Clothed male, naked female

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Clothed man next to a naked woman at 2014 World Naked Bike Ride in London. 2014 World Naked Bike Ride in London.jpg
Clothed man next to a naked woman at 2014 World Naked Bike Ride in London.

Clothed male, naked female (CMNF), or clothed male, nude female, is female nudity in which one or more women are nude while one or more men are clothed.

Contents

In media

Entertainment columnist Earl Wilson details several experiences involving one-sided female nudity in his book Show Business Laid Bare. [1] In the chapter "Cheri Caffaro: A Strange Interlewd", Wilson writes about his experience interviewing actress Cheri Caffaro while she was nude and he was fully dressed. [2]

Depending on local laws, female nudity of some level is to be found at nude body painting events (such as Fantasy Fest), sex shows, strip clubs, and in adult-only public events like Folsom Street Fair, Nudes-A-Poppin', etc. There have also been TV programs featuring CMNF, such as Denmark's Blachman, which featured clothed males judging nude females for their bodies. [3]

As a theme in art

In classical antiquity, the portrayal of nude male form in art (including the exposure of genitals) was considered to be more acceptable than that of the naked female form. By the Renaissance, this view had reversed. [4] For example, in Titian's treatment of Perseus and Andromeda in the mid-1550s, it is Andromeda who is nude—save for the barest wisp of fabric—while Perseus is clothed in armour.

One-sided female nudity has been a theme in art, particularly in Orientalist paintings of the 19th century. A typical scene may be a depiction of white slavery in which one or several nude female slaves are displayed before an audience of men at a slave market. The archetypal example of this type of scene is Jean-Léon Gérôme's The Slave Market , in which a nude female slave is examined by a potential buyer. Another example is Gérôme's Phryné devant l'Areopage (Phryne before the Areopagus , 1861) which was based on the trial of Phryne before the Areopagus in ancient Greece. The odalisque (harem scene) was also a popular subject for depicting one-sided female nudity, although the clothed figures in the scene were not always male.

Outside of the Orientalist style, a scenario for one-sided female nudity in 19th-century art was the knight-errant, in which the damsel in distress was used to explore the erotic subtext of the powerful knight coming to the rescue of a helpless woman. The best known example of this is John Everett Millais' painting Knight-errant , in which a nude woman has been tied to a tree and a knight is shown cutting her loose.

Another example is Édouard Manet's Le déjeuner sur l'herbe ("The Luncheon on the Grass"), in which a nude woman is depicted having lunch with two fully clothed men. The Pastoral Concert (c. 1510) attributed to Giorgione or his pupil Titian [5] has been cited as an inspiration for Manet's painting.

A 1913 painting Adoration by William Strang presents a philosophical study of beauty, with the clothed soldier, painter, scholar, and elderly gentleman fascinated by the naked female subject.

See also

Related Research Articles

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Jean-Léon Gérôme 19th-century French painter and sculptor

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<i>Olympia</i> (Manet) Painting by Édouard Manet

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Mickalene Thomas American artist

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<i>The Snake Charmer</i> painting by Jean-Léon Gérôme

The Snake Charmer is an oil-on-canvas Orientalist painting by French artist Jean-Léon Gérôme produced around 1879. After it was used on the cover of Edward Said's book Orientalism in 1978, the work "attained a level of notoriety matched by few Orientalist paintings," as it became a lightning-rod for criticism of Orientalism in general and Orientalist painting in particular. It is in the collection of the Sterling and Francine Clark Art Institute, which also owns another controversial Gérôme painting, The Slave Market.

<i>Cleopatra and Caesar</i> (painting) painting by Jean-Léon Gérôme

Cleopatra and Caesar, also known as Cleopatra Before Caesar, is an oil on canvas painting by the French Academic artist Jean-Léon Gérôme, completed in 1866. The work was originally commissioned by the French courtesan La Païva, but she was unhappy with the finished painting and returned it to Gérôme. It was exhibited at the Salon of 1866 and the Royal Academy of Arts in 1871.

<i>Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed</i> 1830 painting by William Etty

Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed, occasionally formerly known as The Imprudence of Candaules, is a 45.1 by 55.9 cm oil painting on canvas by English artist William Etty, first exhibited at the Royal Academy in 1830. It shows a scene from the Histories by Herodotus, in which Candaules, king of Lydia, invites his bodyguard Gyges to hide in the couple's bedroom and watch his wife Nyssia undress, to prove to him her beauty. Nyssia notices Gyges spying and challenges him to either accept his own execution or to kill Candaules as a punishment. Gyges chooses to kill Candaules and take his place as king. The painting shows the moment at which Nyssia, still unaware that she is being watched by anyone other than her husband, removes the last of her clothes.

<i>The Slave Market</i> (Gérôme painting) painting by Jean-Léon Gérôme

The Slave Market is an 1866 painting by the French artist Jean-Léon Gérôme. It depicts an unspecific Middle Eastern or North African setting where a man inspects the teeth of a nude, female slave.

Le déjeuner sur l'herbe: les trois femmes noires is a massive painting created by the African-American visual artist Mickalene Thomas. The paintings both a critique of and reference to Édouard Manet's 1863 painting Le dejeuner sur l'herbe. Thomas' piece portrays three bold, black women adorned with rich colors, patterned clothing, and radiant Afro-styled hair; the women's positioning and posing is reminiscent of the subjects of Manet's piece, but the gazes of all three women are fixed on the viewer. Thomas created the painting, her largest piece at the time, in 2010 after being commissioned by the Museum of Modern Art (MoMA) in New York City to create a display piece for 53rd street window of the museum's restaurant The Modern.

<i>The sonnet</i> (Lambert) painting by George Lambert

The sonnet is a 1907 oil on canvas painting by Australian artist George Washington Lambert. The work depicts man reading a sonnet to a female companion with both seemingly unaware of a nude woman sitting between them. The open-air idyll draws on other well-known works such as Manet's Le Déjeuner sur l'herbe 1863.

References

  1. Show Business Laid Bare, by Earl Wilson, ISBN   0-399-11276-6, New York, G. P. Putnam's Sons, 1974. Second Printing
  2. The story can be found on pages 45-56 of the hardcover second printing of the book.
  3. Melissa Locker. "Women Strip, Men Judge Their Bodies on Danish TV Show". Time magazine.
  4. Simon Goldhill (2005). Love, sex & tragedy how the ancient world shapes our lives. University Of Chicago Press. ISBN   978-0-226-30119-8.
  5. From the Louvre Museum Official Website Archived June 28, 2009, at the Wayback Machine