"Honey" | ||||
---|---|---|---|---|
Single by Bobby Goldsboro | ||||
from the album Honey | ||||
B-side | "Danny" | |||
Released | February 17, 1968 [1] | |||
Recorded | January 30, 1968 [1] | |||
Studio | RCA Studio B, Nashville [1] | |||
Genre | Country | |||
Length | 3:55 | |||
Label | United Artists | |||
Songwriter(s) | Bobby Russell | |||
Producer(s) | Bob Montgomery | |||
Bobby Goldsboro singles chronology | ||||
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"Honey", also known as "Honey (I Miss You)", is a song written by Bobby Russell. He originally produced it with former Kingston Trio member Bob Shane, who was the first to release the song. It was then given to American singer Bobby Goldsboro, who recorded it for his 1968 album of the same name, originally titled Pledge of Love. Goldsboro's version was a hit, reaching No. 1 in several countries. [2]
In the song, the narrator mourns his absent wife, and the song begins with him looking at a tree in their garden, remembering how "it was just a twig" on the day she planted it. Only in the third verse is it finally revealed that "one day...the angels came," and that his wife had died.
"Honey" was written by Bobby Russell, who took inspiration from a tree in his front yard when he noticed how big it had become since he had planted it. From this came the first line of the song, "See the tree, how big it's grown ...". [3] His song was first recorded by Bob Shane of The Kingston Trio, produced by Russell himself. [3]
Before Shane's recording was released, Goldsboro was recommended the song by Larry Henley of the Newbeats. However, Goldsboro thought the recording by Shane was over-produced and the lyrics overpowered by the production. [3] [4] Goldsboro at that time was in need of songs to record, he and his producer Bob Montgomery invited Russell over to play a few of his songs, which included "Honey". After listening to Russell's simpler rendition accompanied by just a guitar, Goldsboro became interested and asked if he could cover the song. [4] Russell was initially reluctant as Shane's version was due to be released, but eventually agreed that Goldsboro could record it as long as his single did not compete with Shane's record. They agreed to delay the release of Goldsboro's recording by four weeks. [5] [6]
The song was recorded on January 30, 1968, [6] with an arrangement by Don Tweedy. Goldsboro later attributed the success of the song to Tweedy's arrangement, and believed that Shane could have the same success with Tweedy's arrangement. [4] According to Goldsboro, the recording session for the song went so well that they got it right in one go. They then recorded it again just to see if anything was wrong, and it came out just as well, so they went with the first take. [5] [7]
Goldsboro's recording of "Honey" was released as a single in the U.S. in February 1968. While Shane's recording reached only 104 on the Bubbling Under chart, [8] Goldsboro's version became successful very quickly, and reached the top of the chart in April. It spent five weeks at No. 1 on the Billboard Hot 100 singles chart (the 200th song to reach No. 1 on that chart), from April 7 to May 11, and three weeks atop Billboard's Hot Country Singles chart. It was preceded on the Billboard Hot 100 by "(Sittin' on) the Dock of the Bay" by Otis Redding and was followed by Archie Bell & the Drells' "Tighten Up". It was Goldsboro's only No. 1 hit on the Pop Singles and Country Singles charts and it was his first song to top the Adult Contemporary chart. Billboard ranked the record as the No. 3 song for 1968. [9]
"Honey" reached No. 2 on the UK Singles Chart on its initial release in 1968, and a re-release of the single in the United Kingdom in 1975 also reached No. 2. [10] In Australia, it spent four weeks at No. 1 on the ARIA Charts, replacing the Beatles' "Lady Madonna", and was the No. 6 song of 1968.[ citation needed ]
"Honey" was immediately and immensely popular. It sold a million copies in its first three weeks, [1] : BG4 the fastest-selling record in the history of United Artists. [11] [12] It was certified gold on April 4, 1968, the same day that Martin Luther King Jr. was assassinated, an event that may have helped the sales of the single. [13] It was the best-selling record worldwide for 1968, even more popular than "Hey Jude". [1] : BG8 It was a crossover hit, topping both the pop and country singles charts, one of only three songs to do so in the 1960s.
The recording was nominated for two Grammy Awards in 1968: Record of the Year and Best Contemporary-Pop Vocal Performance, Male. [14] It was awarded Song of the Year in 1968 by the Country Music Association. [15]
Today the song is sometimes dismissed or disparaged, its contemporary popularity notwithstanding. It has been called "innocuous pop", [16] "classy schlock", [17] more "dreadful" than Pavarotti, [18] and, hyperbolically, the "Worst Song of All Time" by a writer whose ambivalent antipathy left him "transfixed" by "one of the biggest songs of the year." [19] In a 2011 poll, Rolling Stone readers ranked "Honey" the second-worst song of the 1960s. [20]
Margaret Lewis released an answer version titled "Honey (I Missed You Too)", which reached No. 74 on the country chart in 1968. [21] A jazz instrumental version was recorded by The Distant Galaxy as a medley with the "Elvira Madigan theme", and it reached No. 39 on the AC chart the same year. [4] In 1969, O. C. Smith's version of the song reached No. 44 on the pop chart, while Orion recorded a version that reached No. 89 on the country chart in 1979. [4]
Andy Williams released a version of it on an album by the same name 1968.
There were also non-English versions: in Italy, for example, the author Daniele Pace wrote lyrics in the language with the title "Amore, mi manchi" ("My love, I miss you"). This version was recorded by Bobby Solo, Peppino Gagliardi, the late Roman singer Giuliana Valci and by Goldsboro himself.
In Sweden in 1968, Björn Ulvaeus, who later would achieve world success as a founding member of Abba, recorded a version with Swedish lyrics by Stig Anderson. It was titled "Raring", which has the same meaning as "Honey".
Weekly charts
| Year-end charts
All-time charts
|
Chart (1968) | Peak position |
---|---|
South Africa (Springbok) [43] | 9 |
Chart (1969) | Peak position |
---|---|
U.S. Billboard Adult Contemporary | 39 |
Chart (1969) | Peak position |
---|---|
Canada Top Singles ( RPM ) [44] | 62 |
Canada Adult Contemporary ( RPM ) [45] | 40 |
U.S. Billboard Hot 100 [46] | 44 |
U.S. Billboard Adult Contemporary | 19 |
U.S. Billboard R&B | 44 |
U.S. Cash Box Top 100 | 64 |
Robert Charles Goldsboro is an American pop and country singer and songwriter. He had a string of pop and country hits in the 1960s and 1970s, including his signature No. 1 hit "Honey", which sold over 1 million copies in the United States, and the UK top-10 single "Summer ".
"Mr. Sandman" is a popular song written by Pat Ballard and published in 1954. It was first recorded in May of that year by Vaughn Monroe & his orchestra and later that year by The Chordettes and the Four Aces. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association of the folkloric figure. The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended.
"Angel of the Morning" is a popular song written by Chip Taylor, originally recorded by Evie Sands but which first charted with a version by Merrilee Rush. The song has been covered by many artists including Chrissie Hynde, Dusty Springfield, P. P. Arnold, Connie Eaton, Mary Mason, Guys 'n' Dolls, Melba Montgomery, Olivia Newton-John and Juice Newton.
"Honey, Honey" is a song by the Swedish pop group ABBA. It was released as the second single from their second studio album, Waterloo, after the success of the title track at the 1974 Eurovision Song Contest.
"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio.
"By the Time I Get to Phoenix" is a song written by Jimmy Webb. Originally recorded by Johnny Rivers in 1965, it was reinterpreted by American country music singer Glen Campbell on his album of the same name. Released on Capitol Records in 1967, Campbell's version topped RPM's Canada Country Tracks, reached number two on Billboard's Hot Country Singles chart, and won two awards at the 10th Annual Grammys. Broadcast Music, Inc. (BMI) named it the third most performed song from 1940 to 1990. The song was ranked number 20 on BMI's Top 100 Songs of the Century. Frank Sinatra called it "the greatest torch song ever written." It was No. 450 on Rolling Stone magazine's Top 500 Songs of All Time.
"To Know Him Is to Love Him" is a song written by Phil Spector, inspired by the words on his father's gravestone, "To Know Him Was to Love Him". It was first recorded by the only vocal group of which he was a member, The Teddy Bears. The single spent three weeks at No. 1 on the Billboard Hot 100 chart in 1958, while reaching No. 2 on the UK's New Musical Express chart. Peter & Gordon and Bobby Vinton later each experienced chart success with the song, in 1965 and 1968, respectively.
"Friends and Lovers" is a song written by Jay Gruska and Paul Gordon. The song was first recorded as a duet by Gloria Loring and Carl Anderson in 1985 for the soap opera Days of Our Lives, produced by Doug Lenier. That recording remained unreleased until the summer of 1986, when it was released shortly after a version by Juice Newton and Eddie Rabbitt hit country radio. The country version featured the altered title of "Both to Each Other ".
"Only Love Can Break a Heart" is a popular song from 1962, performed by the American singer-songwriter Gene Pitney. The song was written by Hal David (words) and Burt Bacharach (music) and appears on Pitney's second album Only Love Can Break a Heart.
D-I-V-O-R-C-E is a studio album by American country artist Tammy Wynette. It was released in July 1968 via Epic Records and contained 11 tracks. Several recordings were cover tunes, including songs by Merle Haggard and The Beatles. Several new selections were also part of the collection, including the title track. Released as a single, the title track became Wynette's fourth number one song on the North American country charts in 1968. The album itself would also top the American country LP's chart in 1968. D-I-V-O-R-C-E received positive reviews from critics following its release.
"Little Green Apples" is a song written by Bobby Russell that became a hit for three different artists, with their three separate releases, in 1968. Originally written for and released by American recording artist Roger Miller, "Little Green Apples" was also released as a single by American recording artists Patti Page and O. C. Smith that same year. Smith's version became a #2 hit on both the Billboard Hot 100 and Billboard Hot Rhythm & Blues Singles charts, while Miller's version became a Top 40 hit on the Hot 100 as well as the UK Singles Chart. Page's version became her last Hot 100 entry. The song earned Russell a Grammy Award for Song of the Year and for Best Country Song. In 2013, "Little Green Apples" was covered by English recording artist Robbie Williams featuring American recording artist Kelly Clarkson, which became a top 40 hit in Mexico.
"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year. The song has since been covered by Eddy Arnold, whose version was a number 1 country hit in 1968, and by Neal McCoy, whose version became a Top 5 country hit in 1996.
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Honey is a studio album by American pop and country singer songwriter Bobby Goldsboro issued in March 1968 on the United Artists label. It reached #1 in the US Country Albums chart, #5 in the US Pop charts and #41 in the Canadian charts. It was also certified Gold by the RIAA.
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"The Straight Life" is a 1968 song written and originally recorded by Sonny Curtis. It was a top 40 hit for Bobby Goldsboro later that year.
"Summer (The First Time)" is a song by American singer Bobby Goldsboro, recorded for his album of the same name and released as a single in June 1973. It was written by Bobby Goldsboro, Ashley Abram and Timmy Tappan, and produced by Goldsboro and Bob Montgomery.
Bobby Goldsboro's 'Honey' is the fastest selling single in United Artist's 10-year history... The disk has been certified by the RIAA as a million seller after only four weeks on the market.
The charts were still sprinkled with such innocuous pop as Bobby Goldsboro's "Honey" ...
[Joe] Tex's record closes with Bobby Goldsboro's "Honey," the classiest schlock of the year and the epitome of what is called modern country.
I sat transfixed in my car as it played, as if I were in the midst of an accident. The simpering melody, the tearjerking lyrics: God, how I hated it. And yet I couldn't change the station.