Leverett-Griswold House, circa 1775, renovated 1810-15 and 1995-96. Home of the Elizabethan Club.
The Elizabethan Club is a social club at Yale University named for Queen Elizabeth I and her era. Its profile and members tend toward a literary disposition, and conversation is one of the Club's chief purposes.
The Elizabethan Club's collection of 16th- and 17th-century books and artifacts include Shakespearean folios and quartos, first editions of Milton'sParadise Lost, Spenser's Faerie Queene, and Francis Bacon's Essayes, all locked in the club's vault. The collection is only available for inspection at certain times, or to researchers upon request at Yale's Beinecke Library.[1] Tea is served daily during the semester and members may invite guests on specified days. The Club accepts female and male undergraduates, graduate students, faculty and staff.
The club was founded in 1911 by Alexander Smith Cochran, a member of the Yale Class of 1896 and Wolf's Head Society. As an undergraduate he had regretted the lack of a congenial atmosphere in which to discuss literature and the arts with classmates and faculty. In 1910 he began to assemble a small but exceptional collection of first and early editions of the Elizabethan and Jacobean plays that he had studied with William Lyon Phelps, and in 1911 he offered the collection to Yale as the central point of interest for a club where conversation – and tea – would be available every afternoon. Cochran also provided a clubhouse, with quarters for a resident steward, and a generous endowment of $100,000. His portrait hangs above the fireplace in the Vault Room, and his birthday (28 February) is marked by an annual Founder’s Dinner. The life portrait of the Virgine Queene in the Tea Room, attributed to Federico Zuccari, came with the founder’s original gift. Began during the literary renaissance at the university between 1909 and 1920, the club attracted such book collectors as Phelps, Chauncey Brewster Tinker, and John Berdan.[2]
The falcon motif of Yale's Elizabethan Club, from a badge of Queen Elizabeth I
Cochran’s gift of 141 folios and quartos includes, among other important volumes, the first four Shakespeare Folios, one of the three known copies of the 1604 Hamlet, and the copy of Ben Jonson’sWorks (1616) inscribed by the author to his friend Francis Young. Over the years additional volumes of equal importance, such as first or early quartos of all the major dramatists, have been acquired by gift and purchase, and the entire collection now numbers around 300 volumes. A catalog of this collection, The Elizabethan Club of Yale University and Its Library, prepared by Yale's Stephen Parks, was published in 1986 and considerably expanded in a 2011 edition. The club vault also holds a sample of 16th-century documents, manuscripts (for example, a letter of condolence from Queen Elizabeth to her friend Lady Southwell, 15 October 1598) and medals (one celebrating the defeat of the Spanish Armada in 1588), as well as various artifacts (a lock of Byron’s hair; a snuff box carved from a mulberry tree planted by Shakespeare at New Place, his home at Stratford; and a guest book signed by many of the club's visitors).[3][4]
Documents relating to the club's organization and activities, including a tradition of formal correspondence written in Latin to the Signet Society at Harvard, are viewable at the online Yale Manuscripts and Archives Collection.[5]
Activity
The club is dedicated to conversation, tea, the art of the book, and literature, focused on—but not exclusively of—the Elizabethan era. During the academic year the clubhouse is open daily for the use of its members from 8 in the morning until 10 in the evening. Tea is served every afternoon during termtime from four until six. A 1920 observer noted among "certain hopeful signs of the times, current British and American periodicals are neatly lined up on tables, configurations of other little tables, sofas and chairs provide many nooks for quiet discussion or reading, and upstairs even includes a room dedicated almost entirely to archives of Punch, the former English magazine of humor and satire. Outside, the club has a deep back garden with a pavilion, understated elegant plantings, and featuring a bust of the Bard himself, to facilitate the enjoyments of finger sandwiches, cookies and croquet."
From time to time, the club sponsors special events such as Club Nights with a speaker and discussion; seasonal parties and teas; and an annual lecture honoring Maynard Mack (1909-2001), former president of the club, longtime faculty member and illustrious Shakespeare scholar. Mack lecturers have included Joanne Akalaitis, John Barton, Tony Church, Lisa Harrow, Michael Kahn, Mark Lamos, Carey Perloff, Michael Billington and Sam Waterston.[6]
The club also has underwritten the production of a small series of books, published by the Yale University Press.[7] Indeed, publishing specialized works relating to the club's mission has been a practice dating back to its early years.
Membership
Membership in the Elizabethan Club, by invitation only, includes undergraduates (15 members are elected per class year; however, freshmen are not admitted; accordingly there are at most 45 current undergraduates at any time), graduate students, university staff, and faculty. The affairs of the club are managed by a self-perpetuating Board of Incorporators (six members of the university) that meets twice a year in October and May and by an elected Board of Governors that meets monthly. It is not a "final society", in that membership in another Yale secret society, association, or club is not a bar to also having club membership.
Architecture
The Elizabethan Club, 1920
The Elizabethan Club is housed in a landmarked well-preserved Federal building, the Leverett Griswold House, built circa 1775 and renovated between 1810-1815 and 1995-1996. It was previously owned successively by the Leverett Griswold and Wilbur Gilbert families.[8]
Kenneth Boroson, AIA, of Kenneth Boroson Architects, LLC[9] designed an addition and rear garden in 1995-1996.
Architectural historian Patrick Pinnell in his 1999 history of Yale's campus says this "crisp little white house... shows off an early example of a gable fronting the street, rather than being turned parallel to it... predicting the temple-front individuality of Greek Revival..."[10] It provides the only remaining Federal-era aspect on this stretch of College Street, one that Pinnell discusses as having been in the mid 19th century a residential street.[11]
The clubhouse, acquired by the founder in 1911, bears National Historic, State Historic and City Historic designations.[citation needed]
Books
The Lizzie informally fosters appreciation for the Art of the Book and of fine printing and typography, befitting a campus with a number of working old-fashioned undergraduate presses.
On the second floor, the Map Room contains a collection of books about Shakespeare and the Elizabethan period, most of them published in the middle of the twentieth century. In the Study Room there are bound copies of Punch from 1847 to 1985, and in the Governors Room numerous bound sets of British and European authors, plus a small collection of books presented to the club by authors who are members.
Club founder Alexander Smith Cochran, heir to a carpet manufacturer, led an eventful life. Referred to on the eve of his "secret" marriage to the Polish opera singer Ganna Walska as "New York's Richest Bachelor",[12] within a short period, he was contesting the marriage (he was her third of six husbands) as illegal, claiming her first husband was still living when Cochran married her, and they separated.[13] Cochran's exploits socially, financially and in sailing (he headed America's Cup syndicates) were widely covered in newspapers of the day.
Cole Porter, a member himself according to some sources, although others say he was rejected for membership and responded with satirical compositions,[14] made reference to the club in two of his songs: "A Member of the Yale Elizabethan Club", a satirical description of a self-absorbed "Lizzie" member, and "Since We've Met," in which he satirizes a prudish couple, writing "We shrink at any oath except a soft 'Beelzebub.' / We're out-Elizabething the Elizabethan Club."[15]
The Beinecke Rare Book & Manuscript Library is the rare book library and literary archive of the Yale University Library in New Haven, Connecticut. It is one of the largest buildings in the world dedicated to rare books and manuscripts and is one of the largest collections of such texts. Established by a gift of the Beinecke family and given its own financial endowment, the library is financially independent from the university and is co-governed by the University Library and Yale Corporation.
The Folger Shakespeare Library is an independent research library on Capitol Hill in Washington, D.C., United States. It has the world's largest collection of the printed works of William Shakespeare, and is a primary repository for rare materials from the early modern period (1500–1750) in Britain and Europe. The library was established by Henry Clay Folger in association with his wife, Emily Jordan Folger. It opened in 1932, two years after his death.
The Scroll and Key Society is a secret society, founded in 1842 at Yale University, in New Haven, Connecticut. It is one of the oldest Yale secret societies and reputedly the wealthiest. The society is one of the reputed "Big Three" societies at Yale, along with Skull and Bones and Wolf's Head. Each spring the society admits fifteen rising seniors to participate in its activities and carry on its traditions.
The Shakespeare apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is not to be confused with the debate on Shakespearean authorship, which questions the authorship of the works traditionally attributed to Shakespeare.
Mr. William Shakespeare's Comedies, Histories, & Tragedies is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published.
Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
Manuscript Society is a senior society at Yale University in New Haven, Connecticut. It is reputedly the arts and letters society at Yale.
Like most playwrights of his period, William Shakespeare did not always write alone. A number of his surviving plays are collaborative, or were revised by others after their original composition, although the exact number is open to debate. Some of the following attributions, such as The Two Noble Kinsmen, have well-attested contemporary documentation; others, such as Titus Andronicus, are dependent on linguistic analysis by modern scholars; recent work on computer analysis of textual style has given reason to believe that parts of some of the plays ascribed to Shakespeare are actually by other writers.
The Masque of Queens, Celebrated From the House of Fame is one of the earlier works in the series of masques that Ben Jonson composed for the House of Stuart in the early 17th century. Performed at Whitehall Palace on 2 February 1609, it marks a notable development in the masque form, in that Jonson defines and elaborates the anti-masque for the first time in its pages.
A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or, alternatively, written down later from memory by an actor or group of actors in the cast – the latter process has been termed "memorial reconstruction". Since the quarto derives from a performance, hence lacks a direct link to the author's original manuscript, the text would be expected to be "bad", i.e. to contain corruptions, abridgements and paraphrasings.
"What a piece of work is a man!" is a phrase within a monologue by Prince Hamlet in William Shakespeare's play Hamlet. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition.
The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama.
Robert Allot was a London bookseller and publisher of the early Caroline era; his shop was at the sign of the black bear in St. Paul's Churchyard. Though he was in business for a relatively short time – the decade from 1625 to 1635 – Allot had significant connections with the dramatic canons of the two greatest figures of English Renaissance theatre, William Shakespeare and Ben Jonson.
William Aspley was a London publisher of the Elizabethan, Jacobean, and Caroline eras. He was a member of the publishing syndicates that issued the First Folio and Second Folio collections of Shakespeare's plays, in 1623 and 1632.
John Smethwick was a London publisher of the Elizabethan, Jacobean, and Caroline eras. Along with colleague William Aspley, Smethwick was one of the "junior partners" in the publishing syndicate that issued the First Folio collection of Shakespeare's plays in 1623. As his title pages specify, his shop was "in St. Dunstan's Churchyard in Fleet Street, under the Dial."
Richard Hawkins was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn.
Memorial reconstruction is the hypothesis that the scripts of some 17th century plays were written down from memory by actors who had played parts in them, and that those transcriptions were published. The theory is suggested as an explanation for the so-called "bad quarto" versions of plays, in which the texts differ dramatically from later published versions, or appear to be corrupted or confused.
Alexander Smith Cochran was a manufacturer, sportsman and philanthropist from Yonkers, New York.
Henrietta C. Bartlett (1873–1963) was an American bibliographer, Shakespeare scholar, and creator of the first modern census of Shakespeare's published drama. She has been called "one of the foremost bibliographers of her time," despite working in a scholarly field in which "the overwhelming majority has been male."
The Cambridge Shakespeare is a long-running series of critical editions of William Shakespeare's works published by Cambridge University Press. The name encompasses three distinct series: The Cambridge Shakespeare (1863–1866), The New Shakespeare (1921–1969), and The New Cambridge Shakespeare (1984–present).
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