Vampires | |
---|---|
Directed by | John Carpenter |
Screenplay by | Don Jakoby |
Based on | Vampires by John Steakley |
Produced by | Sandy King |
Starring | |
Cinematography | Gary B. Kibbe |
Edited by | Edward A. Warschilka |
Music by | John Carpenter |
Production companies |
|
Distributed by |
|
Release date |
|
Running time | 108 minutes |
Country | United States |
Language | English |
Budget | $20 million |
Box office | $20.3 million (domestic) |
Vampires (also known as John Carpenter's Vampires) is a 1998 American neo-Western action horror film directed and scored by John Carpenter and starring James Woods. It was adapted from the novel Vampire$ by John Steakley.
Woods stars as Jack Crow, the leader of a team of vampire hunters. After his parents were murdered by vampires, Crow was raised by the Catholic Church to become their "master slayer". The plot is centered on Crow's efforts to prevent a centuries-old cross from falling into the hands of Jan Valek (a reference to Valac, played by Thomas Ian Griffith), the first and most powerful of all vampires. The film also stars Daniel Baldwin as Tony Montoya, Crow's best friend and fellow hunter; Sheryl Lee as Katrina, a prostitute who has a psychic link to Valek after being bitten; Tim Guinee as Father Adam Guiteau; and Maximilian Schell as Cardinal Alba.
The film was followed by two direct-to-video sequels, Vampires: Los Muertos (2002) and Vampires: The Turning (2005).
Jack Crow leads his team of Vatican-sponsored vampire hunters in a daylight raid on an abandoned house in New Mexico. Finding a 'nest' of vampires, the team subdue the creatures with gunfire, pikes, and wooden stakes, using a modified crossbow attached to a mechanical winch to pull them outside, where they are incinerated by sunlight. Despite disposing of nine basic vampire 'goons', Jack is concerned about not having found the nest's 'master' — an older and more powerful vampire.
While the team drunkenly celebrates with prostitutes at a local motel, the master vampire, Valek, arrives and bites one of the prostitutes, Katrina, initiating her transformation into a vampire. He swiftly murders the hunters, with only Crow and his trusted lieutenant Tony Montoya escaping alive with Katrina. Disturbed that Valek recognized him by name, Crow orders Montoya to lie low with Katrina, hoping to use her growing psychic link with Valek to track him down.
After burying his team and burning down the motel, Crow reports to his superior, Cardinal Alba, who confirms that Valek was a disgraced priest who led a rebellion against the church, leading to his execution and transformation into the first vampire. Valek has already killed another group of slayers in Germany, and Alba instructs Crow to form a new team, accompanied by archivist Father Adam Guiteau. Suspecting that his team was betrayed, Crow interrogates Guiteau and dispels his heroic notions of vampire hunting, showing him a map of vampire activity which indicates the vampires are searching the southwest for an unknown object.
Guarding Katrina at a hotel, Montoya explains the changes she is experiencing. Horrified, she attempts suicide and bites Montoya when he rescues her, which he hides from Crow and Guiteau when they arrive. Crow decides to pursue Valek without gathering a new team, and Katrina is linked with Valek when he questions and kills a priest. Sensing Guiteau is hiding something, Crow threatens him, recounting that he killed his own father for being bitten by a vampire and killing Jack's mother in front of him. Guiteau reveals that Valek is seeking an ancient relic, the "Black Cross" of Béziers, and Crow welcomes him to the team as his new slayer.
Using Katrina's psychic link, Jack, Montoya, and Guiteau learn that Valek has roused seven additional masters. They follow the vampires to a Spanish mission, where Valek has slaughtered the monks and seized the cross. Guiteau realizes that Valek plans to complete his own exorcism, making him immune to sunlight and virtually unstoppable. Searching a nearby abandoned town, they suspect at least fifteen new goons have been transformed. Guiteau volunteers as 'bait' for the masters, allowing Jack to harpoon them and Montoya to drag them into the sunlight. While they manage to kill most of his lieutenants, Valek and his undead army overwhelm them at sundown; Crow is captured, Guiteau takes cover and Montoya flees with Katrina, only for her to fully transform and bite Montoya on the throat before joining Valek.
Cardinal Alba reveals himself as Valek’s ally; having grown to fear death, he has agreed to help Valek recreate the original ritual in exchange for becoming a vampire himself. The ritual requires the participation of a priest and the blood and crucifixion of a "crusader" — Jack. Guiteau kills Alba before he can complete the ritual and holds off the vampire horde by threatening to kill himself which would leave Valek without a priest. Montoya and Guiteau rescue Crow as the sun rises, and Crow confronts Valek, impaling him with the Béziers Cross before destroying him in daylight.
Guiteau and Crow prepare to slay Montoya and Katrina, knowing their transformations are irreversible. However, to repay Montoya’s two days of loyalty after being bitten, Crow grants them a two-day head start. As Montoya and Katrina depart, Jack and Guiteau head off to kill the remaining vampires.
This section needs expansion. You can help by adding to it. (May 2020) |
Largo Entertainment bought the rights to John Steakley's novel in 1992 and planned on turning the film into the studio's next big project. Although Carpenter, alongside Sam Raimi, Peter Jackson, and Ron Underwood, had all been considered, Russell Mulcahy was the first to be the attached director. [2] Dolph Lundgren had been cast in the lead role of Jack Crow, and it was reported that Willem Dafoe was being eyed for a secondary role, likely the role of antagonist vampire Valek. [3] [4] Many proposed drafts for the film existed, including one that took place entirely at The Vatican and featured a vampirized Pope as the villain, and another that took place in a distant high-tech future where vampires are commonplace and vampire hunters are as abundant as police officers. The film was slated for a Summer 1996 release date with a budget of $50–$60 million, but conflicts between Mulcahy and the studio forced him to leave the project before filming began, taking Lundgren with him. [4] The two would immediately begin working on Silent Trigger, which borrowed elements from the unused scripts for Vampires. [5]
Shortly after finishing work on Escape from L.A. , John Carpenter was thinking about quitting filmmaking because "it stopped being fun". [6] Largo Entertainment approached him with a project called Vampires, an adaptation of the novel of the same name by John Steakley. They gave him two screenplays; one by Don Jakoby and one by Dan Mazur. Carpenter read both screenplays and the novel, and he saw the potential for a film he'd been interested in making. "I went into my office and thought, 'It's going to be set in the American southwest and it's a western – Howard Hawks.'" [6] Carpenter had always wanted to make a film that experimented with mixing the horror and western genres, and felt Vampires was perfect for him. "The story is set up like a western. It's about killers for hire. They're a western cliché. In this movie they’re paid to kill vampires." [7] In terms of tone and look, Carpenter felt that his film was "a little more like The Wild Bunch than Hawks in its style, but the feelings and the whole ending scene is a kind of replay on Red River ." [6]
The film was originally set to be made with a budget $60 million, but was slashed down to $20 million at the last minute. To accommodate the sudden budgetary concerns, he wrote his own screenplay, taking elements from the Jakoby and Mazur scripts, the book, and some of his own ideas, alongside writer and frequent collaborator Michael De Luca. For this film, Carpenter wanted to get away from the stereotype of gothic vampires as he said in an interview, "My vampires are savage creatures. There isn't a second of brooding loneliness in their existence. They're too busy ripping and tearing humans apart." [8]
Carpenter was looking for someone unique to play the character of Jack Crow and was actively avoiding "just another musclebound meathead", eventually settling for James Woods. He had considered Clint Eastwood, Kurt Russell, Bill Paxton, Al Pacino, Joe Pesci, and R. Lee Ermey for the role, but all of those actors either declined the role or couldn't sign on due to scheduling conflicts. Ermey's casting was rejected by the studio, who believed he did not hold the star power to front a blockbuster. Carpenter cast James Woods as Jack Crow because he wanted "the vampire slayer to be as savage as the prey he's after, a guy who's just as menacing as the vampires. James Woods is the kind of guy you'd believe could and would chew off the leg of a vampire." [8] [ dead link ] Woods was interested in doing the film because he had never been offered a horror film before and wanted to try something new. Contrary to his reputation, Carpenter didn't find the actor difficult to work with because "we had a deal. He would give me one take as it's written and I would let him improvise...Many of his improvisations were brilliant. When I needed him to be more focused and disciplined, I had the take from the script that was straighter." [6]
Alec Baldwin, an outspoken fan of Carpenter's work, had been cast to play Montoya but quickly dropped out and recommended the role to his brother, Daniel. Carpenter had not seen any of Daniel Baldwin's work and had the actor read for him. He had seen Sheryl Lee on Twin Peaks and cast her based on her work on the show. Carpenter's wife and the film's producer Sandy King cast Thomas Ian Griffith because she and the director wanted "someone who looks formidable, but is also alluring. There always has to be something alluring about the evil nature of the vampire." [8] Dolph Lundgren was also approached about returning as Valek instead of Jack Crow, but he was not interested in playing the villain and declined.
Principal photography began during June 1997 in New Mexico [9] and concluded on August 4, 1997. Midway through production, Carpenter left the film due to creative interference, and special make-up effects artist Greg Nicotero took over for a few days until Carpenter was persuaded back. [10] In the credits, the film bears a 1997 copyright year rather than a 1998 copyright year, [11] presumably because post-production work had been completed prior to 1998.
The MPAA took issue with the film's over-the-top violence, threatening to give it an NC-17 rating unless some of the gore was cut. Ultimately, about 20 seconds of footage was cut from the film. King said, "We satisfied the ratings board by just cutting short of a few things that went into really gruesome stuff." [7]
The film opened at #1 but dropped to #8 on its second week. The film grossed $20,308,772 in the United States on a $20 million budget. [12] Although worldwide numbers are not official, Carpenter stated the film was a massive success overseas, particularly in Japan, and pulled in well over its $20 million budget. It later went on to pull in a further $42 million on home video rental and purchase sales. [13] Vampires was Carpenter's only financially successful film of the 90s, and to date it is the last financially successful film that John Carpenter has directed.
The film was originally released to varied critical reviews, appearing on both best-of-the-year and worst-of-the-year lists. Positive reviews were based on the film's acting, direction, and visual style, while negative reviews felt the film lacked a coherent plot or likable characters. On Rotten Tomatoes, Vampires holds a 44% rating based on 54 reviews. The site's consensus was: "Nothing but one showdown after another." [14] On Metacritic the film has a score of 42% based on reviews from 19 critics, indicating "mixed or average reviews". [15] Audiences polled by CinemaScore gave the film an average grade of "D+" on an A+ to F scale. [16]
In its positive reviews, Liam Lacey of The Globe and Mail called it "crude, rude, nasty fun". [17] Robert Gonsalves of efilmcritic.com gave the film four out of five stars, calling Vampires "grungy, disreputable fun — the kind of blood-and-tequila western that can only be made nowadays when disguised as a horror movie." [18] Sean Axmaker of Stream On Demand gave the film 3.5 stars out of four, calling it "Carpenter in his prime form", giving particular points to its world building and acting. [19] Negative reviews such as The New York Times' Lawrence Van Gelder 's said it was "ridiculous without being awful enough to be hilarious". [20] Michael Dequina of The Movie Report was also unimpressed, giving the film 1.5 stars out of five, saying "there's no real plot" further believing the film featured "some of the most unlikable characters in recent memory". [21] Paul Tatara of CNN gave the film a particularly hostile review, lambasting Carpenter as a filmmaker and finishing his review by saying "as foul as it is, I'd argue that the main reason kids shouldn't see 'John Carpenter's Vampires' is because it might stunt their emotional and creative development." [22]
Other critics saw the film as mediocre at best. Roger Ebert gave the film two-and-a-half stars out of four, and noted that it "has a certain mordant humor and charm", but was ultimately "not scary, and the plot is just one gory showdown after another." [23] Marc Savlov of the Austin Chronicle gave the film three stars out of five, stating he enjoyed the film's cinematography, which he described as "a comic book brought to life", but further noted that the film takes itself far too seriously and suggests the film may have worked better as a dark comedy. [24] James Berardinelli gave the film two and a half stars out of four, stating "Vampires is decent enough, but it's unlikely anybody will remember this film in the following years, or perhaps even in following weeks." [25]
In one of Vampires's most positive reviews, Gene Siskel awarded the film with four out of four stars, calling the film "a high-action homage to westerns and classic horror that actually has a unique story and masterful cinematography" and "a film that should put John Carpenter back on the map as a horror director and a film director in general." [26] Siskel also expressed his fondness in the fact that film starred an all-adult cast without any teenagers and portrayed both vampires and vampire hunters in an original way. At the end of the year, he placed James Woods as his pick for his "Best Actor" suggestion to the Oscars. [27]
John Steakley, the author of the original novel, liked the film but said it contained much of his dialogue and none of his plot.[ citation needed ]
According to Carpenter, Gary Kibbe was shortlisted for the Best Cinematography at the 71st Academy Awards.[ citation needed ]
Award | Category | Recipients | Result |
---|---|---|---|
25th Saturn Awards [28] | Best Actor | James Woods | Won |
Best Make-Up | Won | ||
Best Music | John Carpenter | Won | |
Best Horror Film | Vampires | Nominated | |
Best Supporting Actress | Sheryl Lee | Nominated | |
Bram Stoker Award | Other Media | John Carpenter | Nominated |
International Horror Guild Award | Best Movie | Vampires | Nominated |
1998 Stinkers Bad Movie Awards | Worst Supporting Actor | Daniel Baldwin | Won |
John Howard Carpenter is an American filmmaker, composer, and actor. Most commonly associated with horror, action, and science fiction films of the 1970s and 1980s, he is generally recognized as a master of the horror genre. At the 2019 Cannes Film Festival, the French Directors' Guild gave him the Golden Coach Award and lauded him as "a creative genius of raw, fantastic, and spectacular emotions".
Charisma Carpenter is an American actress. She played Cordelia Chase in the supernatural drama series Buffy the Vampire Slayer (1997–1999) and its spin-off series Angel (1999–2004). She also starred as Kyra in Charmed (2004), Kendall Casablancas in Veronica Mars (2005–2006), Rebecca Sewell in The Lying Game (2012–2013), and Lacy in The Expendables film series (2010–2012).
In the Mouth of Madness is a 1994 American supernatural horror film directed and scored by John Carpenter and written by Michael De Luca. It stars Sam Neill, Julie Carmen, Jürgen Prochnow, David Warner and Charlton Heston. Neill stars as John Trent, an insurance investigator who visits a small town while looking into the disappearance of a successful author of horror novels, and begins to question his sanity as the lines between reality and fiction seem to blur. Informally, the film is the third installment in what Carpenter refers to as his "Apocalypse Trilogy", preceded by The Thing (1982) and Prince of Darkness (1987).
Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune who co-hosted movie review television series alongside colleague Roger Ebert.
John William Steakley, Jr. was an American science fiction author. He published two major novels, Armor (1984) and Vampire$ (1990); the latter was the basis for John Carpenter's Vampires movie. He published four short science fiction and fantasy stories.
At the Movies was an American movie review television program produced by Disney–ABC Domestic Television in which two film critics share their opinions of newly released films. Its original hosts were Roger Ebert and Gene Siskel, the former hosts of Sneak Previews on PBS (1975–1982) and a similarly titled syndicated series (1982–1986). After Siskel died in 1999, Ebert worked with various guest critics until choosing Chicago Sun-Times colleague Richard Roeper as his regular partner in 2000.
Gene Siskel and Roger Ebert, collectively known as Siskel & Ebert, were American film critics known for their partnership on television lasting from 1975 to Siskel's death in 1999.
Magic is a 1978 American psychological horror drama film directed by Richard Attenborough and starring Anthony Hopkins, Ann-Margret and Burgess Meredith. The screenplay is by William Goldman, who adapted his novel of the same title. The score was composed by Jerry Goldsmith.
Vampires is a 1990 horror novel by John Steakley. A dark fantasy with a contemporary setting, the novel concerns a company called Vampire$, Inc. which treats vampire-hunting as a commercial enterprise, funded by large payments from the vampires' potential victims and secretly supported from the highest levels of the Roman Catholic Church.
Vamp is a 1986 American black comedy horror film directed by Richard Wenk, co-written by Wenk and Donald P. Borchers, and starring Chris Makepeace, Sandy Baron, Robert Rusler, Dedee Pfeiffer, Gedde Watanabe, and Grace Jones.
Blacula is a 1972 American blaxploitation horror film directed by William Crain. It stars William Marshall in the title role about an 18th-century African prince named Mamuwalde, who is turned into a vampire by Count Dracula in the Count's castle in Transylvania in the year 1780 after Dracula refuses to help Mamuwalde suppress the slave trade.
Natasha Gregson Wagner is an American actress. She is the daughter of film producer Richard Gregson and actress Natalie Wood. She has appeared in films including Lost Highway, Two Girls and a Guy,First Love, Last Rites, Urban Legend, Another Day in Paradise and High Fidelity (2000).
Dracula 3D is a 2012 vampire horror film directed by Dario Argento from a screenplay he wrote with Enrique Cerezo, Stefano Piani, and Stefano Piani. It stars Thomas Kretschmann as Count Dracula, alongside Marta Gastini, Asia Argento, Unax Ugalde, Miriam Giovanelli, and Rutger Hauer.
Scream Blacula Scream is a 1973 American blaxploitation horror film. It is a sequel to the 1972 film Blacula, focusing on the resurrection of the vampire Mamuwalde. The film was produced by American International Pictures (AIP) and Power Productions. This was the acting debut of Richard Lawson.
Vampires: Los Muertos is a 2002 American direct-to-video Western horror film written and directed by Tommy Lee Wallace and starring Jon Bon Jovi as a vampire hunter. A sequel to the 1998 film Vampires, it was produced by John Carpenter. Vampires: Los Muertos introduces new characters, and the only reference to the previous film is the mention of Father Adam Guiteau from the original film, who has since died, as well as the legendary Béziers Cross, which was unsuccessfully used in the first film to perform a ritual that enables vampires to survive daylight.
A Simple Plan is a 1998 neo-noir crime thriller film directed by Sam Raimi and written by Scott B. Smith, based on Smith's 1993 novel. The film stars Bill Paxton, Billy Bob Thornton, and Bridget Fonda. Set in rural Minnesota, the story follows brothers Hank (Paxton) and Jacob Mitchell (Thornton), who, along with Jacob's friend Lou, discover a crashed plane containing $4.4 million in cash. The three men and Hank's wife Sarah (Fonda) go to great lengths to keep the money a secret but begin to doubt each other's trust, resulting in lies, deceit and murder.
"Welcome to the Hellmouth" is the series premiere of the American supernatural drama television series Buffy the Vampire Slayer. It originally aired on The WB on March 10, 1997 in a two-hour premiere along with the following episode, "The Harvest". The episode was written by the series creator and executive producer Joss Whedon and directed by Charles Martin Smith. "Welcome to the Hellmouth" received a Nielsen rating of 3.4 upon its original airing and received largely positive reviews from critics.
Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, who co-wrote it with its producer Debra Hill. It stars Donald Pleasence, Jamie Lee Curtis, P. J. Soles, and Nancy Loomis. Set mostly in the fictional Illinois town of Haddonfield, the film follows mental patient Michael Myers, who was committed to a sanitarium for murdering his teenage sister one Halloween night during his childhood; he escapes 15 years later and returns to Haddonfield, where he stalks teenage babysitter Laurie Strode and her friends while his psychiatrist Dr. Samuel Loomis pursues him.
John Carpenter is an American film director, producer, writer and composer. He has contributed to many projects as either the producer, writer, director, actor, composer or a combination of the five.
Slayers is a 2022 American comedy horror film, written, produced and directed by K. Asher Levin. It stars Thomas Jane, Kara Hayward, Jack Donnelly, Lydia Hearst, Malin Akerman, and Abigail Breslin. The film was released in theaters and digitally on October 21, 2022, by The Avenue Entertainment.
My choice is the always entertaining James Woods