"From a Distance" is a song by American singer-songwriter Julie Gold, initially penned in 1985. Gold's friend Christine Lavin introduced the song to Nanci Griffith, who first recorded it for her 1987 album Lone Star State of Mind. A successful cover version by Bette Midler was released in 1990.
"Calling Elvis" is a song written by Mark Knopfler and performed by British rock band Dire Straits. It first appeared on the final studio album by the band, On Every Street (1991). It was released as the first single from that album, peaking at number 21 in the United Kingdom, and reaching the top 10 in numerous other countries. It was included on the 2005 compilation The Best of Dire Straits & Mark Knopfler: Private Investigations. A live version of the song also appears on the 1993 live album On the Night.
"Rooms on Fire" is a song by American singer and songwriter Stevie Nicks from her fourth solo studio album The Other Side of the Mirror (1989). Written by Nicks and Rick Nowels, and produced by Rupert Hine, the song was released on April 24, 1989, by the Modern label, as the lead single from The Other Side of the Mirror. The 12-inch single was released in a limited-edition poster sleeve in certain territories.
"This Ain't a Love Song" is the lead single from American rock band Bon Jovi's sixth studio album, These Days (1995). The rock ballad is an example of the strong rhythm and blues influence that Jon Bon Jovi and Richie Sambora wanted the album to have. Released in May 1995 by Mercury, it reached number 14 on the US Billboard Hot 100, number two on the Canadian RPM 100 Hit Tracks chart, number six on the UK Singles Chart, and number one on the Finnish Singles Chart.
"King of Wishful Thinking" is a song by British pop duo Go West, written by Peter Cox, Richard Drummie and Martin Page. It was featured in the film Pretty Woman and appeared on its soundtrack. It was later featured on Go West's third studio album, Indian Summer, in 1992.
"The Promise of a New Day" is the opening track and second single from American artist Paula Abdul's second studio album, Spellbound (1991). The song was written by Paula Abdul, Peter Lord and V. Jeffrey Smith. It became Abdul's sixth and final number-one hit on the US Billboard Hot 100.
"It Ain't Over 'til It's Over" is a song written, produced, and performed by American musician Lenny Kravitz for his second studio album, Mama Said (1991). Released as the album's second single in June 1991, the song is a mid-tempo ballad musically inspired by Motown, Philly soul, and Earth, Wind & Fire. The horn line at the end is performed by the Phenix Horns from Earth, Wind & Fire. "That song just came out one day, and I knew it had a classic vibe. And I still love that song very much today," Kravitz said in an interview for VivaMusic.com in 2000. The line is based on a Yogiism, or quotation from Yogi Berra: "It ain't over 'til it's over."
"Stuck with You" is a song by American rock band Huey Lewis and the News, written by guitarist Chris Hayes and lead singer Huey Lewis. Released in 1986, it was the first single from the band's fourth album, Fore!. The song spent three weeks at number one on the US Billboard Hot 100, becoming the band's second number-one hit on the chart. Internationally, the song became the band's second top-20 hit in the United Kingdom, reaching number 12 on the UK Singles Chart, and peaked within the top 10 in Australia, Canada, Iceland, South Africa, and New Zealand.
"Rush Hour" is a song by American musician Jane Wiedlin, taken from her second album, Fur (1988). It was backed by the album track "End of Love". The UK 12-inch single of "Rush Hour" includes an extended remix by Rusty Garner and an instrumental version.
"Thought I'd Died and Gone to Heaven" is a song by Canadian singer and songwriter Bryan Adams from his sixth studio album, Waking up the Neighbours (1991). Penned by Robert Lange and Bryan Adams, the song became Adams' third chart-topper in his native Canada, reached No. 13 on the US Billboard Hot 100, and peaked at No. 8 in the United Kingdom.
"Shining Star" is a song by Australian rock band INXS, released as the only single issued from the band's first live album, Live Baby Live (1991), on 21 October 1991. It is the one new studio track recorded for the album. Upon the song's release, it peaked at No. 21 on the Australian ARIA Singles Chart, No. 27 on the UK Singles Chart, becoming the group's ninth top-40 single in the latter country. In the United States, it peaked at No. 4 on the Billboard Modern Rock Tracks chart and No. 14 on the Album Rock Tracks chart.
"How Can You Expect to Be Taken Seriously?" is a song by English synth-pop duo Pet Shop Boys from their fourth studio album, Behaviour (1990). It was released in the United Kingdom on 11 March 1991 as a double A-side with "Where the Streets Have No Name ", serving as the third single from Behaviour. For the single, Brothers in Rhythm remixed the track. The track was subsequently released as a solo single in the United States and France; it peaked at number 93 on the US Billboard Hot 100. As "Being Boring" and "It's Alright" were not released in the US, tracks from these releases were used on a number of US releases. The accompanying music video received heavy rotation on MTV Europe.
"Do You Feel Like I Feel?" is a song by American singer Belinda Carlisle, released as the second single from her fourth studio album, Live Your Life Be Free (1991). It became Carlisle's last single to chart on the US Billboard Hot 100, peaking at number 73.
"Stay" is a song written by Bob Khozouri and Mark Stevens, originally recorded by American singer Glenn Jones and released in 1990. It reached number six on the US Billboard Hot Black Singles chart. The song became a worldwide hit for British girl group Eternal in 1993 and 1994.
"It Hit Me Like a Hammer" is a song by American rock band Huey Lewis and the News, released as the second single from their sixth album, Hard at Play, in 1991. The song was co-written by band leader Huey Lewis and songwriter/producer Robert John "Mutt" Lange. The song peaked at No. 21 on the US Billboard Hot 100, becoming their final top-40 hit in the US, and No. 9 on Canada's RPM 100 Hit Tracks chart. The single release contains a remix of the song with a saxophone solo that did not appear on the album.
"Faithful" is a song by English pop duo Go West. The song is the opening track on the band's fourth album, Indian Summer (1992), and served as the album's lead single. Written by the band and Martin Page and produced by Peter Wolf, the song reached the top 20 in New Zealand, the United Kingdom, and the United States. Its highest chart position was in Canada, where it peaked at number two in February 1993. It also reached number three on the adult contemporary charts of both Canada and the United States.
"Sometimes It's a Bitch" is a song by American singer Stevie Nicks, written by Billy Falcon and Jon Bon Jovi, who also produced the track alongside Danny Kortchmar. It was the first single released from Nicks' compilation album Timespace: The Best of Stevie Nicks (1991). The single peaked at number 56 on the US Billboard Hot 100 and reached the top 20 in Australia and Canada. A music video for the song was filmed, featuring clips of Nicks from 1981 to 1991.
"Naked and Sacred" is a song by American singer and actress Chynna Phillips from her first solo album, Naked and Sacred (1995). Written by Phillips, Billy Steinberg and Rick Nowels, the song was released as Phillips' debut solo single on October 10, 1995, and charted at number 15 in Australia and number 62 in the United Kingdom. It was also a modest adult contemporary hit in Canada, peaking at number 19 on the RPM Adult Contemporary chart.
"Come In Out of the Rain" is a song by American R&B singer Wendy Moten, written by Ernest Williamson, Curtiss Boone, and Nikos Lyras, who also produced the song. The song was released as the second single from Moten's self-titled debut album in 1993. One of the tracks on the British and Australian CD singles, "Step by Step", was released as Moten's debut single.
"Wild Women Do" is a song by American singer-songwriter Natalie Cole. The song was written by Greg Prestopino, Sam Lorber, and Matthew Wilder for the 1990 romantic comedy film Pretty Woman and was included on the film's soundtrack as the opening track. The song contains influences from pop, rock, R&B, and soul music, and its lyrics describe an independent woman who lives a wild life. In 1990, the song was also included on certain re-issues of Cole's 1989 album Good to Be Back.
