Figure skating element | |
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Element name | Camel spin |
Alternative name | Parallel spin |
Scoring abbreviation | CSp |
Element type | Spin |
The camel spin (also called the parallel spin) is one of the three basic figure skating spin positions. British figure skater Cecilia Colledge was the first to perform it. The camel spin, for the first ten years after it was created, was performed mostly by women, although American skater Dick Button performed the first forward camel spin, a variation of the camel spin, and made it a regular part of the repertoire performed by male skaters. The camel spin is executed on one foot, and is an adaptation of the ballet pose the arabesque to the ice. When the camel spin is executed well, the stretch of the skater's body creates a slight arch or straight line. Skaters increase the difficulty of camel spins in a variety of ways.
The camel spin is one of the three basic figure skating spin positions. British figure skater Cecilia Colledge was the first to perform it, in the mid-1930s. [1] [2] [3] The camel spin, also called the "parallel spin", [4] was borrowed directly from the ballet pose the arabesque, but adapted to the ice. [5] Writer Ellyn Kestnbaum speculates that the camel and layback spins, which "heightened the visual function of the skater creating interesting shapes with her body", [2] were, for the first ten years after their inventions, performed mostly by women because it is easier for women to achieve the interesting shapes they create than it is for men. [6] American skater Dick Button, however, performed the first forward camel spin, a variation of the camel spin, and made it a regular part of the repertoire performed by male skaters. [7]
The most important difference between the sit spin and the camel spin is that the skater enters the sit spin directly instead of first developing a slow part at the beginning of the entry. [8] The camel spin is executed on one foot, with the torso and the free leg stretched in opposite directions, parallel to the ice at hip level in a position similar to the arabesque position. The skater's skating leg is slightly bent or straight, their body is bent forward, and their free leg is bent upward or extended on a horizontal line or higher. When executed well, the stretch of their body should create a slight arch or straight line. Camel spins tend to rotate more slowly than other spins because the circumference of the camel spin's rotation is much greater than in other spin positions, so a prolonged and fast camel spin requires a great deal of technique and skill. [4] [9]
The preparation and entry phases of the camel spin are similar to preparation and entry phases of the upright spin. At the end of the entry, the skater begins to spin by executing small circles on the backward inside edge of the skate while their shoulders and hips rotate at the same angular velocity. Their skating knee extends and their body rises in a locked position. Then the body stretches upward toward the head and neck while the skating leg, which is locked and straight, pushes forward. [1] [10] The International Skating Union (ISU), the governing body that oversees figure skating, states that if the angle between the shin of the skating leg and the skater's thigh is less than approximately 120 degrees, the position is considered a sit spin. If the waist line is not horizontal and/or the core of the skater's body is more than 45 degrees above the horizontal line, the position is considered an upright spin. [11]
Skaters increase the difficulty of camel spins in the following ways: they turn their upper body (the shoulder and the head) upwards and facing up so that the line of their shoulders is at least 45 degrees past the vertical point of the shape they are attempting to form; turning their bodies either horizontally or sideways, with their head and free foot nearly touching (called a doughnut or ring), with half a blade between their head and blade; turning their body almost horizontally while pulling the heel of their boot with their hand above their head; turning their body forward to their spinning leg and their free leg extended backward and upward up to almost a full split, but with the angle between their thighs at about 180 degrees. [11]
Figure skating jumps are an element of three competitive figure skating disciplines: men's singles, women's singles, and pair skating – but not ice dancing. Jumping in figure skating is "relatively recent". They were originally individual compulsory figures, and sometimes special figures; many jumps were named after the skaters who invented them or from the figures from which they were developed. It was not until the early part of the 20th century, well after the establishment of organized skating competitions, when jumps with the potential of being completed with multiple revolutions were invented and when jumps were formally categorized. In the 1920s Austrian skaters began to perform the first double jumps in practice. Skaters experimented with jumps, and by the end of the period, the modern repertoire of jumps had been developed. Jumps did not have a major role in free skating programs during international competitions until the 1930s. During the post-war period and into the 1950s and early 1960s, triple jumps became more common for both male and female skaters, and a full repertoire of two-revolution jumps had been fully developed. In the 1980s men were expected to complete four or five difficult triple jumps, and women had to perform the easier triples. By the 1990s, after compulsory figures were removed from competitions, multi-revolution jumps became more important in figure skating.
Spins are an element in figure skating in which the skater rotates, centered on a single point on the ice, while holding one or more body positions. They are performed by all disciplines of the sport, single skating, pair skating, and ice dance, and are a required element in most figure skating competitions. As The New York Times says, "While jumps look like sport, spins look more like art. While jumps provide the suspense, spins provide the scenery, but there is so much more to the scenery than most viewers have time or means to grasp". According to world champion and figure skating commentator Scott Hamilton, spins are often used "as breathing points or transitions to bigger things".
Compulsory figures or school figures were formerly a segment of figure skating, and gave the sport its name. They are the "circular patterns which skaters trace on the ice to demonstrate skill in placing clean turns evenly on round circles". For approximately the first 50 years of figure skating as a sport, until 1947, compulsory figures made up 60 percent of the total score at most competitions around the world. These figures continued to dominate the sport, although they steadily declined in importance, until the International Skating Union (ISU) voted to discontinue them as a part of competitions in 1990. Learning and training in compulsory figures instilled discipline and control; some in the figure skating community considered them necessary to teach skaters basic skills. Skaters would train for hours to learn and execute them well, and competing and judging figures would often take up to eight hours during competitions.
The Salchow jump is an edge jump in figure skating. It was named after its inventor, Ulrich Salchow, in 1909. The Salchow is accomplished with a takeoff from the back inside edge of one foot and a landing on the back outside edge of the opposite foot. It is "usually the first jump that skaters learn to double, and the first or second to triple". Timing is critical because both the takeoff and landing must be on the backward edge. A Salchow is deemed cheated if the skate blade starts to turn forward before the takeoff, or if it has not turned completely backward when the skater lands back on the ice.
The flip jump is a figure skating jump.
The Biellmann spin is a difficult variation of the layback spin in figure skating. It was made popular by world champion Denise Biellmann.
A layback spin is a variation of the upright spin, a spin in figure skating. British figure skater Cecilia Colledge was "responsible for the invention" of the spin and the first to execute it. Colledge's coach, Jacques Gerschwiler, who was a former gymnastics teacher and according to Colledge "very progressive in his ideas", got the idea for the upright spin while watching one of Colledge's trainers, a former circus performer turned acrobatics instructor, train Colledge to perform backbends "by means of a rope tied around her waist". The upright spin has long been associated with women's skating, but men have also performed it. Skaters include it in their programs because it increases their technical content and fulfills choreographic needs.
The loop jump is an edge jump in the sport of figure skating. The skater executes it by taking off from the back outside edge of the skating foot, turning one rotation in the air, and landing on the back outside edge of the same foot. It is often performed as the second jump in a combination.
Toller Shalitoe Montague Cranston was a Canadian figure skater and painter. He won the 1971–1976 Canadian national championships, the 1974 World bronze medal and the 1976 Olympic bronze medal. Despite never winning at the World Figure Skating Championships due to his poor compulsory figures, he won the small medal for free skating at the 1972 and 1974 championships. Cranston is credited by many with having brought a new level of artistry to men's figure skating.
A spiral is an element in figure skating where the skater glides on one foot while raising the free leg above hip level. It is akin to the arabesque in ballet.
Pair skating is a figure skating discipline defined by the International Skating Union (ISU) as "the skating of two persons in unison who perform their movements in such harmony with each other as to give the impression of genuine Pair Skating as compared with independent Single Skating". The ISU also states that a pairs team consists of "one Woman and one Man". Pair skating, along with men's and women's single skating, has been an Olympic discipline since figure skating, the oldest Winter Olympic sport, was introduced at the 1908 Summer Olympics in London. The ISU World Figure Skating Championships introduced pair skating in 1908.
The following is a glossary of figure skating terms, sorted alphabetically.
The death spiral is a figure skating term used to describe a spin involving two partners in the discipline of pair skating, in which one partner lowers the other partner while the partner getting close to the ice arches backward on one foot. It was created by German professional skater Charlotte Oelschlägel and her husband Curt Newmann in the 1920s. Suzanne Morrow and Wallace Diestelmeyer from Canada were the first pair team to perform the death spiral one-handed, at the 1948 Olympic Games. In the 1960s, Soviet pair team Liudmila Belousova and Oleg Protopopov created three death spirals: "the backward-inside, forward-inside and forward-outside death spirals, which they originally named the Cosmic Spiral, Life Spiral and Love Spiral, respectively". The International Skating Union (ISU), the governing body that oversees figure skating, allows for variations of arm holds and pivot positions. Senior pair skating teams must perform different types of death spirals in their short programs and free skating programs.
Single skating is a discipline of figure skating in which male and female skaters compete individually. Men's singles and women's singles are governed by the International Skating Union (ISU). Figure skating is the oldest winter sport contested at the Olympics, with men's and women's single skating appearing as two of the four figure skating events at the London Games in 1908.
The short program of figure skating is the first of two segments of competitions, skated before the free skating program. It lasts, for both senior and junior singles and pair skaters, 2 minutes and 40 seconds. In synchronized skating, for both juniors and seniors, the short program lasts 2 minutes and 50 seconds. Vocal music with lyrics is allowed for all disciplines since the 2014–2015 season. The short program for single skaters and for pair skaters consists of seven required elements, and there are six required elements for synchronized skaters.
The 6.0 system of judging figure skating was developed during the early days of the sport, when early international competitions consisted of only compulsory figures. Skaters performed each figure three times on each foot, for a total of six, which as writer Ellyn Kestnbaum states, "gave rise to the system of awarding marks based on a standard of 6.0 as perfection". It was used in competitive figure skating until 2004, when it was replaced by the ISU Judging System in international competitions, as a result of the 2002 Winter Olympics figure skating scandal. British ice dancers Jayne Torvill and Christopher Dean earned the most overall 6.0s in ice dance, Midori Ito from Japan has the most 6.0s in single skating, and Irina Rodnina from Russia, with two different partners, has the most 6.0s in pair skating.
The sit spin is one of the oldest elements in figure skating. It was invented by American figure skater Jackson Haines. It has been called "one of the most important spins in skating". According to figure skater John MIsha Petkevich, despite its difficulty to learn and the amount of energy it requires to execute it, "yields immense rewards" for the skater. There is a wide variety of sitting positions skaters have invented, and also according to Petkevich, the choice of a sitting position are not determined by aesthetic design or technical objections, but is often determined by convenience. The skater can make refinements to the sit spin, which will do the following: increase the speed of the spin's rotation; make the spin more exciting as it ends; and introduce positions that will increase the skater's strength and style.
The upright spin is one of the three basic figure skating spin positions. The International Skating Union (ISU), the governing body of figure skating, defines an upright spin as a spin with "any position with the skating leg extended or slightly bent which is not a camel position". It was invented by British figure skater Cecilia Colledge. Variations of the upright spin include the layback spin, the Biellmann spin, the full layback, the split, the back upright spin, the forward upright spin, the scratchspin, and the sideways leaning spin.
The Axel jump or Axel Paulsen jump, named after its inventor, Norwegian figure skater Axel Paulsen, is an edge jump performed in figure skating. It is the sport's oldest and most difficult jump, and the only basic jump in competition with a forward take-off, which makes it the easiest to identify. A double or triple Axel is required in both the short program and the free skating segment for junior and senior single skaters in all events sanctioned by the International Skating Union (ISU).
Ice dance, a discipline of figure skating, has required elements that make up a well-balanced rhythm dance program and free dance program, which must be performed during competitions. They include: the dance lift, the dance spin, the step sequence, turn sequences, and choreographic elements. The elements must be performed in specific ways, as described by published communications by the International Skating Union (ISU), unless otherwise specified. The ISU has also provided a list of illegal movements.