Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar.
Wendy Carlos is an American musician and composer best known for her electronic music and film scores. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she helped in the development of the Moog synthesizer, Robert Moog's first commercially available keyboard instrument.
Raymond Scott was an American composer, band leader, pianist, record producer, and inventor of electronic instruments.
The 14th Annual Grammy Awards were held March 14, 1972, and were broadcast live on television in the United States by ABC; the following year, they would move the telecasts to CBS, where they remain to this date. They recognized accomplishments by musicians from the year 1971.
The 28th Annual Grammy Awards were held on February 25, 1986, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the previous year, 1985. The night's big winner was USA For Africa's "We Are The World", which won four awards, including Song of the Year which went to Michael Jackson and Lionel Richie. It marked the first time in their respective careers that they received the Song of the Year Award. For Richie, it was his sixth attempt in eight years. The other three awards for the latter single were given to the song's producer, Quincy Jones.
Morton Sanford Garson was a Canadian composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s, such as Mother Earth's Plantasia (1976), He also co-wrote several hit songs, including "Our Day Will Come", a hit for Ruby & the Romantics. According to Allmusic, "Mort Garson boasts one of the most unique and outright bizarre resumés in popular music, spanning from easy listening to occult-influenced space-age electronic pop."
The Album Leaf is an American musical project founded in San Diego, California, in 1998 by Jimmy LaValle. He is known for his use of electronics, synthesizer, and Rhodes piano. His performances often feature projected visual art.
Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records in Japan in 1978, the album was released by A&M Records in Europe and the United States and Canada in early 1979, with the US version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc.
Gershon Kingsley was a German-American composer, a pioneer of electronic music and the Moog synthesizer, a partner in the electronic music duo Perrey and Kingsley, founder of the First Moog Quartet, and writer of rock-inspired compositions for Jewish religious ceremonies. Kingsley is most famous for his 1969 influential electronic instrumental composition "Popcorn".
"Nite Flights" is a song by the American singer-songwriter Scott Walker under his given name Scott Engel. It was first recorded and released by Walker's pop group The Walker Brothers as the title track of their final album, 1978's Nite Flights.
Shirley Anne Walker was an American film and television composer and conductor. She was one of the few female film score composers working in Hollywood. Walker was one of the first female composers to earn a solo score credit on a major Hollywood motion picture and according to the Los Angeles Times, is remembered as a pioneer for women in the film industry.
The Big Gundown is an album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
Batman: Original Motion Picture Score is the score album for the 1989 film Batman by Danny Elfman. According to the Batman DVD Special Edition, Elfman said that producer Jon Peters was not sure about him as a composer until Tim Burton made him play the main titles. Elfman admitted he was stunned when Peters announced that the score would be released on its own album. The score was widely acclaimed by the press and in many contemporary reviews is cited as the highlight of the film.
Escape from New York: Original Motion Picture Soundtrack is a soundtrack album composed and performed by John Carpenter, featuring the score to the 1981 film Escape from New York.
Big Trouble in Little China is a soundtrack produced by John Carpenter for the film of the same name.
La MujerShirley Bassey canta en Español, is a Shirley Bassey studio album recorded in Spanish. The first recording sessions were held in Spain, and the album was completed in California, at the Hitsville West studio in December 1988. The 1980s saw a period of very few album releases from Shirley Bassey: All by Myself (1982); the acclaimed album I Am What I Am (1984); her recording of James Bond themes from 1987, The Bond Collection, ; and La Mujer. In 1987 the Swiss electronica band Yello approached Shirley Bassey about recording a song with them. The track "The Rhythm Divine" was a minor hit in the UK, charting at number 54 in the UK singles chart but achieving more success on mainland Europe. The success of the single released by Mercury Records, led to an album deal on the label.
"Let Me Be the One" is a song written in 1970 by Roger Nichols and Paul Williams. It was first recorded by Nanette Workman and released in 1970 as a single on Columbia Records. The Carpenters' version first appeared on their 1971 album Carpenters.
Days of Thunder is the soundtrack from the film of the same name, released in 1990 in the US by DGC Records, in Japan by CBS/Sony and internationally by Epic Records.
The Fog is a soundtrack album composed and performed by John Carpenter, featuring the score to the 1980 film The Fog. It was released in 1984 through Varèse Sarabande. An expanded edition was released in 2000 through Silva Screen Records, containing an extra six tracks not included on the original release. In 2012, another expanded edition was released through Silva Screen Records, containing all of the tracks from the 2000 release and all of the original score cues.
Assault on Precinct 13 is a soundtrack by John Carpenter for the 1976 film of the same name, first released in 2003 through the French label Record Makers and reissued in 2013 by Death Waltz.
