| Bride's Tomb | |
|---|---|
| Native name Albanian: Tyrbja e Nuses | |
 North side of the building | |
| Location | Mullet |
| Coordinates | 41°15′56″N19°52′18″E / 41.2656°N 19.8718°E |
The Bride's Tomb (Albanian : Tyrbja e Nuses) is a Cultural Monument of Albania, located in Mullet, Tirana County. [1]
The qeleshe, also known as plis and qylat, is a white brimless felt skull cap traditionally worn by Albanians. It has spread throughout Albanian-inhabited territories, and is today part of the traditional costume of the Albanians. The height and shape of the cap varies region to region.
Aleksandër Gabriel Meksi is an Albanian archaeologist and politician who served as the 28th Prime Minister of Albania from April 13, 1992, to March 11, 1997. A former archaeologist, he was the first person to be prime minister of Albania after the end of communist rule. Meksi was a member of the Democratic Party of Albania and took office at the same time as President Sali Berisha, who also belonged to that party. Before entering politics, Meksi was a researcher and restorer of monuments of medieval architecture.
Mother Albania is a 12 m statue located at the National Martyrs' Cemetery of Albania in Albania, dedicated in 1971.
The Medieval Monuments in Kosovo are a World Heritage Site consisting of four Serbian Orthodox Christian churches and monasteries which represent the fusion of the eastern Orthodox Byzantine and the western Romanesque ecclesiastical architecture to form the Palaiologian Renaissance style. The construction was founded by members of Nemanjić dynasty, the most important dynasty of Serbia in the Middle Ages. The sites are located in Kosovo.
Mücü is a village and municipality in the Ismailli Rayon of Azerbaijan. It has a population of 229. The working population is mostly engaged in agriculture. The city is supplied with electricity. The region of the village is located in the "Bado-Basgal" tourism region. The tourism route going through the "Khan", "Fit daghi" and "Haram towers" passes close to the village.
Fortress of Justinian or simply known as Tirana Castle is a castle in Tirana, Albania. Its history dates back before 1300 and is a remnant from the Byzantine-era. The fortress is the place where the main east–west and north–south roads crossed, and formed the heart of Tirana. The current fortification has three known towers and it is undergoing a process of restoration, for touristic purposes. Inside the fortified walls of the former fortress, there are many buildings that can be visited, including restaurants, hotels, and cultural institutions.
The Skanderbeg Square is the main plaza in the centre of Tirana, Albania. The square is named after the Albanian national hero Gjergj Kastrioti Skënderbeu. The total area is about 40,000 square metres. The Skanderbeg Monument dominates the square.
The Skanderbeg Monument is a monument in the Skanderbeg Square in Tirana, Albania. It commemorates Skanderbeg (1405–1468), the national hero in Albania for resisting the Ottomans.
Holy Transfiguration Church, also known as Church of Gjirokastër is an Orthodox church in Gjirokastër, Albania. The church was built in 1784. It is a Cultural Monument of Albania since 1963.
The Kapllan Pasha Tomb is a Muslim Türbe of Albania, located in the center of Tirana. It is a Cultural Monument of the first category and was so declared by the government of Albania in 1948. It was built in the early 19th century, with carved stones and has an octagonal shape. The columns are made of stone, and placed also on stone bases and capitals with plant decor on the surface. The former ruler of Tirana was interned here in the 19th century, but was later repatriated back to Istanbul, Turkey.
The Sheh Dyrri Tekke or Sheikh Duri Tekke is a teqe in Tirana, Albania. It is a Cultural Monument of Albania.
The Teqe Mosque is a mosque in Gjirokastër, Albania. It is a Cultural Monument of Albania.
In Albania, a cultural monument is a construction or work of cultural, historical and artistic value that is built in a visible space, made in memory of important events or prominent people. Cultural monuments are usually under state protection as they are evidence of the history of human development, for the preservation of which there is a public interest.
Skanderbeg Square is a square in Skopje, North Macedonia.
The architecture of Albania is a reflection of Albania's historical and cultural heritage. The country's architecture was influenced by its location within the Mediterranean Basin and progressed over the course of history as it was once inhabited by numerous civilisations including the Illyrians, Ancient Greeks, Romans, Byzantines, Venetians, Ottomans as well as modern Austro-Hungarians and Italians. In addition, missionaries, invaders, colonisers and traders brought cultural changes that had a large profound effect on building styles as well as techniques.
The architectural heritage of the Kosovo Albanians during Yugoslav rule was shown institutionalised disregard for decades prior to outright conflict at the end of the 20th century. Numerous Albanian cultural sites in Kosovo were destroyed during the period of Yugoslav rule and especially the Kosovo conflict (1998-1999) which constituted a war crime violating the Hague and Geneva Conventions. In all, 225 out of 600 mosques in Kosovo were damaged, vandalised, or destroyed alongside other Islamic architecture during the conflict. Additionally 500 Albanian owned kulla dwellings and three out of four well-preserved Ottoman period urban centres located in Kosovo cities were badly damaged resulting in great loss of traditional architecture. Kosovo's public libraries, of which 65 out of 183 were completely destroyed, amounted to a loss of 900,588 volumes, while Islamic libraries sustained damage or destruction resulting in the loss of rare books, manuscripts and other collections of literature. Archives belonging to the Islamic Community of Kosovo, records spanning 500 years, were also destroyed. During the war, Islamic architectural heritage posed for Yugoslav Serb paramilitary and military forces as Albanian patrimony with destruction of non-Serbian architectural heritage being a methodical and planned component of ethnic cleansing in Kosovo.
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