Songs in the Key of Life is the eighteenth studio album by American singer, songwriter and musician Stevie Wonder. A double album, it was released on September 28, 1976, by Tamla Records, a division of Motown. It was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City; final mixing was conducted at Crystal Sound. The album has been regarded by music journalists as the culmination of Wonder's "classic period" of recording.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
A Time to Love is the twenty-third studio album by Stevie Wonder, his first since Conversation Peace in 1995. Originally to have been completed in 2004, it was finally released to stores on October 18, 2005, following an exclusive digital release on Apple's iTunes Music Store on September 27.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
Hotter than July is the nineteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on September 29, 1980, by Tamla, a subsidiary of Motown Records. Wonder primarily recorded the album in Los Angeles at Wonderland Studios, which he had recently acquired. The album peaked at number three on the Billboard Top LPs & Tapes chart and was certified Platinum by the Recording Industry Association of America (RIAA) on February 3, 1981. It was Wonder's most successful album in the UK, where it peaked at number two on the UK Albums Chart and produced four top ten singles. Music videos were produced for the album's first, third, and fourth singles.
Music of My Mind is the fourteenth studio album by American soul musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. # 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's classic period.
Fulfillingness' First Finale is the seventeenth studio album by American singer-songwriter Stevie Wonder, released on July 22, 1974 by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
It's My Pleasure is the tenth studio album by Billy Preston, released in June 1975 on A&M Records. The album shows the modernisation of Preston's music, placing a heavier emphasis on synthesizers. It was also his first collaboration with the singer Syreeta Wright who sings on one track. The album is notable for featuring harmonica by Stevie Wonder on two tracks. George Harrison also appears, playing guitar on "That's Life".
How Dare You! is the fourth album by British band 10cc. Released in 1976, it included UK hit singles "I'm Mandy Fly Me" and "Art for Art's Sake". The album was the band's third to have cover artwork by the Hipgnosis creative team.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number 1 pop hit and his tenth Number 1 soul hit. It also reached Number 1 in Canada. In the UK the single spent five weeks on the chart, peaking at Number 30.
"Boogie On Reggae Woman" is a 1974 funk song by American Motown artist Stevie Wonder, released as the second single from his seventeenth studio album, Fulfillingness' First Finale, issued that same year. Despite the song's title, its style is firmly funk/R&B and neither boogie nor reggae. It continued Wonder's successful Top Ten streak on the pop charts, reaching number three and also spent two weeks at number one on the soul charts. Billboard ranked it as the No. 26 song for 1975. At the 17th Grammy Awards, Stevie Wonder won the Best R&B Vocal Performance, Male for this song.
Characters is the twenty-first studio album by American singer-songwriter Stevie Wonder, released in late 1987. The album features six singles including the Grammy-nominated "Skeletons" (#19) and "You Will Know" (#77), which both reached number one on the Billboard R&B Singles chart. The album also contained a duet with Michael Jackson, "Get It" (#80), that was a minor hit.
"Superwoman " is a 1972 soul track by Stevie Wonder. It was the second track on Wonder's Music of My Mind album, and was also released as the first single. The song reached a peak of number 33 on the Billboard Hot 100 chart.
Diamond Head is the first studio album by English rock musician Phil Manzanera. It was released in 1975, originally on Island Records in the UK and in the US on Atco Records. The sound quality on the US album was deemed to be worse than the UK album, so the UK import became a popular seller in the speciality record shops who sold Roxy Music and other UK bands. The diesel locomotive featured on the cover art is an EMD E9.
"Living for the City" is a 1973 single by Stevie Wonder from his Innervisions album. It reached number 8 on the Billboard Hot 100 chart and number 1 on the R&B chart. Rolling Stone ranked the song number 104 on their 2004 list of the "500 Greatest Songs of All Time".
Let's Get Serious is the sixth studio album by Jermaine Jackson, released in 1980. It reached #6 on the Billboard album chart and logged five weeks at No. 1 on the Top R&B chart. It achieved sales of 900,000 copies in the United States and it sold 2 million copies worldwide.
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, Hotter Than July. It reached number four on the Billboard R&B singles chart and number 11 on the Hot 100. It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001.
Wedding Album is a studio album by Leon Russell and his then wife, Mary Russell, otherwise known as Mary McCreary. It was the first album released on Leon Russell's record label, Paradise Records, which was distributed by Warner Bros. Records. Leon and Mary Russell are also credited as producers of the album, with the exception of the final track, "Daylight", which was produced by its writer, Bobby Womack.
"Golden Lady" is a song by the American musician Stevie Wonder, released in 1973 on his album Innervisions. While it was never released as a single, the album itself peaked at number 4 on the Billboard Top 200. The love song, written by Stevie Wonder, contrasts with the other songs on the record that comment upon societal issues within America. Examples include his comments on drug addiction within the song "Too High" and his political commentary on US President Richard Nixon in "He's Misstra Know-It-All".
