The Hollywood Stars | |
---|---|
Background information | |
Origin | Los Angeles, United States |
Genres | Rock, Pop, Glam rock, Power pop |
Years active | 1973–1974, 1975–1978, 2013, 2018–present |
Labels | Columbia, Arista, Last Summer Records, Burger Records, Blank Records, Golden Robot Records |
Members | Scott Phares Terry Rae Michael Rummans George Keller Jeff Jourard |
Past members | Mark Anthony Ruben De Fuentes Gary Van Dyke Kevin Barnhill Bobby Drier Al Austin Bryce Mobrae Chezz Monroe Nigel Taylor John Schayer |
Website | The Hollywood Stars official website |
The Hollywood Stars are an American rock band formed in Los Angeles, California in late 1973 by manager/impresario Kim Fowley. The band was created as a West Coast answer to the New York Dolls during the height of the popularity of the glam rock genre. The band signed with Columbia Records in 1974 and with Arista Records in 1976, releasing one self-titled LP with the latter label in 1977 and opening for The Kinks on their Sleepwalker tour the same year. The band's song "Escape" was recorded by Alice Cooper and released on the album Welcome to my Nightmare (1975), while their song "King of the Night Time World" was recorded by Kiss and released on the album Destroyer (1976). Two archive albums recorded in 1974 and 1976 were released in 2013 and 2019 to critical acclaim, prompting the band to reform in 2018.
While the band was active, they were regular performers at the Whisky a Go Go and the Starwood on West Hollywood's Sunset Strip. The group performed at the Hollywood Palladium in 1974 between sets by the New York Dolls and Iggy and the Stooges. Journey, The Runaways, Quiet Riot and Elliott Murphy opened for them, and they opened for the Ramones, Bo Diddley, the James Gang, Roy Buchanan, Brian Auger's Oblivion Express, Caravan, Sylvester and Fanny in addition to The Kinks. Angela Bowie and John Lennon attended their performances, and Iggy Pop performed as an on-stage guest with the band at the Whisky a Go Go. Members of the Hollywood Stars performed with Blue Cheer and Steppenwolf after the group disbanded.
The Hollywood Stars were the first "conceptual band" that Kim Fowley assembled, predating Fowley's groups The Runaways, Venus and the Razorblades, and The Orchids. [1]
In the early 1970s, Fowley was a regular at Rodney Bingenheimer's English Disco, a Los Angeles-based club that specialized in British glam rock and occasionally featured live acts such as Iggy and the Stooges and Zolar X, the latter being Los Angeles' first glam rock band. [2] During this period, he saw a need for a West Coast rock band that would fill the same void as the New York Dolls. Musician, songwriter and future Hollywood Stars member Mark Anthony was working as Fowley's chauffeur at the time. At one point, Anthony spoke to New York Dolls manager Marty Thau at a party, and asked him how the New York Dolls were formed. Thau stated that the members were "a bunch of broke street kids hanging around." Upon hearing this, Fowley decided to create a West Coast answer to the New York Dolls in a similar manner, taking the band name from the now-defunct minor league baseball team of the same name. [3]
In November 1973, Fowley approached singer Scott Phares at Rodney Bingenheimer's English Disco about being the group's vocalist, having seen him perform a year prior at a swinger's ball with his previous band, the Boston-based group Adrian. [3] [4] He also approached drummer Terry Rae, who at the time was working with San Francisco-based rock band Flamin' Groovies. [5] Rae had also worked with The Palace Guard, Strawberry Alarm Clock [3] and the psych rock act Jamme, whose sole LP was produced by John Phillips (The Mamas & the Papas). [6] Both musicians agreed to join the group. [4] Terry Rae recommended guitarist Ruben De Fuentes, who had played in a band with Rae previously. De Fuentes was initially hesitant to join due to his preference for hard rock, but Fowley convinced him to join. [7] They next added Gary Van Dyke on bass. [8] Mark Anthony was added last due to Fowley's wish to give the group more of a Beatles-like sound. [3]
Fowley rented a studio in the San Fernando Valley and put the band on a rigorous rehearsal schedule, using songs written by Mark Anthony and himself, as well as by songwriters Mars Bonfire and Peter Lion. [3] The band played an invitation-only concert [5] at Studio Instrument Rentals in Hollywood, which brought a crowd of 380 people, including representatives of the labels Liberty Records, A&M Records and Columbia Records. A&M and Columbia began bidding against each other to sign the band. [3]
The Hollywood Stars played their first public show headlining the Whisky a Go Go [9] on December 17, 1973. The club invited them back for a run of shows on December 26–31, [3] opening for all-female rock band Fanny. [10] [11] Angela Bowie attended their December 28 appearance and John Lennon attended their December 29 appearance, both at Fowley's invitation. Angela Bowie spoke favorably of the band's song "Shine Like a Radio" (written by Fowley and Lion), calling the song a "#1 record." [3]
On December 19, the Hollywood Stars went into the studio with Bob Ezrin producing. [3] Ezrin worked with the band on arrangements for their song "Escape." [12] Although Ezrin initially passed on working with the band further, he expressed interest in using two of the band's songs. [13]
Fowley sent the Hollywood Stars to Boulder, Colorado in February 1974 in an effort to galvanize the band. There they opened for the James Gang and Roy Buchanan. [3] On March 22, they opened for Brian Auger's Oblivion Express at Los Angeles' Embassy Concert Hall, [14] [15] and returned to the Whisky a Go Go on March 27 [3] with Elliott Murphy opening. [16]
Columbia Records signed The Hollywood Stars on March 28, 1974. [3] By this time, Kevin Barnhill had replaced Gary Van Dyke on bass. [17] Bill Szymczyk was brought in to produce the band's debut album, which was recorded at The Record Plant over the course of 34 days. [3] Early in the recording process, Szymczyk abandoned the project, leaving the engineer to produce the album. [3] Soon afterward, Columbia dismissed The Hollywood Stars' A&R representative in an internal staffing change, [18] decided not to release the album and dropped the group from the label. [5] A 1/4" tape containing a rough mix of the sessions survived. [19]
The band headlined the Whisky a Go Go July 29–31 with Journey as opening act. [4] [20] On one occasion, Iggy Pop introduced the band to the audience, stating, "I didn't useta like the Hollywood Stars, I useta like the New York Dolls. Then I heard [The Hollywood Stars] play 'Satisfaction,' now I wanna [expletive] 'em." [4] [21] Pop also performed as an impromptu guest during the band's set. [21] On August 24, the band played The Graffiti Jam at the Orange County Raceway in Irvine, California, supporting Bo Diddley. [22] [23]
On October 11, The Hollywood Stars performed at the Hollywood Street Revival and Trash Dance, a glam rock concert organized by Kim Fowley and held at the Hollywood Palladium. [2] Writer Greg Shaw described the band's performance as "tight, flashy rock & roll, direct and satisfying." The Hollywood Stars' set was sandwiched between performances by Iggy and The Stooges and headliners the New York Dolls. Other performers included Michael Des Barres of the British glam rock act Silverhead, The GTOs, Peter Ivers, and Zolar X, with Kim Fowley announcing and Rodney Bingenheimer DJ'ing between sets. [24] [25]
Despite the band's local popularity, internal tensions and industry stigma from the failure of the Columbia Records deal led to the decision to break up the band. [3] The group played the Whisky a Go Go November 5–6 opening for Caravan, [26] [27] and then played their final performance at the Whisky a Go Go on November 10. [3] This final show received a highly favorable review from writer Lisa Fancher, [28] who would go on to found the punk rock label Frontier Records. [29]
Just before the band's breakup, Fowley went back to Bob Ezrin and offered him the songs "Escape" and "King of the Night Time World." Ezrin took "Escape" to Alice Cooper. Cooper made changes to the lyrics and included the song on Welcome to My Nightmare (1975). Similarly, Ezrin took "King of the Night Time World" to Kiss, who altered the lyrics slightly and recorded the song for the album Destroyer (1976). [12] [13] Bachman–Turner Overdrive's non-LP Single "Down to the Line" (1975) lifted the melody and riff from "Escape," prompting a lawsuit from Mark Anthony and Kim Fowley that was settled out of court. [30]
After the breakup of the Hollywood Stars, Terry Rae and Ruben De Fuentes joined Blue Cheer, [3] [31] [32] who had reformed earlier in 1974. [33] In 1975, Blue Cheer worked with Kim Fowley on an album project that was ultimately abandoned. [1] Sessions from the period ended up on the Captain Trip Records album Unreleased '69/'74 (1995). [34] Scott Phares joined the band Hero, [4] who released the albums Hero (1977) with Mercury Records [35] and Boys Will be Boys (1978) with 20th Century Fox Records. [36] Both albums were produced by Michael Lloyd. [4]
Alice Cooper's Welcome to My Nightmare LP was released in March 1975, [37] [38] debuting at No. 63 on the Billboard 200 chart on March 23 [39] and working its way up to No. 5 on June 21. [40] The inclusion of "Escape" on the album encouraged The Hollywood Stars to reform. The new lineup featured original members Mark Anthony (lead vocals and rhythm guitar), Reuben De Fuentes (lead guitar) and Terry Rae (drums), along with new members Michael Rummans (bass, previously with The Sloths) [41] and second drummer Bobby Drier. [8] [18] [42] Dubbed "The Stars," the band played the Whisky a Go Go September 28–29 with The Runaways opening, [43] followed by the Starwood October 20–21 as opening act for disco singer Sylvester. [44] [45]
In February 1976, Phonograph Record magazine reported on Los Angeles' then-emerging rock scene, describing what would later be considered proto-punk. The Stars were listed among the best of the upcoming groups, alongside Iggy Pop, The Runaways and The New Order (the latter featuring Ron Asheton of The Stooges and Dennis Thompson of the MC5). The article reported that the Stars "are currently at work on a demo." [42]
In 1976, the band recorded a full-length album at Sound City Studios in Van Nuys [46] with Neil Merryweather producing. The album was intended to be a finished project that could attract interest from major record companies. The band then signed a record deal with Clive Davis' Arista Records. Upon signing the band, Davis demanded that the band rerecord their album. [18] These sessions would yield their debut album, The Hollywood Stars (1977). [47] The Hollywood Stars was recorded at Cherokee Studios in Los Angeles with Harry Maslin producing. [46] The album features appearances by studio musicians Nicky Hopkins (The Rolling Stones) and Oliver C. Brown (KC and the Sunshine Band). [48]
The Hollywood Stars opened for the Ramones at La Paloma Theatre in Encinitas, California on March 10, 1977 [49] [50] and at The Backdoor, a venue located on the San Diego State University campus, on March 12. [51] This was followed in April by a run of appearances on the West Coast and in Canada supporting The Kinks on their Sleepwalker tour. [8] Arista released The Kinks' song "Sleepwalker" to radio as a yellow vinyl split single, with the Hollywood Stars' lead single "All the Kids on the Street" as its flip side. [52] The Hollywood Stars played the Starwood July 5–6 with Quiet Riot opening. [53]
Disagreements regarding the direction the band should take [46] led to the dissolution of The Hollywood Stars in late 1977, with Mark Anthony opting to start a solo career. [18] The band reformed in 1978 and played locally in Los Angeles with a new lineup featuring De Fuentes, Rummans, Drier, Al Austin (vocals) and Bryce Mobrae (guitar). [47] After this lineup disbanded, Ruben De Fuentes joined Nick St. Nicholas' lineup of Steppenwolf in 1979–1980. [54] [55]
In 2013, producer and musician Robin Wills (The Barracudas) [56] connected with Hollywood Stars drummer Terry Rae via a UK power pop blog run by Wills. [8] Upon learning that former vocalist Scott Phares possessed a 1/4" tape of the band's 1974 Columbia Records sessions, [18] Wills booked studio time to clean up the tapes and released the album on his own label, Last Summer Records, with distribution from Light in the Attic Records. [8] The album was released on vinyl LP [56] in a limited edition of 1000 units. Record Collector magazine reviewed the album favorably, calling it "one of the most vital reissues of the year." [57]
Soon after, Scott Phares' son wrote and directed a video for "King of the Night Time World" featuring original members of the band. [56] [58] Although the band discussed performing live, Phares was initially unable to rehearse with the band due to being located on the East Coast while the remaining members lived in Los Angeles. [56]
In the summer of 2018, original members Phares, Rae, De Fuentes and Rummans met at the Rainbow Bar and Grill to discuss the future of the band. [56] It was agreed that the band would rehearse in Los Angeles, and Phares would rehearse with them when he was in town and fill in by rehearsing to tapes. [43] The band added Chezz Monroe as second guitarist and played their first show at The Bootleg Theatre November 18. [18]
The band signed to Burger Records in 2019. The label released Sound City, the original 1976 demo album produced by Neil Merryweather, on August 23. [59] Shindig! rated Sound City 4 out of 5 stars and complimented the album's "raunchy rockers and crowd-pleasing anthems," [60] while AllMusic rated the album 3 1/2 out of 5 stars and referred to the album as "top-notch power pop." [61]
The band performed at the Whisky a Go Go on July 18, 2019, and recorded the show. Initially planning to release the Whisky a Go Go recording as a live album with Burger Records, [62] the band ended their affiliation with the label upon learning of the scandal surrounding the label. [63] The band signed with Golden Robot Records in mid-2020, [18] who then released the Whisky a Go Go recording as Live at the Sunset Strip on October 29, 2021. [64] They followed this in March 2023 with an EP of new material entitled Still Around. [65]
In 2023, the band announced the addition of guitarists George Keller in April [65] and Jeff Jourard, the latter formerly of The Motels, in June. The two guitarists replaced departing members Chezz Monroe and Ruben De Fuentes. [18] The band played The Redwood Bar and Grill on June 21, and the show was reviewed favorably by the LA Weekly . [66]
Member | Years Active | Role |
---|---|---|
Mark Anthony | 1973–1977 | Vocals, rhythm guitar, songwriter |
Ruben De Fuentes | 1973–1978, 2013, 2018–2023 | Lead guitar, songwriter |
Terry Rae | 1973–1977, 2013, 2018–present | Drums, vocals, songwriter |
Scott Phares | 1973–1974, 2013, 2018–present | Lead vocals, songwriter |
Gary Van Dyke | 1973–1974, 2013 | Bass |
Kevin Barnhill | 1974 | Bass |
Michael Rummans | 1975–1978, 2018–2019, 2023–present | Bass, vocals |
Bobby Drier | 1975–1978 | Drums |
Al Austin | 1978 | Vocals |
Bryce Mobrae | 1978 | Bass |
Chezz Monroe | 2018–2023 | Rhythm guitar, vocals, songwriter |
Nigel Taylor | 2020 | Bass, vocals |
John Schayer | 2021–2022 | Bass, vocals |
George Keller | 2023–present | Lead guitar |
Jeff Jourard | 2023–present | Rhythm guitar |
Format | Title | Label | Year recorded | Year released |
---|---|---|---|---|
LP, Cassette, 8-track | The Hollywood Stars | Arista | 1976 | 1977 |
7" Single | "All The Kids on the Street" b/w "All For Love" | Arista | 1976 | 1977 |
7" Single (Yellow vinyl, promo) | The Kinks "Sleepwalker" b/w The Hollywood Stars "All The Kids on the Street" | Arista | 1976 | 1977 |
7" Single | "Stay The Way You Are" b/w "All For Love" | Arista | 1976 | 1977 |
LP | Shine Like A Radio: The Great Lost Album Of 1974 | Last Summer | 1974 | 2013 |
7" EP | King of the Night Time World | Blank Records | 1974, 1976 | 2017 |
CD, LP | Sound City | Burger Records | 1976 | 2019 |
CD | Live on the Sunset Strip: July 18, 2019 | Golden Robot Records | 2019 | 2021 |
EP (Digital) | Still Around | Golden Robot Records | 2022 | 2023 |
Blue Cheer was an American rock band that initially performed and recorded in the late 1960s and early 1970s and was sporadically active until 2009. Based in San Francisco, Blue Cheer played in a psychedelic blues rock or acid rock style. They are also credited as being some of the earliest pioneers of heavy metal, with their cover of "Summertime Blues" sometimes cited as the first in the genre. They have also been noted as influential in the development of genres as disparate as punk rock, stoner rock, doom metal, experimental rock, and grunge.
Fred Lincoln "Link" Wray Jr. was an American guitarist, songwriter, and vocalist who became popular in the late 1950s. His 1958 instrumental single "Rumble", reached the top 20 in the United States; and was one of the earliest songs in rock music to utilize distortion and tremolo.
The Runaways were an American all-female rock band who recorded and performed from 1975 to 1979. Formed in 1975 in Los Angeles, the band released four studio albums and one live album during its run. Among their best-known songs are "Cherry Bomb", "Hollywood", "Queens of Noise" and a cover version of the Velvet Underground's "Rock & Roll". Never a major success in the United States, the Runaways became a sensation overseas, especially in Japan, thanks to the single "Cherry Bomb".
The Sunset Strip is the 1.7-mile (2.7 km) stretch of Sunset Boulevard that passes through the city of West Hollywood, California, United States. It extends from West Hollywood's eastern border with the city of Los Angeles near Marmont Lane to its western border with Beverly Hills at Phyllis Street. The Sunset Strip is known for its boutiques, restaurants, rock clubs, and nightclubs, as well as its array of huge, colorful billboards.
The Whisky a Go Go is a historic nightclub in West Hollywood, California, United States. It is located at 8901 Sunset Boulevard on the Sunset Strip, corner North Clark Street, opposite North San Vicente Boulevard, northwest corner. The club has been the host for musicians and bands including Taj Mahal, Otis Redding, Hugh Masekela, Alice Cooper, The Doors,The Ramones, The Byrds, Three Dog Night, The Mothers of Invention, Buffalo Springfield, Led Zeppelin, The Kinks, Love, The Stooges, Parliament-Funkadelic, Metallica, Cheap Trick, Guns N' Roses, System of a Down, The Flying Burrito Brothers, Chicago, Germs, Elton John, Mötley Crüe, Steppenwolf, Van Halen, Rush, Johnny Rivers, X, Iron Butterfly, Shark Island, Fleetwood Mac, KISS, No Doubt, Death, AC/DC, Golden Earring, Linkin Park, Nirvana, The Beach Boys, Stryper, Norma Jean, Oasis, Everclear and Phil Seymour.
Kim Vincent Fowley was an American record producer, songwriter and musician who was behind a string of novelty and cult pop rock singles in the 1960s, and managed The Runaways in the 1970s. He has been described as "one of the most colorful characters in the annals of rock & roll", as well as "a shadowy cult figure well outside the margins of the mainstream".
The Motels are an American new wave band from Berkeley, California, that is best known for the singles "Only the Lonely" and "Suddenly Last Summer", each of which peaked at No. 9 on the Billboard Hot 100, in 1982 and 1983, respectively. In 1980, The Motels song "Total Control" reached No. 7 on the Australian chart, and their song "Danger" reached No. 15 on the French chart.
Destroyer is the fourth studio album by American hard rock band Kiss, released on March 15, 1976, by Casablanca Records in the US. It was the third successive Kiss album to reach the top 40 in the US, as well as the first to chart in Germany and New Zealand. The album was certified gold by the RIAA on April 22, 1976, and platinum on November 11 of the same year, the first Kiss album to achieve platinum. The album marked a departure from the raw sound of the band's first three albums.
Welcome to My Nightmare is the debut solo studio album by American rock musician Alice Cooper, released on February 28, 1975. It is his only album for the Atlantic Records label in North America; in the rest of the world, it was released on the ABC subsidiary Anchor Records. Welcome to My Nightmare is a concept album. Played in sequence, the songs form a journey through the nightmares of a child named Steven. The album inspired the Alice Cooper: The Nightmare TV special, a worldwide concert tour in 1975, and his Welcome to My Nightmare concert film in 1976. The ensuing tour was one of the most over-the-top excursions of that era. Most of Lou Reed's band joined Cooper for this record.
The GTOs were an all-girl group from the Los Angeles area, specifically the Sunset Strip scene. The group was active for two and a half years (1968–1970), followed by one reunion performance in 1974. Their only album, Permanent Damage, was produced by Frank Zappa and released in 1969.
Venus and the Razorblades were a short-lived punk rock band from Los Angeles, California, formed and managed by Kim Fowley after his initial separation with The Runaways in 1976. They are believed to be one of the first mixed-gender American punk bands.
Ask for It is an EP by American alternative rock band Hole, released on September 8, 1995. It was the band's second and last release on Caroline Records, the first being their debut album Pretty on the Inside (1991). Although the EP was released after 1994's platinum-selling Live Through This, its contents were recorded by an earlier lineup of the band between 1991 and 1992. The EP comprises three songs by Hole as well as several cover versions of songs by the Wipers, Beat Happening, the Velvet Underground, and the Germs.
Gazzarri's was a nightclub on the Sunset Strip in West Hollywood, California. The venue was a staple of the Los Angeles music scene from the 1960s until the early 1990s. The Doors and Van Halen were featured house bands there before being signed to major record labels. It was the backdrop for Huey Lewis and the News' short form promotional music video for their 1984 hit The Heart of Rock and Roll.
Rodney Bingenheimer's English Disco was a Los Angeles nightclub located at 7561 Sunset Boulevard on the Sunset Strip from late 1972 until early 1975. It catered to the glam rock movement. The club was infamous for widespread drug use and hosting underage girls at parties, but it was also a popular spot among rockstars, including Cherie Currie, Joan Jett, and Iggy Pop.
Rodney Bingenheimer is an American radio disc jockey who is best known as the host of Rodney on the ROQ, a radio program that ran on the Los Angeles rock station KROQ-FM from 1976 to 2017. In the early 1970s, he also managed a Los Angeles nightclub called Rodney Bingenheimer's English Disco.
The Barb Wire Dolls are a grunge/punk rock band from Greece, based in the United States. They were championed by Lemmy on whose personal record label their third and fourth albums were released.
The Original Modern Lovers is an album of songs recorded by American rock band the Modern Lovers. The sessions were produced by Kim Fowley in 1973 and first released in 1981 by Fowley's short-lived Mohawk Records label, a subsidiary of Bomp! Records.
Spiders & Snakes is a Los Angeles–based glam metal/hard rock band fronted by ex-London co-founder Lizzie Grey until his death, and by former London drummer Tim Yasui. The band draws heavily from British glam rock of the 1970s and performs regularly on the Sunset Strip in West Hollywood and throughout the Los Angeles club scene.
Super Duper Alice Cooper is a 2014 Canadian biographical documentary film about shock rock musician Alice Cooper, written and directed by Sam Dunn, Scot McFadyen and Reginald Harkema.
Harvey Kubernik is an American author, journalist and music historian. From the mid 1970s, he wrote for music publications such as Melody Maker, Los Angeles Free Press, Crawdaddy! and Phonograph Record. His articles, interviews and reviews have since been published in many other music magazines, including Goldmine, Mojo, Musician, Classic Rock, DISCoveries, Uncut, Mix, Harp and Hits, and in the Los Angeles Times. During the 1970s and early 1980s, he also worked as an A&R director for MCA Records and as a record producer.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Expect the album [Yes Yesterdays] in about a week along with Alice Cooper's Weclome To My Nightmare.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)