Allama | |
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Directed by | T. S. Nagabharana |
Screenplay by | T. S. Nagabharana |
Story by | T. S. Nagabharana |
Produced by | Srihari L. Khode |
Starring | Dhananjaya Meghana Raj |
Cinematography | G. S. Bhaskar |
Music by | Bapu Padmanabha |
Production company | Yajaman Enterprises |
Distributed by | Mars Distributors |
Release date |
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Running time | 139 minutes |
Country | India |
Language | Kannada |
Allama is a 2017 Indian Kannada musical drama Historical film directed by T. S. Nagabharana. [1] The film stars Dhananjaya and Meghana Raj in the lead roles. Principal photography of the film started in late 2015. It was released theatrically on 26 January 2017.
The film was nominated as India's entry for the International Council for Film, Television and Audio-visual Communication (ICFT) UNESCO Gandhi Medal. [2] At the 64th National Film Awards, it won awards for Best Music Direction for Songs and Best Background Score (Bapu Padmanabha) and Best Make-up Artist (N. K. Ramakrishna). [3]
The film captures the story of the rebellious thinker Allama, also known as Allama Prabhu. It narrates the tale of the 12th-century metaphysician, a son of a temple dancer, who embarks on a quest for knowledge and answers to his four core sentiments, yearning, and obsession – Maddales, failures, and self-realization.
Allama | |
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Soundtrack album by | |
Released | 31 March 2016 |
Genre | Feature film soundtrack |
Length | 41:12 |
Language | Kannada |
Label | Aantardhwani |
Bapu Padmanabha scored the film's background and soundtrack. The soundtrack album consists of 18 tracks. [4] It includes 14 vachanas; 11 of Allama Prabhu, and 1 each of Basava, Akka Mahadevi and Siddheshwar. The album was released on 31 March 2016 in Bangalore. [5]
No. | Title | Lyrics | Artist(s) | Length |
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1. | "Honnu Maaye Embaru" | Allama Prabhu | Hemanth | 2:05 |
2. | "Ayya Nimma" | Basava | Ganesh Desai | 1:30 |
3. | "Banavasi Kaada Tumba" | Doddarange Gowda | Rajesh Krishnan | 3:46 |
4. | "Sri Guruve Enage" | Traditional | Rajesh Krishnan | 2:02 |
5. | "Pranathiyu Ide Batthiyu Ide" | Allama Prabhu | Hemanth | 3:07 |
6. | "Sambandha Asambandha" | Allama Prabhu | Hemanth | 1:28 |
7. | "Temple Dance" | Traditional | Tejaswini M. K. | 3:51 |
8. | "Nelada Bombeya Maadi" | Allama Prabhu | Bapu Padmanabha | 1:35 |
9. | "Maya Shringara" | B. R. Lakshmana Rao | Manjula Gururaj | 3:17 |
10. | "Kaana Baarada Lingavu" | Allama Prabhu | Rajesh Krishnan | 1:29 |
11. | "Kaalugaleradu Gaali Kandayya" | Allama Prabhu | Shankar Mahadevan | 2:09 |
12. | "Agniya Suduvalli" | Allama Prabhu | Shankar Mahadevan | 2:17 |
13. | "Ettana Maamara Ettana Kogile" | Allama Prabhu | Shankar Mahadevan | 2:10 |
14. | "Sutthi Sutthi Bandhadilla" | Allama Prabhu | Shankar Mahadevan | 1:36 |
15. | "Sangana Basavannana Paadava" | Akka Mahadevi | Sangeetha Katti | 2:53 |
16. | "Vachanaanubhava" | Siddheshwar | Ganesh Desai | 1:04 |
17. | "Kendadha Giriya Melondu" | Allama Prabhu | Bapu Padmanabha | 1:28 |
18. | "Bayalu Bayalane Bitthi" | Allama Prabhu | Rajesh Krishnan | 3:25 |
Total length: | 41:12 |
The film landed in controversy prior to its release in January 2016, after groups, such as Rashtriya Basavadal and Basava Peetha, staged demonstrations in Dharwad calling for its ban. They alleged that the film wrongly depicts the ritual of wearing miniaturized iconographic form of the deity Shiva, the Jyotirlinga. They claimed that, instead, Ishtalinga should have been depicted. [6] The film shows the worship of Lingam performed placing it on the devotee's right hand, when they claimed that history states that it was done by keeping it in the left hand. The protesters also said that Allama Prabhu and Akka Mahadevi are depicted in the film without wearing the lingam. They claimed that "all these scenes prove that it is a systematic approach to fabricate vachana sahitya", in a memorandum submitted to the Chief Minister of Karnataka calling for the film's ban. [7]
Lingayatism is a Hindu denomination based on Shaivism. Initially known as Veerashaivas, since the 12th-century adherents of this faith are known as Lingayats.
Akka Mahadevi was an early poet of Kannada literature and a prominent member of the Lingayat Shaiva sect in the 12th century. Her 430 vachanas, and the two short writings called Mantrogopya and the Yogangatrividh are considered her known contributions to Kannada literature. The term Akka was an honorific given to her by saints such as Basavanna, Siddharama, and Allamaprabhu as an indication of her high place in the spiritual discussions held at the "Anubhava Mantapa". She is regarded to be a major female figure in Kannada literature and in the history of Karnataka. She considered the god Shiva as her husband.
Basavakalyana is a historical city and municipal council in the Bidar District of the Indian state of Karnataka. It was the capital of two dynasties—Kalyani Chalukya and Kalachuris of Kalyani. It is famous for the world's tallest Basavanna statue, which stands 108 feet high. It is one of the major cities and industrial hubs of Bidar district.
Allamaprabhu was a 12th-century mystic-saint and Vachana poet of the Kannada language, propagating the unitary consciousness of Self and Shiva. Allamaprabhu is one of the celebrated poets and the patron saint of the Lingayata movement that reshaped medieval Karnataka society and popular Kannada literature. He is included among the "Trinity of Lingayathism", along with Basavanna, the founder of the movement, and Akka Mahadevi, the most prominent woman poet.
Balligavi a town in Shikaripura taluk Shivamogga district of Karnataka state, India, is today known as Belagami or Balagame. Its ancient names are Baligrama, Dakshina Kedara, Valliggame and Valligrame. Dakshina Kedara means Kedarnath of the South. A place of antiquity, it is known for its ancient monuments. Balligavi is located 72 km from Shivamogga city and 21 km from Shikaripura town and 2.3 km from Shiralakoppa in Shikaripura taluk. Balli in Kannada means creeper or vine.
Channabasavanna also known as " Guru Channabasaveshwara " was Basava's nephew and one of the foremost Sharanas of the 12th century. He, along with Basava, Allama Prabhu and Akka Mahadevi, played a pivotal role in the propagation of the Lingayat faith. He was the youngest among the sharana leaders and grew up in the household of Basavanna as he was the son of Nagalambike, Basava's own sister. He also wrote the Karana Hasuge which is one of the most sacred texts of the Lingayats, among many vachanas. He propounded the "shatasthala" philosophy associated with the six holy places of Veerashaiva Lingayat creed. He succeeded to the Shunya Simhasana at Anubhava Mantapa, Kalyana after the departure of Allama Prabhu, circa 1162ad. His young shoulders carried on the legacy of Basava after the latter's departure to Kudalasangama in 1162ad. He is credited to have systematised the entire manual of simple rituals for the followers. He was a strong advocate of the Ishtalinga wearing and expounded the material as well as the esoteric meaning of that divine symbol. He held together the nascent group of Shivasharanas and Jangmas in tumultuous times of clashes with the orthodox Brahmins and heretic Jains. Following the assassination of Kalachuri King Bijjala II in 1167 A.D, Channabasava along with his followers migrated to Ulavi safeguarding the Vachana literature. He attained Samadhi state there at the age of 25 passing on the leadership of the movement to Siddarama.
Anubhava Mantapa, established by Basavanna in the 12th century C.E., is a religious complex located in Tipranth, Basavakalyan, in the Bidar district of Karnataka. It is the first religious parliament in the world, whose name is literally translated as "experience pavilion", and was an academy of mystics, saints and philosophers of the lingayat faith in the 12th century. It was the source of essentially all religious and philosophical thought pertaining to the lingayat, and was presided over by the mystic Allama Prabhu, with numerous Sharanas from all over Karnataka and other parts of India participating.
A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani, and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.
Vachana sahitya is a form of rhythmic writing in Kannada that evolved in the 11th century and flourished in the 12th century, as a part of the Sharana movement. The word "vachanas" literally means "(that which is) said". These are readily intelligible prose texts. These writings are notable for their simplicity and directness, often addressing social issues and personal devotion. They were composed in Kannada by saints of the Lingayat faith, most notably Basavanna, Akka Mahadevi, and Allama Prabhu. Vachanas critique rituals and caste discrimination, advocating a form of worship centered on Shiva, envisioned as a universal god.
Siddheshwar also known as Siddharameshwar and Siddharama was one among the five acharya ("saint") of the Veerashaiva faith. Siddheshwar was a great contributor to Lingayat sampradaya of Hinduism. He was a great mystic and a Kannada poet who was a part of Basavanna's Lingayat revolution during the 12th century. His philosophy was one of service to mankind, the path of Shivayoga. Siddarama was instrumental in saving the vachana literature from destruction. Shri Siddharameshwar was born in Solapur City of Maharashtra.
Pattabhiramaiah Sheshadri is an Indian film director who works in Kannada cinema. He is known for his films Munnudi, Atithi, Beru, Tutturi, Vimukthi, Bettada Jeeva, Bharath Stores and December-1. He has also worked as a director in various television serials.
Madivala Machideva, also known as Veera Ganachari Madivala Machideva, was an Indian warrior of the 12th-century.
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Kranthiyogi Basavanna is a 1983 Indian Kannada-language film, directed by K. S. L. Swamy (Ravee). The film stars Ashok, Aarathi, Srinivasa Murthy, Manjula, Hema Chowdhary. The film has musical score by M. Ranga Rao. This movie is about life of one of the greatest social reformer of India Vishwa Guru Basavanna. He is the founder of Lingayat religion. Basavanna was first on earth to come up with idea of a parliament. In 12th century, Basavanna formed the first parliament in the world called "Anubhava Mantapa".
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Haralayya or Guru Haralayya was a 12th-century great saint and poet of Vachana sahitya in India. He joined Anubhava Mantapa, the hall created by Basava, where every caste was welcome.