Kabi Kesari Chittadhar Hridaya | |
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चित्तधर हृदय | |
![]() Chittadhar Hridaya, one of the greatest literary figures from Nepal in the 20th century. | |
Born | Chittadhar Tuladhar 19 May 1906 Nyata Tunchhen |
Died | 9 June 1982 76) | (aged
Nationality | Nepalese |
Notable work | Sugata Saurabha, Mimmanahpau |
Title | Kabi Kesari |
Movement | Nepal Bhasa renaissance |
Spouse | Gyan Prabha |
Chittadhar Hridaya (Nepali : चित्तधर हृदय; born Chittadhar Tuladhar; 19 May 1906 – 9 June 1982) was a Nepalese poet. He is regarded as one of the greatest literary figures from Nepal in the 20th century. [1]
The title of Kavi Keshari (Lion among Poets) was conferred on him by King Mahendra of Nepal in 1956. [2] He wrote primarily in Nepal Bhasa but has created works in Nepali and Hindi too.
Hridaya dedicated his life to serving his mother tongue, rejecting a flourishing ancestral business and suffering imprisonment by an autocratic government. In 1941, he was jailed for five years by the Rana regime for writing a poem in Nepal Bhasa in a crackdown against the language.
Hridaya was born Chittadhar Tuladhar [3] at Nyata Tunchhen (Nepal Bhasa: न्यत तुंछें) in Kathmandu to a family of hereditary Lhasa Newar traders. His father was Drabya Dhar Tuladhar and his mother was Gyan Laxmi Tuladhar. His sister Moti Laxmi Upasika was also a writer. [4]
The family owned a business house in Lhasa, Tibet. [5] Hridaya did not join the ancestral occupation but worked to develop Nepal Bhasa literature. In 1920, he was married to Gyan Prabha Kansakar. [6]
Hridaya was a member of the Nepal Bhasa renaissance. He began his literary career when the Ranas did not permit writing in Nepal Bhasa, so authors published their works from abroad. [7]
Hridaya wrote his first poem Buddhopasakya Pap Deshana which was printed in 1925 in Buddha Dharma magazine and published in Kolkata, India. [8] In 1930, he signed a petition to open a public library, and was arrested and fined along with the rest of the signers.
In 1933, an anthology of poems by Hridaya entitled Padya Nikunja was published in Kalimpong, India by SP and DP Upasak. He wrote under the pen name Hridaya to avoid harassment by the government. [9] The government did not like his literary activities, and all the copies were confiscated by customs at Chisapani Gadhi before they could reach Kathmandu.
The anthology contained a poem entitled Mother which he had written while mourning his mother's death. He had signed the poem "Motherless child" which the government took to mean that it had deprived the Newars of their mother tongue. [10] For this reason, the poem was deemed subversive; and in 1940, he was sentenced to six years in jail. [11]
Hridaya began his sentence on January 20, 1941. His fellow inmate poets Siddhicharan Shrestha and Phatte Bahadur Singh had also been imprisoned for producing works in Nepal Bhasa. [12]
While in jail, Hridaya produced his greatest work Sugata Saurabha, an epic poem on the life of the Buddha. [13] He had to write in secret in prison, and his sister Moti Laxmi Upasika smuggled out the scraps of paper on which he had scribbled the verses when she brought him his food.
It was completed in 1946 after his release from prison, and published from Kolkata in 1949. The epic has been described as providing an aesthetically pleasing and doctrinally sound comprehensive account of the Buddha's life, [14] and also a magnum opus in Nepal Bhasa literature. [15]
While in jail from 1941 to 1945, Hridaya came into contact with artist Chandra Man Singh Maskey. [16] Hridaya trained under Maskey in secret, as he hid his writings from the prison guards. He has produced a number of paintings in watercolor, pencil, and ink. They depict Buddhist and Hindu deities and genre scenes. [17] The color illustrations in Sugata Saurabha were done by Maskey.
Following his release from prison on 11 November 1945, Hridaya produced a flurry of works in different genres. He was a pioneer in writing modern short stories. His Six Short Stories published in 1947 was a landmark in contemporary Nepal Bhasa literature. [18]
In 1951, Hridaya got together with other prominent poets and writers and established Nepal Bhasa Parishad (Nepal Bhasa Council) to promote the institutional development of Nepal Bhasa. It was inaugurated on 7 June 1953 by Buddha Maya Kansakar, the wife of poet Yogbir Singh Kansakar, amid a ceremony at the home of Tara Bir Singh at Chhatrapati. [19] Its office was later moved to his own home at Nyata Tunchhen. Hridaya subsequently bequeathed the property to the council. [20]
Hridaya was the editor of Nepal Ritupau published by Nepal Bhasa Parishad from 1952 to 1956. [21] He also lobbied with the government to have Nepal Bhasa included in the school and college curriculum. It was included in the course of study at the high school level in 1954, at the intermediate level in 1960, bachelor level in 1962 and Master's level in 1979.
Hriday suffered a stroke leaving his right hand and leg paralyzed. He taught himself to write with his left hand and continued to produce poetry and essays. On 9 June 1982, Hridaya collapsed while presiding over a meeting of Nepal Bhasa Parishad. [22]
Nepal's Postal Services Department issued a commemorative postage stamp bearing a portrait of Hridaya on 31 December 1992 to mark the tenth anniversary of his death. [23]
Coinciding with World Poetry Day, the Foundation of SAARC Writers and Literature celebrated the centenary of Chittadhar Hridaya on March 21, 2007. [24]
On 8 November 2008, a statue of Hridaya was erected at Kalimati crossroads in downtown Kathmandu. Prime Minister Pushpa Kamal Dahal unveiled the life-sized image. [25] Chittadhar Marg, a street in central Kathmandu, was named in his honor by Kathmandu Metropolitan City. [26]
Hridaya's home was renovated in 2010 with Indian assistance to house a museum dedicated to the poet and his works. [27] The Chittadhar Hridaya Memorial Museum opened on 20 July 2013. It contains photographs, books, sketches, personal belongings and household items. The room where Hridaya lived and worked has been maintained in its original form. Located in the historical section of Kathmandu, the house is also a specimen of traditional Nepalese architecture with Newar windows of carved wood. It encloses a typical courtyard containing shrines and a well.
Hridaya wrote epics, dramas, poetry, novels, short stories, history and grammar.
Newar or Newari, known officially in Nepal as Nepal Bhasa, is a Sino-Tibetan language spoken by the Newar people, the indigenous inhabitants of Nepal Mandala, which consists of the Kathmandu Valley and surrounding regions in Nepal.
Newar or Nepami, are the historical inhabitants of the Kathmandu Valley and its surrounding areas in Nepal and the creators of its historic heritage and civilisation. Newars form a linguistic and cultural community of primarily Indo-Aryan and Tibeto-Burman ethnicities following Hinduism and Buddhism with Nepal Bhasa as their common language. Newars have developed a division of labour and a sophisticated urban civilisation not seen elsewhere in the Himalayan foothills. Newars have continued their age-old traditions and practices and pride themselves as the true custodians of the religion, culture and civilisation of Nepal. Newars are known for their contributions to culture, art and literature, trade, agriculture and cuisine. Today, they consistently rank as the most economically and socially advanced community in Nepal, according to the annual Human Development Index published by UNDP. Newars are ranked the 8th largest ethnic group in Nepal according to the 2021 Nepal census numbering 1,341,363 people constituting 4.6% of the total population.
Siddhicharan Shrestha was one of the most prominent writers of Nepal. He contributed to the struggle against the autocratic Rana regime (1846–1951) through his writings. His revolutionary poetry aroused freedom fighters, and he was sentenced to 18 years in jail for his literary activities. He wrote in Nepal Bhasa and Nepali.
The Newar language of Nepal has the fourth oldest literature tradition among the Sino-Tibetan languages.
Tulādhar is a Nepali/Nepalese caste from the Newar community of the Kathmandu Valley in Nepal. The name Tuladhar is derived from the Sanskrit words "tula" and "dhar" (possessor), thus meaning scale-bearer or in general, merchant. Tuladhars belong to the Uray group which includes Kansakar, Tamrakar, Sthapit, Bania, Sindurakar, Selalik and other castes. They follow Newar Buddhism and speak Nepal Bhasa as a mother tongue.
Nepal Bhasa movement refers to the struggle for linguistic rights by Newar speakers in Nepal in the face of opposition from the government and hostile neighbors. The campaign aims to increase the use of Nepal Bhasa in the home, education, government and business. Despite a high level of development, Newar culture and language are both under threat.
Nepal Bhasa renaissance was the movement to revive and modernize the Nepal Bhasa language during the period 1909 to 1941. The movement was spontaneous and not orchestrated. However, the sum total of activities conducted during this era had a profound impact on the overall course of the language development.
Dharma Ratna Tuladhar, popularly known as Dharma Ratna Yami was a Nepalese government deputy minister, activist and Newa language writer
Lhasa Newar refers to the expatriate Newar traders and artisans who traveled between the Kathmandu Valley and Tibet from centuries ago. These Nepalese merchants conducted trade between Nepal, Tibet and Bengal, India over the Silk Road, and acted as a bridge for economic and cultural exchanges between South Asia and Central Asia.
Nisthananda Bajracharya was a Nepalese writer who marked a turning point in Nepal Bhasa literature by breaking away from the classical style and writing prose in colloquial language. He was one of the leaders of the Nepal Bhasa renaissance, and also a pioneer of printing with moveable type in Nepal. He is honored as one of the Four Pillars of Nepal Bhasa.
Yogbir Singh Kansakar was a Nepalese poet, social reformer and one of the Four Pillars of Nepal Bhasa. He worked to develop his mother tongue and promote Arya Samaj sect of Hinduism and Buddhism in the face of repression by the Rana rulers.
Nepal Bhasa journalism began in 1925 with the publication of the magazine Buddha Dharma wa Nepal Bhasa. It was the first magazine to be published in Nepal Bhasa. It was published from Kolkata, India by Dharmaditya Dharmacharya.
Dharmaditya Dharmacharya (1902–1963) was a Nepalese author, Buddhist scholar and language activist. He worked to develop Nepal Bhasa and revive Theravada Buddhism when Nepal was ruled by the Rana dynasty and both were dangerous activities, and was consequently jailed.
Moti Laxmi Upasika was Nepal's first woman poet and short story writer of modern times. Her first work, a short story, was published in 1935.
Girija Prasad Joshi was a versatile Nepalese poet who set a new trend in Nepal Bhasa literature. His poems, epics, plays and novels broke tradition and crossed conventional boundaries. He has been honored with the title Great Poet.
Mandas Tuladhar (1900-1975) was a Nepalese Buddhist scholar, Nepal Bhasa activist and pioneer publisher. He collected and published ancient hymns and folk songs which is his finest contribution to the preservation of Nepalese cultural heritage.
Phatte Bahadur Singh (1902–1983) was a Nepalese poet and journalist who started the first daily newspaper in Nepal Bhasa. He suffered persecution and was jailed for his activities to develop his mother tongue.
Urāy is a Newar Buddhist merchant caste of Kathmandu in Nepal. They are a prominent community in the business and cultural life of Kathmandu. Urays have played key roles in the development of trade, industry, art, architecture, literature and Buddhism in Nepal and the Himalayan region.
Sugata Saurabha is an epic poem in Nepal Bhasa by Chittadhar Hridaya, one of the greatest literary figures from Nepal in the 20th century. Sugata Saurabha, meaning “The Fragrant Life of the Buddha”, is based on the life story of Gautama Buddha.
Chandra Man Singh Maskey was a Nepalese artist who was one of the leaders in the development of contemporary art in Nepal in the early 20th century. Maskey spearheaded the trend of creating art using new techniques for its aesthetic value, and introduced a new style in the milieu of traditional art which is essentially religious and follows descriptions laid down in ancient texts.