European hand fans in the 18th century

Last updated

Hand fans first arrived in Europe in the 15th century from Asia and became popular in the 16th century. Several fan styles were common and a plethora of materials were used to create them. Subject matter varied greatly, from Biblical scenes to landscapes. Hand fans serve as a cooling mechanism, social instrument, and fashion accessory.

Contents

History

Fans were used throughout history, and can be traced back as long as five thousand years ago. They developed in ancient Egypt, India and China, where they were used for ceremonies and practical purposes. [1] In the 12th century, during the Crusades, the fan was brought to Europe. [2] At first, Europeans adopted the rigid fan and feather fans. Queen Elizabeth I of England (1533–1603) owned dozens of these fans, as was shown in her portraits. Later in the 16th century, folding fans were introduced into Europe from Japan where they originated. [1]

Queen Elizabeth I ('The Ditchley portrait') by Marcus Gheeraerts the Younger Queen Elizabeth I ('The Ditchley portrait') by Marcus Gheeraerts the Younger.jpg
Queen Elizabeth I ('The Ditchley portrait') by Marcus Gheeraerts the Younger
Elizabeth I George Gower Elizabeth I George Gower.jpg
Elizabeth I George Gower

Once the fan was known to Europe, France became the center for fan design and production. At the end of the 17th century, Huguenot immigrants traveled to England, bringing the fan craft with them. [2] French fans were so popular that they were smuggled into England during the 18th century. During this time the Worshipful Company of Fan Makers tried to grow the English fan trade, but their success was small in comparison to the French industry. [2]

Types

There were two main types of fans seen in Europe during the 18th century: the rigid (or fixed) fan and the folding fan.

Rigid fan

As its name implies, the rigid fan is stiff and is made to retain its shape. Possible fan shapes are a leaf, a rectangle, or an oval. The fan is attached to a base where it is held. [1]

Folding fan

The folding fan was the most popular in Europe during the 18th century, a time known as the golden age of the folding fan. [3] The principal folding fan styles are pleated, brisé, and cockade. [2]

Hand fan 1800 1805 Hand fan 1800 1805.jpg
Hand fan 1800 1805

Pleated fan

The pleated fan consists of a mount and a set of sticks. The outer sticks (the guards) are wider than the others and are often more decorated. At the base of the sticks is a pivot which connects the fan and allows it to spread and open. The base is either shaped or rounded off. [2]

Brisé fan

The brisé fan consists only of a set of sticks. These sticks are attached to a base with a pivot similar to that of a pleated fan. A cord or ribbon runs across the top of the fan, holding the sticks together. [2]

Hand fan 1815 1820 Hand fan 1815 1820.jpg
Hand fan 1815 1820

Cockade fan

A Parisian Cockade fan of silk and ivory, 1800-1850 Cockade Fan YORCM TFN217.jpg
A Parisian Cockade fan of silk and ivory, 1800-1850

A cockade fan opens into a complete circle around the pivot. Their style can be either pleated or brisé. They were not very practical and considered too flamboyant, and thus they saw little popularity. [2]

Materials

Fans in the 18th century were made from a wide variety of materials depending on their style and purpose. During the 18th century fans were a fashion accessory and thus were made from the fashionable materials of the time. [4]

Sticks and handles

Sticks and handles could be made of gold, tortoise shell, ivory, mother-of-pearl, horn, or wood. They were often highly decorated. Most sticks and handles were not only made of the previously listed materials, but were inlaid with others. For example, a mother-of-pearl fan could be inlaid with gold. Other sticks were plain. [4]

Mounts

Previous to 1780, mounts were typically made of vellum or paper. Some, more valuable fans were decorated with materials used for the sticks such as mother-of-pearl. [4] Other decorations included feathers, butterfly wings, silk, gold, and sequins. Although not as common, the 18th century also saw lace fans. [4]

Subject matter

European fans were often decorated with historical, political, or social images. While some fans were meant to inform, others were meant to entertain. There was fan for every occasion; whether it be a wedding, a funeral, or a dance, there was always a fan made specifically for the event. [5]

Entertainment

Some artists designed fans which would prevent boredom during a dull event, or would start a conversation. These fans were often covered with riddles and puzzles. [6] Another type of entertainment fan was the fortune-telling fan. These presented questions such as “Whether one is to get Riches; Whether one will be successful in Love; What sort of Husband shall I have; etc.” [1]

Instructive

The 18th century saw fans which assisted in remembering holidays or that served as maps. [5] The fan, “Map of Warwickshire” is such a fan. [7]

Historical

Fans commonly recorded current events. [5] There were souvenir fans that depicted scenes such as Vesuvius erupting and the Coliseum. Others celebrated public events such as a military victory. [1] The fan, “Coronation of George II” shows the banquet of George II and Queen Caroline in Westminster Hall on their coronation day, October 11, 1727. [7]

Biblical and classical

Classical myths and biblical scenes were frequent during the early 18th century. [1] Fans for church depicted Bible subjects such as Jacob and Rachel or Ruth and Boaz. [5] The fan, “Moses Striking the Rock” shows the Israelite encampment in the wilderness and Moses standing by the rock from which water flows. [7]

Pastoral

Later in the 18th century, rococo pastoral scenes became popular. Landscapes were common as well as images with love and courtship themes. Cupid was often a principal figure on such fans. [1] The fan, “Pastoral Landscape” shows a river landscape with men and women walking by and sheep grazing. [7]

Purposes

Practical

When originated, the fan’s purpose was to cool the face and keep away insects. Before the 18th century their most common use was to keep flies away from church altars. [8] While driving insects away became less and less of a fan’s purpose, the fan continued to serve as a cooling mechanism. [2]

Fashion

In Europe, fans were not a necessity. They were mainly used as a fashion accessory, to complement the rest of the lady’s outfit. “Fans were as much an adjunct to a lady of fashion’s attire as were gloves or bags.” [2] By the 18th century fans were used only by females. The fan was described as the “feminine accessory, par excellence.” [1]

Propaganda

Subject matter such as historical and political events made fans a means of spreading news or political propaganda. Other fans contained brand names and store fronts and thus acted as advertisements. [2]

Social instrument – fan language

Due to their large use and popularity, fans began to affect gestures and thus a fan “sign language” developed between 1711 and 1740. [5] In a 1740 edition of the Gentleman's Magazine, there was an advertisement for “The New Fashioned Speaking FAN!” [1] This “speaking fan” created a system whereby motions of the fan translated into letters of the alphabet. The alphabet, with the exception of J, was split into five sections. These sections corresponded to one of the following movements:

  1. Moving the fan with the left hand to the left arm
  2. Moving the fan with the right hand to the left arm
  3. Placing the fan against the bosom
  4. Raising the fan to the mouth
  5. Raising the fan to the forehead

In order to signal a letter two movements were necessary. The first corresponded to one of the five alphabet groups, and the second told the letter’s position in the group. For example, to signal “D”, one would use movement 1 (first section of the alphabet), followed by movement 4 (fourth letter in that section of the alphabet). [1]

Current status

Fans are often considered minor works of art.[ according to whom? ] Many survived and are in the hands of owners or museums throughout the world. [2]

Related Research Articles

<span class="mw-page-title-main">Kilt</span> Skirt-like garment worn with Scottish Highland dress and sometimes more broadly

A kilt is a garment resembling a wrap-around knee-length skirt, made of twill-woven worsted wool with heavy pleats at the sides and back and traditionally a tartan pattern. Originating in the Scottish Highland dress for men, it is first recorded in the 16th century as the great kilt, a full-length garment whose upper half could be worn as a cloak. The small kilt or modern kilt emerged in the 18th century, and is essentially the bottom half of the great kilt. Since the 19th century, it has become associated with the wider culture of Scotland, and more broadly with Gaelic or Celtic heritage.

<span class="mw-page-title-main">Hand fan</span> Device used to cool oneself

A handheld fan, or simply hand fan, is a broad, flat surface that is waved back-and-forth to create an airflow. Generally, purpose-made handheld fans are folding fans, which are shaped like a sector of a circle and made of a thin material mounted on slats which revolve around a pivot so that it can be closed when not in use. Hand fans were used before mechanical fans were invented.

<span class="mw-page-title-main">Handkerchief</span> Piece of cloth for personal use

A handkerchief is a form of a kerchief or bandanna, typically a hemmed square of thin fabric which can be carried in the pocket or handbag for personal hygiene purposes such as wiping one's hands or face, or blowing one's nose. A handkerchief is also sometimes used as a purely decorative accessory in the breast pocket of a suit; it can then be called a pocket square. A handkerchief is also an important accessory in many folk-dances in many regions like the Balkans and the Middle East; an example of a folk-dance featuring handkerchiefs is the Greek Kalamatianós.

<span class="mw-page-title-main">Cufflink</span> Items of jewelry

Cufflinks are items of jewelry that are used to secure the cuffs of dress shirts. Cufflinks can be manufactured from a variety of different materials, such as glass, stone, leather, metal, precious metal or combinations of these. Securing of the cufflinks is usually achieved via toggles or reverses based on the design of the front section, which can be folded into position. There are also variants with chains or a rigid, bent rear section. The front sections of the cufflinks can be decorated with gemstones, inlays, inset material or enamel and designed in two or three-dimensional forms.

<span class="mw-page-title-main">Handbag</span> Handled bag used to carry personal items

A handbag, commonly known as a purse in North American English, is a handled medium-to-large bag used to carry personal items. It has also been called a pocketbook in parts of the U.S.

<span class="mw-page-title-main">Tea caddy</span> Receptacle to store tea

A tea caddy is a box, jar, canister, or other receptacle used to store tea. When first introduced to Europe from Asia, tea was extremely expensive, and kept under lock and key. The containers used were often expensive and decorative, to fit in with the rest of a drawing-room or other reception room. Hot water was carried up from the kitchen, and the tea made by the mistress of the house, or under her supervision.

<span class="mw-page-title-main">Lappet</span> Hanging part of a headdress or garment

A lappet is a decorative flap, fold or hanging part of a headdress or garment. Worn in a pair, or as a singular long strip giving a symmetrical drape, lappets were a popular form of women's headwear until the early twentieth century, and are still a feature of religious garments. Examples of lappets are to be found on the papal tiara and on the nemes headdress of the kings of ancient Egypt. The same term is also used for similar-looking anatomical features on some animals.

<span class="mw-page-title-main">Headband</span> Hair accessory

A headband or hairband is a clothing accessory worn in the hair or around the forehead, usually to hold hair away from the face or eyes. Headbands generally consist of a loop of elastic material or a horseshoe-shaped piece of flexible plastic or metal. They come in assorted shapes and sizes and are used for both fashion and practical or utilitarian purposes.

<span class="mw-page-title-main">1840s in Western fashion</span> Costume and fashion of the 1840s

1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.

<span class="mw-page-title-main">1795–1820 in Western fashion</span> Costume and fashion 1795-1820

Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."

<span class="mw-page-title-main">Folding chair</span> Portable chair

A folding chair is a type of folding furniture, a light, portable chair that folds flat or to a smaller size, and can be stored in a stack, in a row, or on a cart.

<span class="mw-page-title-main">1700–1750 in Western fashion</span> Clothing in Europe and areas under its influence from 1700-1750

Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.

<span class="mw-page-title-main">Pleat</span> Deliberate fold in the design of a textile object or garment

A pleat is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference.

<span class="mw-page-title-main">Folding screen</span> Furniture

A folding screen, also known as pingfeng, is a type of free-standing furniture consisting of several frames or panels, which are often connected by hinges or by other means. They have practical and decorative uses, and can be made in a variety of designs with different kinds of materials. Folding screens originated from ancient China, eventually spreading to the rest of East Asia, and were popular amongst Europeans.

<span class="mw-page-title-main">Anglo-Saxon dress</span> Clothing of Anglo-Saxon England

Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.

<span class="mw-page-title-main">Coromandel lacquer</span> Type of Chinese lacquerware

Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of European powers had bases in the 18th century. The most common type of object made in the style, both for Chinese domestic use and exports was the Coromandel screen, a large folding screen with as many as twelve leaves, coated in black lacquer with large pictures using the kuan cai technique, sometimes combined with mother of pearl inlays. Other pieces made include chests and panels.

<span class="mw-page-title-main">Walking stick</span> Stick used to assist with walking

A walking stick is a device used primarily to aid walking, provide postural stability or support, or assist in maintaining a good posture. Some designs also serve as a fashion accessory, or are used for self-defense.

<span class="mw-page-title-main">1775–1795 in Western fashion</span> Western fashion throughout the late 1700s

Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.

<i>Uchiwa-e</i> Japanese woodblock prints

Uchiwa-e (団扇絵) are a genre of Japanese ukiyo-e woodblock print, which appear on rigid, paddle-shaped hand fans known as uchiwa (団扇). Ovoid images matching the outline of uchiwa were printed on rectangular sheets of washi rice paper, then cut along the margins and pasted onto a skeletal bamboo frame.

References

  1. 1 2 3 4 5 6 7 8 9 10 Steele, Valerie. The Fan: Fashion and Femininity Unfolded. New York: Rizzoli, 2002. Print.
  2. 1 2 3 4 5 6 7 8 9 10 11 Alexander, Hélène. Fans. London: B.T. Batsford, 1984. Print.
  3. "Fans." The Decoratosr and Furnisher 24.5 (1894): 182. JSTOR. Web. 10 Dec. 2010.
  4. 1 2 3 4 Mayor, Susan. Collecting Fans. New York: Mayflower, 1980. Print.
  5. 1 2 3 4 5 Bennett, Anna G., and Ruth Berson. Fans in Fashion. [San Francisco]: Fine Arts Museums of San Francisco, 1981. Print.
  6. Esdaile, Arundell. "Fans." British Museum Quarterly 14.1 (1940): 23-24. JSTOR. Web. 10 Dec. 2010.
  7. 1 2 3 4 Schreiber, Charlotte. Fans and Fan-Leaves. Comp. Lionel Cust. London: Oxford UP, 1893. Print.
  8. Standen, Edith. "Acquisitions of Works of Art by Museums and Galleries: Supplement." The Burlington Magazine 107.750 (1965): 487. JSTOR. Web. 10 Dec. 2010.