Backlash: The Undeclared War Against American Women is a 1991 book by Susan Faludi, In which the author presents evidence demonstrating the existence of a media-driven "backlash" against the feminist advances of the 1970s in the United States.[1]
Faludi argues that the backlash uses a strategy of "blaming the victim", by suggesting that the women's liberation movement itself is the cause of many of the problems alleged to be plaguing American women in the late 1980s.[2] She also argues that many of these problems are illusory, constructed by the media without reliable evidence.[citation needed]
A 15th anniversary edition was released in 2006.[citation needed]
Context
Backlash is Susan Faludi's 550 page analysis of social, economic and political inequities and resulting difficulties American women faced in the 1980s.[citation needed] The book was hailed as "the most vehement and unapologetic call to arms to issue from the feminist camp in many years",[3] and "a rich compendium of fascinating information and an indictment of a system losing its grip."[4] that "has already done much to ignite a revolutionary 'national' consciousness".[5] Published within a year of several other high-profile feminist works–Naomi Wolf's The Beauty Myth (1990), Gloria Steinem's Revolution from Within (1992), and Marilyn French's The War Against Women (1992)–Faludi's book garnered front page attention in national newspapers and magazines, and interviews of its author on television and radio.[6] As a best-seller, Backlash rejuvenated feminist discussion in the media, and established Faludi as a leading spokesperson for women's issues in the 1990s.[7]
Synopsis
Introduction – Blame it on Feminism
One chapter (1) – The main premise of the book is that there are two overarching media messages regarding feminism's gains for women since the 1980s: The feminist fight for equality has largely been won, and now that women have this equality they have never been so miserable (ix). Faludi contends that women are not yet equal and there is a counter-assault to halt or reverse the hard-won gains in the quest for equality. By reporting statistically unsupported ideas of how feminism has negatively affected women, the media has helped to create a 'backlash' that encourages women to reject the gains and the struggle for real equality. Reports of "the man-shortage", "the infertility epidemic", "female burnout", and "toxic day-care" are not the actual conditions of women's lives, but are false images portrayed by the media, popular culture and advertising.(xv)[8]
Part One – Myths and Flashbacks
Consisting of two chapters (2 & 3), this portion documents the statistics that form the backdrop of myths about women being more unhappy in their lives now. Faludi presents counter-evidence to several media myths which include: that there is a shortage of potential spouses for women; that new no-fault divorce laws are negatively affecting women's finances; that professional and career women are increasingly infertile and have more mental illnesses than their non-working counterparts; and that working women's reliance on daycare subjects their children to permanent adverse effects academically, socially and emotionally. Faludi shows that none of these are true.
She also charts the incidences[spelling?] of similar backlash es in American history, focusing on the women's movements of the Victorian era and after – the late 1840s, and the early 1900s, 1940s and 1970s. She shows that the same media reporting of adverse effects was present in each of these eras, as well as the same pressure to reverse women's gains. She quotes American scholarAnn Douglas, "The progress of women's rights in our culture, unlike other types of 'progress', has always been strangely reversible." (46)
Part Two – The Backlash in Popular Culture
Consisting of five chapters (4, 5, 6, 7& 8), this part covers the media delivery of a backlash through the reporting of 'trends'; the evidence of a counter-assault on feminism in Hollywood's portrayal of women in the 1980s; television's projection of the backlash in its changing roles for women; the change of focus in the fashion industry from the business suits of the 1970s to 'feminine' and impractical lingerie in the 1980s; and the cosmetic industry's emphasis on unnaturally accentuating features and its promotion of cosmetic surgery.
Faludi describes 'trend journalism" of the 1980s, where newspaper articles gained authority through repetition rather than evidence-based reporting (79). Reporting on trends such as "cocooning ", "the new abstinence", "the new femininity", "the new morality" and "the new celibacy" pretended to be about facts while offering none. Trend stories contradicted each other, and served a political agenda by implying women's experiences had nothing to do with political events or social pressures (81).
Also documented is the change in Hollywood's screen images of women from the 1970s independent single women to the epitome of anti-feminist sentiment in the vengeful and frightening portrayal of a single career woman in the 1980s movie Fatal Attraction.
Although less virulent than Hollywood, television toned down the strong independence of women in 1970s shows such as The Mary Tyler Moore Show and The Bionic Woman, returned actress Mary Tyler Moore to the 1980s screen as a burned out divorcee with a bleak career and existence in the short-lived Mary (157) and cancelling its extremely popular and award-winning series Cagney & Lacey because the characters were "inordinately abrasive, loud, and lacking warmth."(152). According to Faludi, a "good" female character was Hope, the angelic stay-at-home mom in the series thirtysomething, who was envied by her careerist female friends.
Faludi describes the fashion and cosmetic industries "little girl" clothing designs and the emphasis on frills, flounces and "feminising" as an eruption of resentment by the fashion industry towards the increasingly independent buying habits of female shoppers. The rising prices caused a "fashion revolt" by women who wouldn't do what the industry told them to and the industry replied with corsets and bustiers. "In every backlash, the fashion industry has produced punitively restrictive clothing and the fashion press has demanded that women wear them" Faludi claims. (173)
The harsh beauty standards of the late 1980s are also detailed, describing the pressure on women to look young when past their youth, and the promotion of cosmetic surgery as a means to this end.
Part Three – Origins of a Reaction: Backlash Movers, Shakers, and Thinkers
Consisting of three chapters (9, 10 and 11), this portion deals with the "New Right" movement and its pro-family, although anti-feminist, agenda; the Reagan presidency and its reversal of feminist gains of the 1970s; and the mainstream thinkers and writers whose views aided the public acceptance of the backlash.
Faludi discusses the New Right's intention to "turn the clock back to 1954" and their articulation of the idea that women's equality is responsible for women's unhappiness (230). She traces the rise of the New Right and their attacks on feminists and the Equal Rights Amendment, and describes how some of the most politically active anti-feminist women of these organizations were actually benefiting from feminist ideas of self-determination, equality and freedom of choice (256).
Feminism's fortune under the Reagan administration is examined, and the drop in numbers of women in federal office, as well as the decline in federal programs that supported women's equality during those years, indicates it did not fare well. By the end of the decade, one survey found, the National Organization for Women (NOW) were the political body the majority of women felt represented their interests best–better than either the Republican or the Democratic parties. NOW might have formed a third party but for the outrage, anger and derision this idea drew from the media and press (277).
Faludi also profiles nine men and women, some anti-feminist, and some neutral, but all "the backlash's emissaries" for their views and positions in the mainstream media: George Gilder, Allan Bloom, Michael and Margarita Levin, Warren Farrell, Robert Bly, Sylvia Ann Hewlett, Betty Friedan, and Carol Gilligan. Faludi's avowed intent in these cameos is to illustrate the less recognized factors, from professional grievances to domestic strain, that may have influenced their approach to feminist concerns (283).
Part Four – Backlashings: The Effects on Women's Minds, Jobs, and Bodies
Consisting of three chapters (12, 13 and 14), Faludi's fourth part deals with the fallout of self-help books directed toward women; the misinformation and disinformation campaign of the Reagan administration regarding women's loss of status in the workplace; and the conservative attempt to reverse the results of legalized abortion (Roe vs. Wade).
Faludi outlines the views of popular psychology books urging women to understand all the reactions of the backlash as originating in themselves. (337) According to Faludi, self-help manuals of the 1980s suggested women's power was rooted in surrender and submission to their men and Faludi says that the 1980s therapy books "blot out the most basic premise of feminist therapy–that both social and personal growth are important, necessary, and mutually reinforcing." (338) In 1985, the American Psychiatric Association (APA) added "pre-menstrual dysphoric disorder" (PMS) and "masochistic personality disorder" to the Diagnostic and Statistical Manual of Mental Disorders (the DSM), thereby, Faludi asserts, causing women's fluctuating hormone levels and socially enforced pleasing of others to become diagnostically determined illnesses (362).
An increased difference in the average pay of men and women, and falling rates of women's employment opportunities and job promotions, were facts downplayed or ignored by the Reagan administration, while the media reported corporate claims of record highs in jobs and promotions for women (363). Faludi reports statistical proof of a decline in job status and an increasingly sex-segregated work force, with wages for women falling throughout the 1980s, all areas in which the media claimed the opposite. She also describes sharply contracting opportunities for women in journalism, the retail industry, and skilled blue-collar jobs.
In the final chapter, Faludi relates the story of Randall Terry, the founder of Operation Rescue, an activist anti-abortion group, and discusses the unspoken subtext of the right-to-life campaign: the shifting of the balance of sexual power and "the patriarch's eclipsed ability to make the family decisions" (403). Faludi states that the rate of abortion has not increased significantly over the past 100 years, but that legalization has increased the safety of the women choosing the procedure. She charts the increase in the rights of the fetus and decline in the rights of the mother through the 1970s and 1980s, and describes how at least fifteen of America's largest corporations drafted "fetal protection policies", which effectively excluded women, pregnant or not, from higher paying jobs that involved exposure to chemicals or radiation (437).
Epilogue
Faludi concludes by suggesting that although the 1980s was a decade that "produced one long, painful and unremitting campaign to thwart women's progress", women pushed back. She states that although there have been periodic attempts to reverse women's gains, women have resisted. Faludi wonders how effective the resistance of the 1980s has been, claiming women seemed unaware of their real political power and vitality in that decade, and missed an opportunity to make a "great leap forward" (459).
Preface to the 2006, 15th anniversary edition
Faludi believes that although there is no longer a backlash, this may not be a good thing. She notes that we are being told that feminism's goals have been achieved, and young women no longer need to identify as feminists(x). Through the 1990s women made political and economical headway that brought them closer to equal representation and pay, but Faludi believes it is a distorted view of feminism that is present in mainstream America today. She claims feminism has been co-opted by commercialism, and economic independence has become buying power; self-determination has become commodified self-improvement of "physical appearance, self-esteem and the fool's errand of reclaiming one's youth"; and public agency has been transformed to publicity (xv). Faludi says we have yet to find our way to the "more meaningful goals of social change, responsible citizenship, the advancement of human creativity, [and] the building of a mature and vital public world." Her concern is that our social structure and cultural ideology have not fundamentally changed, saying, "We have used our gains to gild our shackles, but not break them."(xvi).[9]
Publication
Faludi was inspired to write Backlash after investigating the statistics behind a 1986 Newsweek cover story that reported on a Harvard–Yale study detailing the bleak marital prospects for single, educated career women.[citation needed] The statistics were in error and did not reflect the reality, so Faludi began to examine other sensationalized stories about women that were being promoted by the media.[citation needed] She believes that her book started to attract the attention it did because women relegated to–and writing for–the arts and culture sections of journals and newspapers, frustrated with internal job discrimination and believing the book addressed the problem, helped to get initial coverage.[10] Faludi also says the 1991 fall publishing date was an advantage because during the originally planned spring date "we were in the middle of a war, it was boys' time" and the book "would have dropped like a stone", whereas the "fall was girls' time because of Anita Hill."[11] As well, two publishing companies, Crown Publishing Group (Faludi's Backlash) and Little, Brown and Company (Gloria Steinem's Revolution From Within) made an unusual decision to promote the two books together, which proved commercially successful in heightening attention for the authors, the books, and the subject matter. Faludi and Steinem were together on the cover of Time, in ads, in interviews and in the "reams of commentary on both books".[12]Backlash has also been translated into several foreign languages, including Spanish, Portuguese, Polish, German, Finnish, Korean, and Italian.[13]
Public and critical response
A staple topic on the editorial opinion pages of newspapers and magazines, Backlash drew strong and conflicting responses, including significant "backlash", such as comments where Faludi was accused of feminist "sulking on the bestseller lists" and ignoring the gains of the women's movement.[14] Faludi was hailed as "the best thinker of the year",[15] "a crackerjack interviewer",[16] and praised for her documentation, journalistic thoroughness, and empathetic interviewing skills. Paul Shore, in the Humanist, writes that Backlash has done "more than any other recent work [...] to compel us to see the forces controlling and crippling women for what they really are: forces working against the interests of everyone."[17]
In a 1992 cover-story and review for The American Spectator, Mary Eberstadt expands on what she feels are blatant contradictions in Backlash, and cites alleged incidents of flawed data and erroneous logic.[citation needed]Peggy Phelan, writing for American Literary History, points out Faludi, having faith in her own statistical analysis data, does not account for the partiality and distortions of statistics, and Phelan says "[o]ne cannot both attack "bad" numbers and neutrally present "good" numbers."[18]Michael Crichton referred to this in a 2002 speech as "Susan Faludi's book Backlash, which won the National Book Critics Circle Award for General Nonfiction in 1991, and which presented hundreds of pages of quasi-statistical assertions based on a premise that was never demonstrated and that was almost certainly false".[19] One reviewer claims Faludi "builds a well researched and carefully documented case",[20] while another thinks she "skews data, misquotes primary sources and makes serious errors of omission".[21]Nancy Gibbs, a journalist with Time magazine, calls Backlash "one of the landmark books that shaped the opinions of the opinion shapers."
Responding to criticism of the book's details, choice and use of data, Gibbs quotes "The big picture is there, and the big picture is accurate" in her defense of Backlash's ambitious scope and mass of information.[22]
Race, class and gender criticism
In a review of Backlash for The Nation, Gayle Greene discusses Faludi's documenting of factory closures, the move to a service oriented economy and the millions of lost jobs for blue-collar workers. She says "Faludi's analysis accounts for not only anti-feminism but for the resurgence of racism and explains why the most virulent expressions of both have tended to come from those hurting from social and economic dislocation."[23]
In contrast, Peggy Phelan, writing for American Literary History, says "Faludi's 'America' is emphatically white and heterosexual" and points out the overwhelming use of white, middle-class people in Backlash's examples. Interview participants and detailed anecdotes are of whites, while people of color are only mentioned as statistical categories. She accuses Faludi of forgetting race as a statistical signifier, and also of failing to consider and connect sexism, race, and homophobia in her analysis.[24] Phelan finds these to be "shocking omissions in a 'feminist' manifesto for the nineties" and believes it reveals the "real target audience is the very mainstream media market [Faludi] relentlessly critiques."[citation needed]
Mary Eberstadt is critical of what she perceives to be Faludi's hypocrisy, saying that as a successful woman with a Harvard education she is condescending toward poor and working-class people in her descriptions of them in Backlash.[25]
Conservative criticism
Reviewers writing from conservative perspectives were concerned with what they understood to be Faludi's endorsement of single-minded feminist interests at the expense of traditional family values. Maggie Gallagher, writing for the National Review, claims "the biggest danger facing us today comes not from discrimination in the workplace but from the collapse of the family",[26] while Mary Eberstadt claims the women's movement, and Backlash, chronically do not address the fact of women having husbands and children.[27] Gloria Steinem suggests that talking about "family" rather than "women's" issues "renders women invisible", and Faludi says that "all family issues should not be women's issues... they should be human issues.[28] To confound feminism and family promotes the idea that women only exist when they have husbands and children."
Influence
Writing from a legal perspective, Rebecca Eisenberg of the Harvard Law Review, says of Faludi's book that "[a]lthough written for the general public, Backlash can benefit the legal community as well. Faludi's incisive accounts of women's lives provide a meaningful and accurate basis for legal redress of social inequality".[29] She feels when the status quo is seen by the judicial system to be a result of gender hierarchy, "the many ways in which the law ignores the reality of women's lives" will become apparent, and the "affirmative transformation of the legal system becomes a reasonable step towards equality." In Backlash, Faludi points out that among industrialized nations, only the United States has not institutionalized basic child care and leave for working parents.[30] Of this, Eisenberg says "there is virtually no case law on the inequality of depriving women of equal opportunities to balance both a family and a career" by this failure to provide necessary childcare or parental leave.[31] Praising Faludi's "tenacious investigative journalism" as well as her anecdotal writing and personal interviews, Eisenberg says "her snapshots of women's experiences provide a basis for realistic anaysis of the legal status quo."[32]
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.
Susan Charlotte Faludi is an American feminist, journalist, and author. She won a Pulitzer Prize for Explanatory Journalism in 1991, for a report on the leveraged buyout of Safeway Stores, Inc., a report that the Pulitzer Prize committee commended for depicting the "human costs of high finance". She was also awarded the Kirkus Prize in 2016 for In the Darkroom, which was also a finalist for the 2017 Pulitzer Prize in biography.
Difference feminism is a term developed during the equality-versus-difference debate in American feminism to describe the view that men and women are different, but that no value judgment can be placed upon them and both sexes have equal moral status as persons.
Christina Marie Hoff Sommers is an American author and philosopher. Specializing in ethics, she is a resident scholar at the American Enterprise Institute. Sommers is known for her critique of contemporary feminism. Her work includes the books Who Stole Feminism? (1994) and The War Against Boys (2000). She also hosts a video blog called The Factual Feminist.
The history of feminism comprises the narratives of the movements and ideologies which have aimed at equal rights for women. While feminists around the world have differed in causes, goals, and intentions depending on time, culture, and country, most Western feminist historians assert that all movements that work to obtain women's rights should be considered feminist movements, even when they did not apply the term to themselves. Some other historians limit the term "feminist" to the modern feminist movement and its progeny, and use the label "protofeminist" to describe earlier movements.
A backlash is a strong adverse reaction to an idea, action, or object. It is usually a reflection of a normative resentment rather than a denial of its existence. In Western identitarian political discourse, the term is commonly applied to instances of bias and discrimination against marginalized groups. In this form of discourse, backlash can be explained as the response- or counter reaction- to efforts of social change made by a group to gain access to rights or power.
Postfeminism is an alleged decrease in popular support for feminism from the 1990s onwards. It can be considered a critical way of understanding the changed relations between feminism, femininity and popular culture. The term is sometimes confused with subsequent feminisms such as fourth-wave feminism, postmodern feminism, and xenofeminism.
Postmodern feminism is a mix of postmodernism and French feminism that rejects a universal female subject. The goal of postmodern feminism is to destabilize the patriarchal norms entrenched in society that have led to gender inequality. Postmodern feminists seek to accomplish this goal through opposing essentialism, philosophy, and universal truths in favor of embracing the differences that exist amongst women in order to demonstrate that not all women are the same. These ideologies are rejected by postmodern feminists because they believe if a universal truth is applied to all women of society, it minimizes individual experience, hence they warn women to be aware of ideas displayed as the norm in society since it may stem from masculine notions of how women should be portrayed.
Antifeminism, also spelled anti-feminism, is opposition to feminism. In the late 19th century and early 20th century, antifeminists opposed particular policy proposals for women's rights, such as the right to vote, educational opportunities, property rights, and access to birth control. In the mid and late 20th century, antifeminists often opposed the abortion-rights movement.
Michael Levin is an American philosopher and writer. A professor emeritus of philosophy at City College of New York, he has published on metaphysics, epistemology, race, homosexuality, animal rights, the philosophy of archaeology, the philosophy of logic, philosophy of language, and the philosophy of science.
The Dialectic of Sex: The Case for Feminist Revolution is a 1970 book by the radical feminist activist Shulamith Firestone. Written over a few months when Firestone was 25, it has been described as a classic of feminist thought.
Stiffed: The Betrayal of the American Man is a 1999 book by feminist author Susan Faludi, her followup to Backlash: The Undeclared War Against American Women. The book addresses the state of masculinity in late-20th-century America.
Feminism is aimed at defining, establishing, and defending a state of equal political, economic, cultural, and social rights for women. It has had a massive influence on American politics. Feminism in the United States is often divided chronologically into first-wave, second-wave, third-wave, and fourth-wave feminism.
Feminist views on pornography range from total condemnation of the medium as an inherent form of violence against women to an embracing of some forms as a medium of feminist expression. This debate reflects larger concerns surrounding feminist views on sexuality, and is closely related to those on prostitution, BDSM, and other issues. Pornography has been one of the most divisive issues in feminism, particularly in Anglophone (English-speaking) countries. This division was exemplified in the feminist sex wars of the 1980s, which pitted anti-pornography activists against pro-pornography ones.
Some variants of feminism are considered more conservative than others. Historically feminist scholars tend to not have much interest in conservative women but in recent years there have been efforts at greater scholarly analysis of these women and their views.
A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought.
Feminism is one theory of the political, economic, and social equality of the sexes, even though many feminist movements and ideologies differ on exactly which claims and strategies are vital and justifiable to achieve equality.
Who Stole Feminism? How Women Have Betrayed Women is a 1994 book about American feminism by Christina Hoff Sommers, a writer who was at that time a philosophy professor at Clark University. Sommers argues that there is a split between equity feminism and what she terms "gender feminism". Sommers contends that equity feminists seek equal legal rights for women and men, while gender feminists seek to counteract historical inequalities based on gender. Sommers argues that gender feminists have made false claims about issues such as anorexia and domestic battery and exerted a harmful influence on American college campuses. Who Stole Feminism? received wide attention for its attack on American feminism, and it was given highly polarized reviews divided between conservative and liberal commentators. Some reviewers praised the book, while others found it flawed.
Lean In: Women, Work, and the Will to Lead is a 2013 book encouraging women to assert themselves at work and at home, co-written by business executive Sheryl Sandberg and media writer Nell Scovell.
The Terror Dream: Fear and Fantasy in Post-9/11 America is a 2007 book by Susan Faludi, in which the author argues that the terrorist acts of September 11, 2001 resulted in an attack on feminism. In 2007, the book was a finalist for the National Book Critics Circle Award for Criticism.
↑ Eberstadt, Mary. "Wake Up, Little Susie." American Spectator 25.10 (1992): 30. Academic Search Premier. Web. 22 Oct. 2014. p.
↑ Greene, Gayle, "The Empire Strikes Back, a review of Backlash: The Undeclared War against American Women", Nation, Vol. 254, No. 5, February 10, 1992, pp. 166ff.(5).
↑ Phelan, Peggy. "Radical Democracy and the Woman Question" American Literary History, Vol. 5, No. 4 (Winter, 1993) 750-763. p. 755
↑ Gibbs, N., and A. Blackman. "The War Against Feminism. (Cover Story)." Time 139.10 (1992): 50. Academic Search Premier. Web. 24 Oct. 2014.
↑ Gibbs, N., and J. McDowell. "How To Revive A Revolution. (Cover Story)." Time 139.10 (1992): 56. Academic Search Premier. Web. 24 Oct. 2014.
↑ Faludi, Susan. Backlash: The Undeclared War Against American Women. New York: Crown. 1991. Print ISBN0517576988
↑ Faludi, Susan. "Preface". Backlash: The Undeclared War Against American Women. New York: Three Rivers Press. 2006. Print. ISBN0307345424
↑ Eberstadt, Mary. "Wake Up, Little Susie." American Spectator 25.10 (1992): 30. Academic Search Premier. Web. 22 Oct. 2014.
↑ John McLaughlin as quoted by N. Gibbs in Gibbs, N., and A. Blackman. "The War Against Feminism. (Cover Story)." Time 139.10 (1992): 50. Academic Search Premier. Web. 24 Oct. 2014.
↑ Greene, Gayle, "The Empire Strikes Back, a review of Backlash: The Undeclared War against American Women", Nation, Vol. 254, No. 5, February 10, 1992. p.169
↑ Shore, Paul. "Review: Backlash: The Undeclared War against American Women", Humanist. Sep/Oct92, Vol. 52 Issue 5, p47.
↑ Phelan, Peggy. "Radical Democracy and the Woman Question" American Literary History, Vol. 5, No. 4 (Winter, 1993) 750–763. p.751 Published by: Oxford University Press
↑ Crichton, Michael (April 26, 2002). Why Speculate? (Speech). International Leadership Forum. www.michaelcrichton.com. La Jolla, CA. Archived from the original on October 30, 2006.
↑ Shore, Paul. "Review: Backlash: The Undeclared War against American Women", Humanist. Sep/Oct92, Vol. 52 Issue 5. p. 47
↑ Barbara Lovenheim quoted by M. Eberstadt in "Wake Up, Little Susie." American Spectator 25.10 (1992): 30. Academic Search Premier. Web. 22 Oct. 2014.
↑ American scholar Ann Jones quoted by N. Gibbs in "The War Against Feminism. (Cover Story)." Time 139.10 (1992): 50. Academic Search Premier. Web. 24 Oct. 2014.
↑ Greene, Gayle, "The Empire Strikes Back, a review of Backlash: The Undeclared War against American Women", Nation, Vol. 254, No. 5, February 10, 1992. p169.
↑ Phelan, Peggy. "Radical Democracy and the Woman Question" American Literary History, Vol. 5, No. 4 (Winter, 1993) 750–763. Published by: Oxford University Press
↑ Eberstadt, Mary. "Wake Up, Little Susie." American Spectator 25.10 (1992): 30. Academic Search Premier. Web. 22 Oct. 2014.
↑ Gallagher, Maggie, "Review of Backlash: The Undeclared War against American Women", National Review, Vol. 44, No. 6, (March 30, 1992) p42.
↑ Eberstadt, Mary. "Wake Up, Little Susie." American Spectator 25.10 (1992): 30. Academic Search Premier. Web. 22 Oct. 2014.
↑ Gibbs, N., and J. McDowell. "How To Revive A Revolution. (Cover Story)." Time 139.10 (1992): 56. Academic Search Premier. Web. 24 Oct. 2014.
↑ Eisenberg, Rebecca, L. "An Unladylike Response to Legal Conceptions of Women," Harvard Law Review. Jun92, Vol. 105 Issue 8, p. 2106.
↑ Faludi, Susan. Backlash: The Undeclared War Against American Women. New York: Crown. 1991. p. xiii. ISBN0517576988
↑ endnote #27 in Eisenberg, Rebecca, L. "An Unladylike Response to Legal Conceptions of Women," Harvard Law Review. Jun92, Vol. 105 Issue 8.
↑ Eisenberg, Rebecca, L. "An Unladylike Response to Legal Conceptions of Women", Harvard Law Review. Jun92, Vol. 105 Issue 8, p2104.
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