien franchise, it received a positive critical reception. [6] [7] [8] The plot element introduced in the film of xenomorph eggs being smuggled across the galaxy would be returned to in the 2023 video game Aliens: Dark Descent .
In a remote greenhouse facility on LV-492, [9] Weyland-Yutani botanist Julie works the night shift with the company of outpost dog Maggie. On discovering an unexpected shipment of barrels of soil, [a] she radios her colleague Dev to express suspicion, who dismisses her concerns and tells her to get back to work. Later that night, Julie discovers one of the barrels of soil to have been tipped over. As she discovers an open egg within the barrel, the facility's power goes out, setting it into lockdown; Julie and Maggie then find themselves hunted by the facehugger that hatched from the egg and cut the power lines, attempting to hold it off using a shovel as Dev tries to restore power remotely.
Before the facehugger can latch itself to Julie, Maggie tackles it into the darkness, before the power comes back and Julie cuts the facehugger in half. Dev arrives on the scene to see an emotional Julie seeing to the twitching body of Maggie — revealed as a synthetic dog — and on thanking her for saving her life, Julie grants Maggie a mercy kill. [11] [12]
In July 2018, it was reported that 20th Century Fox had joined forces with Tongal Studios to produce a series of Alien short films to coincide with the 40th anniversary of the franchise. [13] [14] [15] By March 2019, the details of the short films were released, Tongal co-founder and CEO James DeJulio describing the joint-production as "reflective of Tongal's mission to bring creative opportunities to the next generation of talent." [16] [17] The second short released and the seventeenth overall in the franchise, Alien: Containment was written by Federico Fracchi and directed by Kelsey Taylor, describing herself as having "committed to making our short feel as though it was made in a similar era as the original. We really strived for our production design to be analog, the wardrobe to have similar textures to the original, the addition of grain to the image", while having the premise "embrace the situational aspects of Alien–– someone just trying to do their job and finding themselves in the midst of a terrible situation forced to choose between hiding out or facing the monster head on", attributing the greenhouse setting to her writer Federico Fracchia, and the production of the film as a "collaborative effort [as] we both built off each other's ideas", [18] with visual effects provided by Luc Delamare.
Alien: Specimen was released on the IGN website on March 29, 2019, after which it was uploaded to the Alien Universe website, and all Alien social media pages on May 5, 2019, the short film then premiering alongside five others at the Emerald City Comic Con in Seattle, [16] and as a Movies Anywhere-exclusive bonus feature accompanying the digital release of Alien. [19]
Alien: Specimen received a positive critical reception. Josh Weiss of MovieWeb complimented the film as a "delight [to] fans of the series who are desperate for some facehugger action", praising its "very much in line" aesthetic and its tone for "really feel[ing] at home alongside the Alien movies", [6] with Vijay Varman of Circle of Cinema praising the film for "eschew[ing] the specific repetition of the Alien installments [to] instead [depict] a much broader depiction of girl vs monster", with "incredible sound design [m]ixed with strong cinematorgraphy [embodying] a product that oozes the same spine-chilling atmosphere from Alien", providing "something very unique to the Alien domain". [7] Eric Li of The Scariest Things praised it for playing off the "old chestnut of a trope" of putting a dog in danger, embodying "fantastic storytelling, using all the lore possible for this scenario packed into one ten-minute piece", along with being "smartly written, playing upon our expectations and then giving it a knowing wink at the close". [8]
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