"Dumb Blonde" | ||||
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Single by Dolly Parton | ||||
from the album Hello, I'm Dolly | ||||
B-side | "The Giving and the Taking" | |||
Released | November 7, 1966 | |||
Recorded | September 23, 1966 | |||
Studio | Fred Foster Sound Studio, Nashville, Tennessee | |||
Genre | Country | |||
Label | Monument | |||
Songwriter(s) | Curly Putman | |||
Producer(s) | Fred Foster | |||
Dolly Parton singles chronology | ||||
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"Dumb Blonde" is a song written by Curly Putman and recorded by American singer-songwriter Dolly Parton. It was released as a single on November 7, 1966, by Monument Records. It would be included on Parton's 1967 debut album, Hello, I'm Dolly . The song is notable for being Parton's first song to chart on the Billboard Hot Country Singles chart, peaking at number 24. Parton re-recorded the song with Miranda Lambert in 2018 for the Dumplin' soundtrack album.
In a positive review, Cashbox said, "Pretty Dolly Parton lets the world know that she's nobody's fool in this catchy lid." They said the song has "a cute, stompin’ sound" and "could very well be the biggie that will establish her." [1] Record World called Parton a "not-so-dumb blonde" and said she should "get lots of mileage out of this tune." They concluded by saying that it "sounds like blondes have more fun." [2] Billboard did not review the single, but they did include it in their Spotlight Singles section, predicating that it would chart on the Hot Country Singles chart. [3]
"Dumb Blonde" debuted at number 64 on the Billboard Hot Country Singles chart, becoming Parton's first song to appear on the chart. It would eventually peak at number 24 and spend 14 weeks on the chart.
Chart (1966–1967) | Peak position |
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US Hot Country Singles ( Billboard ) [4] | 24 |
The Winning Hand is a collaborative compilation album by Kris Kristofferson, Willie Nelson, Dolly Parton and Brenda Lee. It was released on November 1, 1982, by Monument Records. The album was produced by Fred Foster, founder and chairman of the board of Monument, and contains some newly-recorded material as well as catalog material with new instrumental tracks. The album spawned two singles, the Parton and Nelson duet "Everything's Beautiful " and "You're Gonna Love Yourself in the Morning" by Lee and Nelson. The album also inspired a television special of the same name hosted by Johnny Cash, who had written the album's liner notes. The special featuring all four performers aired in over 150 markets in March and April 1985.
Heartbreaker is the twentieth solo studio album by American singer-songwriter Dolly Parton. It was released on July 17, 1978, by RCA Victor. The album was produced by Gary Klein and Parton with Charles Koppelman serving as executive producer, and was an even more direct aim at the pop charts, with several of its songs verging on disco. The album topped the Billboard Top Country Albums chart for nine consecutive weeks and peaked at number 27 on the Billboard 200. The album produced two number one hits on the Billboard Hot Country Songs chart, "Heartbreaker" and "I Really Got the Feeling", while "Baby I'm Burnin'" peaked at number 25 on the Billboard Hot 100. The album has been certified Gold in the United States and Canada.
Dolly is the sixteenth solo studio album by American entertainer Dolly Parton. It was released on September 15, 1975, by RCA Victor. To differentiate it from Parton's 2009 4-disc, career-spanning box set, which is also titled Dolly, the album is sometimes referred to as Dolly: The Seeker – We Used To.
Bubbling Over is the twelfth solo studio album by American singer-songwriter Dolly Parton. It was released on September 10, 1973, by RCA Victor. The album cover photo was shot by Nashville photographer Les Leverett near the fountain at the Country Music Hall of Fame.
Touch Your Woman is the ninth solo studio album by American singer-songwriter Dolly Parton. It was released on March 6, 1972, by RCA Victor. The album's title song and single, "Touch Your Woman", was nominated for a Grammy.
The Best of Dolly Parton is a compilation album by American singer-songwriter Dolly Parton. It was released on November 9, 1970, by RCA Victor. The album was produced by Bob Ferguson. It includes some of Parton's early hits, a few non-single album tracks, and two previously unreleased tracks. The album peaked at number 12 on the Billboard Top Country Albums chart. The single, "Mule Skinner Blues " peaked at number three on the Billboard Hot Country Songs chart and earned Parton a nomination for Best Female Country Vocal Performance at the 13th Annual Grammy Awards. The album was certified Gold by the RIAA on June 12, 1978, for sales of 500,000 copies.
Joshua is the seventh solo studio album by American singer-songwriter Dolly Parton. It was released on April 12, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 16 on the Billboard Top Country Albums chart and number 198 on the Billboard 200 chart. The album's single, "Joshua", was nominated for a Grammy and was Parton's first song to reach number one on the Billboard Hot Country Songs chart.
Hello, I'm Dolly is the debut studio album by American singer-songwriter Dolly Parton. It was released on September 18, 1967, by Monument Records. The album was produced by Fred Foster. It peaked at number 11 on the Billboard Top Country Albums chart. The album spawned two top 40 hits, "Dumb Blonde" and "Something Fishy", which peaked at numbers 24 and 17, respectively.
Just the Two of Us is the second collaborative studio album by Porter Wagoner and Dolly Parton. It was released on September 9, 1968, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number five on the Billboard Top Country Albums chart and number 184 on the Billboard 200 chart. The album spawned three singles. "Holding on to Nothin'" and "We'll Get Ahead Someday" were top ten hits on the Billboard Hot Country Songs chart, peaking at numbers seven and five, respectively. The third single, "Jeannie's Afraid of the Dark", peaked at number 51.
Just Because I'm a Woman is the second solo studio album by American singer-songwriter Dolly Parton. It was released on April 15, 1968, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 22 on the Billboard Top Country Albums chart. The album's title track was the only single released and it peaked at number 17 on the Billboard Hot Country Singles chart.
My Blue Ridge Mountain Boy is the fourth solo studio album by American singer-songwriter Dolly Parton. It was released on September 8, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number six on the Billboard Top Country Albums chart, Parton's first solo top ten, and number 194 on the Billboard 200 chart. The album spawned three singles: "Daddy", "In the Ghetto", and the title track. "Daddy" was the most successful, peaking at number 40 on the Billboard Hot Country Songs chart.
In the Good Old Days (When Times Were Bad) is the third solo studio album by American singer-songwriter Dolly Parton. It was released on February 3, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 15 on the Billboard Top Country Albums chart. The album's title track was the only single released and it peaked at number 25 on the Billboard Hot Country Songs chart.
Always, Always is the third collaborative studio album by Porter Wagoner and Dolly Parton. It was released on June 30, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number five on the Billboard Top Country Albums chart and number 162 on the Billboard 200 chart. "Yours Love" and the album's title track were released as singles, peaking at numbers nine and 16, respectively.
The Best of Porter Wagoner & Dolly Parton is a compilation album by Porter Wagoner and Dolly Parton. It was released on July 19, 1971, by RCA Victor. The album contains tracks from each of their collaboration albums released up to that point, with the exception of 1969's Always, Always. The album included one previously unreleased track, the Grammy-nominated single, "Better Move It on Home".
The Right Combination • Burning the Midnight Oil is the seventh collaborative studio album by Porter Wagoner and Dolly Parton. It was released on January 3, 1972, by RCA Victor.
"The Last Thing on My Mind" is a song written by American musician and singer-songwriter Tom Paxton in the early 1960s and recorded first by Paxton in 1964. It is based on the traditional lament song "The Leaving of Liverpool". The song was released on Paxton's 1964 album Ramblin' Boy, which was his first album released on Elektra Records.
As Long as I Love is a compilation album by American singer-songwriter Dolly Parton. It was released on June 8, 1970, by Monument Records. The album is made up of songs Parton had recorded while signed to Monument Records. She left the label in 1967 to sign with RCA Victor after having released only one album. Three of the songs had previously been issued on singles, the remaining nine songs were previously unreleased.
The singles discography of American country singer-songwriter Dolly Parton includes over 200 singles and touches on eight decades. Parton has released 198 singles as a lead artist, 49 as a featured artist, six promotional single and 68 music videos. Parton also released 21 singles with Porter Wagoner from 1968 to 1980, bringing her total number of singles to 243.
"Something Fishy" is a song written and recorded by American singer-songwriter Dolly Parton. It was released as a single on May 8, 1967, by Monument Records. It would be included on Parton's 1967 debut album, Hello, I'm Dolly. The song peaked at number 17 on the Billboard Hot Country Singles chart, becoming Parton's first top 20 hit.
"Put It Off Until Tomorrow" is a song written by Dolly Parton and Bill Owens, and first recorded by American country music artist Bill Phillips. It was released in January 1966, and Phillips released an album of the same name later that year. The song became his biggest hit, peaking at number 6 on the Billboard Hot Country Singles chart. Parton provided uncredited harmony vocals on the single. The song has been covered by numerous artists, and became a top ten hit for The Kendalls in 1980.