The Hollywood Professional Association Award for Outstanding Editing in a Feature Film is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case film editors. It was first awarded in 2008, and has been presented every year since.
| Year | Program | Nominees |
|---|---|---|
| 2008 [1] | ||
| The Dark Knight ‡ | Lee Smith | |
| Into the Wild ‡ | Jay Cassidy | |
| Iron Man | Dan Lebental | |
| 2009 [2] | ||
| Slumdog Millionaire † | Chris Dickens | |
| The Hurt Locker † | Chris Innis and Bob Murawski | |
| Star Trek | Maryann Brandon and Mary Jo Markey | |
Tom Cross is an American television and film editor. He is known for his collaborations with Damien Chazelle including Whiplash (2014) for which he won the Academy Award for Best Film Editing as well as La La Land (2016), and First Man (2018).
The Hollywood Professional Association Award for Outstanding Editing - Television is an annual award, given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case film editors. While television editors have been awarded since 2006, the category first marked a distinction between half-hour series and series longer than that in 2018.
The Hollywood Professional Association Award for Outstanding Color Grading in a Feature Film is an annual award, given by the Hollywood Professional Association, or HPA, to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since. From 2006 to 2011, the category was titled HPA Award for Outstanding Color Grading Feature Film in a DI Process. The "DI" in the title refers to a Digital intermediate, a motion picture finishing process which a motion picture is digitized and the color and other image characteristics manipulated. As the filmmaking has evolved more into a digital forum, the added "DI Process" of the title became, essentially, antiquated.
The Hollywood Professional Association Award for Outstanding Color Grading for Television is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since.
The Hollywood Professional Association Award for Outstanding Sound in a Feature Film is an annual award, given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case sound. It was first awarded in 2006, and has been presented every year since. From 2006 to 2009, the category was titled HPA Award for Outstanding Audio Post - Feature Film.
The Hollywood Professional Association Award for Outstanding Editing - Television is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case film editors. While television editors have been awarded since 2006, the category first marked a distinction between half-hour series and series longer than that in 2018.
The Hollywood Professional Association Award for Outstanding Visual Effects in a Feature Film is an annual award, given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case visual effects artists. It was first awarded in 2006, and, outside of 2007 and 2008, has been presented every year since. From 2006 to 2012, the category was titled HPA Award for Outstanding Compositing - Feature Film.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of theater; in this case, their work in the field of automated dialogue replacement, or ADR. It was first awarded in 1964, for films released the previous year, under the title Best Sound Editing – Loop Lines. The following year, the award was re-titled Best Sound Editing – Dialogue, and would remain this until 1984, before being changed to Best Sound Editing – ADR. In 1991, the "dialogue" and "ADR" aspects of the process were divided into separate categories and would, intermittently, be awarded for the next seven years, before combining again in 1998, under the title Best Sound Editing – Dialogue & ADR. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of sound effects and foley. It was first awarded in 1954, for films released the previous year, under the title Best Sound Editing - Feature Film. In 1964 the award was split in two, this to honor sound effects editing, while the other honored adr. It wasn't until 1974 that the title specified that it was being awarded to sound effects, under the title Best Sound Editing - Sound Effects. The "foley" of the title wasn't recognized until 1997. Between then and 2018, the category's title fluctuated between similar variations. The award has been given under its current title since 2018.