Hopes and Fears (Art Bears album)

Last updated

Hopes and Fears
ArtBears AlbumCover HopesFears (1978).jpg
Studio album by
Released15 May 1978 (1978-05-15)
Recorded15– 29 January 1978, Switzerland
15–18 March 1978, London
StudioSunrise, Kirchberg, Switzerland
Kaleidophon, London
Genre
Length48:25
Label Recommended (UK)
Producer Art Bears
Etienne Conod
Art Bears chronology
Hopes and Fears
(1978)
Winter Songs
(1979)

Hopes and Fears is the debut album by the English avant-rock group Art Bears. It comprises tracks by Henry Cow, Art Bears's predecessor, recorded at Sunrise Studios, Kirchberg in Switzerland in January 1978, and tracks by Art Bears, recorded at Kaleidophon Studios in London in March 1978.

Contents

Background

Hopes and Fears began as a Henry Cow album, [1] but after the first recording sessions in Switzerland in January 1978, some of the members of the band were unhappy about the predominance of song-oriented material. As a compromise it was agreed that two albums would be made: the songs would be released by Fred Frith, Chris Cutler and Dagmar Krause as Art Bears, and the instrumental compositions would be released later by Henry Cow. The newly formed Art Bears recorded four more tracks in London in March 1978 to complete Hopes and Fears, which was released in May 1978 under their name with the rest of Henry Cow credited as guests. [2] Henry Cow continued to perform as a group and toured Europe until July that year. In August 1978 Henry Cow returned to Switzerland to record additional instrumental pieces for their last album, Western Culture , after which the group disbanded. Art Bears continued until 1981, performing in Europe and recording two more albums. [3]

The release of Hopes and Fears sparked dissatisfaction amongst some of the members of Henry Cow. [1] Tim Hodgkinson complained that some of the new Art Bears tracks recorded in London were derived from pieces Henry Cow had worked on in Switzerland, but not recorded – yet Art Bears claimed them as their own. Georgie Born said that she had written the bass lines for two of the Henry Cow tracks recorded in Switzerland, "Joan" and "In Two Minds", yet she was not credited on their release on Hopes and Fears. [1] Hodgkinson stated, "I felt like something had been stolen from me", [1] while Born felt that she had been "dispossessed of my labor". [1] Born tweeted in 2021, "Time the myths around Hopes and Fears ended: it was a Henry Cow album but arguments among the boys meant it ended up as 'Art Bears': wrong, unjust, writes Lindsay [Cooper], Tim Hodgkinson and I out of the creative process." [4]

Description

Because of Henry Cow's presence on this album, Hopes and Fears is considered by some to be "the lost Henry Cow album". [5] But the predominance of songs makes the album a bridge between Henry Cow and Art Bears, a move away from Henry Cow's usual intense compositions, and the beginnings of Art Bears's music, fully realised on their next two albums. It also shows Frith experimenting with eastern European folk music on "Moeris Dancing", [6] which he explored further on some of his subsequent solo albums, particularly Gravity (1980) and Speechless (1981).

"Joan" and "On Suicide" had been performed live by Henry Cow in 1977 and appear on Volume 7: Later and Post-Virgin of The 40th Anniversary Henry Cow Box Set (2009). The Hopes and Fears version of "Joan" differs from the earlier live recording in that it is shorter, and the lyrics are different. Cutler wrote the original lyrics for "Joan" and Tim Hodgkinson's "The Pirate Song", but Henry Cow were unhappy with them, and the songs were withdrawn from their repertoire. "Joan" was only performed a few times, and "The Pirate Song" not at all. Prior to the Hopes and Fears recording session, Cutler rewrote the lyrics for "Joan" as a homage to Joan of Arc, [7] and those for "The Pirate Song", but once again there were objections from the feminist faction within Henry Cow. Krause, however, supported the new lyrics and both songs were recorded at Sunrise Studios with the revised texts. [8] [3]

Stewart Mason wrote at AllMusic that the album's longest track, "In Two Minds" is the closest Art Bears came to playing "conventional rock music". [9] When Cutler was asked in an interview in 2004 whether the song was a "homage" to the Who, he replied, "It would be hard to deny the connection. It is so obviously a reference. I was certainly directly influenced in my youth by The Who – and in particular by Keith Moon." [10]

Album title

Hopes and Fears derived its name from the following conversation between Charion and Hermes in Satirical Sketches: Charon Sees Life by Lucian of Samosata (quoted in the booklet accompanying the CD release of the album): [11]

CharionAll I can see is a complicated muddle – a world full of utter confusion. Their towers are like beehives in which every bee has a sting of his own and uses it against his neighbour – and some are like wasps, preying on the weaker members of the community. But what are those dim shapes flying around them?
HermesHopes and Fears, Charon...

CD reissues

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [9]
DownBeat Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [12]
Christgau's Record Guide B [13]

In a review at AllMusic, Stewart Mason called Hopes and Fears "one of the art rock masterpieces of the 1970s". [9] He said the album has the "politically poten[cy]" of Henry Cow, but is "more poetic and provocative". [9] Mason was impressed with Cutler's diverse drumming and the range of sounds Frith was able to produce with his guitars. He selected "In Two Minds" and "Moeris Dancing" as the album's standout tracks. [9]

Music journalist Ian Penman wrote in New Musical Express in December 1978 that Hopes and Fears is a "mostly cheering example of a music with a clear and refreshed perspective". [14] He described it as "a marriage of ideals – the 'humanity' of Slapp Happy with the heretic utopianism of Henry Cow", and suggested that it could be called "mirthful Marxism". [14]

Reviewing the album in the June 1979 issue of DownBeat , Frank-John Hadley opined that Hopes and Fears "is a staggeringly literate, uncompromising and entertaining work". [12] He said there are echoes of Igor Stravinsky, Frank Zappa, Derek Bailey, Michael Tippett and traditional British folk music on the album that explores European free form, classical and rock music. [12] Hadley stated:

Art Bears are concerned with music that reflects their personal attitudes and lifestyle; they, like Sun Ra and Carla Bley, are free of the doctrines and whims of the music industry and remain totally responsible for their recorded efforts. The music business and listening public must meet them on their own terms. [12]

Track listing

Recorded by Henry Cow at Sunrise Studio, Kirchberg, Switzerland, 15–29 January 1978; and by Art Bears at Kaleidophon, London, 15–18 March 1978.

Side one – Áhá: Palace courtyard
No.TitleWriter(s)ArtistLength
1."On Suicide" Brecht, Eisler Henry Cow 1:26
2."The Dividing Line" Cutler, Frith, Cooper Henry Cow4:11
3."Joan"Cutler, FrithHenry Cow3:05
4."Maze"Cutler, FrithHenry Cow5:05
5."In Two Minds"Cutler, FrithHenry Cow8:45
Side two – Mer: Irrigated land
No.TitleWriter(s)ArtistLength
6."Terrain"Frith Art Bears 3:49
7."The Tube"Cutler, FrithArt Bears3:05
8."The Dance"Cutler, FrithArt Bears5:09
9."The Pirate Song"Cutler, Hodgkinson Henry Cow1:28
10."Labyrinth"Cutler, HodgkinsonHenry Cow2:15
11."Riddle"Cutler, FrithHenry Cow2:49
12."Moeris Dancing"FrithHenry Cow5:08
13."Piers"Cutler, FrithArt Bears2:10
1992 CD re-issue bonus tracks
No.TitleWriter(s)ArtistLength
14."Collapse"Cutler, FrithArt Bears4:03
15."All Hail!"Cutler, FrithArt Bears4:48
16."Coda to Man and Boy"Cutler, FrithArt Bears7:12

Bonus track notes

Personnel

Guests (from Henry Cow)

Additional personnel

Sound and art work

Related Research Articles

<span class="mw-page-title-main">Fred Frith</span> English musician and composer

Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as a founding member of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including Traffic Continues and Freedom in Fragments. Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics.

<span class="mw-page-title-main">Art Bears</span> English avant-rock group

Art Bears were an English avant-rock group formed during the disassembly of Henry Cow in 1978 by three of its members, Chris Cutler, Fred Frith and Dagmar Krause. The group released three studio albums between 1978 and 1981, and toured Europe in 1979.

<span class="mw-page-title-main">Henry Cow</span> English avant-rock group

Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members alongside Frith and Hodgkinson.

<span class="mw-page-title-main">Chris Cutler</span> English percussionist, composer, lyricist and music theorist

Chris Cutler is an English percussionist, composer, lyricist and music theorist. Best known for his work with English avant-rock group Henry Cow, Cutler was also a member and drummer of other bands, including Art Bears, News from Babel, Pere Ubu and (briefly) Gong/Mothergong. He has collaborated with many musicians and groups, including Fred Frith, Lindsay Cooper, Zeena Parkins, Peter Blegvad, Telectu and The Residents, and has appeared on over 100 recordings. Cutler's career spans over four decades and he still performs actively throughout the world.

<i>Legend</i> (Henry Cow album) 1973 studio album by Henry Cow

The Henry Cow Legend is the debut album of British avant-rock group Henry Cow. It was recorded at Virgin Records' Manor studios over three weeks in May and June 1973, mixed in July 1973, and released in September 1973.

<i>Unrest</i> (Henry Cow album) 1974 studio album by Henry Cow

Unrest is an album by British avant-rock group Henry Cow, recorded at Virgin Records' Manor studios in February and March 1974. It was their second album and was released in May 1974. It was their first album including oboe and bassoon player Lindsay Cooper, who replaced saxophonist Geoff Leigh. American critic Glenn Kenny said Cooper's presence on the album grounded the band in European art music.

<i>In Praise of Learning</i> 1975 studio album by Henry Cow with Slapp Happy

In Praise of Learning is a studio album by British avant-rock group Henry Cow, recorded at Virgin Records' Manor studios in February and March 1975, and released in May 1975. On this album, Henry Cow had expanded to include members of Slapp Happy, who had merged with the group after the two had collaborated on Desperate Straights in 1974. The merger ended after recording In Praise of Learning when Peter Blegvad and Anthony Moore from Slapp Happy left the group.

<i>Western Culture</i> (album) 1979 studio album by Henry Cow

Western Culture is a studio album by English avant-rock group Henry Cow, recorded at Sunrise Studios in Kirchberg, Switzerland in January and July–August 1978. It was their last album and was released on Henry Cow's own private label, Broadcast, in 1979. Later editions appeared on Interzone in the US and Celluloid in France. Only the UK Broadcast pressing used the custom label artwork design.

<i>Guitar Solos</i> 1974 studio album by Fred Frith

Guitar Solos is the debut solo album of English guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released in the United Kingdom on LP record by Caroline Records in October 1974. The album comprises eight tracks of unaccompanied and improvised music played on prepared guitars by Frith without any overdubbing.

<i>Gravity</i> (Fred Frith album) 1980 studio album by Fred Frith

Gravity is a 1980 solo album by English guitarist and composer Fred Frith. It was Frith's second solo album, and his first since Henry Cow disbanded in 1978. It was originally released in the United States on the Residents' Ralph Records, as the first of three solo albums Frith would record for the label. Gravity has been described as an avant-garde "dance" record that draws on rhythm and dance from folk music across the world.

<i>Winter Songs</i> (Art Bears album) 1979 studio album by Art Bears

Winter Songs is the second album by the English avant-rock group Art Bears. It was recorded at Sunrise Studio in Kirchberg, Switzerland between 22 November and 5 December 1978, and was released in 1979. It was Art Bears' first album to be recorded on their own, the bulk of their first album, Hopes and Fears (1978) having been recorded as Henry Cow. It was released by Ralph Records in the United States.

<i>The Art Box</i> 2004 box set by Art Bears

The Art Box is a six-CD box set by English avant-rock group Art Bears. It contains all Art Bears album and single releases, plus new material, including live and unreleased Art Bears tracks, and unreleased remixes and reworkings of Art Bears material by other musicians. The box set also contains a book of photographs, artwork, articles, interviews and commentary on the CD tracks, the work process, the band and their tour of Europe in 1979. The Art Bears material was recorded between 1978 and 1980, while the work by other musicians was recorded between 1998 and 2003. The box set was released in 2004 to commemorate the 25th anniversary of the band's formation. A double-CD entitled Art Bears Revisited containing Discs four and five of the box set was released later in 2004.

<i>The 40th Anniversary Henry Cow Box Set</i> 2009 box set by Henry Cow

The 40th Anniversary Henry Cow Box Set is a nine-CD plus one-DVD limited edition box set by English avant-rock group Henry Cow, and was released by RēR Megacorp in January 2009. It consists of almost 10 hours of previously unreleased recordings made between 1972 and 1978 from concerts, radio broadcasts, one-off projects, events and the studio. Included are new compositions, over four hours of free improvisation, and live performances of some of Henry Cow's original LP repertoire.

"Erk Gah" is a song written by Tim Hodgkinson for the English experimental rock group Henry Cow. "Erk Gah" was performed live by the band between 1976 and 1978, but was never recorded in the studio; three live performances of the song would later be released on the live album Stockholm & Göteborg in 2008 and the compilation The 40th Anniversary Henry Cow Box Set in 2009. In 1993, fifteen years after Henry Cow disbanded, Hodgkinson recorded the composition under the title "Hold to the Zero Burn, Imagine" for his solo album Each in Our Own Thoughts (1994), featuring former Henry Cow members Chris Cutler, Lindsay Cooper, and Dagmar Krause.

"Living in the Heart of the Beast" is a 1975 song written by Tim Hodgkinson for the English avant-rock group Henry Cow. It was recorded in 1975 by Henry Cow with Slapp Happy, who had recently merged with Henry Cow after the two groups had recorded a collaborative album, Desperate Straights the previous year. The song was released on In Praise of Learning in May 1975 by Virgin Records. The song's title is a quote from the nineteenth-century Cuban poet and liberation fighter José Martí. "Living in the Heart of the Beast" was the first of two "epic" compositions Hodgkinson wrote for Henry Cow, the second being "Erk Gah" (1976), later known as "Hold to the Zero Burn, Imagine".

"War" (originally entitled "War (Is Energy Enslaved)") is a 1975 song composed by Anthony Moore with lyrics by Peter Blegvad for the English avant-pop group Slapp Happy. It was recorded in November 1974 by Slapp Happy with Henry Cow for their collaborative album, Desperate Straights, but was only released in May 1975 on their second collaborative album, Henry Cow's In Praise of Learning.

"Ruins" is a 1974 instrumental composed by Fred Frith for the English avant-rock group Henry Cow. It was recorded in February and March 1974 by Henry Cow, and released on their May 1974 album, Unrest by Virgin Records.

"Beautiful as the Moon – Terrible as an Army with Banners" is a 1975 song composed by Fred Frith with lyrics by Chris Cutler for the English avant-rock group Henry Cow. It was recorded in February and March 1975 by Henry Cow and Slapp Happy, and released in May 1975 on their collaborative album, In Praise of Learning by Virgin Records.

<i>The Henry Cow Box Redux: The Complete Henry Cow</i> 2019 box set by Henry Cow

The Henry Cow Box Redux: The Complete Henry Cow is a seventeen-CD plus one-DVD box set by English avant-rock group Henry Cow; it was released by RēR Megacorp in November 2019. The box set comprises the previously released 2006 Henry Cow Box and the 2009 40th Anniversary Henry Cow Box Set, totalling over sixteen hours. A bonus CD: Ex Box – Collected Fragments 1971–1978 was given to advance subscribers of the 2019 Box Redux, and contains newly recovered and previously unreleased recordings, plus the contents of the 2006 box set bonus CD-single: "Unreleased Orckestra Extract". The 2019 Box Redux plus the Ex Box bonus CD contains all the officially released studio and live recordings of Henry Cow, excluding "Bellycan" as released on the 1991 East Side Digital version of Legend, and the complete version of "The Glove" from the 1991 East Side Digital version of Unrest.

"Teenbeat" is a 1973 suite of three instrumentals, "Teenbeat Introduction", "Teenbeat" and "Teenbeat Reprise", by the English avant-rock group Henry Cow. The three pieces were composed by Henry Cow, Fred Frith and John Greaves, and Fred Frith respectively. They were recorded in May and June 1973, and released on Henry Cow's debut album, Legend by Virgin Records in September 1973.

References

  1. 1 2 3 4 5 Piekut 2019, p. 363.
  2. Piekut 2019, p. 362.
  3. 1 2 "Chris Cutler interview". ccutler.co.uk. Retrieved 7 January 2018.
  4. @georgieborn (5 December 2021). "... Time the myths around Hopes and Fears ended: it was a Henry Cow album but arguments among the boys meant it end…" (Tweet) via Twitter.
  5. Temple, Alex. "Art Bears, Hopes and Fears". Progweed. Archived from the original on 16 December 2004. Retrieved 30 May 2015.
  6. Piekut 2019, p. 359.
  7. Piekut 2019, p. 356.
  8. Cutler 2009, p. 5.
  9. 1 2 3 4 5 Mason, Stewart. "Hopes and Fears". AllMusic . Retrieved 21 June 2011.
  10. Colli, Beppe. "An interview with Chris Cutler, February 8, 2004". Clouds and Clocks. Archived from the original on 4 February 2007. Retrieved 3 January 2007.
  11. Lucian (1990) [1st pub. 1961]. Satirical Sketches . Translated by Turner, Paul. Indiana University Press. p.  90.
  12. 1 2 3 4 Hadley, Frank-John (June 1979). "Art Bears: Hopes and Fears". DownBeat . Vol. 46, no. 12. Maher Publications. p. 41.
  13. Christgau, Robert (1981). "Consumer Guide '70s: A". Christgau's Record Guide: Rock Albums of the Seventies . Ticknor & Fields. ISBN   089919026X . Retrieved 12 September 2019 via robertchristgau.com.
  14. 1 2 Penman, Ian (9 December 1978). "Rush: Hemispheres (Mercury); Art Bears: Hopes And Fears (Re Records); Funkadelic: One Nation Under A Groove (Warner Brothers)" . New Musical Express . ISSN   0028-6362 . Retrieved 29 October 2024 via Rock's Backpages.

Works cited