Antoinette Halloran

Last updated

Halloran in 2016 Antoinette Halloran.jpg
Halloran in 2016

Antoinette Halloran is an Australian operatic soprano.

Contents

Education

Antoinette Halloran grew up in the Melbourne suburbs of Rosanna and Deer Park. [1] She attended Mac.Robertson Girls' High School [2] and is a graduate of the Victorian College of the Arts where she won the Mabel Kent Scholarship and completed a Diploma of Arts (Voice); she has an honours degree in music from the University of Melbourne. [3] [4]

Early career

In 1997, Halloran appeared in the Australian film True Love And Chaos. [5] She also appeared on the 2000 album Since I Left You by the Australian electronic music group The Avalanches. [6]

In 1999, she sang Madam Olga in a national tour of Lehár's The Merry Widow and the Mona Lisa for the Australian premiere of the musical Leonardo the Musical: A Portrait of Love . In 2000, Halloran was cast by the New York producers of Forbidden Broadway to perform opposite Philip Gould in the Melbourne season. In 2002, she appeared as Sophie de Palma in the national touring production of Master Class . [7]

She performed Mimì in Puccini's La bohème for Oz Opera (the touring arm of Opera Australia); reprising the role several times in her career. In November 2002 she sang the title role in Jonathan Mills' The Ghost Wife at the Barbican Centre in London with Richard Gill conducting. [8]

She played Gilda in Rigoletto – a perversion and Desdemona in Otello – a subversion for Theatre Works in their Verdi trilogy. [7]

For Chamber Made Opera, Halloran has performed roles in Dominique Probst's Motherland of the Foreign Son and in Elena Kats-Chernin's Matricide – the Musical. [9]

In 2004, she toured Japan as Carlotta in Ken Hill's Phantom of the Opera and played the role of Mrs Segstrom for the Melbourne Theatre Company in their production of Sondheim's A Little Night Music in Melbourne and Sydney. [10] She won the Puccini Foundation Award of the Australian Acclaim Awards helping her to study with Italian soprano Carla Maria Izzo, and perform the roles of Kate Pinkerton in Puccini's Madama Butterfly and Prima Ancella in Turandot at the Festival Puccini in Torre del Lago, Italy. [11] She represented Australia at the International Hans Gabor Belvedere Singing Competition, hosted by the Wiener Kammeroper. [12]

In 2006, she appeared with Ali McGregor and Dimity Shepherd in the show Opera Burlesque in the Spiegeltent "La Gayola" at the Edinburgh Festival [13]

Roles for Opera Australia include Mimì in La bohème, Despina in Mozart's Così fan tutte , Gianetta in Gilbert and Sullivan's The Gondoliers and Josephine in H.M.S. Pinafore , Ellen in Delibes' Lakmé . On 14 January 2009, she stepped in as understudy for Cheryl Barker to sing Cio-Cio San in Madama Butterfly.

For Melbourne Opera she has sung Cio-Cio San in Madama Butterfly, Donna Elvira in Mozart's Don Giovanni , Pamina in The Magic Flute and Fiordiligi in Così fan tutte. Halloran sang Fiordiligi for the inaugural season of Victorian Opera in 2006.

The same year she also appeared as a judge and panelist on the ABC Television series Operatunity Oz , and she appeared regularly on the ABC show Spicks and Specks .

In 2007, Halloran sang the title role in Antonín Dvořák's Rusalka (in Czech), a highly acclaimed Stella in the Australian premiere of Previn's A Streetcar Named Desire which won her a Helpmann Award nomination for best "Best female performer in a supporting role in an opera", [14] and Johanna Barker in Sondheim's Sweeney Todd for Opera Australia.

In 2008 she sang again Cio-Cio San and Mimì both for Opera Australia and, in a different production, for New Zealand Opera, and Adina in Donizetti's L'elisir d'amore for Victorian Opera. Halloran sang the title role in Tosca for Melbourne Opera in 2009 and again in 2017 for the West Australian Opera. In 2010, she sang the title role in The Merry Widow for Opera Queensland (her Brisbane début) and Rosalinde in Die Fledermaus for Opera Australia. [15]

Established career

She returned to Victorian Opera in 2017 as The Fox Zlatohřbítek in Leoš Janáček's The Cunning Little Vixen . [16] In 2018, Halloran, Dimity Shepherd and Ali McGregor appeared in a new work, Lorelei, for Victorian Opera (Melbourne); this production travelled in 2020 to Opera Queensland. [17] Melbourne Opera mounted Wagner's Der Ring des Nibelungen at the Ulumbarra Theatre in Bendigo in 2023, Halloran sang the role of the valkyrie Brünnhilde, who appears in three operas of the tetralogy. [18]

Concert performances

Halloran's concert performances include Mozart's Requiem with the Hong Kong Philharmonic Orchestra, Orff's Carmina Burana with the Melbourne Chorale, John Adams' El Niño with Sydney Philharmonia, Haydn’s Creation and Fauré's Requiem with the Royal Melbourne Philharmonic. She has appeared in concert with Elvis Costello and the Brodsky Quartet for the Sydney Festival. Halloran has also been invited as guest soloist with the Adelaide, Canberra, Melbourne, Tasmanian symphony orchestras and with the Sydney Philharmonia Choirs. In 2017, she accompanied José Carreras on the Australian leg of his world farewell tour. [19]

Corporate ventures

Halloran originally performed with the classical performance group Pot-Pourri; having also reached an advanced level of classical ballet, she became later their choreographer and artistic consultant. [20]

Antoinette Halloran, Dimity Shepherd, Emily Whelan, Tiffany Speight, Danielle Calder, Ali McGregor form the group DivasInc ("Undercover Operators"), which specialises in bringing theatrical entertainment to corporate functions and concerts like Carols by Candlelight. [21]

Personal life

Halloran is married to tenor James Egglestone; they have two children. [1] [22]

Recordings

Arias and duets (With Rosario La Spina) from La bohème , Tosca , Le Villi , La fanciulla del West , La rondine , Turandot , Madama Butterfly
"O soave fanciulla" (La bohème); "Un bel dì, vedremo" (Madama Butterfly); "Viene la sera" (Madama Butterfly) [23]

Related Research Articles

<span class="mw-page-title-main">Mirella Freni</span> Italian soprano (1935–2020)

Mirella Freni, OMRI was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's Don Giovanni and as Adina in Donizetti's L'elisir d'amore.

<span class="mw-page-title-main">Frances Yeend</span> American opera singer

Frances Yeend was an American classical soprano who had an active international career as a concert and opera singer during the 1940s through the 1960s. She had a long and fruitful association with the New York City Opera (NYCO) between 1948 and 1958, after which she joined the roster of principal sopranos at the Metropolitan Opera where she sang between 1961 and 1963. She also had an extensive concert career, particularly in the United States. By 1963 she had sung in more than 200 orchestral concerts in North American with major symphonies like the New York Philharmonic, the Boston Symphony Orchestra, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony Orchestra among others.

<span class="mw-page-title-main">Licia Albanese</span> Italian-born American operatic soprano

Licia Albanese was an Italian-born American operatic soprano. Noted especially for her portrayals of the lyric heroines of Verdi and Puccini, Albanese was a leading artist with the Metropolitan Opera from 1940 to 1966. She also made many recordings and was chairwoman of The Licia Albanese-Puccini Foundation, which is dedicated to assisting young artists and singers.

<span class="mw-page-title-main">Rosina Storchio</span> Italian opera singer

Rosina Storchio was an Italian lyric coloratura soprano who starred in the world premieres of operas by Puccini, Leoncavallo, Mascagni and Giordano.

<span class="mw-page-title-main">Cheryl Barker</span> Australian operatic soprano

Cheryl Ruth Barker is an Australian operatic soprano who has had an active international career since the late 1980s. She has sung on several complete opera recordings with Chandos Records, including the title roles in Dvořák's Rusalka, Janáček's Káťa Kabanová and Puccini's Madama Butterfly, and Emilia Marty in Janáček's The Makropulos Case. She has also made two solo recordings of opera arias, one with the London Philharmonic Orchestra under conductor David Parry and the other with Orchestra Victoria and conductor Richard Bonynge. On the stage she has had partnerships with the English National Opera (ENO) and Opera Australia.

<span class="mw-page-title-main">Antonietta Stella</span> Italian operatic soprano (1929–2022)

Maria Antonietta Stella was an Italian operatic soprano, and one of the most prominent Italian spinto sopranos of the 1950s and 1960s. She made her debut in Spoleto in 1950, as Leonora in Verdi's Il trovatore, a year later at Rome Opera, as Leonora in La forza del destino, in 1954 at La Scala in Milan, as Desdemona in Otello, in 1955 at the Royal Opera House in London as Aida, and in 1956 at the Metropolitan Opera in New York City, in the same role.

<span class="mw-page-title-main">Patricia Racette</span> American operatic soprano (born 1965)

Patricia Lynn Racette is an American operatic soprano. A winner of the Richard Tucker Award in 1998, she has been a regular presence at major opera houses internationally. Racette has enjoyed long-term partnerships with the San Francisco Opera, where she has been a regular performer since 1989, and with the Metropolitan Opera, where she has performed since 1995. Also active on the concert stage, Racette has appeared with many of the world's leading orchestras, including the Boston Symphony Orchestra, the Chicago Symphony Orchestra, the San Francisco Symphony, and the London Philharmonic Orchestra. She also received the award for Best Opera Recording for her performance in the Los Angeles Opera's production of The Ghosts of Versailles at the 59th Annual Grammy Awards.

<span class="mw-page-title-main">Cesira Ferrani</span> Italian operatic soprano

Cesira Ferrani was an Italian operatic soprano who is best known for debuting two of the most iconic roles in opera history, Mimì in the original 1896 production of Giacomo Puccini's La bohème and the title role in Puccini's Manon Lescaut in its 1893 world premiere. Ferrani sang a wide repertoire that encompassed not only verismo opera but the works of composers like Verdi, Gounod, Wagner, and Debussy.

<span class="mw-page-title-main">Gabriella Tucci</span> Italian operatic soprano (1929–2020)

Gabriella Tucci was an Italian operatic soprano who was particularly associated with the Italian repertory and performed at notable opera houses worldwide. She appeared at the Metropolitan Opera in 11 Verdi roles across 13 seasons, including Violetta in La traviata and Desdemona in Otello.

Mary Dunleavy is an American soprano who has performed with major opera companies and orchestras around the world.

<span class="mw-page-title-main">Dorothy Kirsten</span> American opera singer

Dorothy Kirsten was an American operatic soprano.

Elaine Malbin is an American soprano who had a prolific international career singing in operas, musicals, and concerts from the 1940s through the 1960s. She made her Town Hall debut at the age of 14. She appeared in a number of Broadway productions in the 1940s and 1950s and notably portrayed Marsinah in the original 1953 West End production of Kismet. She starred on Broadway in the title role of My Darlin’ Aida & sang a season of Gilbert and Sullivan at the Mark Hellinger Theater in New York. She was a regular at the New York City Opera during the 1950s and 1960s with leading roles in Love for Three Oranges, Carmen (Micaela), Turandot (Liù), La Bohème (Mimi) and Don Giovanni (Zerlina). She appeared with most of America's leading opera companies during this time as well, including the Houston Grand Opera and the San Francisco Opera. In San Francisco Malbin debuted in a staged version of Carmina Burnana and sang Mimi in La Bohème. She also appeared in concert with several notable orchestras including the New York Philharmonic and the Philadelphia Orchestra. On the International stage she appeared at a number of opera houses and major music festivals in the United Kingdom, Italy, and France. She performed at the Glyndebourne and Edinburgh Festivals as well as Madama Butterfly with the Scottish Opera Company. She is perhaps best remembered for appearing in several opera roles live for television with the NBC Opera Theatre and for recording two duets with Mario Lanza at RCA on 11 April 1950.

<span class="mw-page-title-main">Rosario La Spina</span> Australian operatic tenor

Rosario La Spina is an Australian operatic tenor who has had an active international career since the early 2000s. He has worked with many leading opera houses and orchestras, singing under such conductors as Renato Palumbo, Bruno Bartoletti, Gary Bertini, Daniele Callegari and Richard Hickox. Since 2005, he has been particularly active with Opera Australia.

<span class="mw-page-title-main">Myrna Sharlow</span> American opera singer (1893-1952)

Myrna Docia Sharlow was an American soprano who had an active performance career in operas and concerts during the 1910s through the 1930s. She began her career in 1912 with the Boston Opera Company and became one of Chicago's more active sopranos from 1915–1920, and again in 1923–1924 and 1926–1927. She sang with several other important American opera companies during her career, including one season at the Metropolitan Opera. She made only a handful of opera appearances in Europe during her career, most notably singing in the English premiere of Riccardo Zandonai's Francesca da Rimini at Covent Garden in 1914. Her repertoire spanned a wide range from leading dramatic soprano roles to lighter lyric soprano fair and comprimario parts. She even performed a few roles traditionally sung by mezzo-sopranos or contraltos.

Maria di Gerlando was an American operatic soprano and voice teacher who was a leading performer at the New York City Opera from 1953 to 1969. She was best known for creating the role of Carmela in the 1954 world premiere of Gian Carlo Menotti's The Saint of Bleecker Street.

<span class="mw-page-title-main">Kristine Opolais</span> Latvian operatic soprano (born 1979)

Kristīne Opolais is a Latvian operatic soprano.

Gemma Bosini was an Italian operatic soprano who had an active international performance career in 1909–1930. She is especially associated with the role of Alice Ford in Giuseppe Verdi's Falstaff, a role which she performed more than 400 times on stage during her career. She is also remembered for being the first soprano to record the role of Mimi in Giacomo Puccini's La boheme in 1917. She also made complete recordings of Gounod's Faust and Lehar's The Merry Widow. After retiring from performance in 1930, she devoted herself to teaching singing and managing the career of her husband, baritone Mariano Stabile.

Francesca Roberto is an American operatic soprano. A winner of the Metropolitan Opera National Council Auditions, she sang leading roles throughout the United States during the 1960s and early 1970s.

<span class="mw-page-title-main">Nicole Car</span> Australian opera singer

Nicole Car is an Australian operatic soprano. She has performed leading roles at the Metropolitan Opera, Royal Opera House, Vienna State Opera, Bavarian State Opera, Deutsche Oper Berlin, Semperoper Dresden, Opéra national de Paris, The Dallas Opera, and Opera Australia. Car is particularly associated with the roles of Tatyana in Eugene Onegin, Mimì in La bohème, Marguerite in Faust, Fiordiligi in Così fan tutte, Donna Elvira in Don Giovanni and Micaëla in Carmen, and has also given noted performances as Elisabeth de Valois in Don Carlos, and the title roles in Luisa Miller and Thaïs.

Barbara Daniels is an American operatic soprano.

References

  1. 1 2 "Ultimate nausea cure for mothers-to-be: Puccini" by John Mangan, The Age , 27 September 2009.
  2. The Mac.Rob Portrait Gallery – Antoinette Halloran 1983–1986 Archived 23 December 2017 at the Wayback Machine , Mac.Robertson Girls' High School
  3. "Antoinette Halloran – Solo Soprano". Music Theatre Australia. Retrieved 2 February 2024.
  4. "Operation opera: the secret of success at the Melbourne Conservatorium's Voice department". Faculty of Fine Arts and Music, University of Melbourne. 15 November 2019. Retrieved 2 February 2024.
  5. True Love And Chaos (1996) at IMDb OOjs UI icon edit-ltr-progressive.svg
  6. Since I Left You, notes and credits Archived 8 July 2011 at the Wayback Machine
  7. 1 2 "Antoinette Halloran – profile (One Stop Entertainment)". Archived from the original on 15 October 2008. Retrieved 14 September 2008.
  8. Arts Archive: The Gost Wife at the Barbican
  9. ABC Classic FM Music Details Archived 5 March 2016 at the Wayback Machine , 7 April 2007
  10. Biography (Allegro Music)
  11. The Acclaim Awards (see: About Acclaim)
  12. Short profile Archived 8 June 2011 at the Wayback Machine (Opera Australia)
  13. Edinburgh 2006
  14. Nominations for 2008 Helpmann Awards announced, 1 July 2008, Australian Stage Online
  15. "Australia's Newest Merry Widow – Operetta's Leading Lady" by Peter Pinne, Stage Whispers (July 2010)
  16. "Cycle of life is central in Leos Janacek's Cunning Little Vixen" by Peter Burch, The Australian , 26 June 2017
  17. Lorelei production details, Opera Queensland
  18. Matthew Westwood (16 March 2023). "From Brunnhilde to Buttercup" . The Australian . Retrieved 17 March 2023.
  19. "José Carreras in no rush to finish his world farewell tour" by Matthew Westwood, The Australian , 16 February 2017.
  20. Move (record label): Pot-Pourri
  21. DivasInc. Who are we? Archived 13 September 2008 at the Wayback Machine
  22. "Fact Sheet: A Garden for Song", Jane Edmanson, Gardening Australia 25 June 2011, ABC
  23. A Night at the Opera – The Greatest Arias & Duets, tracklist and credits