Georgia O'Keeffe Museum

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Georgia O'Keeffe Museum
Georgia O'Keeffe Museum logo (blue square).jpg
Georgia O'Keeffe Museum, Santa Fe NM.jpg
Georgia O'Keeffe Museum
EstablishedJuly 17, 1997 (1997-07-17)
Location Santa Fe, New Mexico, USA, Abiquiu, New Mexico, USA
Coordinates 35°41′20″N105°56′28″W / 35.688961°N 105.94119°W / 35.688961; -105.94119 (Georgia O'Keeffe Museum)
TypeArt Museum and Historic Property
AccreditationAmerican Alliance of Museums
Founder Anne Windfohr Marion
& John L. Marion
DirectorCody Hartley
ChairpersonDavid Warnock
Website okeeffemuseum.org

The Georgia O'Keeffe Museum is dedicated to the artistic legacy of Georgia O'Keeffe, her life, American modernism, and public engagement. It opened on July 17, 1997, eleven years after the artist's death. It comprises multiple sites in two locations: Santa Fe, New Mexico, and Abiquiu, New Mexico. [1] In addition to the founding Georgia O'Keeffe Museum (also called the Museum Galleries) in Santa Fe, the O'Keeffe includes: the Library and Archive within its research center at the historic A.M. Bergere house; the Education Annex for youth and public programming; Georgia O'Keeffe's historic Abiquiu Home and Studio; the O'Keeffe Welcome Center in Abiquiu; and Museum Stores in both Santa Fe and Abiquiu. [2] [3] Georgia O'Keeffe's additional home at the Ghost Ranch property is also part of the O'Keeffe Museum's assets, but is not open to the public. [3]

Contents

History

The private, non-profit museum was founded in November 1995 by philanthropists Anne Windfohr Marion and John L. Marion, part-time residents of Santa Fe. [4] The museum's main building was designed by architect Richard Gluckman in association with Santa Fe firm Allegretti Architects. Gluckman's projects have included the gallery addition at the Whitney Museum of American Art's permanent collection in New York City and the Andy Warhol Museum in Pittsburgh, Pennsylvania. [5]

Peter H. Hassrick and Jay Cantor led the museum during its first year. [6] George King was director from 1998 to 2009. [7] Robert Kret, served as director from 2009 to early 2019. [7] Cody Hartley is the O'Keeffe's current director. [8] Hartley joined the museum in 2013, and previously served as its director of curatorial affairs, senior director of collections and interpretation, and acting director. Of his vision for the museum, Hartley said, "I want our friends and neighbors to really think of the O’Keeffe as a beloved institution, as part of the community, as a good neighbor that does the kind programming and offers the kinds of community activities that really benefit their children and benefit themselves." [9]

Painting materials as displayed at the museum Painting materials as displayed at the O'Keeffe Museum.jpg
Painting materials as displayed at the museum

The museum's collections are the largest repository of Georgia O'Keeffe's work and personal materials, including items from her historic houses. Items from the collections rotate throughout the year in the Museum Galleries. Selected materials are also on view in the Library and Archives and the O'Keeffe Welcome Center. The Abiquiu Home and Studio was the artist's primary residence from the late 1940s through the end of her life. It includes the artist's garden, operated and harvested annually by local students. [10] The museum's fine art collection includes many of Georgia O'Keeffe's key works. Subjects range from the artist's innovative abstractions to her iconic large-format flower, skull, and landscape paintings to paintings of architectural forms and rocks, shells, and trees. Initially, the collection was made of 140 O'Keeffe paintings, watercolors, pastels, and sculptures, but now includes nearly 1,200 objects. [7]

To best share materials from its collection, the museum has moved away from the standard exhibition format, and rotates featured works on view in its Museum Galleries.

Library and archive

The Michael S. Engl Family Foundation Library and Archive supports the museum's exhibitions, collections, and activities through research services and resources with an emphasis on studies of Georgia O’Keeffe and her contemporaries, related regional histories, and Modernism. The Library and Archive makes accessible a variety of materials to support research conducted by the public and the museum's staff. The Library and Archive is open to the public by advanced appointment. [14]

Items from the collection and archive are publicly available through the museum's Collections Online.

Georgia O'Keeffe's historic houses

Georgia O'Keeffe's Abiquiu Home and Studio is in Abiquiú, about 53 miles north of Santa Fe. Public tours are available March through November. [1]

The museum also owns and maintains Georgia O'Keeffe's other house at the Ghost Ranch property, 20 minutes north of Abiquiú. It is not currently open to the public. [15] The Ghost Ranch educational retreat is not a part of the Georgia O'Keeffe Museum, but is owned and operated by the Presbyterian Church. It offers special tours related to the landscape that inspired many of Georgia O'Keeffe's iconic works. [16]

The museum and O'Keeffe's painting My Last Door were depicted in the 2010 episode "Abiquiu" of Breaking Bad . [17]

See also

Related Research Articles

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<i>Red Canna</i> (paintings) Georgia OKeefe series (1915-1927)

Georgia O'Keeffe made a number of Red Canna paintings of the canna lily plant, first in watercolor, such as a red canna flower bouquet painted in 1915, but primarily abstract paintings of close-up images in oil. O'Keeffe said that she made the paintings to reflect the way she herself saw flowers, although others have called her depictions erotic, and compared them to female genitalia. O'Keeffe said they had misconstrued her intentions for doing her flower paintings: "Well – I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower – and I don't."

<span class="mw-page-title-main">O'Keeffe at the University of Virginia, 1912–1914</span> 2016–19 art exhibition of works by Georgia OKeeffe

O’Keeffe at the University of Virginia, 1912–1914 is an exhibition of watercolors that Georgia O'Keeffe created over three summers in the early 20th century at the University of Virginia. Shown at the Georgia O'Keeffe Museum in Santa Fe, New Mexico, the exhibit opened November 4, 2016 and ran through September 10, 2017. A year later, on October 19, 2018, the exhibition opened at the Fralin Museum of Art on the grounds of the University of Virginia, where it remained on display until January 27, 2019.

<i>Black Iris</i> (painting) 1926 painting by Georgia OKeeffe

Black Iris, formerly called Black Iris III, is a 1926 oil painting by Georgia O'Keeffe. Art historian Linda Nochlin interpreted Black Iris as a morphological metaphor for female genitalia. O'Keeffe rejected such interpretations in a 1939 text accompanying an exhibition of her work, in which she wrote: "Well—I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don't." She attempted to do away with sexualized readings of her work by adding a lot of detail.

<i>Blue</i> (OKeeffe series) 1916 series of paintings by Georgia OKeeffe

Blue is the name of four paintings that Georgia O'Keeffe made in 1916. It was one of the sets of watercolors that she made exploring a monochromatic palette with designs that were non-representational of specific objects. The paintings were made on 15+78-by-11-inch sheets of Japanese tissue of the gampi tree.

<span class="mw-page-title-main">Maria Chabot</span>

Maria Chabot (1913–2001), was an advocate for Native American arts, a rancher, and a friend of Georgia O'Keeffe. She led the restoration of her house in Abiquiú, New Mexico, and took the photograph of O'Keeffe entitled Women Who Rode Away, in which the artist was on the back of a motorcycle driven by Maurice Grosser. Their correspondence was published in the book Maria Chabot—Georgia O'Keeffe: Correspondence 1941-1949.

<i>Cemetery, New Mexico</i> (Marsden Hartley) 1924 painting by Marsden Hartley

Cemetery, New Mexico is an early 20th century painting by American artist Marsden Hartley. Done in oil on canvas, the painting depicts a cemetery in Taos Pueblo, New Mexico. The work is in the collection of the Metropolitan Museum of Art.

Peter Heyl Hassrick was an American museum curator, art historian, and the author or editor of many exhibition catalogues about Western American art.

<i>Summer Days</i> (Georgia OKeeffe) Painting by Georgia OKeeffe from 1936

Summer Days is a 1936 oil painting by the American 20th-century artist Georgia O'Keeffe. It depicts a buck deer skull with large antlers juxtaposed with a vibrant assortment of wildflowers hovering below. The skull and flowers are suspended over a mountainous desert landscape occupying the lower part of the composition. Summer Days is among several landscape paintings featuring animal skulls and inspired by New Mexico desert O'Keeffe completed between 1934 and 1936.

<i>Sky Above Clouds</i> Painting series by Georgia OKeeffe

Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period. The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world. The series begins in 1960 with Sky Above the Flat White Cloud II, the start of a minimalist cycle of six works, with O'Keeffe trying to replicate the view of a solid white cloud she saw while flying back to New Mexico. She would continue to work on this singular motif in Sky with Flat White Cloud, Clouds 5/ Yellow Horizon and Clouds, Sky with Moon, and Sky Above Clouds / Yellow Horizon and Clouds. A darker variation of this motif occurred in 1972, influenced by her battle with macular degeneration, resulting in The Beyond, her last, unassisted painting before losing her eyesight.

References

  1. 1 2 "Tickets and Tours". Georgia O'Keeffe Museum. Retrieved October 25, 2019.
  2. "A. M. Bergere House". Historic Santa Fe Foundation. Retrieved October 25, 2019.
  3. 1 2 "FAQ". Georgia O'Keeffe Museum. Retrieved October 25, 2019.
  4. Jones, Kathryn (September 1999). "The Money of Color". Texas Monthly . Retrieved March 17, 2015.
  5. "Museum History". OKeeffeMuseum.org. Georgia O'Keeffe Museum. Archived from the original on March 20, 2015. Retrieved March 17, 2015.
  6. "Museum Director Resigns". The New York Times . July 30, 1997. Retrieved March 17, 2015.
  7. 1 2 3 Baker, Deborah (August 25, 2009). "O'Keeffe Museum Names New Director, Robert Kret". Albuquerque Journal. Retrieved March 17, 2015.
  8. Armstrong, Annie (May 13, 2019). "Georgia O'Keeffe Museum Names Cody Hartley Director". ARTnews. Retrieved October 25, 2019.
  9. Abatemarco, Michael | (May 13, 2019). "O'Keeffe Museum names Hartley as its director". Santa Fe New Mexican. Retrieved October 25, 2019.
  10. "Abiquiu Camera". Georgia O'Keeffe Museum. Retrieved October 25, 2019.
  11. "More Past Exhibits". OKeeffeMuseum.org. Georgia O'Keeffe Museum. Archived from the original on March 7, 2015. Retrieved March 17, 2015.
  12. "Past Exhibitions". OKeeffeMuseum.org. Georgia O'Keeffe Museum. Archived from the original on March 21, 2015. Retrieved March 17, 2015.
  13. "Current Exhibition". OKeeffeMuseum.org. Georgia O'Keeffe Museum. Archived from the original on March 21, 2015. Retrieved March 17, 2015.
  14. "Research Center Library and Archives". Georgia O'Keeffe Museum. Retrieved October 25, 2019.
  15. "Her Houses". OKeeffeMuseum.org. Georgia O'Keeffe Museum. Retrieved March 17, 2015.
  16. "Ghost Ranch | Education & Retreat Center - Abiquiu, NM". Ghost Ranch. Retrieved October 25, 2019.
  17. Gajewski, Josh (May 30, 2010). "'Breaking Bad': Making that feeling last". Los Angeles Times. Retrieved March 8, 2015.

Further reading