Bruno Nuytten | |
---|---|
Born | |
Spouse(s) | Tatiana Vialle (m. after 1996) |
Partner(s) | Isabelle Adjani (1976–1981) |
Children | 3 |
Awards | BAFTA Award for Best Cinematography 1987 Jean de Florette César Award for Best Cinematography 1976 Barocco ; La meilleure façon de marcher 1983 Tchao pantin César Award for Best Film 1988 Camille Claudel |
Bruno Nuytten (born 28 August 1945) is a French cinematographer turned director.
Camille Claudel which was Nuytten's first directorial and screenwriting effort, won the César Award for Best film in 1989. The film starred and was co-produced by Isabelle Adjani, with whom he had a son, Barnabé Saïd-Nuytten. Adjani won the Silver Bear for Best Actress at the 39th Berlin International Film Festival for her role in the film. [1]
His sophomore directorial effort, Albert Souffre , though also a heavily emotional movie, was set in contemporary times. [2]
His 2000 film, Passionnément , starred Charlotte Gainsbourg.
His films as cinematographer include Les Valseuses , Barocco , La meilleure façon de marcher , The Bronte Sisters , Brubaker , Garde à vue , Possession , Fort Saganne , So Long, Stooge (Tchao Pantin), Jean de Florette and Manon des Sources (US title: Manon of the Spring). He won the César Award for Best Cinematography in 1977 and 1984, and was nominated in 1980, 1982, 1985 and 1987.
He is a professor at France's national film school La Fémis.
In his adolescence, Bruno Nuytten played in an amateur theater troupe. His education is varied: training for Art Deco competitions, training for the IDHEC competition, and unfinished training at the Institut national supérieur des arts du spectacle et des techniques de diffusion (INSAS, Belgium, 1967-1969), then obtaining a BTS in "prises de vues" or "shooting" in Paris. He began by being assistant to Ghislain Cloquet (who had been his professor at INSAS), then to Claude Lecomte and to Ricardo Aronovitch. He first worked on short films, then launched himself into the roles of cinematographer and director of photography. He seeks contrasting images, a moving camera, an active relationship with space. By listening to the directors, he learned how to use fixed shots and lighting without contrast when requested by Marguerite Duras (La Femme du Gange (1974), India Song (1975), Son nom de Venise (1976)), or an exaggeratedly expressionist style and a shoulder camera with Andrzej Zulawski (Possession, 1981).
Bruno Nuytten went into directing for Camille Claudel , at the express request of actress Isabelle Adjani, who co-produced the film (with Christian Fechner) and took the leading role. In 2013, she says: “His reason to be, it was the shadow. From the shadow, he made the light exist. He had told me that he would never go into directing. [...] I told him that I would like to use the body of Camille Claudel to be able to personify my own disarray, my cry. He heard me.” [3] A few years earlier, Nuytten had remarked: “The only interesting thing that I discovered while talking with a journalist is that in fact I had put myself in scene in the inversion of powers: at the end of the film I had become Camille Claudel and Isabelle Adjani had become Rodin. And there I am more and more Camille Claudel, even if I am not still in the asylum! One never escapes the delicate, fragile, and human things one touches…” [4]
In 2015, Caroline Champetier, also director of photography, devoted the documentary Nuytten/Film to him.
Bruno Nuytten wrote articles for the technical review Le cinema pratique, animated conferences at the Ciné-club de Melun, and lectures at the Université de Paris III. In Switzerland he founded a production company for advertising films.
Bruno Nuytten was the companion of Isabelle Adjani with whom he had a son, Barnabé, in 1979. Since 1996, he has lived with the director Tatiana Vialle, with whom he has had two children, Tobias and Galathée.
Isabelle Yasmina Adjani is a French film actress and singer. She is the only actress or actor in history to win five César Awards; she won Best Actress for Possession (1981), One Deadly Summer (1983), Camille Claudel (1988), La Reine Margot (1994), and Skirt Day (2009). She was made a Chevalier of the Legion of Honour in 2010, and a Commander of the Order of Arts and Letters in 2014.
Claude Berri was a French film director, writer, producer, actor and distributor.
Camille Claudel is a 1988 French biographical drama film about the life of 19th-century sculptor Camille Claudel. The film was based on the book by Reine-Marie Paris, granddaughter of Camille's brother, the poet and diplomat Paul Claudel. It was directed by Bruno Nuytten, co-produced by Isabelle Adjani, and starred her and Gérard Depardieu. The film had a total of 2,717,136 admissions in France. Adjani was nominated for an Academy Award for Best Actress for her role, the second time in her career she was so honored and the first time a French actress was nominated for the Best Actress Oscar twice.
Jean de Florette is a 1986 period drama film directed by Claude Berri, based on a novel by Marcel Pagnol. It is followed by Manon des Sources. The film takes place in rural Provence, where two local farmers plot to trick a newcomer out of his newly inherited property. The film starred three of France's most prominent actors – Gérard Depardieu, Daniel Auteuil, who won a BAFTA award for his performance, and Yves Montand in one of his last roles.
Bulle Ogier is a French actress and screenwriter. She adopted the professional surname Ogier, which was her mother's maiden name. Her first appearance on screen was in Voilà l'Ordre, a short film directed by Jacques Baratier with a number of the then-emerging young singers of the 1960s in France, including Boris Vian, Claude Nougaro, etc.
Pierre Lhomme was a French cinematographer and filmmaker.
Barocco is a 1976 French romantic thriller film, directed by André Téchiné. The film stars Isabelle Adjani, Gérard Depardieu and Marie-France Pisier. Identity, redemption and resurrection are the themes of the film. The plot follows a young woman who convinces her boxer boyfriend to accept a bribe to tell a lie that discredits a local politician. When the boyfriend is murdered, she is racked with guilt until she meets the killer and plans to remake him into the image of her slain lover. The film won three César Awards: Best Actress in a Supporting Role, Best Cinematography and Best Music. The film had a total of 678,734 admissions in France.
The Brontë Sisters is a 1979 French drama film directed by André Téchiné and written by Téchiné with the collaboration of Pascal Bonitzer and Jean Gruault. The film stars Isabelle Adjani, Marie-France Pisier and Isabelle Huppert as the Brontë sisters. The cinematography was by Bruno Nuytten. It was a project that Téchiné wanted to make since 1972, but only after the favourable reception of Souvenirs d'en France (1975) and Barocco (1976), he was able to find the necessary financing. Produced by Gaumont, the film's originally running time was cut from three to less than two hours upon its release at the 1979 Cannes Film Festival.
Alain Cuny was a French actor in theatre and cinema.
The 7th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1981 and took place on 27 February 1982 at the Salle Pleyel in Paris. The ceremony was chaired by Orson Welles and hosted by Pierre Tchernia and Jacques Martin. Quest for Fire won the award for Best Film.
The 9th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1983 and took place on 3 March 1984 at the Théâtre de l'Empire in Paris. The ceremony was chaired by Gene Kelly and hosted by Léon Zitrone. Le Bal and À nos amours tied for the award for Best Film.
The 11th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1985 and took place on 22 February 1986 at the Palais des Congrès in Paris. The ceremony was chaired by Madeleine Renaud and Jean-Louis Barrault and hosted by Michel Drucker. Three Men and a Cradle won the award for Best Film.
The 12th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1986 and took place on 7 March 1987 at the Palais des Congrès in Paris. The ceremony was chaired by Sean Connery and hosted by Michel Drucker and Pierre Tchernia. Thérèse won the award for Best Film.
The 14th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1988 and took place on 4 March 1989 at the Théâtre de l'Empire in Paris. The ceremony was chaired by Peter Ustinov and hosted by Pierre Tchernia. Camille Claudel won the award for Best Film.
The 20th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1994 and took place on 25 February 1995 at the Palais des Congrès in Paris. The ceremony was chaired by Alain Delon and hosted by Jean-Claude Brialy and Pierre Tchernia. Wild Reeds won the award for Best Film.
Laurent Marie Guespin-Malet is a French actor, and the twin brother of actor Pierre Malet.
Julien Rassam was a French actor.