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John Nicholson Ireland was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work "The Holy Boy", a setting of the poem "Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man".
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Manuel Cardoso was a Portuguese composer and organist. With Duarte Lobo and John IV of Portugal, he represented the "golden age" of Portuguese polyphony.
James Healey Willan was an Anglo-Canadian organist and composer. He composed more than 800 works including operas, symphonies, chamber music, a concerto, and pieces for band, orchestra, organ, and piano. He is best known for his church music.
The Triumphs of Oriana is a book of English madrigals, compiled and published in 1601 by Thomas Morley, which first edition has 25 pieces by 23 composers. It was said to have been made in the honour of Queen Elizabeth I. Every madrigal in the collection contains the following couplet at the end: “Thus sang the shepherds and nymphs of Diana: long live fair Oriana”.
Basil Harwood was an organist and composer in the English church music tradition, best known today for his liturgical works, particularly his anthem O How Glorious is the Kingdom (1898) and his Service in A flat (1892), which still remain popular in English churches. He wrote numerous hymn tunes, several of which became well-known including Luckington and Thornbury ("O Jesus I Have Promised" and "Thy hand, O God, has Guided").
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Coronation Ode, Op. 44 is a work composed by Edward Elgar for soprano, alto, tenor and bass soloists, chorus and orchestra, with words by A. C. Benson.
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Magnificat and Nunc dimittis in D is a choral setting by the Irish composer Charles Wood of the Magnificat and Nunc dimittis for the Anglican service of Evening Prayer. Scored for four-part choir and organ, it was written in 1898. It is also known as Evening Service in D major.
References
- ↑ Essay by Lewis Foreman Toccata Classics recording sleeve notes [ permanent dead link ]
- ↑ Jeffrey Richards Imperialism and music: Britain, 1876-1953 2001 p359