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Hooked on Classics 2: Can't Stop the Classics | ||||
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Studio album by | ||||
Released | 1982 | |||
Genre | Classical disco | |||
Length | 44:16 | |||
Label | K-Tel RCA Records AFL1-4373 4373-R 07863-54373 | |||
Producer | Jeff Jarratt & Don Reedman | |||
Royal Philharmonic Orchestra chronology | ||||
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Hooked on Classics 2: Can't Stop the Classics is an album by Louis Clark and the Royal Philharmonic Orchestra, published in 1982 by K-tel, part of the Hooked on Classics series. [1]
Trevor David Pinnock is a British harpsichordist and conductor.
The year 1730 in music involved some significant events.
The year 1717 in music involved some significant events.
D major is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature has two sharps. The D major scale is:
A major is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on requires both a flat and a natural accidental.
F major is a major scale based on F, with the pitches F, G, A, B♭, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor.
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major.
E minor is a minor scale based on E, consisting of the pitches E, F♯, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major.
B minor is a minor scale based on B, consisting of the pitches B, C♯, D, E, F♯, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major.
L'estro armonico, Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and continuo. The continuo part was printed as a figured bass for violone and harpsichord.
Discography for the cellist Yo-Yo Ma.
An organ concerto is an orchestral piece of music in which a pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.
Anyone for Mozart, Bach, Handel, Vivaldi? is a CD compilation re-issue of music by the Swingle Singers. It combines tracks from two previous LP releases, Going Baroque and Swinging Mozart.
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. The 50 Greatest Pieces of Classical Music has sold over 200,000 copies and spent over three days as one of the top 10 classical albums on iTunes.
Hooked on Classics, produced by Jeff Jarratt and Don Reedman, is a multi-million selling album recorded by Louis Clark and the Royal Philharmonic Orchestra, published in 1981 by K-tel and distributed by RCA Records, part of the Hooked on Classics series.
Hooked on Classics 3: Journey Through the Classics is an album by Louis Clark and the Royal Philharmonic Orchestra, published in 1983 by K-tel as part of the Hooked on Classics series.
The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. Composed during Bach's second period at the court in Weimar (1708–1717), the concertos can be dated more precisely to 1713–1714.