|Flush the Fashion|
|Studio album by|
|Released||April 28, 1980|
|Recorded||1979 - 1980|
|Genre||Rock, hard rock, new wave|
|Producer||Roy Thomas Baker|
|Alice Cooper chronology|
Flush the Fashion is the fifth solo album by singer Alice Cooper, released in April 28, 1980, and produced by Roy Thomas Baker. Musically, the album was a drastic change of style for Cooper, leaning towards a new wave influence. The lead single "Clones (We're All)" reached #40 on the Billboard Top 40.
An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The audio cassette was a format widely used alongside vinyl from the 1970s into the first decade of the 2000s.
Alice Cooper is an American singer, songwriter, and actor whose career spans over 50 years. With his distinctive raspy voice and a stage show that features guillotines, electric chairs, fake blood, deadly snakes, baby dolls, and dueling swords, Cooper is considered by music journalists and peers alike to be "The Godfather of Shock Rock". He has drawn equally from horror films, vaudeville, and garage rock to pioneer a macabre and theatrical brand of rock designed to shock people.
Roy Thomas Baker is an English record producer, songwriter, arranger, and Recording Academy governor, who has produced pop and rock songs since the 1970s.
The album’s ten tracks touch on themes such as the loss of identity, taking on other roles, and the usual Alice Cooper-esque dementia. This is evident even in the lyrics of Flush the Fashion’s cover songs (for example the “Clones” single). Cooper also performs several “story” songs, presenting a series of intriguing vignettes in lieu of more traditional subject matter. By the time of Flush the Fashion, after a much-publicized stint in a sanitarium in 1977 for alcoholism and subsequent sobriety, Cooper had secretly developed a heavy addiction to cocaine, although, unlike his following three albums Cooper has some recollection – if not perfect – of making Flush the Fashion.
A sanatorium is a medical facility for long-term illness, most typically associated with treatment of tuberculosis (TB) in the late-nineteenth and twentieth century before the discovery of antibiotics. A distinction is sometimes made between "sanitarium" or the east-European "sanatorium" and "sanatorium".
Alcoholism, also known as alcohol use disorder (AUD), is a broad term for any drinking of alcohol that results in mental or physical health problems. The disorder was previously divided into two types: alcohol abuse and alcohol dependence. In a medical context, alcoholism is said to exist when two or more of the following conditions are present: a person drinks large amounts of alcohol over a long time period, has difficulty cutting down, acquiring and drinking alcohol takes up a great deal of time, alcohol is strongly desired, usage results in not fulfilling responsibilities, usage results in social problems, usage results in health problems, usage results in risky situations, withdrawal occurs when stopping, and alcohol tolerance has occurred with use. Risky situations include drinking and driving or having unsafe sex, among other things. Alcohol use can affect all parts of the body, but it particularly affects the brain, heart, liver, pancreas and immune system. This can result in mental illness, Wernicke–Korsakoff syndrome, irregular heartbeat, an impaired immune response, liver cirrhosis and increased cancer risk, among other diseases. Drinking during pregnancy can cause damage to the baby resulting in fetal alcohol spectrum disorders. Women are generally more sensitive than men to the harmful physical and mental effects of alcohol.
Sobriety is the condition of not having any measurable levels or effects from alcohol or drugs. Sobriety is also considered to be the natural state of a human being given at a birth. A person in a state of sobriety is considered sober. In a treatment setting, sobriety is the achieved goal of independence from consuming alcohol. As such, sustained abstinence is a prerequisite for sobriety. Early in abstinence, residual effects of alcohol consumption can preclude sobriety. These effects are labeled "PAWS," or "post acute withdrawal syndrome." Someone who abstains, but has a latent desire to resume use, is not considered truly sober. An abstainer may be subconsciously motivated to resume alcohol consumption, but for a variety of reasons, abstains. Sobriety has more specific meanings within specific contexts, such as the culture of many substance use recovery programs, law enforcement, and some schools of psychology. In some cases, sobriety implies achieving "life balance."
Cooper did tour the album through the United States and Mexico City during 1980, playing “Clones”, “Pain”, “Model Citizen”, “Grim Facts”, “Talk Talk”, “Dance Yourself to Death” and “Nuclear Infected” on a regular basis. The first four songs remained part of the setlist for the Special Forces tour a year later. Since 1982, songs from Flush the Fashion, as with all Cooper’s albums from between 1976 and 1983, have rarely been performed live. The only cases have been:
All tracks written by Alice Cooper, Davey Johnstone and Fred Mandel except where noted.
David William Logan "Davey" Johnstone is a Scottish rock guitarist and vocalist, best known for his work with Elton John.
Frederick Lawrence Mandel is a Canadian session musician, keyboard player and guitarist.
|Side one flush the fashion suite 13:51|
|1.||"Talk Talk"||Sean Bonniwell||2:09|
|2.||"Clones (We're All)"||David Carron||3:03|
|4.||"Leather Boots"||Geoff Westen||1:36|
|4.||"Dance Yourself to Death"||Cooper, Frank Crandall||3:08|
|US Billboard 200||44|
Singles - Billboard (United States)
|1980||"Clones (We're All)"||Club Play Singles||69|
|"Talk Talk"||Pop Singles||-|
Welcome to My Nightmare is the first solo album by Alice Cooper, released in March 1975. It is Alice Cooper's first solo album, and his only album for the Atlantic Records label. Welcome to My Nightmare is a concept album. Played in sequence, the songs form a journey through the nightmares of a child named Steven. The album inspired the Alice Cooper: The Nightmare TV special, a worldwide concert tour in 1975, and the Welcome to My Nightmare concert film in 1976. The ensuing tour was one of the most over-the-top excursions of that era. Most of Lou Reed’s band joined Cooper for this record.
Alice Cooper Goes to Hell is the second solo album by Alice Cooper, released in 1976. A continuation of Welcome to My Nightmare as it continues the story of Steven, this concept album was written almost exclusively by Cooper with guitar player Dick Wagner and producer Bob Ezrin.
Lace and Whiskey is the third solo album by Alice Cooper, released in May 1977.
The Alice Cooper Show is a live album by Alice Cooper, released by Warner Bros. in December 1977.
From the Inside is the fourth solo album by Alice Cooper, released in 1978. It is a concept album about Cooper’s stay in a New York sanitarium due to his alcoholism. Each of the characters in the songs were based on actual people Cooper met in the sanitarium. With this album, he saw the addition of three former members of the Elton John band: lyricist Bernie Taupin, guitarist Davey Johnstone and bassist Dee Murray.
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School's Out is the fifth studio album by American rock band Alice Cooper, released in 1972. Following on from the success of Killer, School's Out reached No. 2 on the US Billboard 200 chart and No. 1 on the Canadian RPM 100 Top Albums chart, holding the top position for four weeks. The single "School's Out" reached No. 7 on the Billboard Hot 100, No. 3 on the Canadian RPM Top Singles Chart and went to No. 1 in the UK Singles Chart. The album achieved sales of over 50,000 copies in Australia, being eligible for the award of a Gold Disc.
Trash is the eleventh studio album released by Alice Cooper in 1989. The album features the single "Poison", Cooper's first top ten hit since his single "You And Me" in 1977 and marked a great success in Cooper's musical career, reaching the Top 20 of various album charts and selling more than two million copies. Trash is the first Alice Cooper album to feature John McCurry on guitar, Hugh McDonald on bass, and Bobby Chouinard on drums.
Roadie is a 1980 film directed by Alan Rudolph about a truck driver who becomes a roadie for a traveling rock and roll show. The film stars Meat Loaf and marks his first starring role in a film. There are also cameo appearances by musicians such as Roy Orbison and Hank Williams Jr., and supporting roles played by Alice Cooper and the members of Blondie. The film was marketed with the tagline "Bands make it rock...Roadies make it roll."
"The Bitch Is Back" is a rock song by Elton John, written with lyrics from Bernie Taupin. It was the second single released from his 1974 album Caribou, and reached number 1 in Canada, number 4 in the United States and number 15 in the United Kingdom. With lyrics parodying John's celebrity lifestyle, the song has been identified as one of his best hard rock cuts. In the U.S., it was certified Gold on 13 September 1995 by the Recording Industry Association of America.
The Strange Case of Alice Cooper is a live concert video released in September 1979, of Alice Cooper performing with his backing band The Ultra Latex Band. The concert was filmed on April 9, 1979 during Cooper's 'Madhouse Rock' Tour in San Diego, California, at the San Diego Sports Arena, in support of the album From The Inside.
"Clones " is a 1980 single by rock singer Alice Cooper taken from his 1980 album Flush the Fashion. It reached #40 in the US charts, his first top 40 single in two years. The song is about forced conformity. Cooper reports that he wanted to do the song because he was looking for a new sound. It was written by David Carron (1948-84), who had played in Arlo Guthrie's Shenandoah, and the short lived Gulliver.
Whatever's for Us is the debut album of British singer-songwriter Joan Armatrading. The album was a collaboration between Armatrading and singer-songwriter Pam Nestor. At the time the two were musical partners and wrote over a hundred songs together. Joan Armatrading sings lead vocals and plays piano and acoustic guitar, while Pam Nestor co-wrote most of the songs.
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