Contrast (literary)

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In literature, an author uses contrast when they describe the difference(s) between two or more entities. For example, in the first four lines of William Shakespeare's Sonnet 130 , Shakespeare contrasts a mistress to the sun, coral, snow, and wire.

Contrast is the antonym of simile. In poetic compositions, it is common for poets to set out an elaborate contrast or elaborate simile as the argument. For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated. In Renaissance poetry, and particularly in sonnets, the contrast was similarly used as a poetic argument. In such verse, the entire poem argues that two seemingly alike or identical items are, in fact, quite separate and paradoxically different. These may take the form of my love is unlike all other women or I am unlike her other loves.

In the early 18th century, a theory of wit developed by English writers (particularly John Locke) held that judgement sees the differences in like things, or imagination or fancy sees the likeness in different things, and wit operates properly by employing judgement and fancy to form sound propositions. In lyric poetry, the author is often attempting to show how what seems to be solely an exercise of judgement or fancy is, in fact, wit.


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Epigram brief poem

An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek: ἐπίγραμμα epigramma 'inscription' from ἐπιγράφειν epigraphein 'to write on, to inscribe', and the literary device has been employed for over two millennia.

Poetry Form of literature

Poetry is a form of literature that uses aesthetic and often rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.

Sonnet form of poetry with fourteen lines; by the thirteenth century it signified a poem of fourteen lines that follows a strict rhyme scheme and specific structure

A sonnet is a poetic form which originated at the Court of the Holy Roman Emperor Frederick II in Palermo, Sicily. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention and the Sicilian School of poets who surrounded him is credited with its spread. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect.

In modern literary criticism, more common with genre fiction, conceit often means an extended rhetorical device, summed up in a short phrase, that refers to a situation which either does not exist, or exists rarely, but is needed for the plot.

Poetry analysis is the process of investigating a poem's form, content, structural semiotics and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.

Shakespeares sonnets poems by William Shakespeare

Shakespeare's sonnets are poems that William Shakespeare wrote on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost. There is a partial sonnet found in the play Edward III.

Metaphysical poets term used to describe a loose group of British lyric poets of the 17th century

The term metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterized by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse. In 20th Century, T.S Eliot revived Metaphysical poetry by calling it fruit of passionate thinking. He wrote- "A thought to Donne Was an experience" and admired their talent by saying -" The Figure of speech is elaborated to the farthest stage to which ingenuity can carry it in metaphysical poet."

This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.

Sonnet 130 poem by William Shakespeare

William Shakespeare's Sonnet 130 mocks the conventions of the showy and flowery courtly sonnets in its realistic portrayal of his mistress.

Sonnet 23 poem by William Shakespeare

Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.

Sonnet 26 poem by William Shakespeare

Sonnet 26 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.

Sonnet 32 poem by William Shakespeare

Sonnet 32 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. The writer is reflecting on a future in which the young man will probably outlive him. The writer takes a melancholy tone, telling the young man to remember the writer not because of the strength of the sonnets, but because the love that has been shown to the young man far surpasses any love shown by another poet.

Sonnet 116 poem by William Shakespeare

William Shakespeare's sonnet 116 was first published in 1609. Its structure and form are a typical example of the Shakespearean sonnet.

Sonnet 57 poem by William Shakespeare

Sonnet 57 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Sonnet 57 is connected with Sonnet 58 which pursues the theme of the poet as a slave of the beloved.

Sonnet 59 poem by William Shakespeare

Sonnet 59 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a part of the Fair Youth sequence, in which the poet expresses his love towards a young man.

In poetry, the volta, or turn, is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry.

Petrarchs and Shakespeares sonnets

The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones. Both writers cemented the sonnet's enduring appeal by demonstrating its flexibility and lyrical potency through the exceptional quality of their poems.

Sonnet 125 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.

Sonnet 84 poem by William Shakespeare

Sonnet 84 is one of 154 sonnets published by the English playwright and poet William Shakespeare in 1609. It's part of the Fair Youth sequence, and the seventh sonnet of the Rival Poet group.

Waṣf

Waṣf is an ancient style of Arabic poetry, which can be characterised as descriptive verse. The concept of waṣf was also borrowed into Persian, which developed its own rich poetic tradition in this mode.