British Academy Television Craft Award | |
---|---|
Country | United Kingdom |
Presented by | British Academy of Film and Television Arts |
First awarded | 1992 |
Currently held by | Chas Appeti for Jungle (2023) |
Website | http://www.bafta.org/ |
The British Academy Television Craft Award for Best Photography & Lighting: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography." [1]
Several categories were presented to recognize photography and lighting in television programming:
In 1992, those categories transformed in two, Best Film or Video Photography - Fiction/Entertainment and Best Film or Video Photography - Factual until 1994 when they would be renamed for the last time, resulting in Best Photography & Lighting: Fiction and Best Photography: Factual respectively.
Best Film Cameramen
Year | Recipient(s) | Title |
---|---|---|
1978 | Chris Menges | Last Summer Chicago Streets |
Graham Barker | Goodbye Longfellow Road | |
Peter Bartlett | Eustace And Hilda The Three Hostages A Hymn from Jim | |
Philip Bonham Carter | Omnibus Money On The Wall | |
John Else | The Long Search | |
Peter Hall | Marie Curie Ripping Yarns Count Dracula | |
John Hooper | Omnibus: A Day in the Garden | |
Peter Jackson | A Chink In The Wall | |
Kenneth MacMillan | A Royal Heritage | |
Tony Maynard, Jeff Shepherd | Love for Lydia | |
Philip Meheux | Spend, Spend, Spend | |
Arthur Smith | Living On The Land | |
Alan Stevens | Open University: Mass Communications and Society - ABC in Kansas City | |
Ian Stone | For Continued Excellence Years Of Work | |
George Jesse Turner | The Christians World in Action | |
Colin Waldeck | Chronicle: The Acquisitors | |
David Watkin, Armando Nannuzi | Jesus of Nazareth | |
David Wood | Blind Love | |
1979 | David Whitson, Maurice Tibbles | The Voyage of Charles Darwin |
Elmer Cossey | The Lost Boys | |
Mike Fash | The One and Only Phyllis Dixey | |
Chris Menges | Opium: The White Powder Opera | |
Best Television Cameramen
Year | Recipient(s) | Title |
---|---|---|
1978 | Albert Almond, Roy Easton | Rock Follies of '77 |
Dick Bunn | Glyndebourne Opera | |
David Gautier | The Mayor of Casterbridge | |
Mike Hobbs | Thames OB's and OB Drama | |
Dave Mutton | Pennies from Heaven | |
Dave Taylor | Brass Tacks | |
1979 | John Chapman | The Kenny Everett Video Show (Inserts) |
Albert Almond, Roy Easton | Edward & Mrs. Simpson | |
Derek Doe | Lillie | |
Dave Mutton | Pennies from Heaven | |
Best Special Lighting Effects
Year | Title | Recipient(s) |
---|---|---|
1978 | Rock Follies of '77 | Bob Simmons, Malcolm Harrison |
Best Television Lighting
Year | Title | Recipient(s) |
---|---|---|
1978 | Macbeth | John Treays |
Hard Times | Wilf Batty | |
The Ambassadors | Denis Channon | |
Ghosts | Bob Grey | |
Rock Follies of '77 | Malcolm Harrison, Bob Simmons | |
Kilvert's Diary | David Jackson | |
Love for Lydia | Colin Innes-Hopkins, Trevor Saunders | |
Count Dracula | Howard King | |
Three Weeks Moths | Bill Lee | |
Tommy Steele and a Show | David Motture | |
Anna Karenina Married Love | John Summers | |
Marie Curie | Clive Thomas | |
St Paul’s Cathedral - A Day of Celebration | Harry Thomas | |
The Ghosts of Motley Hall | Mike Thompson | |
1979 | The Lost Boys | Sam Barclay |
Edward & Mrs. Simpson | Bill Lee, Malcolm Harrison | |
Pennies from Heaven | Dave Sydenham | |
Lillie | Bert Wilkins, Colin Innes-Hopkins | |
Best Film Cameramen
Year | Recipient(s) | Title |
---|---|---|
1980 | Tony Pierce Roberts | Tinker Tailor Soldier Spy |
Nat Crosby | Katie, The Year Of The Child Blue Remembered Hills Long Distance Information | |
Maurice Fisher and Camera Team | Life on Earth | |
John Tiley, Colin Munn | Testament of Youth | |
1981 | Tony Pierce-Roberts, John Else | Caught on a Train |
Derek Banks | Strangeways | |
Peter Hannan | Blade on the Feather | |
Wolfgang Suschitzky | Staying On Worzel Gummidge | |
1982 | Nat Crosby | Autumn Sunshine Going Gently |
Ray Goode | Brideshead Revisited | |
Norman Langley | Winston Churchill: The Wilderness Years | |
Peter Middleton | The South Bank Show: Nickleby and Company | |
Ian Wilson | The Flame Trees of Thika | |
1983 | Kenneth MacMillan | Smiley's People |
Nat Crosby | Intensive Care Soft Targets Ballroom of Romance Cruel Garden | |
Chris Menges | Walter Looks and Smiles East 103rd Street | |
Tony Pierce-Roberts | P'tang, Yang, Kipperbang A Voyage Round My Father | |
1984 | Nat Crosby | An Englishman Abroad/Farmers Arms |
Jim Howlett | Saigon, Year of the Cat | |
Peter Jessop | Reilly, Ace of Spies | |
Ernest Vincze | Kennedy | |
1985 | Andrew Dunn | Threads |
Jack Cardiff | The Far Pavilions | |
Ray Goode | The Jewel in the Crown | |
Ken Westbury | Doctor Fischer of Geneva | |
1986 | Andrew Dunn | Edge of Darkness |
Kenneth MacMillan | Bleak House | |
Hugh Miles, Martin Saunders | Kingdom of The Ice Bear | |
Ken Westbury | Tender is the Night | |
1987 | Nat Crosby | The Insurance Man |
Andrew Dunn | The Monocled Mutineer | |
Kenneth MacMillan | Day After the Fair | |
Hotel Du Lac | ||
Mike Reed | Paradise Postponed | |
Ken Westbury | The Singing Detective | |
1988 | Phil Agland | Baka: People of the Rain Forest |
Elmer Cossey | A Perfect Spy | |
David Feig | Fortunes of War | |
Dick Pope | Porterhouse Blue | |
1989 | Andrew Dunn | Tumbledown |
Remi Adefarasin | Christabel | |
Camera Team | Supersense | |
Ernie Vincze | A Very British Coup | |
Best Television Cameramen
Year | Recipient(s) | Title |
---|---|---|
1980 | John Chapman | Light Weight Camerawork |
Peter Coombs | Macbeth | |
Geoff Feld | Testament of Youth Suez 1956 | |
Rodney Taylor | Prince Regent | |
1981 | Geoff Feld | The Merchant of Venice The Fatal Spring We, The Accused |
Ron Green | Dr Jekyll and Mr Hyde Thérèse Raquin | |
Dave Mutton | Pride and Prejudice | |
Rod Taylor | Oppenheimer To Serve Them All My Days | |
1982 | Jim Atkinson | All's Well That Ends Well Othello Timon of Athens Troilus and Cressida |
Geoff Feld | The Cherry Orchard | |
Dave Mutton | The Journal of Bridget Hitler | |
Dave Ramsey | Pygmalion Like I've Never Been Gone | |
Best Television Lighting
Year | Title | Recipient(s) |
---|---|---|
1980 | Testament of Youth Matilda's England | Dave Sydenham |
Macbeth Rumpole of the Bailey | Louis Bottone | |
Crime and Punishment Suez 1956 | Howard King | |
Churchill and the Generals | Nigel Wright | |
Best Video Lighting
Year | Title | Recipient(s) |
---|---|---|
1981 | Thérèse Raquin Dr Jekyll and Mr Hyde | Howard King |
The Merchant of Venice | Dennis Channon | |
We, The Accused Pride and Prejudice | Dave Sydenham | |
Oppenheimer | Clive Thomas | |
The Taming of the Shrew | John Treays | |
1982 | The Cherry Orchard: The Journal of Bridget Hitler | Howard King |
Pygmalion Eden End Cupid's Darts | Brian Hilton | |
Tenko | Alan Horne | |
The Borgias | Dave Sydenham | |
1983 | La Ronde John David Too Late To Talk To Billy Frost In May | Clive Thomas |
Boys from the Blackstuff | Dick Bentley | |
Nicholas Nickleby | Tony Imi | |
The Barchester Chronicles/Nancy Astor | Howard King | |
1984 | Hot Shoe Show | Bill Millar |
The Comedy of Errors The Gathering Seed The Last Day Events in a Museum Dombey and Son | Dave Sydenham | |
Reith My Cousin Rachel Good Behaviour The Tale of Beatrix Potter | Clive Thomas | |
King Lear | Chris White | |
1985 | The Box of Delights | John Mason |
Tenko | Peter Catlett | |
The Hot Shoe Show | Dickie Higham, Bill Millar | |
Oxbridge Blues | Dave Sydenham | |
1986 | L'Enfance Du Christ | Luigi Bottone, Andy Andrews |
Oliver Twist | Bob Chaplin | |
Cyrano de Bergerac | John Treays | |
The Mysteries: The Nativity | John Treays | |
1987 | The Life and Loves of a She-Devil | John King |
Fire and Ice | John Fyfe, Colin Innes-Hopkins | |
All Passion Spent | Howard King, Colin Widgery | |
First Among Equals | Peter Nolan | |
Cosi Fan Tutte | John Summers | |
Bluebell | Clive Thomas, Peter Greenyer | |
1988 | The Charmer | Trevor Saunders |
Vanity Fair | David Cannings Bushell | |
Tutti Frutti | James Maiden | |
The Dorothy L Sayers Mysteries | Clive Thomas | |
1989 | The Chronicles of Narnia | John Mason |
The Kirov Ballet Live in Britain | Clive Potter | |
A Cream Cracker under the Settee | Clive Thomas | |
La Traviata | Brian Turner | |
Best Film Cameramen
Year | Recipient(s) | Title | Broadcaster |
---|---|---|---|
1990 | Clive Tickner | Traffik | Channel 4 |
Michael Davis | Inspector Morse | ITV | |
Nigel Meakin | Around the World in 80 Days (for "Episodes 1-4") | BBC One | |
Nigel Walters | Around the World in 80 Days (for "Episodes 5-7") | ||
1991 | Camera Team | The Trials of Life | BBC One |
Paul Wheeler | Inspector Morse | ITV | |
Ian Punter | House of Cards | BBC One | |
Ian Punter | Oranges Are Not the Only Fruit | BBC Two | |
Best Video Lighting
Year | Title | Recipient(s) | Broadcaster |
---|---|---|---|
1990 | The Ginger Tree | Clive Thomas | BBC One |
The Chronicles of Narnia | John Mason | BBC | |
Casualty | Chris Watts | BBC One | |
Bomber Harris | Clive Thomas | ||
1991 | Boon | Derek Constable, Keith Reed | ITV |
Drop the Dead Donkey | Keith Reed | Channel 4 | |
Una Stravaganza Dei Medici | Luigi Bottone | ||
The Chronicles of Narnia | John Mason | BBC | |
1992 | Not awarded | ||
1993 | Tales from Hollywood | Duncan Brown | BBC Two |
Casualty | Nick Hollingbury | BBC One | |
The House of Eliott | Chris Townsend | ||
Gladiators | Brian Pearce | ITV | |
1994 | Porgy and Bess | Chris Townsend | PBS |
Gladiators | Brian Pearce | ITV | |
Casualty (for "Episodes 1, 5, 12 & 15") | Cedric Rich | BBC One | |
Hedda Gabler | Clive Thomas | BBC Two | |
Best Film or Video Photography - Fiction/Entertainment
Year | Title | Recipient(s) | Broadcaster |
---|---|---|---|
1992 | Prime Suspect | Ken Morgan | ITV |
G.B.H. | Peter Jessop | Channel 4 | |
Clarissa | John McGlashan | BBC | |
Inspector Morse (for "Programmes 1-4") | Paul Wheeler | ITV | |
1993 | The Borrowers | Clive Tickner | BBC Two |
The Big Battalions | Chris O'Dell | Channel 4 | |
Memento Mori | Remi Adefarasin | BBC Two | |
Natural Lies | John McGlashan | BBC | |
1994 | Cracker | Ivan Strasburg | ITV |
The Buddha of Suburbia | John McGlashan | BBC Two | |
The Borrowers | Clive Tickner | ||
Scarlet and Black | John McGlashan | BBC One | |
Best Photography & Lighting: Fiction
Year | Title | Recipient(s) | Broadcaster |
---|---|---|---|
1995 | Family | Daf Hobson | BBC One |
Finney | Kevin Rowley | ITV | |
Middlemarch | Brian Tufano | BBC Two | |
The Rector’s Wife | Witold Stok | Channel 4 | |
1996 | Persuasion | John Daly | BBC Two |
The Politician's Wife | Tom McDougal | Channel 4 | |
Prime Suspect | David Odd | ITV | |
McCallum | Brian Morgan | ||
1997 | The Final Passage | Nic Knowland | Channel 4 |
The Tenant of Wildfell Hall | Daf Hobson | BBC One | |
Truth or Dare | Richard Greatrex | ||
Our Friends in the North | John Daly, John Kenway, Simon Kossoff | BBC Two | |
1998 | The Woman in White | Richard Greatrex | BBC One |
Holding On | Peter Middleton, Alan Stewart | BBC Two | |
The Lakes | Daf Hobson | BBC One | |
Touching Evil | David Odd | ITV | |
1999 | Far from the Madding Crowd | John Daly | BBC Two |
Vanity Fair | Oliver Curtis | BBC One | |
Cold Feet | Peter Middleton | ITV | |
Our Mutual Friend | David Odd | BBC Two | |
Year | Title | Recipient(s) | Broadcaster |
---|---|---|---|
2020 [5] [6] | Chernobyl | Jakob Ihre | Sky Atlantic |
His Dark Materials (for "The Spies") | Suzie Lavelle | BBC One | |
The Crown | Adriano Goldman | Netflix | |
Top Boy | Joe Anderson | ||
2021 [7] | Small Axe | Shabier Kirchner | BBC One |
Little Birds | Ed Rutherford | Sky Atlantic | |
Devs | Rob Hardy | BBC Two | |
Normal People | Suzie Lavelle | BBC Three | |
2022 [8] [9] | Landscapers | Erik Wilson | Sky Atlantic |
Sex Education | Oli Russell | Netflix | |
Your Honor | James Friend | Sky Atlantic | |
Time | Mark Wolf | BBC One | |
2023 [10] [11] | Jungle | Chas Appeti | Prime Video |
Pistol | Anthony Dod Mantle | Disney+ | |
The Tourist | Ben Wheeler | HBO Max / BBC One | |
I Am Ruth | Rachel Clark | Channel 4 | |
2024 [12] | The Last of Us | Eben Bolter | HBO / Sky Atlantic |
The Long Shadow | Ed Rutherford | ITV | |
The Sixth Commandment | Rik Zang | BBC One | |
Black Mirror : "Demon 79" | Stephan Pehrsson | Netflix | |
The British Academy Television Craft Awards is an accolade presented by the British Academy of Film and Television Arts (BAFTA), a charitable organisation established in 1947, which: "supports, promotes and develops the art forms of the moving image – film, television and video games – by identifying and rewarding excellence, inspiring practitioners and benefiting the public."
The British Academy Television Award for Best International Programme, or BAFTA TV Award for Best International, is an award presented by the British Academy of Film and Television Arts, according to BAFTA the category is for "a single programme or series of any genre acquired from the international marketplace".
The British Academy Television Craft Award for Best Writer: Drama is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Award for Best Single Documentary is one of the major categories of the British Academy Television Awards (BAFTAs), the primary awards ceremony of the British television industry. According to the BAFTA website, the category is "for one-off documentaries only. Includes individual episodes of documentary strands."
The British Academy Television Award for Best Current Affairs is one of the major categories of the British Academy Television Awards (BAFTAs), the primary awards ceremony of the British television industry. According to the BAFTA website, the category is "for single films, or films from a strand that are primarily concerned with unfolding current affairs"
The British Academy Television Craft Award for Best Director: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Director: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Director: Multi-Camera is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Production Design is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for a programme to be eligible to this category it "should contain a significant amount of original design."
The BAFTA Television Craft Award for Best Costume Design is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. It was first awarded in 1978. According to the BAFTA website, for a programme to be eligible to this category, it "should contain a significant amount of original design."
The British Academy Television Craft Award for Best Original Music is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. It was first awarded in 1981, according to the BAFTA website, a programme will be eligible to this category if "more than 50% of its music is original composition created specifically for it."
The British Academy Television Craft Award for Best Special, Visual & Graphic Effects is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, this category is "for special, visual and graphic effects and recognises achievement in all of these crafts."
The British Academy Television Craft Award for Best Titles & Graphic Identity is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, this category is "to recognise originality and excellence within the title sequence and graphic identity of a programme.", also stating that "the same title sequence may not be entered more than once. The same programme may be entered in consecutive years, but only if it has new titles."
The British Academy Television Craft Award for Best Sound: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Editing: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Sound: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Photography: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography."
The British Academy Television Craft Award for Best Editing: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Emerging Talent: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, the category is "designed to recognise potential, awarding those who have begun to capture the attention of their peers through demonstrating exceptional talent and ambition within their craft for the first time in factual programming."
The British Academy Television Craft Award for Best Emerging Talent: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, the category is "designed to recognise potential, awarding those who have begun to capture the attention of their peers through demonstrating exceptional talent and ambition within their craft for the first time in scripted programming."