Benji | ||||
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Studio album by | ||||
Released | February 11, 2014 | |||
Recorded | March–August, 2013 | |||
Studio | Hyde Street Studios, San Francisco | |||
Genre | Folk rock, indie folk | |||
Length | 61:56 | |||
Language | English | |||
Label | Caldo Verde | |||
Producer | Mark Kozelek | |||
Sun Kil Moon chronology | ||||
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Mark Kozelek chronology | ||||
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Benji is the sixth studio album by American indie folk act Sun Kil Moon,released on 11 February 2014 on Caldo Verde Records. Self-produced by primary recording artist Mark Kozelek,the album takes its name from the 1974 film Benji ,and was recorded between March and August 2013 at Hyde Street Studios in San Francisco.
The album features contributions from Owen Ashworth,Jen Wood,Will Oldham,and Sonic Youth's Steve Shelley. [1]
Following the release of Sun Kil Moon's fifth studio album Among the Leaves in 2012,primary recording artist Mark Kozelek recorded and released three studio albums in 2013;a covers album entitled Like Rats released in February,and two collaborative albums of original material. The first of these, Perils from the Sea was recorded with Jimmy LaValle and released in April,and the second, Mark Kozelek &Desertshore ,recorded with the band Desertshore,was released in August.
The first track written for Benji was "Truck Driver",about his uncle who died in an aerosol trash fire. Kozelek had initially brought the song to Desertshore for possible inclusion on Mark Kozelek &Desertshore,but it was rejected by the band. [2] Shortly after this,Kozelek's second cousin died,also in an aerosol trash fire,which inspired the composition of the song "Carissa". [2]
Much of the album's lyrical content focuses upon mortality,with Kozelek stating,"Things get heavier as you get older. At 47,I can't write from the perspective of a 25-year-old anymore. My life has just changed too much and my environment around me." [2] Songs which tackle more historical subject matter include "Pray for Newtown",which alludes to the then-recent Sandy Hook Elementary School shooting and was written after Kozelek received a letter from a fan from Newtown,Connecticut,where the shooting occurred. The song also discusses the 1984 San Ysidro McDonald's massacre,the 2011 Norway attacks,the 2012 Aurora,Colorado shooting and the 2012 Clackamas Town Center shooting. The track "Richard Ramirez Died Today of Natural Causes" refers to the death of infamous serial killer Richard Ramirez in 2013. [2]
The song "I Watched the Film The Song Remains the Same" features lyrics that reflect on some of Kozelek's childhood memories of his grandmother and pays tribute to the influence of Led Zeppelin,whose 1976 concert film The Song Remains the Same Kozelek watched as a child. [3] "I Can't Live Without My Mother's Love" was written following an argument between Kozelek and his mother,and features backing vocals from Will Oldham (as does "Carissa"). [4]
Benji's closing track,"Ben's My Friend",was the final track to be written for the album [5] and is partly written about Kozelek's friendship with Death Cab for Cutie and The Postal Service vocalist and guitarist Ben Gibbard. [6] Gibbard previously made a guest vocal appearance on the track "Lost Verses" on Sun Kil Moon's third studio album, April (2008). Kozelek noted,"I just felt like the album needed another track,so I scribbled down some stuff,vented a little about The Postal Service concert or whatever was on my mind that day. I presented it to [drummer] Steve Shelley in two different ways,a slow version and a fast version. He liked the faster one and we went with it." [2]
The album's title is taken from Joe Camp's 1974 film of the same name,which Kozelek references in the lyrics to the song "Micheline". Kozelek stated:"I have this light,nice memory of going to see the movie Benji,at a Los Angeles movie theatre when I was a little kid,visiting my grandparents. This record is filled with so much darkness,I wanted to give it a light title,for contrast. Benji is a great movie,one of my favorites." [2]
On January 10,2014, Pitchfork 's Ian Cohen issued the album's closing track,"Ben's My Friend",with the website's "Best New Track" award,writing,"'Ben's My Friend' [is] one of the funniest,warmest,and most revealing songs ever written about male friendship,especially the complications that arise in relationships where one guy's more successful." He also referred to Benji as a whole as the project's "best record to date". [6]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.9/10 [7] |
Metacritic | 85/100 [8] |
Review scores | |
Source | Rating |
AllMusic | [9] |
Cuepoint (Expert Witness) | B+ [10] |
The Independent | [11] |
Mojo | [12] |
NME | 8/10 [13] |
The Observer | [14] |
Pitchfork | 9.2/10 [15] |
Rolling Stone | [16] |
Spin | 8/10 [17] |
Uncut | 9/10 [18] |
Benji received widespread acclaim from music critics. At Metacritic,which assigns a normalized rating out of 100 to reviews from mainstream critics,the album received an average score of 85 based on 30 reviews,indicating "universal acclaim". [8] In his five-star review for The Independent ,Andy Gill found Benji to be "an entertaining,intelligent and profoundly moving album,which elevates the confessional approach to an existentially gripping intensity",and called it "one of the truest,wisest albums you'll ever hear." [11] Kevin EG Perry of NME called the album "as magical as an old dog suddenly performing card tricks." [13] Consequence of Sound reviewer Ryan Bray stated that "Kozelek's transparency never fails to disappoint or miss the mark,and his low delivery and wounded gutter poetry strike an even more personal chord this time around" before noting that "the singer manages to add another solid batch of darkly confessional indie folk tracks to his already hefty CV." [19]
Kitty Empire of The Observer opined that Benji "might well be this difficult artist's most direct work,possibly the most devastating this career melancholic has ever penned" and noted that Kozelek "has nothing left to hide,or lose:the effect is utterly riveting." [14] Ian Cohen,reviewing Benji for Pitchfork ,awarded the album a "Best New Music" accolade,described it as "astonishing" before noting that "it's actually Kozelek’s least depressing and most life-affirming record:when faced with an album that exposes so much of the beauty,truth,ugliness,humor,and grace inherent in simply existing in this world,the only response is to go out and live." [15] Juan Edgardo Rodriguez,writing for No Ripcord,felt that Kozelek had produced his "most intimate work yet,thoroughly documenting definitive moments that marked his past and continue to haunt his present" and noted that Kozelek's choice "to approach it with such openness is his greatest gift to us" before giving the album a score of nine out of ten. [20]
PopMatters ' Ryan Lathan felt that Benji was "nostalgic and intensely personal","brilliantly-crafted" and may "possibly be the most beautifully candid record [Kozelek] has recorded under the Sun Kil Moon guise or any nom de plume." [21] Spin's Garrett Kamps described the album as "a gob-smacking collection of bare-bones,gut-punch,all-in songwriting". [17] Writing in Cuepoint ,Robert Christgau stated that while he "won't pretend there's any musical reason to listen to this wall-to-wall bummer",he was intrigued by Kozelek's ruminations on family deaths and concluded that "whether you're attracted to his songs or not you feel just how bad this depressive is gonna hurt when his long-separated parents go. That's musical enough for me." [10] Mike Powell of Rolling Stone was less generous,saying that the album "feels less like a collection of songs than a series of eulogies delivered in real time." [16] While noting that "[Kozelek's] hardcore following will no doubt celebrate [Benji] abundantly",AllMusic's Thom Jurek noted that "others may find it a tipping point in the other direction." [9]
Fact magazine rated Benji as the best album of 2014, [22] while Stereogum ranked it as the third best. [23] It also appeared on best of year lists from Pitchfork (number 7), [24] Rough Trade (number 10), [25] Drowned in Sound (number 14) [26] and Tiny Mix Tapes (number 14), [27] while NME ranked it at number 34. [28] Benji placed at number 18 on The Village Voice 's year-end Pazz &Jop critics' poll. [29]
Benji was recognized as one of The 100 Best Albums of the Decade So Far,a list published by Pitchfork in August 2014. [30]
All tracks are written by Mark Kozelek, except "Jim Wise" music by Owen Ashworth, words by Mark Kozelek
No. | Title | Length |
---|---|---|
1. | "Carissa" | 6:56 |
2. | "I Can't Live Without My Mother's Love" | 3:59 |
3. | "Truck Driver" | 3:56 |
4. | "Dogs" | 5:37 |
5. | "Pray for Newtown" | 4:08 |
6. | "Jim Wise" | 3:34 |
7. | "I Love My Dad" | 6:16 |
8. | "I Watched the Film the Song Remains the Same" | 10:31 |
9. | "Richard Ramirez Died Today of Natural Causes" | 5:35 |
10. | "Micheline" | 6:07 |
11. | "Ben's My Friend" | 5:17 |
No. | Title | Length |
---|---|---|
12. | "Micheline" (Live in Aveiro) | 7:18 |
13. | "Richard Ramirez Died Today of Natural Causes" (Live in Goteborg) | 4:55 |
14. | "I Love My Dad" (Live in Copenhagen) | 6:05 |
15. | "I Can't Live Without My Mother's Love" (Live in London) | 4:19 |
16. | "Truck Driver" (Live in Leamington Spa) | 4:10 |
Musicians
Recording personnel
Artwork
Chart (2014) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [31] | 64 |
Belgian Albums (Ultratop Wallonia) [32] | 142 |
UK Albums (OCC) [33] | 69 |
US Billboard 200 [34] | 75 |
US Folk Albums (Billboard) [35] | 5 |
US Independent Albums (Billboard) [36] | 12 |
US Top Alternative Albums (Billboard) [37] | 11 |
US Top Rock Albums (Billboard) [38] | 16 |
Sun Kil Moon is an American folk rock act from San Francisco, California, founded in 2002. Initially a continuation of the defunct indie rock band Red House Painters, Sun Kil Moon is now the primary recording moniker of vocalist and guitarist Mark Kozelek. The project is named after the Korean super flyweight boxer Sung-Kil Moon.
Ghosts of the Great Highway is the debut studio album by San Francisco quartet Sun Kil Moon, led by Red House Painters' founder Mark Kozelek, who composed all of the lyrics and music on this album. The other members are Anthony Koutsos, Geoff Stanfield, and Tim Mooney.
Mark Edward Kozelek is an American singer, songwriter, guitarist, record producer and occasional actor. He is the vocalist and primary recording artist of the indie folk act Sun Kil Moon and was a founding member of the indie rock band Red House Painters, with whom he recorded six studio albums from 1988 until 2001.
Tiny Cities is the second studio album by American indie folk act Sun Kil Moon, released November 1, 2005 on Caldo Verde Records. The album features the same lineup as the band's debut, Ghosts of the Great Highway (2003). This album was chosen as one of Amazon.com's Top 100 Editor's Picks of 2005.
Caldo Verde Records is a San Francisco–based indie rock and folk record label founded by Red House Painters and Sun Kil Moon frontman Mark Kozelek in 2005. The label primarily features releases by Kozelek and Sun Kil Moon, but has also released albums by Jesu, Corrina Repp, Retribution Gospel Choir, and Kath Bloom. Photographer Nyree Watts is the commissioned artist for Caldo Verde, as almost all of the releases on the label feature her photography.
April is the third studio album by American folk rock band Sun Kil Moon, released in the US on April 1, 2008 through Caldo Verde Records, and on April 18, 2008 in Japan via P-Vine Records. The album was recorded at Hyde Street Studios in San Francisco and Well Recording in Seattle during a seven-month stretch from spring to late summer in 2007. The album was produced and written by Mark Kozelek. Will Oldham, Ben Gibbard and Eric Pollard lend their backing vocals throughout the album. The album also comes with a bonus disc of four alternate recordings.
The Finally LP is a compilation album by Mark Kozelek. The CD was released on December 9, 2008 via Caldo Verde Records. From the press release:
Over the years, Mark Kozelek of Sun Kil Moon and his earlier band, Red House Painters, has gained well deserved praise for his extraordinary songwriting. At the same time, he has developed a parallel reputation for his unique covers of other people's material. Many of these tracks were recorded for tribute albums that are now unavailable. Caldo Verde Records has now collected them in a cohesive, 10-song CD titled The Finally LP.
Red House Painters were an American rock band formed in Atlanta, Georgia in 1988, before relocating to San Francisco, California. They were one of the most prominent acts associated with the slowcore/sadcore subgenre. The band was formed by primary songwriter Mark Kozelek and drummer Anthony Koutsos. Together, the pair moved to San Francisco, California, where they were joined by bassist Jerry Vessel. Guitarists Gorden Mack and Phil Carney both performed with the band during separate six-year tenures.
Admiral Fell Promises is the fourth studio album by American indie folk act Sun Kil Moon, released on July 13, 2010 on Caldo Verde Records. Despite being released under the Sun Kil Moon moniker, the album features Mark Kozelek performing solo on acoustic nylon-string guitar. Along with the standard CD release, the album was also released on vinyl in October 2010, which includes liner notes, lyrics, and two bonus tracks recorded live in Saint-Malo, France.
Among the Leaves is the fifth studio album by American indie folk act Sun Kil Moon, released on May 29, 2012 on Caldo Verde Records. Similar to Sun Kil Moon's previous studio album, Admiral Fell Promises (2010), the album is predominantly performed by founding member Mark Kozelek on a nylon-string guitar.
Tim Mooney was an American drummer, producer, and sound engineer. He drummed in the Sleepers, Toiling Midgets, Negative Trend, Sun Kil Moon and American Music Club.
Perils from the Sea is a collaborative studio album by American singer-songwriter Mark Kozelek and multi-instrumentalist Jimmy LaValle, released on April 30, 2013 on Caldo Verde Records.
Live at Phoenix Public House Melbourne is a live album by American singer-songwriter Mark Kozelek, released on February 19, 2013 on Caldo Verde Records. Recorded on June 11, 2012, and released on the same day as Kozelek's covers album, Like Rats (2013), the album predominantly features tracks from the then-recently released Sun Kil Moon album, Among the Leaves (2012).
Mark Kozelek & Desertshore is a collaborative studio album by American singer-songwriter Mark Kozelek and indie rock band Desertshore, released on August 20, 2013 on Caldo Verde Records. The album was Kozelek's third studio album of 2013.
Mark Kozelek Sings Christmas Carols is a Christmas album by American singer-songwriter Mark Kozelek. It was released on November 4, 2014, through Kozelek's own record label, Caldo Verde Records.
Live at Biko is a live album by American singer-songwriter Mark Kozelek. It was released on July 1, 2014, through Kozelek's own record label Caldo Verde Records.
Universal Themes is the seventh studio album by American indie folk act Sun Kil Moon, released on June 2, 2015, on Caldo Verde Records.
Jesu / Sun Kil Moon is a collaborative studio album by American indie folk act Sun Kil Moon and British experimental act Jesu, released on January 21, 2016 on Caldo Verde Records and Rough Trade. The album also features guest musicians Will Oldham, members of Low, Rachel Goswell of Slowdive, and Isaac Brock of Modest Mouse. Jesu and Sun Kil Moon including drummer Steve Shelley of Sonic Youth played six shows in February and March 2016 to support the album.
Common as Light and Love Are Red Valleys of Blood is the eighth studio album by the American indie folk act Sun Kil Moon, self-produced by primary recording artist Mark Kozelek. The album was released on 17 February 2017 on Caldo Verde Records. It is a double album and comprises 16 tracks in total, being Sun Kil Moon's longest album to date.
Yellow Kitchen is a collaboration album between American musician and singer Mark Kozelek of Sun Kil Moon and Sean Yeaton, bassist of Parquet Courts, released on June 30, 2017 by Caldo Verde Records, though available for streaming shortly prior to that. Kozelek and Yeaton met at a Dutch festival in summer 2016, and recorded and self-produced Yellow Kitchen from December 2016 to May 2017 in the United States. Guest appearances on the album include Steve Shelley and Jim White on drums and Holly Throsby and Will Oldham on vocals.