High Land, Hard Rain

Last updated

High Land, Hard Rain
High Land, Hard Rain.jpg
Studio album by
ReleasedApril 1983
RecordedSeptember 1982-January 1983
StudioICC Studios, Eastbourne
Genre
Length36:44
Label Rough Trade
Producer John Brand, Bernie Clarke
Aztec Camera chronology
High Land, Hard Rain
(1983)
Knife
(1984)
Singles from High Land, Hard Rain
  1. "Just Like Gold" / "We Could Send Letters"
    Released: 17 April 1981
  2. "Pillar to Post" / "The Queen's Tattoos"
    Released: 27 August 1982
  3. "Oblivious" / "Orchid Girl"
    Released: 21 January 1983
  4. "Walk Out to Winter" / "Set the Killing Free"
    Released: May 1983

High Land, Hard Rain is the debut album by jangle pop band Aztec Camera, released in 1983. Three tracks from the album originally appeared on the Oblivious EP, which reached number 18 on the UK Singles Chart when re-released in November 1983. [10] The album itself reached number 22 on the UK Albums Chart. [10]

Contents

Background and recording

Following the demise of the Forensics, vocalist and guitarist Roddy Frame formed Aztec Camera in 1980 with bassist Alan Welsh and drummer Dave Mulholland. By the end of the year, Welsh was replaced by Campbell Owens. The band supported the Rezillos at the Bungalow Bar in Paisley, Renfrewshire in December 1980; they were witnessed by Alan Horne of Postcard Records, who signed them days afterwards. Preceded by press attention in Sounds , "Just Like Gold" was released as a single, reaching number 10 in the UK Independent Singles Chart. "Mattress of Wine" followed as the next single, reaching number eight on the same chart. A planned album for Postcard, titled Green Jacket Grey, was scrapped, and around this time, Mulholland left the band. The band relocated to London and temporarily drafted in Blair Cunningham of Haircut One Hundred, before the role was permanently taken by Dave Ruffy of the Ruts. Keyboardist Bernie Clarke joined soon afterwards. [11]

Aztec Camera recorded their debut studio album at the International Christian Communication studio in Eastbourne in three weeks. Frame said they were "rush[ed], but that was good because sometimes you can hear a bit of pressure in the album." He mentioned that they doubled-tracked his Masano-branded acoustic guitar, which he acquired two months before the recording sessions. He used the "slightly percussive thing where you can hear the plectrum scraping each string", which became more percussive when they doubled-tracked it, "because the two guitars end up slightly out of time." [12]

Composition

Frame said the album's acoustic sound was not intentional; he was using an acoustic guitar "trying to be contrary when everyone else was getting more into [guitar] effects again. Acoustic sounded refreshing to me ..." [12] The album included two early songs by Frame, "We Could Send Letters" written in 1979 and "Lost Outside the Tunnel" which was performed by Frame's pre-Aztec Camera band Neutral Blue. [13] The single "Oblivious" was a conscious attempt to write a pop hit. [14] He intentionally borrowed the guitar part from "Maybe the People Would Be the Times or Between Clark and Hilldale" (1967) by Love for it. [15] Frame said "Pillar to Post" was purposely trying to emulate the work of the Clash and bands on the Tamla-Motown label. [12] "Down the Dip" was the last track written for the album; Frame came up with it during a period where he was experimenting with chords, only to return to basic chord progressions. [15] It inspired by a local East Kilbride pub located close to Duncanrig Secondary School, Roddy Frame's high school. Originally called "The Diplomat" ("The Dip" for short), it is now called Gardenhall Inn.

Release

Aztec Camera's debut album, High Land, Hard Rain, was produced by John Brand and Bernie Clarke for the Rough Trade record label. The album was released in April 1983 and was distributed in different formats on Domino Recording Co. Ltd. in the US (in addition to Sire), WEA and Celluloid in France, Nuevos Medios in Spain, Powderworks in Australia, MVM Records in Portugal, and WEA for a general European release. [16] [10]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [16]
American Songwriter Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [7]
Christgau's Record Guide A− [17]
Paste 8.7/10 [18]
Pitchfork 8.3/10 [8]
PopMatters 9/10 [19]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [3]
Select 5/5 [20]
Spin Alternative Record Guide 9/10 [21]
Uncut 9/10 [22]

The album was successful, garnering significant critical acclaim, and peaked at number 129 on the Billboard 200. Frame later revealed that the song "Oblivious" was consciously written as a Top of the Pops-type pop song and received a corresponding degree of popularity. [23] Writing for The New York Times in 1983, music critic Jon Pareles wrote that Aztec Camera "traffic in the sounds of folk-rock" and that "If not for the firmness of the rhythm section and the clever use of echoes, Aztec Camera's High Land, Hard Rain (Sire) might almost have been made 15 years ago." [6]

Author Dave Thompson wrote in his book Alternative Rock (2000) that the album was "haunting , hopeful, and howling. Pop this brittle should be treated like fine crystal." [24]

Track listing

All tracks are written by Roddy Frame

Side one
No.TitleLength
1."Oblivious"3:09
2."The Boy Wonders"3:13
3."Walk Out to Winter"3:23
4."The Bugle Sounds Again"2:56
5."We Could Send Letters"5:43
Side two
No.TitleLength
1."Pillar to Post"3:59
2."Release"3:41
3."Lost Outside the Tunnel"3:40
4."Back on Board"4:50
5."Down the Dip"2:10
Total length:36:44
1991 CD reissue bonus tracks [25]
No.TitleOriginal releaseLength
11."Haywire"'Oblivious' EP3:57
12."Orchid Girl"'Oblivious' EP2:33
13."Queen's Tattoos""Pillar to Post" b-side2:09
2012 CD reissue bonus tracks [26]
No.TitleLength
11."Queen's Tattoos"2:09
12."Haywire"3:56
13."Orchid Girl"2:32
14."Set the Killing Free"3:45
15."Oblivious [12" mix]"3:49
16."Walk Out To Winter [12" extended version]"7:46
17."Oblivious [12" extended remix]"4:36
2013 reissue bonus 7" [27]
No.TitleLength
1."Boy Wonders (Capitol Radio session)" 
2."Release (Capitol Radio session)" 
3."We Could Send Letters (C81 Version)" 
4."The Bugle Sounds Again (Bedroom Demo)" 
2014 30th Anniversary Edition reissue bonus tracks [28]
No.TitleLength
1."Pillar to Post (original single version)"3:43
2."Queen's Tattoos"2:12
3."Orchid Girl"2:35
4."Haywire"3:59
5."Walk Out to Winter (7") (Tony Mansfield version)"3:48
6."Set the Killing Free"3:47
7."Back on Board (live on CFNY)"4:22
8."We Could Send Letters (live on CFNY)"6:55
9."Walk Out to Winter (Kid Jensen session)"3:34
10."Down the Dip (Kid Jensen session)"2:25
11."Back on Board (Kid Jensen session)"4:17
12."Release (Kid Jensen session)"3:49
13."Walk Out to Winter (John Brand unreleased single mix)"3:25
14."Walk Out to Winter (12") (Tony Mansfield version)"7:48
15."Oblivious (Colin Fairley remix)"3:51
16."Oblivious (Langer/Winstanley remix)"4:37

Personnel

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References

Citations

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  2. "Top 10: Scotland's all-time favourite albums". The Herald . 29 June 2018. Retrieved 23 March 2023.
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  4. 1 2 Joshua Pickard (20 April 2020). "For Your Health: Quarantine Listening". Beats Per Minute . Retrieved 13 August 2023.
  5. Emily Barker (24 October 2013). "The 500 Greatest Albums Of All Time: 300-201". NME . Retrieved 23 March 2023.
  6. 1 2 Jon Pareles (18 September 1983). "OLD AND NEW ACTS IGNITE A FOLK-ROCK COMEBACK". The New York Times . Retrieved 4 May 2023.
  7. 1 2 Horowitz, Hal (19 February 2014). "Aztec Camera: High Land, Hard Rain". American Songwriter . Retrieved 19 February 2014.
  8. 1 2 Heller, Jason (4 February 2014). "Aztec Camera: High Land, Hard Rain". Pitchfork . Retrieved 4 February 2014.
  9. Jack Whatley (24 June 2020). "From Joni Mitchell to The Fall: LYR's Simon Armitage prescribes 9 of his favourite albums". Far Out . Retrieved 23 March 2023.
  10. 1 2 3 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 35. ISBN   1-904994-10-5.
  11. Thompson 2000, p. 164
  12. 1 2 3 Bacon 1984, p. 17
  13. Davis, Hays Aztec Camera - Roddy Frame on 1983’s “High Land, Hard Rain” Under The Radar 9 April 2014
  14. Aztec Camera interview 1988 Youtube
  15. 1 2 Bacon 1984, p. 19
  16. 1 2 Raggett, Ned. "High Land, Hard Rain – Aztec Camera". AllMusic . Retrieved 22 May 2015.
  17. Christgau, Robert (1990). "Aztec Camera: High Land, Hard Rain". Christgau's Record Guide: The '80s. Pantheon Books. p. 43. ISBN   0-679-73015-X . Retrieved 22 May 2015.
  18. Ham, Robert (4 February 2014). "Aztec Camera: High Land, Hard Rain 30th Anniversary Reissue". Paste . Retrieved 16 November 2021.
  19. Folland, Richard (21 February 2014). "Aztec Camera: High Land Hard Rain (Deluxe Edition)". PopMatters . Retrieved 16 November 2021.
  20. Collins, Andrew (November 1993). "Aztec Camera: High Land Hard Rain". Select . No. 41. p. 96.
  21. Huston, Johnny (1995). "Aztec Camera". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. pp. 20–21. ISBN   0-679-75574-8.
  22. McKay, Alastair (2 January 2013). "Aztec Camera – reissues". Uncut . Archived from the original on 21 May 2015. Retrieved 4 February 2014.
  23. "Aztec Camera interview 1988 #1" (Video upload). megumino2 on YouTube. Google, Inc. 28 July 2009. Archived from the original on 21 December 2021. Retrieved 29 May 2014.
  24. Thompson 2000, p. 165
  25. "Aztec Camera - High Land, Hard Rain (1991, CD)". Discogs. Retrieved 14 February 2020.
  26. "Aztec Camera - High Land, Hard Rain (2012, Expanded Edition, CD)". Discogs. Retrieved 14 February 2020.
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Sources