Welcome to My Nightmare | ||||
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Studio album by | ||||
Released | February 28, 1975 [1] | |||
Recorded | 1974–1975 | |||
Studio | Soundstage (Toronto); Record Plant East, Electric Lady and A&R Studios (New York City) | |||
Genre | ||||
Length | 43:19 | |||
Label | ||||
Producer | Bob Ezrin | |||
Alice Cooper chronology | ||||
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Singles from Welcome to My Nightmare | ||||
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Welcome to My Nightmare is the debut solo studio album and eighth overall studio album by American rock musician Alice Cooper, released on February 28, 1975. It is his only album for the Atlantic Records label in North America; in the rest of the world, it was released on the ABC subsidiary Anchor Records (also his only album for that label). Welcome to My Nightmare is a concept album. Played in sequence, the songs form a journey through the nightmares of a child named Steven. The album inspired the Alice Cooper: The Nightmare TV special, a worldwide concert tour in 1975, and his Welcome to My Nightmare concert film in 1976. The ensuing tour was one of the most over-the-top excursions of that era. Most of Lou Reed's band joined Cooper for this record.
The cover artwork was created by Drew Struzan for Pacific Eye & Ear. Rolling Stone would later rank it ninetieth on the list of the "Top 100 Album Covers of All Time". [4] Famed horror film star Vincent Price provided a monologue in the song "Devil's Food". The original version of "Escape" was recorded by the Hollywood Stars for their shelved 1974 studio album Shine Like a Radio, which was finally released in 2013. [5] [6] The ballad "Only Women Bleed", released as a single, is a song originally composed by guitarist Dick Wagner for his late-1960s band the Frost, with a new title provided by Cooper and revised lyrics written by Wagner and Cooper. [7] The song "Escape" was a rewrite of a song by the Hollywood Stars from the album Shine Like a Radio – The Great Lost 1974 Album. The remastered CD version adds three alternate version bonus tracks.
A sequel concept album, Welcome 2 My Nightmare , was released in 2011.
The Alice Cooper band broke up by spring of 1974, with Cooper beginning work on his first solo project. [8] Cooper intended the music to be more theatrical than the previous glam rock focused records. [8] Alice Cooper's manager, Shep Gordon had a clause in his contract, that allowed the members of Alice Cooper to do a soundtrack album for a different label, other than Warner Brothers. As a result, Shep Gordon and Alice Cooper went to Atlantic Records, a sister label to Warner Brothers, to begin work on the album. Cooper hired Bob Ezrin, who had produced four previous Cooper records, to collaborate with him. [8]
Ezrin, Steve Hunter, and Dick Wagner had all performed on the Alice Cooper band’s 1973 studio album Billion Dollar Babies , produced by Ezrin. Subsequently, Ezrin produced and performed on Lou Reed’s 1973 concept album Berlin , including Hunter, Wagner, and Tony Levin. Reed’s band on his following live album Rock 'n' Roll Animal (1974) was composed of Hunter, Wagner, Prakash John, and Pentti Glan. Ezrin and Cooper hired all four members of Reed’s live band, plus Levin, to work on Cooper’s new album. [8] Wagner and Ezrin would co-write the majority of the tracks with Cooper. [8]
In 2020, while being interviewed on the Bob Lefsetz podcast, Ezrin recalls that; Alice Cooper's manager Shep Gordon, had a clause that allowed the Alice Cooper band members to make a soundtrack album for another label. As a result, the album needed have a storyline to become a soundtrack, that would subsequently be adapted into a film or television show. Ezrin and Cooper came up with a story concept for the album, with Cooper telling the story of the nightmares of the character Steven. [8]
During the Bob Lefsetz podcast, Ezrin recounts that he and Alice Cooper initially created the storyline, in which a rock star named Steven and his mistress are on a private jet flying over the Rocky Mountains. The jet crashes, and both Steven and his mistress disappear. However, 28 days later, Steven emerges alone and unharmed. During those 28 days, Steven became a vampire and he now lives out his days as a rock star by day and killer at night.
The album was ultimately adapted into a television show called Alice Cooper: The Nightmare.
The album has been described as featuring rock [9] [10] and hard rock. [9] [11]
The opening track has been referred to as "Disco flavored". [9] "Only Women Bleed" is a ballad, and "Some Folks" has been compared to cabaret. [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Christgau's Record Guide | B− [12] |
Rolling Stone | (mixed) [10] |
Classic Rock | [11] |
Welcome to My Nightmare received generally mixed reviews upon release. Dave Marsh of Rolling Stone called the album "a TV soundtrack that sounds like one. The horn parts are so corny you might imagine that you're listening to the heavy-metal Ann-Margret." He noted the absence of the original Alice Cooper band, stating, "without the wildness and drive of the sound the Cooper troupe had, the gimmicks on which Alice the performer must rely are flat and obvious." He concluded by saying that it "is simply a synthesis of every mildly wicked, tepidly controversial trick in the Cooper handbook. But in escaping from the mask of rock singer which he claimed he found so confining, Cooper has found just another false face." [10]
In addition, Robert Christgau rated the album a B− grade, stating that it "actually ain't so bad – no worse than all the others". He stated that the varying compositions of the songs would potentially cause the album to influence younger listeners, saying: "Alice's nose for what the kids want to hear is as discriminating as it is impervious to moral suasion, so perhaps this means that the more obvious feminist truisms have become conventional wisdom among at least half our adolescents." [12]
A retrospective review by AllMusic's Greg Prato was more positive. Prato considered the album Cooper's best solo work, despite the absence of the original band: "While the music lost most of the gritty edge of the original AC lineup, Welcome to My Nightmare remains Alice's best solo effort – while some tracks stray from his expected hard rock direction, there's plenty of fist-pumping rock to go around." However, he maintained that "the rockers serve as the album's foundation – 'Devil's Food', 'The Black Widow', 'Department of Youth', and 'Cold Ethyl' are all standouts, as is the more tranquil yet eerie epic 'Steven'." He concluded by comparing the album to Cooper's subsequent solo efforts by stating: "Despite this promising start to Cooper's solo career, the majority of his subsequent releases were often not as focused and were of varying quality." [9] The New York Times, describing the subsequent tour, said that Cooper was much tougher than he looked in concert. [13]
Since its release, Welcome to My Nightmare has become the most-represented album in Alice Cooper's concert setlists, accounting for, even including concerts from before its release, 15.7 percent of all the songs he has played live – a proportion which of course will be much larger counting only shows since the album's composition and release. It is the last album from which every song has been performed live, although "The Awakening" was never played until the Trash Tour on November 21, 1989; while "Some Folks" and "Escape" were never performed after the album's support tour apart from a handful of performances of the latter song in 2001. Alice started playing "Escape" again on his 2019–2020 Ol' Black Eyes Is Back Tour.
No. | Title | Writer(s) | Length |
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1. | "Welcome to My Nightmare" | Alice Cooper, Dick Wagner | 5:19 |
2. | "Devil's Food" | Cooper, Bob Ezrin, Kelley Jay | 3:38 |
3. | "The Black Widow" | Cooper, Wagner, Ezrin | 3:37 |
4. | "Some Folks" | Cooper, Alan Gordon, Ezrin | 4:19 |
5. | "Only Women Bleed" | Cooper, Wagner | 5:49 |
No. | Title | Writer(s) | Length |
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1. | "Department of Youth" | Cooper, Wagner, Ezrin | 3:18 |
2. | "Cold Ethyl" | Cooper, Ezrin | 2:51 |
3. | "Years Ago" | Cooper, Wagner | 2:51 |
4. | "Steven" | Cooper, Ezrin | 5:52 |
5. | "The Awakening" | Cooper, Wagner, Ezrin | 2:25 |
6. | "Escape" | Cooper, Kim Fowley, Mark Anthony - from the band "Hollywood Stars" (not Chameleon) | 3:20 |
No. | Title | Writer(s) | Length |
---|---|---|---|
12. | "Devil's Food" (alternate version) | Cooper, Ezrin, Jay | 5:13 |
13. | "Cold Ethyl" (alternate version) | Cooper, Ezrin | 2:56 |
14. | "The Awakening" (alternate version) | Cooper, Wagner, Ezrin | 4:20 |
Musicians
Additional personnel
Technical
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Australia (ARIA) [23] | 2× Platinum | 140,000^ |
Canada (Music Canada) [24] | 2× Platinum | 200,000^ |
United Kingdom (BPI) [25] | Silver | 60,000^ |
United States (RIAA) [26] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
Cooper talked with Rolling Stone over the theatrical adaptation of his album, [27] although there has been little traction on this since 2010.
The 1999 tribute album Humanary Stew: A Tribute to Alice Cooper includes covers of "Cold Ethyl" by Vince Neil, Mick Mars, Mike Inez, Billy Sheehan and Simon Phillips and "The Black Widow" by Bruce Dickinson, Adrian Smith, Tony Franklin, Tommy Aldridge and David Glen Eisley. The album also includes covers of the title track and "Only Women Bleed". All four tracks also feature the album's producer, Bob Ezrin.
Alice Cooper is an American rock singer and songwriter whose career spans sixty years. With a raspy voice and a stage show that features numerous props and stage illusions, Cooper is considered by many music journalists and peers to be "The Godfather of Shock Rock". He has drawn equally from horror films, vaudeville, and garage rock to pioneer a macabre and theatrical brand of rock designed to shock audiences.
Destroyer is the fourth studio album by American hard rock band Kiss, released on March 15, 1976, by Casablanca Records in the US. It was the third successive Kiss album to reach the top 40 in the US, as well as the first to chart in Germany and New Zealand. The album was certified gold by the RIAA on April 22, 1976, and platinum on November 11 of the same year, the first Kiss album to achieve platinum. The album marked a departure from the raw sound of the band's first three albums.
Dennis Dunaway is an American musician, best known as the original bass guitarist for the rock band Alice Cooper . He co-wrote some of the band's most notable songs, including "I'm Eighteen" and "School's Out".
Alice Cooper Goes to Hell is the second solo studio album by American rock musician Alice Cooper, released in 1976. A continuation of Welcome to My Nightmare as it continues the story of Steven, the concept album was written by Cooper with guitar player Dick Wagner and producer Bob Ezrin.
Muscle of Love is the seventh and final studio album by American rock band Alice Cooper. It was released in late 1973, the band played its last concert a few months later.
Lace and Whiskey is the third solo and tenth overall studio album by American rock singer Alice Cooper, released on April 29, 1977, by Warner Bros. Records.
Love It to Death is the third studio album by American rock band Alice Cooper, released on March 9, 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound, instead of the psychedelic and experimental rock style of their first two albums. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded.
School's Out is the fifth studio album by American rock band Alice Cooper, released in June 1972. Following on from the success of Killer, School's Out reached No. 2 on the US Billboard 200 chart and No. 1 on the Canadian RPM 100 Top Albums chart, holding the top position for four weeks. The single "School's Out" reached No. 7 on the Billboard Hot 100, No. 3 on the Canadian RPM Top Singles Chart and went to No. 1 in the UK Singles Chart.
DaDa is the eighth solo studio album by American rock singer Alice Cooper, released in September 1983, by Warner Bros. Records. DaDa would be Cooper's final studio album until his sober re-emergence in 1986 with the album Constrictor.
Killer is the fourth studio album by American rock band Alice Cooper, released in November 1971 by Warner Bros. Records. The album peaked at No. 21 on the Billboard 200 album chart, and the two singles "Under My Wheels" and "Be My Lover" made the Billboard Hot 100 chart.
Richard Allen Wagner was an American rock guitarist, songwriter and author best known for his work with Alice Cooper, Lou Reed, and Kiss. He also fronted his own Michigan-based bands, the Frost and the Bossmen.
Welcome to My Nightmare is a 1976 concert film of Alice Cooper's show of the same name. It was produced, directed and choreographed by David Winters. The film accompanied the album, the stage show by the same name and the TV special Alice Cooper: The Nightmare, the first ever rock music video album, starring Cooper and Vincent Price in person. Though it failed at the box office, it later became a midnight movie favorite and a cult classic.
"I'm Eighteen" is a song by rock band Alice Cooper, first released as a single in November 1970 backed with "Is It My Body". It was the band's first top-forty success—peaking at number 21—and convinced Warner Bros. that Alice Cooper had the commercial potential to release an album. The song and its B-side feature on the band's first major-label album Love It to Death (1971).
"Only Women Bleed" is a song by American rock singer Alice Cooper, released on his debut solo studio album Welcome to My Nightmare (1975). It was written by Cooper and Dick Wagner and was the second single from the album to be released.
The Strange Case of Alice Cooper is a live concert video released in September 1979, of Alice Cooper performing with his backing band The Ultra Latex Band. The concert was filmed on April 9, 1979 during Cooper's 'Madhouse Rock' Tour in San Diego, California, at the San Diego Sports Arena, in support of the album From the Inside.
Alice Cooper: The Nightmare was a conceptual television special showcasing the music of the Welcome to My Nightmare album by Alice Cooper. It originally broadcast in North America on April 25, 1975, by ABC.
Stephen John Hunter is an American guitarist, primarily a session player. He has worked with Lou Reed and Alice Cooper, acquiring the moniker "The Deacon". Hunter first played with Mitch Ryder's Detroit, beginning a long association with record producer Bob Ezrin who has said Steve Hunter has contributed so much to rock music in general that he truly deserves the designation of "Guitar Hero". Steve Hunter has played some of the greatest riffs in rock history - the first solo in Aerosmith's "Train Kept A Rollin'", the acoustic intro on Peter Gabriel's "Solsbury Hill" and he wrote the intro interlude on Lou Reed's live version of "Sweet Jane" on Reed's first gold record.
Welcome 2 My Nightmare is the nineteenth solo album by American rock musician Alice Cooper, released in September 2011. Peaking at No. 22 in the Billboard 200 it is Cooper's highest-charting album in the US since 1989's Trash. The album is a sequel to his 1975 album Welcome to My Nightmare.
Super Duper Alice Cooper is a 2014 Canadian biographical documentary film about shock rock musician Alice Cooper, written and directed by Sam Dunn, Scot McFadyen and Reginald Harkema.
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