Cimon and Pero is a 1630 oil on canvas painting by Peter Paul Rubens, now in the Siegerlandmuseum in Siegen, Germany. [1] It shows a return to the subject Roman Charity, which Rubens had previously painted around 1612. [2]
Cimon and Pero is a 1630 oil on canvas painting by Peter Paul Rubens, now in the Siegerlandmuseum in Siegen, Germany. [1] It shows a return to the subject Roman Charity, which Rubens had previously painted around 1612. [2]
The Elevation of the Cross is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. Both pieces were painted by the Flemish artist Peter Paul Rubens in Antwerp, Belgium, the original in 1610 and the latter in 1638. The original is a winged altarpiece, with the outside of the hinged wings also painted. These can be folded over the central panel, giving an 'open view' and a 'closed view'.
Samson and Delilah is a painting long attributed to the Flemish Baroque artist Peter Paul Rubens (1577–1640) in the National Gallery, London. It dates from about 1609 to 1610.
Isabella Brant was the first wife of the Flemish baroque painter Peter Paul Rubens, who painted several portraits of her.
Sir Peter Paul Rubens was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Susanna and the Elders is a painting by Flemish artist Peter Paul Rubens from 1607. It is housed in the Galleria Borghese in Rome, Italy. There is another version, a youthful work from 1608, in Real Academia de Bellas Artes de San Fernando, in Madrid.
Isabella Brant, a portrait drawing, was executed in Antwerp around 1621, by Flemish artist and diplomat, Peter Paul Rubens (1577–1640). Brant (1591–1626) was Rubens' first wife and modelled for some of his portraits until her untimely death in 1626. The portrait is drawn in black and red chalk with white heightening on brown wash paper.
The Deposition is a 1602 painting of the Deposition of Christ by Peter Paul Rubens, previously attributed to Van Dyck. It is not to be confused with Rubens' much larger and more famous Descent from the Cross in Antwerp Cathedral. The work is an oil painting on canvas and is now in the Galleria Borghese.
St Sebastian is a painting of c. 1614 by Peter Paul Rubens, showing the Christian Saint Sebastian. It dates to the early years of Rubens' stay in Rome - its sinuous line and defined figures are thought to be the result of his studies of Michelangelo and of Flemish Mannerism. It was bought by the Borghese directly from cardinal Neri Corsini in Brussels. It is now in the Borghese collection.
The Last Supper (1630–1631) is an oil painting by Peter Paul Rubens. It was commissioned by Catherine Lescuyer as a commemorative piece for her father. Rubens created it as part of an altarpiece in the Church of St. Rombout (Rumbold) in Mechelen. The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table. Other than Jesus, the most prominent figure is Judas. Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous expression. Jesus is dressed in red and has a yellow halo surrounding his head with his face tilted upwards. Jesus is located centrally in the painting surrounded by his disciples with six on each side, and he holds a loaf of bread with a cup of wine in front of him. Out of all of the figures, he is the most in the light with the figures to the farthest left being the most in shadow. "The scene thus represents a perfect conflation of the theological significance of the Last Supper" meaning the conflation between the blessing of the bread and the wine while still being pivotal in the sense of revealing the betrayal.
The Garden of Love is a painting by Rubens, produced in around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. In early inventories, the painting was called The Garden Party.
HelenaFourment was the second wife of Baroque painter Peter Paul Rubens. She sat for a few portraits by Rubens, and also modeled for figures in Rubens' religious and mythological paintings.
Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. Influenced by the Greek play, Prometheus: The Friend of Man, Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders, who rendered the eagle. It remained in his possession from 1612 to 1618, when it was traded in a group of paintings completed by Rubens, to Englishman Sir Dudley Carleton in exchange for his collection of classical statues. This work is currently in the collection of the Palais des Beaux-Arts de Lille.
The Rape of Ganymede is a painting by the Flemish Baroque painter Peter Paul Rubens produced between 1636 and 1638 painting for the Spanish king Philip IV of Spain's hunting lodge. The painting is based on a story recounted in classical poet Ovid's Metamorphoses. It depicts the moment when the Roman supreme god Jupiter disguised as an eagle catches the young shepherd Ganymede and lifts him into the air. It is in the collection of the Museo del Prado in Madrid. The dramatic scene gave Rubens ample opportunity to show his skill in depicting a lively scene and the nude.
Portrait of Susanna Lunden or Le Chapeau de Paille is a painting by Peter Paul Rubens, in the National Gallery, London. It was probably painted around 1622–1625.
The Conversion of Saint Bavo is an altarpiece by Peter Paul Rubens, dated 1623–1624. It was commissioned as the high altarpiece for Sint-Baafskathedraal in Ghent by bishop Antoon Triest (1577–1657). It is still sited in the cathedral. An oil sketch for it is now in the National Gallery, London.
Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens which is displayed in the National Gallery of Art in Washington, D.C. The painting depicts Daniel in the event of Daniel in the Lions Den. The artwork was owned by Charles I of England after being given by Dudley Carleton, 1st Viscount Dorchester. Now, the painting hangs in the National Gallery of Art in Washington, DC.
Jan Rubens (1530–1587) was a Flemish lawyer and city administrator of Antwerp, then located in the Spanish Netherlands. A convert to Calvinism, he fled Antwerp with his family because of the suppression of Protestantism in the Spanish Netherlands and settled in Cologne. He was imprisoned in 1571 because of an affair with his client Anna of Saxony, the second wife of William I of Orange, the leader of the Protestant resistance against the Spanish king who ruled the Spanish Netherlands. He was later released but required to remain in Siegen. He returned to Cologne with his family only in 1578. Rubens is considered to be the natural father of Christine von Diez, the daughter of Anna of Saxony, who was born in Siegen in 1571.
The Rubens family is a Flemish noble family that lived in Antwerp.
Philip Rubens (1574–1611), was a Flemish antiquarian, librarian, philologist and city administrator from the Habsburg Netherlands. He was the older brother of the prominent Flemish Baroque painter Peter Paul Rubens.
Nicolaas Peter Paul Rubens, Lord of Rameyen (1618–1655) was a son of the painter Peter Paul Rubens and Isabella Brant.
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