(baptized Helena Opid)
12 October 1840
|Died||8 April 1909 68) (aged|
(m. 1861;div. 1868)
Count Karol Bozenta Chłapowski
|Children||2, including Ralph Modjeski|
|Relatives||Władysław T. Benda (nephew)|
Helena Modrzejewska (Polish pronunciation: [mɔdʐɛˈjɛfska] ; born Jadwiga Benda; 12 October 1840 – 8 April 1909), known professionally as Helena Modjeska, was a Polish actress who specialized in Shakespearean and tragic roles. She was initially successful on the Polish stage. After emigrating to the United States (and despite her poor command of English), she also succeeded on stage in America and London.
Helena Modjeska was born in Kraków, Poland, on 12 October 1840.Her name was recorded at birth as Jadwiga Benda, but she was later baptized Helena Opid, being given her godfather's surname.
The question of her origins is a complicated one. Modjeska's mother was Józefa (Misel) Benda, the widow of a prosperous Kraków merchant, Szymon Benda.In her autobiography, Modjeska claimed that her father was a musician named Michael Opid. While it is true that the Benda family did employ a music teacher named Michal Opid, who later stood as Helena's godfather, Opid was not the father of Józefa Benda's two youngest children.
There is evidence to suggest that Helena and her older brother Adolf were the results of an affair between Józefa and Prince Władysław Hieronim Sanguszko, a wealthy and influential Polish nobleman.Helena also had a younger sister, Josephine, and several half-brothers from Józefa's first marriage. Helena and Josephine were primarily raised by their great-aunt Teresa.
Also glossed over in Modjeska's autobiography were the details concerning her first marriage, to her former guardian, Gustave Sinnmayer (known in Poland as Gustaw Zimajer). Gustave was an actor and the director of a second-rate provincial theater troupe.The date of Modjeska's marriage to Gustave is uncertain. She discovered many years later that they had never been legally married, as he was still married to his first wife when they wed. Together the couple had two children, a son Rudolf (later renamed Ralph Modjeski), and a daughter Marylka, who died in infancy.
Gustaw Zimajer used the stage name "Gustaw Modrzejewski."It was the feminine version of this name that Modjeska adopted when she made her stage debut in 1861 as Helena Modrzejewska. Later, when acting abroad, she used a simplified version of her name ("Modjeska"), which was easier for English-speaking audiences to pronounce.
In her early Polish acting career, Modrzejewska played at Bochnia, Nowy Sącz, Przemyśl, Rzeszów and Brzeżany. In 1862 she appeared for the first time in Lwów, playing in her first Romantic drama, as "Skierka" in Juliusz Słowacki's Balladyna. From 1863 she appeared at Stanisławów and Czerniowce, in plays by Słowacki.
In 1865 Zimajer tried to get her a contract with Viennese theaters, but the plan came to naught due to her poor knowledge of the German language. Later that year Helena left Zimajer, taking their son Rudolf, and returning to Kraków.Once there she accepted a four-year theatrical engagement. In 1868 she began appearing in Warsaw; during her eight years there, she consolidated her status as a theater star. Her half-brothers Józef and Feliks Benda were also well-regarded actors in Poland.
An incident illustrates the circumstances under which Polish society then labored. At one of Modrzejewska's Warsaw performances, seventeen secondary-school pupils presented her with a bouquet of flowers tied with a ribbon in the red-and-white Polish national colors. The pupils were accused by the Russian Imperial authorities of conducting a patriotic demonstration. They were expelled from their school and banned from admission to any other school. One of the pupils, Ignacy Neufeld, subsequently shot himself; Modrzejewska attended his funeral.
On September 12, 1868, Modjeska married a Polish nobleman, Karol Bożenta Chłapowski.Best known in America as "Count Bozenta," he was not a count. His family belonged to the untitled landed gentry ( ziemiaństwo ). In the United States he adopted the stage name "Count Bozenta" as a ploy to gain publicity. "Bozenta" was easier for an English-speaking audience to pronounce than "Chłapowski."
At the time of their marriage, Chłapowski was employed as the editor of a liberal nationalist newspaper, Kraj (The Country), which was owned by Adam Sapieha and a Mr. Sammelson.Modjeska wrote that their home "became the center of the artistic and literary world [of Kraków]." Poets, authors, politicians, artists, composers and other actors frequented Modjeska's salon.
In July 1876, after spending more than a decade as the reigning diva of the Polish national theater, for reasons both personal and political, Modjeska and her husband chose to immigrate to the United States.
My husband's only desire was to take me away from my surroundings and give me perfect rest from my work ... Our friends used to talk about the new country, the new life, new scenery, and the possibility of settling down somewhere in the land of freedom, away from the daily vexations to which each Pole was exposed in Russian or Prussian Poland. Henryk Sienkiewicz was the first to advocate emigration. Little by little others followed him, and soon five of them expressed the desire to seek adventures in the jungles of the virgin land. My husband, seeing the eagerness of the young men, conceived the idea of forming a colony in California on the model of the Brook Farm. The project was received with acclamation.
Once in America, Modjeska and her husband purchased a ranch near Anaheim, California. Julian Sypniewski, Łucjan Paprowski, and Henryk Sienkiewicz (winner of the Nobel Prize for literature in 1905), were among the friends who had accompanied them to California. It was during this period that Sienkiewicz wrote his Charcoal Sketches (Szkice węglem). Originally the artists Stanisław Witkiewicz (father of Stanisław Ignacy Witkiewicz) and Adam Chmielowski (the future St. Albert) were also to have come with Modjeska's group, but they changed their plans.
Modjeska intended to abandon her career and envisioned herself living "a life of toil under the blue skies of California, among the hills, riding on horseback with a gun over my shoulder."The reality proved less cinematic. None of the colonists knew the first thing about ranching or farming, and they could barely speak English. The utopian experiment failed, the colonists went their separate ways, and Modjeska returned to the stage, reprising the Shakespearean roles that she had performed in Poland. Perhaps the best account of daily life on the ranch is Theodore Payne's memoir, Life on the Modjeska Ranch in the Gay Nineties.
On 20 August 1877 Modjeska debuted at the California Theatre in San Francisco in an English version of Ernest Legouvé's Adrienne Lecouvreur . She was seen by theatrical agent Harry J. Sargent who signed her for a tour on the east coast where she made her New York debut.She then spent three years abroad (1879–82), mainly in London, attempting to improve her English, before returning to the stage in America. In 1880, she visited the Lizard Peninsula in Cornwall and on hearing that the parish church of Ruan Minor was in need of an organ she collaborated with Mr J Forbes-Robertson to put on a performance. Romeo and Juliet was performed on a temporary stage in the vicarage garden and watched by many local people. A resident of Penzance and soon-to-be member of parliament for the St Ives constituency, Charles Campbell Ross, played the part of Friar Laurence.
Despite her accent and imperfect command of English, she achieved great success.During her career, she played nine Shakespearean heroines, Marguerite Gautier in Camille , and Schiller's Maria Stuart . In 1883, the year she obtained American citizenship, she produced Henrik Ibsen's A Doll's House in Louisville, Kentucky, the first Ibsen play staged in the United States. In the 1880s and 1890s, she had a reputation as the leading female interpreter of Shakespeare on the American stage.
In 1893 Modjeska was invited to speak to a women's conference at the Chicago World's Fair, and described the situation of Polish women in the Russian and Prussian-ruled parts of dismembered Poland. This led to a tsarist ban on her traveling in Russian territory.
Modjeska suffered a stroke and was partially paralyzed in 1897, but recovered and soon returned to the stage, continuing to perform for several additional years.
During her last stay in Poland, from 31 October 1902 to 28 April 1903, she appeared on the stage in Lwów, Poznań, and her native Kraków.
On 2 May 1905, she gave a jubilee performance in New York City. Then she toured for two years and ended her acting career, afterward only appearing sporadically in support of charitable causes.
Modjeska died at Newport Beach, California on 8 April 1909, aged 68, from Bright's disease.Her remains were sent to Kraków to be buried in the family plot at the Rakowicki Cemetery.
Her autobiography Memories and Impressions of Helena Modjeska was published posthumously in 1910. A Polish translation ran the same year in the Kraków newspaper Czas (Time). The last Polish edition of the book appeared in 1957.
Modrzejewska's son, Rudolf Modrzejewski (Ralph Modjeski), was a civil engineer who gained fame as a designer of bridges.
Arden, Modjeska's home from 1888 to 1906, is a registered National Historic Landmark.
Named for her are:
A statue of Modjeska is located outside the Pearson Park Amphitheater in Anaheim, California.
Modjeska was the mother of bridge engineer Ralph Modjeski and godmother to artist-author-philosopher Stanisław Ignacy Witkiewicz (son of artist Stanisław Witkiewicz, who almost accompanied Modjeska and her family to California in 1876). She was also the aunt of artist Władysław T. Benda.
She was godmother to American actress Ethel Barrymore.
Modjeska's chief tragic roles were:
Modrzejewska was also the Polish interpreter of the more prominent plays by Ernest Legouvé, Alexandre Dumas, père and fils, Émile Augier, Alfred de Musset, Octave Feuillet and Victorien Sardou.
Susan Sontag's award-winning 1999 novel In America , though fiction, is based on Modjeska's life.The book precipitated a controversy when Sontag was accused of having plagiarized other works about Modjeska.
Modjeska was a character in the novella My Mortal Enemy by Willa Cather.
Scholars Joanna and Catharina Polatynska have posited that Modjeska might have been Arthur Conan Doyle's model for the character Irene Adler, the only woman that Sherlock Holmes came close to loving. In "A Scandal in Bohemia", Doyle mentions Adler having been prima donna of the fictional Imperial Opera of Warsaw in the same years when Modjeska was at the peak of her theatrical career in Warsaw, and the fictional character's personality recalls that of the actual actress.
In 2009, in honor of the 100th anniversary of her death, the Historical Museum of the City of Kraków presented the exhibition "Helena Modjeska (1840–1909): For the Love of Art" (8 April – 20 September 2009). The Warsaw staging of the same exhibition ran from October 2009 through January 2010.The exhibition included items from the Bowers Museum in Santa Ana, California.
To commemorate the 181st anniversary of her birth on 12 October 2021, a Google Doodle paid homage to Modjeska.
Henryk Adam Aleksander Pius Sienkiewicz, also known by the pseudonym Litwos[ˈlitfɔs], was a Polish journalist, novelist and Nobel Prize laureate. He is best remembered for his historical novels, especially for his internationally known best-seller Quo Vadis (1896).
Stanisław Ignacy Witkiewicz, commonly known as Witkacy, was a Polish writer, painter, philosopher, theorist, playwright, novelist, and photographer active before World War I and during the interwar period.
Stanisław Witkiewicz was a Polish painter, art theoretician, and amateur architect, known for his creation of "Zakopane Style".
Maria Gabriela Stefania Korwin-Piotrowska (1857–1921), known as Gabriela Zapolska, was a Polish novelist, playwright, naturalist writer, feuilletonist, theatre critic and stage actress. Zapolska wrote 41 plays, 23 novels, 177 short stories, 252 works of journalism, one film script, and over 1,500 letters.
Ralph Modjeski was a Polish-American civil engineer who achieved prominence as a bridge designer.
Władysław Teodor "W.T." Benda was a Polish painter, illustrator, and designer.
Zofia Romernée Dembowska was a Polish painter. She was born in 1885 in Estonia to well-known physician Tadeusz Dembowski and his wife Matylda. She grew up in Lithuania and Poland studying under various painters.
Modjeska Canyon is an unincorporated community on the western slope of the Santa Ana Mountains in eastern Orange County, California. It is a suburban community of several hundred residents, with a small park and a volunteer fire station. The ZIP Code is 92676, and the community is inside area code 714.
Modjeska House, also known as Arden, is a house designed by Stanford White in Modjeska Canyon, California. It is significant for being the only surviving home of Helena Modjeska, a Shakespearean actress and Polish patriot. The property is located in a live oak grove on the banks of Santiago Creek in Modjeska Canyon, California.
Sergei Sergeevich Mukhanov was a Russian official, an officer in the Special Corps of Gendarmes, later also director of the Warsaw Theatre Directorate and second husband of the Polish pianist Maria Kalergis.
Leontyna Aniela Aszpergerowa, known professionally as Aniela Aszpergerowa, was a Polish stage actress who achieved wide fame in Poland and in the former Grand Duchy of Lithuania. She also took part in the January Uprising against Imperial Russia in 1863 and was sent to prison. Her great-grandson was John Gielgud.
Maria Grzegorzewska was a Polish educator who brought the special education movement to Poland. Born to a family from the Żmudź region, she was strongly influenced by her parents' beliefs in humanitarianism. After attending clandestine schools to earn her basic education from Polish rather than Russian educators, she obtained her teaching credentials in Lithuania. She continued her education at the Jagiellonian University in Kraków and in 1913 joined her countrywoman, Józefa Joteyko in Brussels to study at the International Paedological Faculty. When her studies in Belgium were interrupted by World War I, Grzegorzewska made her way to Paris and earned her PhD from the Sorbonne in 1916.
Dorota Segda in Kraków, Poland, is a Polish theatre, film and television actress. Besides acting, she is also a Professor of Theatre Arts, and the Rector since 2016, at the AST National Academy of Theatre Arts in Kraków. In 2015, she was awarded Poland's Silver Medal for Merit to Culture – Gloria Artis.
The Helena Modrzejewska National Stary Theater in Kraków is one of the oldest public stages in Poland and a national institution of culture, first opened in 1781. It was named after renowned Shakespearean actress Helena Modrzejewska.
Zdzisław Maklakiewicz was a Polish actor. He was the nephew of composers Jan and Tadeusz Maklakiewicz.
Sabała or Sablik, born Jan Krzeptowski (1809-1894) was a Polish highlander amateur musician, Tatra Mountains guide, storyteller and singer. A friend to many renowned Polish artists of the late 19th century, he is featured in numerous works of art of the epoch.
Antonina Hoffmann was a Polish theatre actress and leading representative of the so-called 'Kraków School' of acting introduced by Stanisław Koźmian. Her acting career spanned five decades during the Victorian era.
Józefa Joteyko was a Polish physiologist, psychologist, pedagogue, and researcher. After completing her undergraduate studies at the University of Geneva, she entered medical school at the Free University of Brussels and completed her Doctor of Medicine in 1896 at the University of Paris. She opened a medical practice in France but decided two years later that she preferred research and moved back to Brussels. Operating as an assistant at the Solvay Institute of Physiology, she lectured and conducted research into muscle and nervous system fatigue.
Starring Madame Modjeska: On Tour in Poland and America is a 2011 biography by Beth Holmgren about the Polish actress Helena Modjeska.From a young age, Modjeska's interest in performing was shaped by her brothers and by a tutor who introduced the family to the works of great writers. Eventually, Modjeska would be acknowledged as a reigning star in Poland, and be equally celebrated when she toured America. Holmgren is Professor and Chair of the Department of Slavic and Eurasian Studies, Duke University. She is also on the faculty of the university's Gender/Sexuality/Feminist Studies, Jewish Studies, and Theater Studies. Prior to the publication of this book, she had written articles on Modjeska for The Polish Review, Indiana Slavic Studies and Theatre Journal.
|Wikimedia Commons has media related to Helena Modrzejewska .|
| Wikisource has original works written by or about:|
|Wikiquote has quotations related to: Helena Modjeska|