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The creation of life from clay can be seen as a miraculous birth theme that appears throughout world religions and mythologies. It can also be seen as one of gods who craft humans out of earthly materials. As such, this class of story falls within a larger set of divine or cosmogonic origin stories about creation, whether through divine emergence or divine craft.
Enlil, later known as Elil and Ellil, is an ancient Mesopotamian god associated with wind, air, earth, and storms. He is first attested as the chief deity of the Sumerian pantheon, but he was later worshipped by the Akkadians, Babylonians, Assyrians, and Hurrians. Enlil's primary center of worship was the Ekur temple in the city of Nippur, which was believed to have been built by Enlil himself and was regarded as the "mooring-rope" of heaven and earth. He is also sometimes referred to in Sumerian texts as Nunamnir. According to one Sumerian hymn, Enlil himself was so holy that not even the other gods could look upon him. Enlil rose to prominence during the twenty-fourth century BC with the rise of Nippur. His cult fell into decline after Nippur was sacked by the Elamites in 1230 BC and he was eventually supplanted as the chief god of the Mesopotamian pantheon by the Babylonian national god Marduk.
Enki is the Sumerian god of water, knowledge (gestú), crafts (gašam), and creation (nudimmud), and one of the Anunnaki. He was later known as Ea or Ae in Akkadian (Assyrian-Babylonian) religion, and is identified by some scholars with Ia in Canaanite religion. The name was rendered Aos in Greek sources.
Ninḫursaĝ, sometimes transcribed Ninursag, Ninḫarsag, or Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" and kings of Lagash were "nourished by Ninhursag's milk". She is the tutelary deity to several Sumerian leaders.
The Anunnaki are a group of deities of the ancient Sumerians, Akkadians, Assyrians and Babylonians. In the earliest Sumerian writings about them, which come from the Post-Akkadian period, the Anunnaki are deities in the pantheon, descendants of An and Ki, the god of the heavens and the goddess of earth, and their primary function was to decree the fates of humanity. They should not be confused with the Apkallu.
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primeval waters which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life".
Atra-Hasis is an 18th-century BC Akkadian epic, recorded in various versions on clay tablets, named for its protagonist, Atrahasis. The Atra-Hasis tablets include both a cosmological creation myth and one of three surviving Babylonian flood myths. The name "Atra-Hasis" also appears, as a king of Shuruppak in the times before a flood, on one of the Sumerian King Lists.
Mami, also known as Belet-ili, or Nintu, is a goddess in the Babylonian epic Atra-Hasis and in other creation legends. She was probably synonymous with Ninhursag. She was involved in the creation of humankind from clay and blood. As Nintu legends state she pinched off fourteen pieces of primordial clay which she formed into womb deities, seven on the left and seven on the right with a brick between them, who produced the first seven pairs of human embryos. She may have become Belet Ili when, at Enki's suggestion, the gods slew one among themselves and used that god's blood and flesh, mixed with clay, to create humankind.
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
Babylonian religion is the religious practice of Babylonia. Babylonia's mythology was largely influenced by its Sumerian counterparts and was written on clay tablets inscribed with the cuneiform script derived from Sumerian cuneiform. The myths were usually either written in Sumerian or Akkadian. Some Babylonian texts were translations into Akkadian from Sumerian of earlier texts, but the names of some deities were changed.
The following is a family tree of gods and goddesses from Babylonian mythology.
Uta-napishtim, was a legendary king of the ancient city of Shuruppak in southern Iraq, who, according to several surviving narratives, survived the Flood by making a boat.
Eridu Genesis, also called the Sumerian Creation Myth, Sumerian Flood Story and the Sumerian Deluge Myth, offers a description of the story surrounding how humanity was created by the gods, how the office of kingship entered human civilization, the circumstances leading to the origins of the first cities, and the global flood.
Sumerian religion was the religion practiced by the people of Sumer, the first literate civilization found in recorded history and based in ancient Mesopotamia, and what is modern day Iraq. The Sumerians widely regarded their divinities as responsible for all matters pertaining to the natural and social orders of their society.
The Barton Cylinder, also known as CBS 8383, is a Sumerian creation myth, written on a clay cylinder in the mid to late 3rd millennium BCE, which is now in the University of Pennsylvania Museum of Archaeology and Anthropology. Joan Goodnick Westenholz suggests it dates to around 2400 BC.
The Ainu historically have their own language and a rich repertoire of oral literature. The stories are particularly delivered through the genre of Kamui Yukar, which are long narratives of heroic exploits involving spiritual beings such as animals, plants, and natural phenomena. As result of assimilation, most of the Ainu people are Japanese speakers and do not speak the Ainu language. The literature now exists in forms of written texts which have been fixed but still remain to be many versions of the same tales. The Ainu creation myths are the traditional creation accounts of the Ainu peoples of Japan. These myths reflect the Ainu worldview that attributes subjectivity and agency to nonhuman entities, considering them as conscious beings with the ability to communicate and interact with humans. Although Ainu mythology has characteristics in common with the Japanese, whom they have interacted with for since the early 19th century, their creation myth remains their own.
The Song of the hoe, sometimes also known as the Creation of the pickaxe or the Praise of the pickaxe, is a Sumerian creation myth, written on clay tablets from the last century of the 3rd millennium BCE.
Mesopotamian mythology refers to the myths, religious texts, and other literature that comes from the region of ancient Mesopotamia which is a historical region of Western Asia, situated within the Tigris–Euphrates river system that occupies the area of present-day Iraq. In particular the societies of Sumer, Akkad, and Assyria, all of which existed shortly after 3000 BCE and were mostly gone by 400 CE. These works were primarily preserved on stone or clay tablets and were written in cuneiform by scribes. Several lengthy pieces have survived erosion and time, some of which are considered the oldest stories in the world, and have given historians insight into Mesopotamian ideology and cosmology.
The ancient Mesopotamian underworld, was the lowermost part of the ancient near eastern cosmos, roughly parallel to the region known as Tartarus from early Greek cosmology. It was described as a dark, dreary cavern located deep below the ground, where inhabitants were believed to continue "a transpositional version of life on earth". The only food or drink was dry dust, but family members of the deceased would pour sacred mineral libations from the earth for them to drink. In the Sumerian underworld, it was initially believed that there was no final judgement of the deceased and the dead were neither punished nor rewarded for their deeds in life.
Aruru was a Mesopotamian goddess. The origin of her name is presently uncertain. While initially considered an independent deity associated with vegetation and portrayed in hymns as violent, she eventually came to be viewed as analogous Ninhursag. Her name could also function as an epithet of goddesses such as Nisaba and Ezina-Kusu. She was often called the older sister of Enlil. Her cult centers most likely were the cities of Kesh, Adab and Irisaĝrig. She appears in a number of literary texts, some of which preserve information about her original character. She is also present in the Epic of Gilgamesh, which portrays her as the creator of Enkidu.
Ancient near eastern (ANE) cosmology refers to the plurality of cosmological beliefs in the Ancient Near East covering the 4th millennium BC to the formation of the Macedonian Empire by Alexander the Great in the second half of the 1st millennium BC. These include the Mesopotamian cosmologies from Babylonia, Sumer, and Akkad; the Levantine or West Semitic cosmologies from Ugarit and ancient Israel and Judah ; the Egyptian cosmology from Ancient Egypt; and the Anatolian cosmologies as among the Hittites. This system of cosmology went on to have a profound influence on views in early Greek cosmology, later Jewish cosmology, patristic cosmology, and Islamic cosmology. Until the modern era, variations of ancient near eastern cosmology survived with Hellenistic cosmology as the main competing system.
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