Belshazzar's feast, or the story of the writing on the wall, chapter 5 in the Book of Daniel, tells how Belshazzar holds a great feast and drinks from the vessels that had been looted in the destruction of the First Temple. A hand appears and writes on the wall. The terrified Belshazzar calls for his wise men, but they cannot read the writing. The queen advises him to send for Daniel, renowned for his wisdom. Daniel reminds Belshazzar that his father, Nebuchadnezzar, when he became arrogant, was thrown down until he learned that God has sovereignty over the kingdom of men (see Daniel 4). Belshazzar had likewise blasphemed God, and so God sent this hand. Daniel then reads the message and interprets it: God has numbered Belshazzar's days, he has been weighed and found wanting, and his kingdom will be given to the Medes and the Persians.
That very night Belshazzar, the Chaldean [Babylonian] king, was killed. And Darius the Mede received the kingdom […]
— Daniel 5:30–31 [1]
The message of Daniel 5 is the contrast it offers between Nebuchadnezzar and Belshazzar:
According to John J. Collins, Belshazzar's feast is a legend conforming to the subgenre of the "tale of court contest", complicated by the inclusion of Daniel's indictment of Belshazzar's pride and his failure to honour the God of Israel. As a result, the tale has a double ending, in which Daniel is first showered with rewards and honours for interpreting the omen, and the king is then punished to fulfill the sentence pronounced by Daniel. [3]
From the story, the idiom "to be able to read the writing on the wall" came to mean seeing from the available evidence that doom or failure is inevitable, and "the writing on the wall" itself can mean anything portending such doom or failure.
This section summarizes the narrative, as found in C. L. Seow's text translation in his commentary on Daniel. [1]
King Belshazzar holds a great feast for a thousand of his lords and commands that the Temple vessels from Jerusalem be brought in so that they can drink from them, but as the Babylonians drink, a hand appears and writes on the wall. Belshazzar calls for his magicians and diviners to interpret the writing, but they cannot even read it. The queen advises Belshazzar to send for Daniel, renowned for his wisdom. Daniel is brought in, and the king offers to make him third in rank in the kingdom if he can interpret the writing.
Daniel declines the honour, but agrees to the request. He reminds Belshazzar that his father Nebuchadnezzar's greatness was the gift of God and that when he became arrogant, God threw him down until he learned humility: "The Most High God has sovereignty over the kingdom of mortals, and sets over it whomever He will." Belshazzar has drunk from the vessels of God's Temple and praised his idols, but he has not given honour to God, and so God sent this hand and wrote these words:
מנא מנא תקל ופרסין
Daniel reads the words "MENE, MENE, TEKEL, UPHARSIN" and interprets them for the king: "MENE, God has numbered the days of your kingdom and brought it to an end; TEKEL, you have been weighed ... and found wanting;" and "UPHARSIN", your kingdom is divided and given to the Medes and Persians. Then Belshazzar gave the command, and Daniel was clothed in purple, a chain of gold was put around his neck, and a proclamation was made… that he should rank third in the kingdom; [and] that very night Belshazzar the Chaldean (Babylonian) king was killed, and Darius the Mede received the kingdom." [4]
None of the Chaldean wise men can even read, let alone interpret, the writing on the wall, but Daniel does so by supplying vowels in two different ways: first, the words are read as nouns, then as verbs. [5] The nouns are monetary weights: a mənê, equivalent to a Jewish mina or sixty shekels (several ancient versions have only one mənê instead of two); a təqêl, equivalent to a shekel; and p̄arsîn, meaning "half-pieces". [6] The last involves a word-play on the name of the Persians (pārās in Hebrew), suggesting not only that they are to inherit Belshazzar's kingdom, but that they are two peoples, Medes and Persians. [6]
Daniel then interprets the words as verbs based on their roots: mənê is interpreted as meaning "numbered"; təqêl, from a root meaning to weigh, as meaning "weighed" (and found wanting); and pərês (פְּרַס), the singular form of p̄arsîn, from a root meaning "to divide", denoting that the kingdom is to be "divided" and given to the Medes and Persians. [7] If the "half-pieces" means two half-shekels, then the various weights—a mənê or sixty shekels, another shekel, and two half-shekels—add up to 62, which the tale gives as the age of Darius the Mede, indicating that God's will is being worked out. [8]
The phrase "writing on the wall" has grown to be a popular idiomatic expression referring to the foreshadowing of any impending doom, misfortune, or end. A person who does not or refuses to "see the writing on the wall" is being described as ignorant of the signs of a cataclysmic event that will likely occur soon.
One of the earliest known uses of the phrase in English was by Captain L. Brinckmair in 1638, whose report "The Warnings of Germany" during the Thirty Years' War cautioned that the violence there could soon spill over to England. [9] "The writing on the wall" is sometimes referred to by the use of some combination of the words "Mene, Mene, Tekel, Upharsin", as they were written on the wall in the tale of Belshazzar's feast. The metaphor has consistently appeared in literature and media as a foreshadowing device since Brinckmair's report.
It is generally accepted that the Book of Daniel originated as a collection of folktales among the Jewish community in Babylon in the Persian and early Hellenistic periods (5th to 3rd centuries BC), and was later expanded in the Maccabean era (mid-2nd century) with the visions of chapters 7–12. [10] Modern scholarship agrees that Daniel is a legendary figure, [11] and it is possible that his name was chosen for the hero of the book because of his reputation as a wise seer in Hebrew tradition. [12]
Chapters 2–7 of the book form a chiasm (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side): [13]
Daniel 5 is thus composed as a companion-piece to Daniel 4, the tale of the madness of Nebuchadnezzar, the two giving variations on a single theme. This is spelled out in chapter 5 when Daniel draws a direct parallel between the two kings: the fate of Belshazzar illustrates what happens when a king does not repent. [14]
Daniel 5 does not divide neatly into scenes, and scholars disagree with its structure. The following is one possible outline: [15]
The story is set around the fall of Babylon, when on 12 October 539 BCE, the Persian conqueror Cyrus the Great entered the city. Its last king, Nabonidus, was captured; his fate is unknown, although he may have been exiled. [16] Several details in the text do not match the known historical facts. [17] Belshazzar is portrayed as king of Babylon and son of Nebuchadnezzar, but was the son of King Nabonidus, one of Nebuchadnezzar's successors, who deputised for Nabonidus when the latter was away in Teima, [18] but never became king. [17] The conqueror is named Darius the Mede, but no such individual is known to history. The invaders were not Medes, but Persians. [17] John J. Collins suggests this is typical of the story's genre, in which historical accuracy is not an essential element. [19]
The constituent elements of the Book of Daniel were assembled shortly after the end of the Maccabean crisis, which is to say shortly after 164 BCE. [20] The tales making up chapters 2 to 6 are the earliest part, dating from the late 4th or early 3rd centuries. Their setting is Babylon, and there is no reason to doubt that they were composed in the Babylonian diaspora, that is, among the Jewish community living in Babylon and Mesopotamia under Persian and then Greek rule. They reflect a society in which foreign rulers were not necessarily malevolent. For example, Belshazzar rewards Daniel and raises him to high office. This is a marked contrast with the visions of chapters 7–12, where the sufferings of the Jews are the result of actions by the evil 2nd century BCE king Antiochus IV Epiphanes. [21]
Chapters 2 and 7 tell how all worldly kingdoms will end and be replaced by the kingdom of God. Chapters 3 and 6 describe how pious Jews withstand the arrogance of earthly kings and are rescued by the God of Israel. Chapters 4 and 5 form the center and carry the most important message in their parallel but contrasting tales of Nebuchadnezzar and Belshazzar, verses 5:21–22. The first is humbled by God, learns his lesson, acknowledges the ultimate kingship of the Jewish God, and is restored to his throne. Belshazzar, in contrast, learns nothing from Nebuchadnezzar's example, blasphemes against God, and has his kingdom given to others. [2]
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. The message of the text intended for the original audience was that just as the God of Israel saves Daniel from his enemies so that he would save the Israelites in their present oppression.
Nebuchadnezzar II, also spelled Nebuchadrezzar II, was the second king of the Neo-Babylonian Empire, ruling from the death of his father Nabopolassar in 605 BC to his own death in 562 BC. Historically known as Nebuchadnezzar the Great, he is typically regarded as the empire's greatest king. Nebuchadnezzar remains famous for his military campaigns in the Levant, for his construction projects in his capital, Babylon, including the Hanging Gardens of Babylon, and for the role he plays in Jewish history. Ruling for 43 years, Nebuchadnezzar was the longest-reigning king of the Babylonian dynasty. By the time of his death, he was among the most powerful rulers in the world.
Belshazzar was the son and crown prince of Nabonidus, the last king of the Neo-Babylonian Empire. Through his mother, he might have been a grandson of Nebuchadnezzar II, though this is not certain and the claims to kinship with Nebuchadnezzar may have originated from royal propaganda.
Nabonidus was the last king of the Neo-Babylonian Empire, ruling from 556 BC to the fall of Babylon to the Achaemenian Empire under Cyrus the Great in 539 BC. Nabonidus was the last native ruler of ancient Mesopotamia, the end of his reign marking the end of thousands of years of Sumero-Akkadian states, kingdoms and empires. He was also the last independent king of Babylon. Regarded as one of the most vibrant and individualistic rulers of his time, Nabonidus is characterised by some scholars as an unorthodox religious reformer and as the first archaeologist.
Darius the Mede is mentioned in the Book of Daniel as King of Babylon between Belshazzar and Cyrus the Great, but he is not known to secular history and there is no space in the historical timeline between those two verified rulers. Belshazzar, who is often mentioned as king in the book of Daniel, was in fact the crown-prince and governor while his father was in Arabia from ca. 553 to 543 BCE, but Nabonidus had returned to Babylon years before the fall of the Babylonian empire.
Daniel 2 tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon. In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world. Daniel explained to the king that the statue represented four successive kingdoms beginning with Babylon, while the stone and mountain signified a kingdom established by God which would never be destroyed nor given to another people. Nebuchadnezzar then acknowledges the supremacy of Daniel's God and raises him to high office in Babylon.
Belshazzar's Feast is a major painting by Rembrandt now in the National Gallery, London. The painting is Rembrandt's attempt to establish himself as a painter of large, baroque history paintings. The date of the painting is unknown, but most sources give a date between 1635 and 1638.
The Chaldean dynasty, also known as the Neo-Babylonian dynasty and enumerated as Dynasty X of Babylon, was the ruling dynasty of the Neo-Babylonian Empire, ruling as kings of Babylon from the ascent of Nabopolassar in 626 BC to the fall of Babylon in 539 BC. The dynasty, as connected to Nabopolassar through descent, was deposed in 560 BC by the Aramean official Neriglissar, though he was connected to the Chaldean kings through marriage and his son and successor, Labashi-Marduk, might have reintroduced the bloodline to the throne. The final Neo-Babylonian king, Nabonidus, was genealogically unconnected to the previous kings, but might, like Neriglissar, also have been connected to the dynasty through marriage.
Nebuchadnezzar IV, alternatively spelled Nebuchadrezzar IV and also known by his original name Arakha, was a nobleman of Urartu's Satrapy of Armenia of Urartian (Armenian) descent who in 521 BCE seized power in Babylon, becoming the city's king and leading a revolt against the Persian Achaemenid Empire. His revolt began less than a year after the unsuccessful revolt of Nebuchadnezzar III. Like his predecessor, Arakha assumed the name Nebuchadnezzar and claimed to be a son of Nabonidus, Babylon's last independent king.
Daniel 7 tells of Daniel's vision of four world-kingdoms replaced by the kingdom of the saints or "holy ones" of the Most High, which will endure for ever. Four beasts come out of the sea, the Ancient of Days sits in judgment over them, and "one like a son of man" is given eternal kingship. An angelic guide interprets the beasts as kingdoms and kings, the last of whom will make war on the "holy ones" of God, but they will be destroyed and the "holy ones" will be given eternal dominion and power.
Shadrach, Meshach, and Abednego are figures from chapter 3 of the biblical Book of Daniel. In the narrative, the three Jewish men are thrown into a fiery furnace by Nebuchadnezzar II, King of Babylon for refusing to bow to the king's image. The three are preserved from harm and the king sees four men walking in the flames, "the fourth ... like a son of God". They are first mentioned in Daniel 1, where alongside Daniel they are brought to Babylon to study Chaldean language and literature with a view to serving at the King's court, and their Hebrew names are replaced with Chaldean or Babylonian names.
Belshazzar is an oratorio by George Frideric Handel. The libretto was by Charles Jennens, and Handel abridged it considerably. Jennens' libretto was based on the Biblical account of the fall of Babylon at the hands of Cyrus the Great and the subsequent freeing of the Jewish nation, as found in the Book of Daniel.
Daniel is the main character of the Book of Daniel. According to the Hebrew Bible, Daniel was a noble Jewish youth of Jerusalem taken into captivity by Nebuchadnezzar II of Babylon, serving the king and his successors with loyalty and ability until the time of the Persian conqueror Cyrus, all the while remaining true to the God of Israel. While some conservative scholars hold that Daniel existed and his book was written in the 6th century BCE, most scholars agree that Daniel is not a historical figure and that much of the book is a cryptic allusion to the reign of the 2nd century BCE Hellenistic king Antiochus IV Epiphanes.
The fall of Babylon was the decisive event that marked the total defeat of the Neo-Babylonian Empire to the Achaemenid Empire in 539 BC.
Nitocris of Babylon is an otherwise unknown queen regnant of Babylon described by Herodotus in his Histories. According to Histories of Herodotus, among sovereigns of Babylon two were women, Semiramis and Nitocris. Nitocris is credited by Herodotus with various building projects in Babylon. She is also said to have tricked Darius I by placing her tomb above a gate so that no Persian could pass below and enter through. According to the account, Darius was lured in by a mysterious inscription that served as a trap for greedy kings. According to Herodotus she was the wife of Nabonidus against whose son an expedition was launched by Cyrus the Great. Dougherty and Beaulieu identify the son as Belshazzar.
Daniel in the lions' den tells of how the biblical Daniel is saved from lions by the God of Israel "because I was found blameless before him". It parallels and complements chapter 3, the story of Shadrach, Meshach, and Abednego: each begins with the jealousy of non-Jews towards successful Jews and an imperial edict requiring them to compromise their religion, and concludes with divine deliverance and a king who confesses the greatness of the God of the Jews and issues an edict of royal protection. The tales making up chapters 1–6 of Daniel date no earlier than the Hellenistic period and were probably originally independent, but were collected in the mid-2nd century BC and expanded shortly afterwards with the visions of the later chapters to produce the modern book.
"Finger of God" is a phrase used in the Torah, translated into the Christian Bible. In Exodus 8:16–20 it is used during the plagues of Egypt by Pharaoh's magicians. In Exodus 31:18 and Deuteronomy 9:10 it refers to the method by which the Ten Commandments were written on tablets of stone that were brought down from Mount Sinai by Moses.
Daniel 1 tells how Daniel and his three companions were among captives taken by Nebuchadnezzar II from Jerusalem to Babylon to be trained in Babylonian wisdom. There they refused to take food and wine from the king and were given knowledge and insight into dreams and visions by God, and at the end of their training they proved ten times better than all the magicians and enchanters in the kingdom.
Daniel 4, the fourth chapter of the Bible's Book of Daniel, is presented in the form of a letter from king Nebuchadnezzar II in which he learns a lesson of God's sovereignty, "who is able to bring low those who walk in pride". Nebuchadnezzar dreams of a great tree that shelters the whole world, but an angelic "watcher" appears and decrees that the tree must be cut down and that for seven years, he will have his human mind taken away and will eat grass like an ox. This comes to pass, and at the end of his punishment, Nebuchadnezzar praises God. Daniel's role is to interpret the dream for the king.
Belshazzar, son of the last king of the Neo-Babylonian empire, Nabonidus, has inspired many works of art and cultural allusions, often with a religious motif. While a historical figure, depictions and portrayals of him are most often based on his appearance in the biblical story of Belshazzar's feast in the Book of Daniel. This story is the origin of the idiomatic expression "the writing is on the wall".