Composition and recording
The song was composed by Mann and Weil, a rare example of a Parton hit that she did not write herself. The songwriting duo originally composed "Here You Come Again" in 1975 as a potential comeback hit for Brenda Lee, but when Lee decided not to record it, the song made its way to Parton, who was looking for something to broaden her appeal. Her producer, Gary Klein, who had heard the song on B.J. Thomas's recently released self-titled album, [1] reported that Parton had begged him to add a steel guitar to avoid sounding too pop, and he called in Al Perkins to fill that role. "She wanted people to be able to hear the steel guitar, so if someone said it isn't country, she could say it and prove it," Klein told journalist Tom Roland. "She was so relieved. It was like her life sentence was reprieved." [2]
The song is unusual in that the bridge incorporates a modulation which returns to the key one half-step higher. The first two verses are set in G♭ major, followed by A major for the first bridge, G major for the third verse, B♭ major for the second bridge, and finally A♭ major for the last verse and outro (as noted above, G♭ → G → A♭). The common time tempo is 106 beats per minute with a light swing feel. Parton's vocals range from G♭3 to D5. [3] [4]
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