Emir Sultan Mosque | |
---|---|
Emir Sultan Camii | |
Religion | |
Affiliation | Islam |
Location | |
Location | Bursa, Turkey |
Geographic coordinates | 40°10′52″N29°04′51″E / 40.18111°N 29.08083°E |
Architecture | |
Type | Mosque |
Style | Ottoman Baroque |
Completed | 15th century (rebuilt in 19th century) |
Minaret(s) | 2 |
The Emir Sultan Mosque (Turkish : Emir Sultan Camii) is in Bursa, Turkey. First built in the 15th century, it was rebuilt in 1804 for the Ottoman sultan Selim III, and rebuilt again in 1868, the plan of the mosque changing slightly with each rebuild.
Emir Sultan, also known as Şemseddin Mehmed Ali el-Hüseyin el Buhari (Mehmed Şemseddin), was a dervish and scholar from Bukhara and also the advisor and son-in-law of the Ottoman sultan Bayezid I. [1] The religious complex around his tomb was first established by Sultan Mehmed I in the early 15th century. It was further developed during the reign of Murad II (between 1421 and 1451), when Hundi Fatma Hatun, daughter of Bayezid I, built the complex's first mosque. [2] [3]
The present-day mosque is situated in the quarter of Bursa also called Emirsultan. It was built after the original 15th-century building collapsed in the 1766 earthquake. When it was rebuilt by Selim III, the previous mosque's foundations and some of its materials were reused in the construction, resulting in a work that mixes archaic Ottoman elements with new Ottoman Baroque ones. [4] [2] Following the 1855 Bursa earthquake, the Emir Sultan Mosque and the mausoleum (Turkish: türbe) were once again rebuilt in 1868 (1285 AH), this time in a pure Baroque style, in for Sultan Abdülaziz. [2] [3]
The mosque and mausoleum stand on opposite sides of a long courtyard with large şadırvan (ablutions fountain) at the entrance. The courtyard entrances are at the east and west ends, and the mosque and mausoleum are accessed via the courtyard. A wooden arcade with pointed arches wraps around the courtyard and rises to form portals with tall domes in the bays leading into the buildings. [5] ]
The mosque, to the south of the courtyard, is a tall single-unit prayer hall of masonry construction with two minarets at the northern corners. The mausoleum, also on the south side, is composed of a domed room in the centre with smaller rooms to its sides and houses the tombs of Emir Sultan and his family. Other rooms on the north corner of the courtyard are used by the imams. An Ottoman cemetery flows downhill from the complex. [5]
Hundi Hatun, the wife of Emir Sultan and daughter of Bayezid I, was responsible for the hamam to the south of the mosque. [6] There are several historic fountains scattered around the complex (külliye), the earliest dating from 1743. One of them appears in a drawing by the British traveller and artist Thomas Allom. [6]
Bayezid II was the sultan of the Ottoman Empire from 1481 to 1512. During his reign, Bayezid consolidated the Ottoman Empire, thwarted a Safavid rebellion and finally abdicated his throne to his son, Selim I. Bayezid evacuated Sephardi Jews from Spain following the fall of the Nasrid Kingdom of Granada and the proclamation of the Alhambra Decree and resettled them throughout Ottoman lands, especially in Salonica.
Murad I was the sultan of the Ottoman Empire from 1362 to 1389. He was the son of Orhan Gazi and Nilüfer Hatun. Murad I came into the throne after his elder brother Süleyman Pasha's death.
Mehmed I, also known as Mehmed Çelebi or Kirişçi, was the sultan of the Ottoman Empire from 1413 to 1421. The fourth son of Sultan Bayezid I and Devlet Hatun, he fought with his brothers over control of the Ottoman realm in the Ottoman Interregnum (1402–1413). Starting from the province of Rûm he managed to bring first Anatolia and then the European territories (Rumelia) under his control, reuniting the Ottoman state by 1413, and ruling it until his death in 1421. Called "The Restorer," he reestablished central authority in Anatolia, and he expanded the Ottoman presence in Europe by the conquest of Wallachia in 1415. Venice destroyed his fleet off Gallipoli in 1416 as the Ottomans lost a naval war.
The Bayezid II Mosque is an early 16th-century Ottoman imperial mosque located in Beyazıt Square in Istanbul, Turkey, near the ruins of the Forum of Theodosius of ancient Constantinople.
Ottoman architecture is an architectural style or tradition that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain decorative arts, most notably in the use of Iznik tiles.
The Eyüp Sultan Mosque is in the Eyüp district of Istanbul, outside the city walls and near the Golden Horn. The mosque complex includes a mausoleum marking the spot where Ebu Eyüp el-Ansari, the standard-bearer and companion of the Islamic prophet Muhammad, is said to have been buried. On a much older site, the present building dates from the beginning of the 19th century.
The Laleli Mosque is an 18th-century Ottoman imperial mosque located in Laleli, Fatih, Istanbul, Turkey.
A külliye is a complex of buildings associated with Turkish architecture centered on a mosque and managed within a single institution, often based on a waqf and composed of a madrasa, a Dar al-Shifa (clinic), kitchens, bakery, hammam, other buildings for various charitable services for the community and further annexes. The term is derived from the Arabic word kull "all".
The Muradiye Complex or the Complex of Sultan Murad II, the Ottoman sultan, is located in Bursa, Turkey.
Ayşe Gülbahar Hatun, was a consort of Sultan Bayezid II and the mother of Sultan Selim I of the Ottoman Empire and the grandmother of Sultan Suleiman the Magnificent.
Emine Gülbahar Mükrime Hatun was consort (concubine) of Sultan Mehmed II, and mother of Sultan Bayezid II.
Sultanzade Şemsi Ahmed Pasha, more known just as Şemsi Pasha, was a distinguished Ottoman nobleman and beylerbey who occupied several high-ranking posts, serving at various stages as the Ottoman governor-general of the beylerbeyliks of Damascus, Anatolia and Rumeli.
Şehzade Korkut was an Ottoman prince who was for a short time the regent for the Ottoman throne. He was the son of the Ottoman Sultan Bayezid II.
Bülbül Hatun was a consort of Sultan Bayezid II of the Ottoman Empire.
Ferahşad Hatun (Ottoman Turkish: فرخشاد خاتون "Happiness", also known as Muhtereme Hatun, was a consort of Sultan Bayezid II of the Ottoman Empire.
Yahya Efendi or Molla Shaykhzadeh ul Yahya, Ottoman Islamic scholar, sufi sheikh, and poet buried in Beshiktash, Istanbul.
Selçuk Hatun was an Ottoman princess, the daughter of Ottoman Sultan Mehmed I and one of his concubine, Kumru Hatun. She was the half-sister of Sultan Murad II.
Classical Ottoman architecture is a period in Ottoman architecture generally including the 16th and 17th centuries. The period is most strongly associated with the works of Mimar Sinan, who was Chief Court Architect under three sultans between 1538 and 1588. The start of the period also coincided with the long reign of Suleiman the Magnificent, which is recognized as the apogee of Ottoman political and cultural development, with extensive patronage in art and architecture by the sultan, his family, and his high-ranking officials.
Ottoman Baroque architecture, also known as Turkish Baroque, was a period in Ottoman architecture in the 18th century and early 19th century which was influenced by European Baroque architecture. Preceded by the changes of the Tulip Period and Tulip Period architecture, the style marked a significant departure from the classical style of Ottoman architecture and introduced new decorative forms to mostly traditional Ottoman building types. It emerged in the 1740s during the reign of Mahmud I (1730–1754) and its most important early monument was the Nuruosmaniye Mosque, completed in 1755. Later in the 18th century, new building types were also introduced based on European influences. The last fully Baroque monuments, such as the Nusretiye Mosque, were built by Mahmud II in the early 19th century, but during this period new European-influenced styles were introduced and supplanted the Baroque.
Early Ottoman architecture corresponds to the period of Ottoman architecture roughly up to the 15th century. This article covers the history of Ottoman architecture up to the end of Bayezid II's reign, prior to the advent of what is generally considered "classical" Ottoman architecture in the 16th century. Early Ottoman architecture was a continuation of earlier Seljuk and Beylik architecture while also incorporating local Byzantine influences. The new styles took shape in the capital cities of Bursa and Edirne as well as in other important early Ottoman cities such as Iznik. Three main types of structures predominated in this early period: single-domed mosques, "T-plan" buildings, and multi-domed buildings. Religious buildings were often part of larger charitable complexes (külliyes) that included other structures such as madrasas, hammams, tombs, and commercial establishments.