Lamentation over the Dead Christ | |
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Artist | Anthony van Dyck |
Year | 1635 |
Medium | Oil on canvas |
Dimensions | 115 cm× 208 cm(45.2 in× 81.8 in) |
Location | Royal Museum of Fine Arts Antwerp, Antwerp |
The Deposition or Lamentation over the Dead Christ is a painting by the Flemish artist Anthony van Dyck. [1] Dating to 1635, it is one of his final treatments of the subject. It was commissioned by Cesare Alessandro Scaglia, who intended it to hang over his tomb in the Recollects Convent in Antwerp. It is now in the Royal Museum of Fine Arts Antwerp. [2]
Deposition may refer to:
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
Hendrick van Balen or Hendrick van Balen I was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper support. His favourite themes were mythological and allegorical scenes and, to a lesser extent, religious subjects. The artist played an important role in the renewal of Flemish painting in the early 17th century and was one of the teachers of Anthony van Dyck.
The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.
Theodoor Boeyermans, Theodor Boeyermans or Theodor Boeijermans was a Flemish painter active in Antwerp who painted Baroque history paintings and group portraits informed by the tradition of Peter Paul Rubens and Anthony van Dyck.
Paulus Pontius was a Flemish engraver and painter. He was one of the leading engravers connected with the workshop of Peter Paul Rubens. After Rubens' death, Pontus worked with other leading Antwerp painters such as Anthony van Dyck and Jacob Jordaens.
Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels, the event celebrated on Palm Sunday.
The Incredulity of Saint Thomas or the Rockox Triptych, is a triptych painting by Peter Paul Rubens, produced between 1613 and 1615. It is in the collection of the Royal Museum of Fine Arts Antwerp.
The Vision of the Blessed Hermann Joseph or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary is a 1629-1630 painting by the Flemish Baroque painter Anthony van Dyck.
The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced c. 1630. It is 2.51 m high.
The Deposition or Lamentation over the Dead Christ is a c. 1618-20 painting by the Flemish painter Anthony van Dyck. It is now in the Kunsthistorisches Museum, in Vienna, which it entered in 1720.
The Lamentation over the Dead Christ is a painting by the Flemish painter Anthony van Dyck, created c. 1629. It is now in the Royal Museum of Fine Arts Antwerp.
The Lamentation over the Dead Christ is a 1634-40 painting by the Flemish artist Anthony van Dyck. One of his last treatments of the subject, it is now in the Bilbao Fine Arts Museum, having entered it in 1985. It was previously in the collection of Henry Pelham-Clinton, 7th Duke of Newcastle, before later passing into the Valdes Izaguirre collection.
St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
The Deposition or Lamentation over the Dead Christ was a painting by the Flemish painter Anthony van Dyck, produced between 1629 and 1630. It measured 220 cm by 166 cm. Its final owners were the Kaiser Friedrich Museum then the Gemäldegalerie, Berlin, before it was lost in May 1945 in the Friedrichshain flak tower fire. A copy of the work is now in the Gedächtniskapelle of the Deutschordensmünster in Heilbronn.
The Recollects Convent (Minderbroederskerk) was a monastery of the Recollects order in Antwerp in Belgium. It was the original location of several works by Peter Paul Rubens and Anthony van Dyck (Deposition). It was also the first home of the Royal Museum of Fine Arts until 1875, when the town council decided to rehouse it in a new purpose-built building.
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces.
The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629.
The Resurrection is an oil on canvas painting completed in 1631 - 1632 by Anthony van Dyck, now in the Wadsworth Atheneum, in Hartford, Connecticut. Experts date the painting to Van Dyck's second Antwerp period, around 1627‐32.