"I'll Be There for You" is a song by American pop rock duo the Rembrandts. The song was written by David Crane, Marta Kauffman, Michael Skloff, and Allee Willis as the main theme song to the NBC sitcom Friends, which was broadcast from 1994 to 2004. American rock band R.E.M. was originally asked to allow their song "Shiny Happy People" to be used for the Friends theme, but they turned the opportunity down. "I'll Be There for You" was subsequently written and Warner Bros. Television selected the only available band on Warner Bros. Records to record it: the Rembrandts. In 1995, after a Nashville radio station brought the song to mainstream popularity, Rembrandts members Danny Wilde and Phil Sōlem expanded the theme song with two new verses and included this version on their third studio album, L.P. (1995).
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
"The Great Beyond" is a song by American rock band R.E.M., written for the 1999 film Man on the Moon. It was released as a single the same year for support of the film's soundtrack album. On the soundtrack, there is some dialogue from the movie at the end of the track; meanwhile, the single version is a radio edit, with the bridge omitted.
"Bang and Blame" is a song by American alternative rock group R.E.M. It was released as the second single from their ninth studio album, Monster (1994), on October 31, 1994 by Warner Bros. Records. The song was R.E.M.'s last to reach the top 40 on the US Billboard Hot 100, peaking at number 19, and was also their last number-one single on the Billboard Modern Rock Tracks chart. The single reached number one in Canada—R.E.M.'s only single to do so—and peaked inside the top 40 on the charts of Australia, Belgium, Finland, Iceland, Ireland, the Netherlands, New Zealand, and the United Kingdom.
"Strange Currencies" is a song by American rock band R.E.M. It was included on their ninth studio album, Monster (1994), and was released as the album's third single on April 18, 1995, by Warner Bros. Records. The song reached number nine on the UK Singles Chart and peaked at number 47 in the United States. Like "Everybody Hurts" on R.E.M.'s previous album, it has a time signature of 6
8. The song's music video was directed by Mark Romanek.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
"Name" is a song by American rock band Goo Goo Dolls. It was released in September 1995 as the third single from their fifth studio album, A Boy Named Goo (1995). "Name" became the band's first major hit, topping both the US Modern Rock Tracks chart and the Album Rock Tracks chart. It also reached number five on the Billboard Hot 100. In Canada, "Name" peaked at number two on the RPM 100 Hit Tracks chart and number one on the RPM Alternative 30.
"Most Girls" is a song by American singer Pink, released as the second single from her debut album, Can't Take Me Home (2000). It was released on June 6, 2000, and, after spending 16 weeks on the US Billboard Hot 100 chart, peaked at number four on November 25. The song also reached number one in Australia, where it was certified platinum, number two in Canada and New Zealand, and number five in the United Kingdom.
"All or Nothing" is a song by American singer and actress Cher from her 22nd studio album, Believe (1998). It was released as the third international single from Believe on June 7, 1999, by WEA and Warner Bros. Records. "All or Nothing" reached the top 40 of the US Billboard Hot 100 Singles Sales chart at number 38 and peaked at number one on the Billboard Dance Club Play chart. In Europe, the single was a top-10 hit in the Czech Republic, Finland, Hungary, and Scotland.
"Breathe" is a song written by Stephanie Bentley and Holly Lamar and recorded by American country music artist Faith Hill. Warner Bros. Records released it on October 4, 1999, as the first single from Hill's fourth album of the same name (1999). The song was produced by Byron Gallimore and Hill. "Breathe" became Hill's seventh number one on the Hot Country Songs chart in the United States, spending six weeks at number one. It also peaked at number two on the Billboard Hot 100 chart in April 2000. Despite not peaking at number one, it was the number-one single of 2000.
"Don't Wanna Fall in Love" is a song by Canadian singer-songwriter Jane Child. Released in January 1990 as the second single from her self-titled debut album, the single went to number two for three consecutive weeks on the Billboard Hot 100 from April 14 to April 28, 1990. In addition, a new jack swing remix of the song was produced by Teddy Riley and reached number six on the Billboard Hot Black Singles chart and number eleven on the Billboard Dance Club Play chart.
"Where Have All the Cowboys Gone?" is a song by American singer Paula Cole. It was released on March 25, 1997, as the lead single from her second studio album, This Fire. The song is Cole's only top-ten hit on the US Billboard Hot 100, reaching number eight, and was her first top-ten hit in Canada, where it reached number seven. It was additionally a critical success, earning nominations for three Grammy awards: Record of the Year, Song of the Year, and Best Female Pop Vocal Performance.
"Can't Stop This Thing We Started" is a song by Canadian singer-songwriter Bryan Adams. The song was written by Adams and Robert John "Mutt" Lange, and was released as the second single from Adams' sixth studio album, Waking Up the Neighbours (1991), in September 1991. The song peaked at number two on the US Billboard Hot 100 while topping the Canadian RPM Top Singles chart for three non-consecutive weeks. The track received two nominations at the Grammy Awards of 1992 for Best Rock Song and Best Rock Performance, Solo, winning neither. It served as the 2009 British Columbia Liberal Party campaign theme song.
"Constant Craving" is a song written by Canadian singer-songwriter k.d. lang and Ben Mink, performed by lang and included on her second solo album, Ingénue (1992). The song was released in the United Kingdom in April 1992 and won lang a Grammy Award in the category for Best Female Pop Vocal Performance in 1993, as well as an MTV Video Music Award for Best Female Video.
"Ooh Aah... Just a Little Bit" is the debut solo single of Australian singer Gina G. The song was written by British songwriters Simon Tauber and Steve Rodway, and released on 25 March 1996 as the first single from her debut album, Fresh! (1997). It reached No. 1 on the UK Singles Chart almost two months later and was also a number-one hit in Israel. In the US, the song peaked at No. 12 on the Billboard Hot 100. The song was the United Kingdom's entry in the Eurovision Song Contest 1996, held in Oslo, Norway, where it finished in eighth place. It was successful on the charts in Europe, Australia and the US, and was nominated for the Grammy Award for Best Dance Recording.
"The Way You Love Me" is a song written by Keith Follesé and Michael Dulaney and recorded by American country music singer Faith Hill. It was released on February 14, 2000, as the second single from her fourth studio album, Breathe (1999), and was later released to pop radio on August 15, 2000, becoming Hill's third single serviced to the format. The track utilizes Auto-Tune for Hill's backup vocals.
"Save Me" is a song by British-American band Fleetwood Mac from their 15th studio album, Behind the Mask, released as a single in 1990. Written and sung by Christine McVie, it was the group's last top-40 hit in the United States, where it reached No. 33. "Save Me" achieved modest success in the United Kingdom, where it peaked at No. 53. It also reached the top 10 in Canada, Finland, and the Netherlands. The song was, as the slightly shorter single edit, included in the group's 2018 compilation 50 Years – Don't Stop.
"If I Were You" is a song written by Canadian songwriters k.d. lang and Ben Mink and performed by lang. It was the first single released from lang's third studio album, All You Can Eat (1995), on 18 September 1995. The single reached number 24 on the Canadian RPM 100 Hit Tracks chart and number four on the RPM Adult Contemporary chart. On the US Billboard charts, the single reached number 15 on the Bubbling Under Hot 100 and was lang's second and final number one on the Hot Dance Club Play chart. Overseas, "If I Were You" peaked at number 23 in Australia, number 50 in New Zealand, and number 53 in the United Kingdom.
"Skies the Limit" is a single released in 1990 by British-American band Fleetwood Mac, from their album Behind the Mask. While the single did not chart on the US Billboard Hot 100, it did reach number 10 on the Billboard Adult Contemporary chart and number 40 on the Mainstream Rock chart. The moderate success of "Skies the Limit" and "Save Me" helped to push their parent album into the US and Canadian top 20, albeit only briefly.
