Anjolie Ela Menon is one of India's leading contemporary artists. Her paintings are in several major collections, including the NGMA, the Chandigarh Museum and the Peabody Essex Museum. In 2006, her triptych work "Yatra" was acquired by the Asian Art Museum of San Francisco, California. Other works also been a part of group exhibitions including 'Kalpana: Figurative Art in India', presented by the Indian Council for Cultural Relations (ICCR) in London's Aicon Gallery in 2009. Her preferred medium is oil on masonite, though she has also worked in other media, including Murano glass, computer graphics and water colour. She is a well known muralist. She was awarded the Padma Shree in 2000. She lives and works in New Delhi.
Jayasri Burman is a contemporary painter and sculptor from India. She is based in New Delhi, India. She studied at the Kala Bhavan in Shantiniketan from 1977 to 1979, and at the Government College of Art and Craft, Kolkata, where she completed a Master of Arts in Painting. She took a Graphic Art Workshop conducted by Paul Lingren and a formal course on Print making in Paris from Monsieur Ceizerzi. She is a member of an extended family of eminent artists: her husband is painter and sculptor Paresh Maity, painter and sculptor uncle Sakti Burman and son, photographer Rid Burman.
Jaideep Mehrotra is an Indian contemporary artist based in Mumbai, India. He started his artistic career with a solo exhibition at the young age of 13 in 1967. Despite having no formal training in art, Mehrotra managed a parallel career of business and painting up until 1983, when he embraced painting as his solitary profession.
Akbar Padamsee was an Indian artist and painter, considered one of the pioneers in modern Indian painting along with S.H. Raza, F.N. Souza and M.F. Husain. Over the years he also worked with various mediums from oil painting, plastic emulsion, water colour, sculpture, printmaking, to computer graphics, and photography. In addition, he worked as a film maker, sculptor, photographer, engraver, and lithographer. Today his paintings are among the most valued by modern Indian artists. His painting Reclining Nude was sold for US$1,426,500 at Sotheby's in New York on 25 March 2011.
Pushpamala N. is a photo and visual artist based in Bangalore, India.
Sonia Khurana is an Indian artist. She works with lens-based media: photo, video, and the moving image, as well as performance, text, drawing, sound, music, voice, and installation.
Sudarshan Shetty is a contemporary Indian artist who has worked in painting, sculpture, installation, video, sound and performance. He has exhibited widely in India and more recently he has become increasingly visible on the international stage as an important voice in contemporary art. His work has been exhibited at the Fukuoka Asian Art Museum, Fukuoka, Japan, and the Tate Modern, London, England. The artist has been a resident at the Mattress Factory, Pittsburgh, United States, and was a Ford Foundation Fellow at the New School for General Studies, New York.
Chittrovanu Mazumdar is a contemporary Indian artist of Bengali-Indian and French descent. Mazumdar has been described as a "conceptual artist" and a "post-structuralist" while some critics consider it difficult to classify his oeuvre into a single artistic tradition or even into any consistent genre of his own. Mazudmar has referred to himself as an "expressionist painter" but has also said he generally prefers not to use "a particular word to qualify" his work because it comprises different kinds of media and forms, and that art is more interesting when fully given over to the viewer's own experience rather than constrained by the prescriptive power of labels.
Riyas Komu is an Indian multimedia artist and curator based in Mumbai. He has invested his time in art education and developing art infrastructure in India. Komu's works are inspired by social conflicts and political movements and topics like migration and displacement. His hyper-realistic oil portraits of people resemble socialist-realist propaganda art, with one of his portraits titled Why Everybody should Look Like Mao.
Madhusudhanan is an Indian film maker and artist, also known as K. M. Madhusudhanan. His debut feature film, Bioscope has received many awards. He is working with different media in art, including sculpture, printmaking installation art and film.
Gayatri Sinha is an art critic and curator based in New Delhi, India. Her primary areas of research are around the structures of gender and iconography, media, economics and social history. She founded Critical Collective, a forum for thinking about conceptual frames within art history and practice in contemporary India.
Anup Mathew Thomas is a visual artist who lives and works in Bangalore. Thomas graduated from the Srishti School of Art, Design and Technology, Bangalore in 2003 and has stayed largely with photography as his medium of choice. Predominantly producing work in series, Thomas's photographs conceal an innate critique of their subject matter, engaging often with narratives that are seemingly and instinctively local but reverberate within a more inclusive context. Thomas’s works are often presented as digital slideshows as well as prints.
Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.
Dina Goldstein is a visual artist based in Vancouver, British Columbia, Canada. Goldstein creates tableau with a nuanced visual language that places the mundane and everyday in unusual settings to inspire insight into the human condition. Goldstein began her career over 30 years ago as a photojournalist, evolving from a documentary and editorial photographer into an independent artist focusing on large-scale productions of nuanced Narrative Photography tableaux. Her work is highly conceptual and complex social commentary; incorporating cultural archetypes and iconography from the collective common imagination with narratives inspired by the human condition. Leaning into the visual language of pop surrealism, she stages compositions that expose the underbelly of modern life, challenging the notions of cultural influence and inherent belief systems. Goldstein's alternate realities question the adaptation, the societal acceptance of fictional stories and characters inspired by ideology, politics and religion. The vivid and provocative still imagery emerges through an entirely cinematic technique, with Dina’s established methodology following a precise pre- to post production process. The artist is most known for her series "Fallen Princesses", created in 2007, which depicts humanized Disney Princesses placed in realistic, modern scenarios. The series envisions how the lives of these famous characters would have played out in the real world, and touches on such everyday scourges as poverty, obesity, cancer and pollution. Goldstein was awarded the Arte Laguna special prize in 2012. In 2014, Goldstein won the grand prize at Prix Virginia; her work was exhibited in Paris, France.
Sheela Gowda is a contemporary artist living and working in Bangalore. Gowda studied painting at Ken School of Art, Bangalore, India (1979) pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India (1982), and a MA in painting from the Royal College of Art in London in 1986. Trained as a painter Gowda expanded her practice into sculpture and installation employing a diversity of material like human hair, cow-dung, incense and kumkuma powder. She is known for her 'process-orientated' work, often inspired by the everyday labor experiences of marginalized people in India. Her work is associated with postminimalism drawing from ritualistic associations. Her early oils with pensive girls in nature were influenced by her mentor K. G. Subramanyan, and later ones by Nalini Malani towards a somewhat expressionistic direction depicting a middle class chaos and tensions underplayed by coarse eroticism. She is the recipient of the 2019 Maria Lassnig Prize.
Ebenezer Sunder Singh is an Indian-American visual artist based in Brooklyn, New York. Singh works primarily as a painter, sculptor, photographer and filmmaker.
Renuka Kesaramadu is a contemporary painter and sculptor from India. She is best known internationally through her collaborative art exhibitions and participations in workshops in Europe. She has also curated a few international art symposia and exhibitions in India.
Diwan Manna is an Indian conceptual artist and photographer. He completed his study in graphic art and printmaking from the Government College of Art, Chandigarh in 1982. He exhibited in India, United Kingdom, Germany, France, Poland, and Italy. From 2014 to 2015 he served as the director of Triennale India, organised by Lalit Kala Akademi, National Academy of Art, Ministry of Culture, Govt of India. He served as the chairman of Chandigarh Lalit Kala Akademi, State Academy of Art, Department of Culture, Chandigarh Administration. Currently, he is serving as the president of Punjab Lalit Kala Akademi, State Academy of Art, Ministry of Culture, Government of Punjab, India.
Lindsay Benedict is an artist living in New York City who works in Super 8 and 16mm film, performance, sound, text and painting. Her works explore cultural boundaries through intimate relationships. She is also an adjunct professor in the Fine Arts department at Parsons, The New School in New York City.
Shaheen Merali is a Tanzanian writer, curator, critic, and artist. Merali began his artistic practice in the 1980s committing to social, political and personal narratives. As his practice evolved, he focused on functions of a curator, lecturer and critic and has now moved into the sphere of writing. Previously he was a key lecturer at Central Saint Martins School of Art (1995-2003), a visiting lecturer and researcher at the University of Westminster (1997-2003) and the Head of the Department of Exhibition, Film and New Media at the Haus der Kulturen der Welt, Berlin (2003-2008). A regular speaker on ideas of contemporary exhibition making internationally, in 2018 he was the keynote speaker at the International Art Gallery of the Aga Khan Diamond Jubilee Arts Festival, Lisbon.
