|Welcome to My Nightmare|
|Studio album by|
|Released||March 11, 1975|
|Studio||Soundstage, Toronto; Record Plant East, Electric Lady and A&R Studios, New York City|
|Genre||Hard rock, glam rock|
|Alice Cooper chronology|
|Singles from Welcome to My Nightmare|
Welcome to My Nightmare is an album by Alice Cooper, released in March 1975. It is Alice Cooper's first solo album (all previous Alice Cooper releases were band efforts), and his only album for the Atlantic Records label. Welcome to My Nightmare is a concept album. Played in sequence, the songs form a journey through the nightmares of a child named Steven. The album inspired the Alice Cooper: The Nightmare TV special, a worldwide concert tour in 1975, and the Welcome to My Nightmare concert film in 1976. The ensuing tour was one of the most over-the-top excursions of that era. Most of Lou Reed’s band joined Cooper for this record.
The cover artwork was created by Drew Struzan for Pacific Eye & Ear. Rolling Stone would later rank it ninetieth on the list of the "Top 100 Album Covers Of All Time".Famed film actor of the horror genre Vincent Price provided a monologue in the song "Devil's Food". The original version of "Escape" was recorded by The Hollywood Stars for their shelved 1974 album Shine Like a Radio, which was finally released in 2013. The ballad "Only Women Bleed", released as a single, is a song originally composed by guitarist Dick Wagner for his late-1960s band The Frost, with a new title provided by Cooper and revised lyrics written by Wagner and Cooper. The remastered CD version adds three alternate version bonus tracks.
A sequel concept album, Welcome 2 My Nightmare , was released in 2011.
The Alice Cooper band broke up by Spring of 1974, with Cooper beginning work on his first solo project.Cooper intended the music to be more theatrical than the previous glam-rock focused records. Cooper hired Bob Ezrin, who had produced four previous Cooper records, to collaborate with him. The album is a concept album, with Cooper telling the story of the nightmares of the character Steven. Ezrin, Steve Hunter, and Dick Wagner had all performed on the Alice Cooper band’s 1973 album Billion Dollar Babies , produced by Ezrin. Subsequently, Ezrin produced and performed on Lou Reed’s 1973 concept album Berlin , including Hunter, Wagner, and Tony Levin. Reed’s band on his following live album Rock 'n' Roll Animal was composed of Hunter, Wagner, Prakash John, and Pentti Glan. Ezrin and Cooper hired all four members of Reed’s live band, plus Levin, to work on Cooper’s new album. Wagner and Ezrin would co-write the majority of the tracks with Cooper.
The album has been described as featuring rockand hard rock.
The opening track has been referred to as "Disco flavored"."Only Women Bleed" is a ballad, and "Some Folks" has been compared to cabaret.
|Christgau's Record Guide||B–|
Welcome to My Nightmare received generally mixed reviews upon release. Dave Marsh of Rolling Stone called the album "a TV soundtrack that sounds like one. The horn parts are so corny you might imagine that you're listening to the heavy-metal Ann-Margret." He noted the absence of the original Alice Cooper band, stating, "without the wildness and drive of the sound the Cooper troupe had, the gimmicks on which Alice the performer must rely are flat and obvious." He concluded by saying that it "is simply a synthesis of every mildly wicked, tepidly controversial trick in the Cooper handbook. But in escaping from the mask of rock singer which he claimed he found so confining, Cooper has found just another false face."
In addition, Robert Christgau rated the album a B− grade, stating that it "actually ain't so bad – no worse than all the others". He stated that the varying compositions of the songs would potentially cause the album to influence younger listeners, saying: "Alice's nose for what the kids want to hear is as discriminating as it is impervious to moral suasion, so perhaps this means that the more obvious feminist truisms have become conventional wisdom among at least half our adolescents."
A retrospective review by Allmusic's Greg Prato was more positive. Prato considered the album Cooper's best solo work, despite the absence of the original band: "While the music lost most of the gritty edge of the original AC lineup, Welcome to My Nightmare remains Alice's best solo effort – while some tracks stray from his expected hard rock direction, there's plenty of fist-pumping rock to go around." However, he maintained that "the rockers serve as the album's foundation – 'Devil's Food', 'The Black Widow', 'Department of Youth', and 'Cold Ethyl' are all standouts, as is the more tranquil yet eerie epic 'Steven'." He concluded by comparing the album to Cooper's subsequent solo efforts by stating: "Despite this promising start to Cooper's solo career, the majority of his subsequent releases were often not as focused and were of varying quality."The New York Times, describing the subsequent tour, said that Cooper was much tougher than he looked in concert.
Since its release, Welcome to My Nightmare has become the most-represented album in Alice Cooper's concert setlists, accounting for, even including concerts from before its release, 15.7 percent of all the songs he has played live– a proportion which of course will be much larger counting only shows since the album's composition and release. It is the last album from which every song has been performed live, although "The Awakening" was never played until the Trash Tour on November 21, 1989; while "Some Folks" and "Escape" were never performed after the album's support tour apart from a handful of performances of the latter song in 2001. Alice started playing "Escape" again on his 2019/20 Ol’ Black Eyes Is Back Tour.
|1.||"Welcome to My Nightmare"||Cooper, Wagner||5:19|
|2.||"Devil's Food"||Cooper, Ezrin, Kelley Jay||3:38|
|3.||"The Black Widow"||Cooper, Wagner, Ezrin||3:37|
|4.||"Some Folks"||Cooper, Gordon, Ezrin||4:19|
|5.||"Only Women Bleed"||Cooper, Wagner||5:49|
|6.||"Department of Youth"||Cooper, Wagner, Ezrin||3:18|
|7.||"Cold Ethyl"||Cooper, Ezrin||2:51|
|8.||"Years Ago"||Cooper, Wagner||2:51|
|10.||"The Awakening"||Cooper, Wagner, Ezrin||2:25|
|11.||"Escape"||Cooper, Fowley, Anthony||3:20|
|12.||"Devil's Food" (alternate version)||Cooper, Ezrin, Jay||5:13|
|13.||"Cold Ethyl" (alternate version)||Cooper, Ezrin||2:56|
|14.||"The Awakening" (alternate version)||Cooper, Wagner, Ezrin||4:20|
|Canada (Music Canada)||2× Platinum||200,000^|
|United Kingdom (BPI)||Silver||60,000^|
|United States (RIAA)||Platinum||1,000,000^|
^ Shipments figures based on certification alone.
Cooper talked with Rolling Stone over the theatrical adaption of his album,although there has been little traction on this since 2010.
The 1999 tribute album Humanary Stew: A Tribute to Alice Cooper includes covers of "Cold Ethyl" by Vince Neil, Mick Mars, Mike Inez, Billy Sheehan and Simon Phillips and "The Black Widow" by Bruce Dickinson, Adrian Smith, Tony Franklin, Tommy Aldridge and David Glen Eisley. The album also includes covers of the title track and "Only Women Bleed". All four tracks also feature the album's producer, Bob Kulick.
Alice Cooper is an American singer, songwriter, and actor whose career spans over 50 years. With a raspy voice and a stage show that features numerous props, including pyrotechnics, guillotines, electric chairs, fake blood, reptiles, baby dolls, and dueling swords, Cooper is considered by music journalists and peers to be "The Godfather of Shock Rock". He has drawn equally from horror films, vaudeville, and garage rock to pioneer a macabre and theatrical brand of rock designed to shock audiences.
Billion Dollar Babies is the sixth studio album by American rock band Alice Cooper, released in 1973. The album became the best selling Alice Cooper record at the time of its release, hit number one on the album charts in both the United States and the United Kingdom, and went on to be certified platinum by the Recording Industry Association of America. The album has been retrospectively praised by such critics as Robert Christgau, Greg Prato of AllMusic, and Jason Thompson of PopMatters, but The Rolling Stone Album Guide (2004) gave the album only two and a half stars.
Michael Owen Bruce is an American rock musician, best known as a member of the rock band Alice Cooper.
Destroyer is the fourth studio album by American hard rock band Kiss, released on March 15, 1976 by Casablanca Records in the US. It was the third successive Kiss album to reach the top 40 in the US, as well as the first to chart in Germany and New Zealand. The album was certified gold by the RIAA on April 22, 1976, and platinum on November 11 of the same year, the first Kiss album to achieve platinum. The album marked a departure from the raw sound of the band's first three albums.
Alice Cooper's Greatest Hits is the only greatest hits album by American rock band Alice Cooper, and their last release as a band. Released in 1974, it features hit songs from five of the band's seven studio albums. It does not include any material from their first two albums, Pretties for You and Easy Action.
Alice Cooper Goes to Hell is the second solo album by Alice Cooper, released in 1976. A continuation of Welcome to My Nightmare as it continues the story of Steven, the concept album was written by Cooper with guitar player Dick Wagner and producer Bob Ezrin.
Muscle of Love is the seventh and final studio album by rock band Alice Cooper, released in 1973.
Lace and Whiskey is the third solo studio album by American singer Alice Cooper, released on April 29, 1977 by Warner Bros. Records.
Love It to Death is the third studio album by American rock group Alice Cooper, released in March 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded.
School's Out is the fifth studio album by American rock band Alice Cooper, released in 1972. Following on from the success of Killer, School's Out reached No. 2 on the US Billboard 200 chart and No. 1 on the Canadian RPM 100 Top Albums chart, holding the top position for four weeks. The single "School's Out" reached No. 7 on the Billboard Hot 100, No. 3 on the Canadian RPM Top Singles Chart and went to No. 1 in the UK Singles Chart.
DaDa is the eighth solo studio album by American singer Alice Cooper, released on September 28, 1983 by Warner Bros. Records. DaDa would be Cooper's last album until his sober re-emergence in 1986 with the album Constrictor. The album's theme is ambiguous, however, ongoing themes in the songs' lyrics suggest that the main character in question, Sonny, suffers from mental illness, resulting in the creation of many different personalities. The album alludes strongly to the dadaist movement. Its cover was based on a painting by surrealist artist Salvador Dalí titled Slave Market with the Disappearing Bust of Voltaire. Produced by long-time collaborator Bob Ezrin, at the time his first production with Cooper in six years, DaDa was recorded at ESP Studios in Buttonville, Ontario, Canada.
Killer is the fourth studio album by the Alice Cooper band, released in November 1971. The album reached number 21 on the Billboard 200 album chart, and the two singles "Under My Wheels" and "Be My Lover" made the Billboard Hot 100 chart.
Trash is the eleventh studio album released by Alice Cooper in 1989. The album features the single "Poison", Cooper's first top ten hit since his single "You and Me" in 1977 and marked a great success in Cooper's musical career, reaching the Top 20 of various album charts and selling more than two million copies. Trash featured John McCurry on guitar, Hugh McDonald of Bon Jovi on bass as well as Bobby Chouinard and Alan St. Jon, both from Billy Squier's solo band on drums and keyboards, respectively. The album was the "biggest hit among his hair metal albums".
The Last Temptation is the thirteenth solo studio album by rock singer Alice Cooper, released in July 1994 via Epic Records. It centers on a boy named Steven, and a mysterious showman. The showman, with apparent supernatural abilities, attempted with the use of twisted versions of morality plays to persuade Steven to join his traveling show, "The Theater of the Real - The Grand-est Guignol!", where he would "never grow up".
Richard Allen Wagner was an American rock music guitarist, songwriter and author best known for his work with Alice Cooper, Lou Reed, and Kiss. He also fronted his own Michigan-based bands, The Frost and The Bossmen.
Welcome to My Nightmare is a 1976 concert film of Alice Cooper's show of the same name. It was produced, directed and choreographed by David Winters. The film accompanied the album, the stage show by the same name and the TV special Alice Cooper: The Nightmare, the first ever rock music video album, starring Cooper and Vincent Price in person. Though it failed at the box office, it later became a midnight movie favorite and a cult classic.
The Strange Case of Alice Cooper is a live concert video released in September 1979, of Alice Cooper performing with his backing band The Ultra Latex Band. The concert was filmed on April 9, 1979 during Cooper's 'Madhouse Rock' Tour in San Diego, California, at the San Diego Sports Arena, in support of the album From The Inside.
Stephen John Hunter is an American guitarist, primarily a session player. He has worked with Lou Reed and Alice Cooper, acquiring the moniker "The Deacon". Hunter first played with Mitch Ryder's Detroit, beginning a long association with record producer Bob Ezrin who has said Steve Hunter has contributed so much to rock music in general that he truly deserves the designation of "Guitar Hero". Steve Hunter has played some of the greatest riffs in rock history - the first solo in Aerosmith's "Train Kept A Rollin'", the acoustic intro on Peter Gabriel's "Solsbury Hill" and he wrote the intro interlude on Lou Reed's live version of "Sweet Jane" on Reed's first gold record.
Welcome 2 My Nightmare is the nineteenth solo album by Alice Cooper, released in September 2011. Peaking at No. 22 in the Billboard 200 it is Cooper's highest-charting album in the US since 1989's Trash. The album is a sequel to his 1975 album Welcome to My Nightmare.
Super Duper Alice Cooper is a 2014 Canadian biographical documentary film about shock rock musician Alice Cooper, written and directed by Sam Dunn, Scot McFadyen and Reginald Harkema.