Band history
Three Souls in My Mind
The name "Three Souls in My Mind", now commonly noted by its initials TSIMM, was initially chosen as a nod towards conventions for long band names in rock and roll. [1] Originally composed of Alejandro Lora on bass, Memo Berea on rhythm guitar and vocals, Ernesto de Leon on lead guitar, and Carlos Hauptvogel on drums, the band has been accompanied on some albums by Arturo Labastida on saxophone and Carlos Martinez on trumpet. Sergio Mancera also played guitar on some albums. They performed their first public engagement in October, 1968, [2] and released 15 albums on the RAFF record label before officially changing their name and lineup in 1985.
As rock in Mexico was originally seen as 'inauthentic' when sung in Spanish, Three Souls mostly sang covers of American rock and blues songs in English. However, at the Festival de Avándaro, often called "Mexico's Woodstock," they crossed over, singing first in English, then in Spanish. From then on they recorded primarily in Spanish, writing most of their own songs. When asked why they switched to Spanish, Lora replied that it was important for the audience to understand the messages of the songs. Though Three Souls had a popular following among the younger generation while singing in English, changing attitudes toward rock pushed the band to perform in the 'hoyos fonquis,' where the lower classes held semi-chaotic rock shows. [3] Singing in his original language and for a new, energetic, young, and discontented audience, Lora's songs began reflecting more of the reality of the daily lives of average Mexicans.
El Tri
In 1985, TSIMM split into Three Souls in My Mind with Carlos Hauptvogel and El Tri with Alex Lora. Under Hauptvogel, TSIMM went to record four studio albums and one compilation with considerable success, and under Lora El Tri became the first Mexican rock band to have a Gold certified record with their album Simplemente , which contained their first single, "Triste Canción" and a cover version of "Metro Balderas", originally by Rockdrigo González. In 1986 their song "Vicioso del rocanrol" became a hit in Peru, topping radio charts, which opened the way to two concerts in Plaza de Toros Acho, where they returned a year later for a tour in seven cities. In the same year the band was invited by Miguel Ríos to participate in the First Iberoamerican Rock Encounter at the Sports Palace of Madrid, Spain, alongside the most representative bands of countries like Chile, Venezuela, Argentina and Spain. By 1992, the band's albums were consistently going Gold in Mexico. [4] In 1993, the band released one of their signature songs, Pobre Soñador, which became their breakout song for the South American market, specifically Argentina. The promotional video gained heavy rotation on the music channels.
The United States has also been an important part of their career, since they have had many concerts in New York City, Chicago, Houston, and all around the state of California, such as in San Francisco at The Fillmore, and in the city of Los Angeles, in venues such as Los Angeles Memorial Sports Arena, The Olympic Auditorium, Pico Rivera, The Palace, The Hollywood Palladium, and The Verizon Wireless Amphitheater. In New York City they sold out two consecutive concerts at the Roseland Ballroom. In 2003, they were nominated for "Best Album" at the Latin Grammy Awards, broadcast from Miami. [5]
In 2004, Los Angeles Times writer Marla Dickerson noted that the band had "legions of loyal fans" and had "sold tens of millions of albums in Latin America", but that in spite of their success they lost their recording contract because their record label could not compete with counterfeiters. [6]
