The swastika is a symbol used in various Eurasian religions and cultures, and it is also seen in some African and American ones. In the Western world, it is more widely recognized as a symbol of the German Nazi Party who appropriated it for their party insignia starting in the early 20th century. The appropriation continues with its use by neo-Nazis around the world. The swastika was and continues to be used as a symbol of divinity and spirituality in Indian religions, including Hinduism, Buddhism, and Jainism. It generally takes the form of a cross, the arms of which are of equal length and perpendicular to the adjacent arms, each bent midway at a right angle.
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
In Celtic mythology, Taranis is the god of thunder, who was worshipped primarily in Gaul and Hispania but also in the Rhineland and Danube regions, amongst others. Taranis, along with Esus and Toutatis, was mentioned by the Roman poet Lucan in his epic poem Pharsalia as a Celtic deity to whom human sacrificial offerings were made. Taranis was associated, as was the Cyclops Brontes ("thunder") in Greek mythology, with the wheel.
A thunderbolt or lightning bolt is a symbolic representation of lightning when accompanied by a loud thunderclap. In Indo-European mythology, the thunderbolt was identified with the 'Sky Father'; this association is also found in later Hellenic representations of Zeus and Vedic descriptions of the vajra wielded by the god Indra. It may have been a symbol of cosmic order, as expressed in the fragment from Heraclitus describing "the Thunderbolt that steers the course of all things".
Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices. According to one set of definitions, artworks that are inspired by religion but are not considered traditionally sacred remain under the umbrella term of religious art, but not sacred art.
In the pre-Christian religion of Eastern and Southern Slavs, Rod is the god of the family, ancestors and fate. Among Southern Slavs, he is also known as Sud. He is usually mentioned together with Rozhanitsy deities. One's first haircut (postriziny) was dedicated to him, in a celebration in which he and the rozhanitsy were given a meal and the cut hair. His cult lost its importance through time, and in the ninth or tenth century he was replaced by Perun, Svarog and/or Svetevid, which explains his absence in the pantheon of Vladimir the Great.
Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term rose window was not used before the 17th century and comes from the English flower name rose.
Tracery is an architectural device by which windows are divided into sections of various proportions by stone bars or ribs of moulding. Most commonly, it refers to the stonework elements that support the glass in a window. The purpose of the device is practical as well as decorative, because the increasingly large windows of Gothic buildings needed maximum support against the wind. The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can be found on the exterior of buildings as well as the interior.
Hex signs are a form of Pennsylvania Dutch folk art, related to fraktur, found in the Fancy Dutch tradition in Pennsylvania Dutch Country. Barn paintings, usually in the form of "stars in circles", began to appear on the landscape in the early 19th century and became widespread decades later when commercial ready-mixed paint became readily available. By the 1950s commercialized hex signs, aimed at the tourist market, became popular and these often include stars, compass roses, stylized birds known as distelfinks, hearts, tulips, or a tree of life. Two schools of thought exist on the meaning of hex signs. One school ascribes a talismanic nature to the signs; the other sees them as purely decorative. Both schools recognize that there are sometimes superstitions associated with certain hex sign themes and neither ascribes strong magical power to them. The Amish do not use hex signs.
In art and iconography, a motif is an element of an image. Motifs can occur both in figurative and narrative art, and in ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work.
The scroll in art is an element of ornament and graphic design featuring spirals and rolling incomplete circle motifs, some of which resemble the edge-on view of a book or document in scroll form, though many types are plant-scrolls, which loosely represent plant forms such as vines, with leaves or flowers attached. Scrollwork is a term for some forms of decoration dominated by spiralling scrolls, today used in popular language for two-dimensional decorative flourishes and arabesques of all kinds, especially those with circular or spiralling shapes.
A rosette is a round, stylized flower design.
The coat of arms of Cantabria has a rectangular shield, round in base and the field is party en fess. In field azure, a tower or crenellated and masoned, port and windows azure, to its right a ship in natural colours that with its bow has broken a chain sable going from the tower to the dexter flank of the shield. At the base, sea waves argent and azure, all surmounted in chief by two male heads, severed and haloed. In field gules, a disc-shaped stele with geometric ornaments of the kind of the Cantabrian steles of Barros or Lombera. The crest is a closed royal crown, a circle of jeweled gold, made up of eight rosettes in the shape of acanthus leaves, only five visible, interpolated with pearls, and with half-arches topped with pearls raising from each leaf and converging in an orb azure, with submeridian and equator or, topped with cross or. The crown, covered in gules.
The Nationality Rooms are a group of 31 classrooms in the University of Pittsburgh's Cathedral of Learning depicting and donated by the national and ethnic groups that helped build the city of Pittsburgh. The rooms are designated as a Pittsburgh History and Landmarks Foundation historical landmark and are located on the 1st and 3rd floors of the Cathedral of Learning, itself a national historic landmark, on the University of Pittsburgh's main campus in the Oakland neighborhood of Pittsburgh, Pennsylvania, United States. Although of museum caliber, 29 of the 31 rooms are used as daily classrooms by University of Pittsburgh faculty and students, while the other two are display rooms viewed through glass doors, utilized primarily for special events, and can only be explored via special guided tour. The Nationality Rooms also serve in a vigorous program of intercultural involvement and exchange in which the original organizing committees for the rooms remain as participants and which includes a program of annual student scholarship to facilitate study abroad. In addition, the Nationality Rooms inspire lectures, seminars, concerts exhibitions, and social events which focus on the various heritages and traditions of the nations represented. The national, traditional, and religious holidays of the nations represented are celebrated on campus and the rooms are appropriately decorated to reflect these occasions. The Nationality Rooms are available daily for public tours as long as the particular room is not being used for a class or other university function.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
In Slavic mythology, Perun is the highest god of the pantheon and the god of sky, thunder, lightning, storms, rain, law, war, fertility and oak trees. His other attributes were fire, mountains, wind, iris, eagle, firmament, horses and carts, and weapons. The supreme god in the Kievan Rus' during the 9th-10th centuries, Perun was first associated with weapons made of stone and later with those of metal.
An overlapping circles grid is a geometric pattern of repeating, overlapping circles of an equal radius in two-dimensional space. Commonly, designs are based on circles centered on triangles or on the square lattice pattern of points.
The architecture of Switzerland was influenced by its location astride major trade routes, along with diverse architectural traditions of the four national languages. Romans and later Italians brought their monumental and vernacular architecture north over the Alps, meeting the Germanic and German styles coming south and French influences coming east. Additionally, Swiss mercenary service brought architectural elements from other lands back to Switzerland. All the major styles including ancient Roman, Romanesque, Gothic, Renaissance, Baroque, Neoclassical, Art Nouveau, Modern architecture and Post Modern are well represented throughout the country. The founding of the Congrès International d'Architecture Moderne in La Sarraz and the work of Swiss-born modern architects such as Le Corbusier helped spread Modern architecture throughout the world.
