We're Only in It for the Money is the third album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two efforts, it is a concept album, and satirizes left- and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.
Hot Rats is the second solo album by Frank Zappa, released in October 1969. It was Zappa's first recording project after the dissolution of the original version of the Mothers of Invention. Five of the six songs are instrumental, while "Willie the Pimp" features vocals by Captain Beefheart. In his original sleeve notes, Zappa described the album as "a movie for your ears".
Chunga's Revenge is the third solo album, and eleventh album counting the work of his band The Mothers of Invention, by Frank Zappa, released on October 23, 1970. Zappa's first effort of the 1970s marks the first appearance of former Turtles members Mark Volman and Howard Kaylan - nicknamed Flo & Eddie - on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history. Chunga's Revenge represents a shift from both the satirical political commentary of his 1960s work with The Mothers of Invention, and the jazz fusion of Hot Rats.
Over-Nite Sensation is the twelfth album by The Mothers of Invention, and the seventeenth album overall by Frank Zappa, released in September 1973. It was Zappa's first album released on his DiscReet label.
Weasels Ripped My Flesh is the eighth album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums - Burnt Weeny Sandwich and Weasels Ripped My Flesh - from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo album Hot Rats. While Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.
Ship Arriving Too Late to Save a Drowning Witch is an album by American musician Frank Zappa, released in May 1982 and digitally remastered in 1991. It features five tracks composed by Zappa, and one song, "Valley Girl", co-written with his then-14 year old daughter Moon Zappa, who provided the spoken monologue mocking Valley girls, including phrases like "Gag me with a spoon!".
Quaudiophiliac is a compilation album featuring music by Frank Zappa, released in DVD-Audio format by Barking Pumpkin Records in 2004. It compiles recordings he made while experimenting with quadraphonic, or four-channel, sound in the 1970s. Zappa prepared quadraphonic mixes of a number of his 1970s albums, with both Over-Nite Sensation (1973) and Apostrophe (') (1974) being released in discrete quadraphonic on Zappa's DiscReet Records label.
Roxy & Elsewhere is a double live album by Frank Zappa and The Mothers, released on September 10, 1974. Most of the songs were recorded on December 8, 9 and 10, 1973 at The Roxy Theatre in Hollywood, California.
Bongo Fury is a collaborative album by American artists Frank Zappa, Captain Beefheart, and Zappa's band the Mothers, released in October 1975. The live portions were recorded on May 20 and 21, 1975, at the Armadillo World Headquarters in Austin, Texas. Tracks 5, 6 and 9 are studio tracks recorded in January 1975 during the sessions which produced One Size Fits All (1975) and much of Studio Tan (1978).
Zoot Allures is the 22nd album by the American rock musician Frank Zappa, released in October 1976 and his only release on the Warner Bros. Records label. Due to a lawsuit with his former manager, Herb Cohen, Zappa's recording contract was temporarily reassigned from DiscReet Records to Warner Bros.
Sleep Dirt is an album by Frank Zappa, released in January 1979 on his own DiscReet Records label, distributed by Warner Bros. Records. It reached No. 175 on the Billboard 200 album chart in the United States.
You Can't Do That on Stage Anymore, Vol. 1 is a double disc live album by Frank Zappa. It was released in 1988 under the label Rykodisc. It was the beginning of a series of six double CDs Zappa assembled of live performances throughout his career.
Läther is the sixty-fifth official album by Frank Zappa. It was released posthumously as a three-CD set on Rykodisc in 1996. The album's title is derived from bits of comic dialog that link the songs. Zappa also explained that the name is a joke, based on "common bastardized pronunciation of Germanic syllables by the Swiss."
Ruth Underwood is an American musician best known for playing xylophone, marimba, vibraphone, and other percussion instruments in Frank Zappa and the Mothers of Invention. She collaborated with the Mothers of Invention from 1968 to 1977.
Imaginary Diseases is an album of material by Frank Zappa from the Petit Wazoo tour of 1972. It is one of two finished CD projects from the tour containing material mastered by Zappa before his death. The name of the album is derived from a lyric in the Apostrophe (') (1974) song "Stink-Foot".
Thomas W. Fowler was an American bass guitarist and musician. Born in Salt Lake City, Utah, he started playing the violin at age 6, before picking up the upright bass, and finally electric bass at age 16. He has played with It's a Beautiful Day, Frank Zappa, The Mothers of Invention, Jean-Luc Ponty, Ray Charles, Steve Hackett, and many others. He had four brothers, including trombonist Bruce and trumpeter Walt Fowler.
The End of the Game is an album by British blues rock musician Peter Green, who was the founder of Fleetwood Mac and a member from 1967–1970. Released in 1970, this was his first solo album, recorded in June of that year, only a month after leaving Fleetwood Mac.
Zappa's Universe is a 1993 Frank Zappa tribute album featuring alumni from many of Zappa's bands. The music was compiled from a series of concerts from four consecutive nights of concerts at The Ritz in New York City, and filmed for a concert video of the same name. Steve Vai’s cover of the song "Sofa" from the album won a Grammy Award for Best Rock Instrumental Performance in 1994.
The Crux of the Biscuit is a compilation album by American musician Frank Zappa, released in July 2016, originally intended to celebrate the 40th anniversary of his album Apostrophe ('). It is the fourth project in a series of 40th Anniversary FZ Audio Documentaries, following MOFO (2006), Lumpy Money (2009) and Greasy Love Songs (2010). The name is based on the same lyric from "Stink-Foot" that Apostrophe (') is based on—"the crux of the biscuit is the apostrophe."
"Uncle Remus" is a song written by American musicians Frank Zappa and George Duke, and first released on Zappa's 1974 album Apostrophe ('). The name of the song is derived from Uncle Remus, a fictional character found in works by writer Joel Chandler Harris. The song has been said to reflect Zappa's feelings about racism and the civil rights movement, themes which had previously been explored in his earlier song "Trouble Every Day".
