House of Sand and Fog | |
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![]() Theatrical release poster | |
Directed by | Vadim Perelman |
Screenplay by |
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Based on | House of Sand and Fog by Andre Dubus III |
Produced by |
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Starring | |
Cinematography | Roger Deakins |
Edited by | Lisa Zeno Churgin |
Music by | James Horner |
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Distributed by |
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Release dates |
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Running time | 124 minutes [2] |
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Budget | $16.5 million [4] |
Box office | $16.9 million [4] |
House of Sand and Fog is a 2003 drama film directed by Vadim Perelman, with a screenplay written by Perelman and Shawn Lawrence Otto. It is based on the novel of the same name by Andre Dubus III.
The story concerns the battle between a young woman and an immigrant Iranian family over the ownership of a house in Northern California, which ultimately leads to the destruction of five lives. The film was nominated for three Academy Awards: Best Actor (Ben Kingsley), Best Supporting Actress (Shohreh Aghdashloo), and Best Original Score (James Horner).
Abandoned by her husband, recovering drug addict Kathy Nicolo, living alone in a small house near the San Francisco Bay Area, ignores eviction notices erroneously sent to her for nonpayment of business taxes. Assuming the misunderstanding was cleared up, she is surprised when Sheriff's Deputy Lester Burdon arrives to forcibly evict her. Telling Kathy that her home is to be auctioned off, Lester feels sympathy for her, helps her move out, and advises her to seek legal assistance to regain her house.
Former Imperial Iranian Army colonel Massoud Behrani, who fled his homeland with his family, now lives in the Bay Area working multiple menial jobs. Living beyond his means, he maintains the façade of a respectable businessman so as not to shame his wife Nadereh, son Esmail, and daughter Soraya. He buys Kathy's house for a quarter of its actual value, intending to improve and sell it. Kathy is evicted from the motel she is staying in. With nowhere else to go, she spends the night in her car. Seeing the renovations and how the Behranis have settled in makes her determined to get her house back and she finds an attorney, Connie Walsh, who assures her that because of the county's mistake, they will return Massoud's money and restore the house to her.
Massoud, having already spent money on improving the house, is unwilling to accept anything less than the higher value of the property, which the county refuses to pay. Connie advises Kathy that her only option is now to sue the county, though it will take months. Kathy tries to convince Massoud to sell back the house; he too advises her to sue the county and promises to sell her the house back if she comes up with the money, but she retaliates by beginning to harass him and his family in front of potential buyers. Desperate for help, Kathy falls easily into an affair with Lester, who abandons his wife and children and fashions himself as Kathy's protector. Under a pseudonym, Lester threatens to have Massoud and his family deported if he refuses to sell the house back to the county. Aware that Lester was acting on Kathy's behalf, Massoud reports this to Internal Affairs, who severely reprimand Lester, and furiously warns Kathy to leave his family alone. Kathy calls her brother Frank for help, but cannot bring herself to admit that she is homeless.
Despondent, Kathy becomes drunk and attempts suicide in the driveway with Lester's sidearm. Massoud finds Kathy drunkenly unable to discharge the gun, and brings her inside. Kathy tries to kill herself again with pills, but Nadereh saves her. As she and her husband carry Kathy to the bedroom, Lester breaks in and sees Kathy unconscious. In a xenophobic rage, Lester locks the Behranis in their own bathroom, refusing to let them out until Massoud agrees to relinquish the house. Massoud offers to sell the house and will give Kathy the money in exchange for her putting the house in his name. Lester takes Massoud to the county office to finalize the transaction.
Outside the office, Lester begins to manhandle Massoud and Esmail seizes Lester's gun and aims it at him. Massoud grabs Lester and begins calling for help from nearby police officers, but they misinterpret the situation and shoot Esmail instead of Lester. Massoud is arrested but is released after Lester confesses to his crimes and is detained.
Massoud begs God to save his son but Esmail does not survive. Believing they have nothing left to live for, Massoud kills Nadereh by lacing her tea with pills. He then dons his old military uniform, tapes a plastic dust cover over his head, and asphyxiates himself while clutching his wife's hand. Kathy discovers the couple and frantically attempts to resuscitate Massoud but she is too late. As the bodies of Massoud and Nadereh are taken away by paramedics, a policeman asks Kathy if the house is hers. After a long pause, she admits that it is not.
Shohreh Aghdashloo was a respected actress in Iran before immigrating to the United States. When the film roles offered to her were limited to terrorists and other assorted villains, she turned to a career in the theater. This film marked her return to the screen after nearly two decades. [5]
Jonathan Ahdout, whose previous acting experience was limited to school plays, was cast as Esmail Behrani two days before the start of filming. His original audition had not impressed Vadim Perelman, but when he began to have doubts about the actor he had hired, he reviewed the audition tapes and saw something in Ahdout's performance he felt he had overlooked. He called him back and had him meet and perform with Aghdashloo. The chemistry between them convinced Perelman the boy was right for the part. [5]
An original soundtrack album featuring James Horner's film score was released by Varèse Sarabande.
The film received positive reviews from critics. Based on 182 reviews collected by Rotten Tomatoes, 74% of critics gave House of Sand and Fog a positive review (135 "Fresh"; 47 "Rotten"), with an average rating of 7.08/10. The website's critical consensus states, "Powerful and thought provoking film". [6] On Metacritic, the film holds a score of 71 out of 100, sampled from 41 critics' reviews, indicating "generally favorable reviews". [7]
In his review in The New York Times , A.O. Scott called the film "an impressively self-assured directing debut" and wrote it "is the nearly flawless execution of a deeply flawed premise. Mr. Perelman inadvertently exposes the inconsistencies in Mr. Dubus's novel even as he comes very close to overcoming them...the conflict between Kathy and Behrani arises from a sin so trivial as to be almost comical ... and every stage of its escalation seems determined less by the psychology of the characters than by the forced, schematic logic of the story. You feel the heavy, implacable force of the narrative without quite believing it." [8] In Variety, Todd McCarthy called the film, along with Mystic River and 21 Grams , one of "the first significant group of post-9/11 movies". [9]
Roger Ebert of the Chicago Sun-Times gave the film four out of four stars and wrote, "Here is a film that seizes us with its first scene and never lets go, and we feel sympathy all the way through for everyone in it ..it stands with integrity and breaks our hearts." [10] Owen Gleiberman of Entertainment Weekly rated the film B−: "[it] has its pretensions, but mostly it's a vigorous and bracingly acted melodrama spun off from a situation that's pure human-thriller catnip...though I do wish that the movie didn't spiral into the most shocking of tragedies." [11] David Edelstein of Slate wrote, "Kingsley, Connelly, Eldard, and Aghdashloo give vivid and courageous performances. But the machinations of tragedy and farce are quite similar, and in a bad tragedy, they can merge." [12]
Peter Travers of Rolling Stone rated it three out of a possible four stars and added, "Before it runs off course into excess, this brilliantly acted film version of the 1999 novel by Andre Dubus III moves with a stabbing urgency...Vadim Perelman...makes a smashing debut in features...Prepare for an emotional wipeout." [13] In The New Yorker , David Denby wrote Ben Kingsley is "the only entertainment in this noble pool of despair...Vadim Perelman...produces scenes of great intensity, but he doesn't capture the colloquial ease and humor of American life." [14]
On Salon.com, Andrew O'Hehir wrote it "features an astonishing pair of lead performances and one of this year's most impressive directing debuts." [15] Channel 4 stated "There's nothing wrong in funneling operatic tragedy through seemingly mundane domestic battles, but the way events escalate here feels deeply fraudulent...heavy-handed allegory and symbolism wait at every turn...though relentlessly downbeat, this is so overwrought, underdeveloped and ham-fisted that it's more unintentionally comic than genuinely tragic." [16]
The Washington Post 's Ann Hornaday commented that the film loses much of the nuance in Dubus' book and concluded, "What should have been a nuanced exploration of the roots of violence turns out to be a cautionary tale about opening your mail." [17] Ed Gonzales of Slant Magazine contended the film "refuses to examine the racism that makes the story’s real estate fiasco a fiasco to begin with". [18]
The film began a limited release in the United States on December 19, 2003 and opened at #43, grossing $45,572 in its opening weekend. It eventually grossed $13,040,288 in North America and $3,902,507 in other territories for a worldwide total of $16,942,795. Its budget was $16.5 million. [4]
Sir Ben Kingsley is an English actor. He has received accolades throughout his career spanning five decades, including an Academy Award, a BAFTA Award, a Grammy Award, and two Golden Globe Awards as well as nominations for four Primetime Emmy Awards and two Laurence Olivier Awards. Kingsley was appointed Knight Bachelor in 2002 for services to the British film industry. He was awarded a star on the Hollywood Walk of Fame in 2010 and received the Britannia Award in 2013.
Shohreh Aghdashloo is an Iranian actress. She has received various accolades, including a Primetime Emmy Award and a Satellite Award, in addition to a nomination for an Academy Award.
Andre Dubus III is an American novelist and short story writer. He is a member of the faculty at the University of Massachusetts Lowell.
Jonathan Ahdout is an American actor known for his role in House of Sand and Fog.
The 38th National Society of Film Critics Awards, given on 3 January 2004, honored the best in film for 2003.
The 7th Online Film Critics Society Awards, honoring films made in 2003, were given on 5 January 2004.
The 69th New York Film Critics Circle Awards, honoring the best in film for 2003, were announced on 15 December 2003 and presented on 11 January 2004 by the New York Film Critics Circle.
The 29th Los Angeles Film Critics Association Awards, given by the Los Angeles Film Critics Association (LAFCA) on January 7, 2004, honored the best in film for 2003. The ceremony was originally called off because of the MPAA screener ban as members felt they could not see all the movies in time for their awards but when that was removed the show was back on.
The 75th National Board of Review Awards, honoring the best in filmmaking in 2003, were given on 3 December 2003.
Vadim Perelman is a Ukrainian-Canadian-American film director. Perelman made his feature film directorial debut in 2003 with House of Sand and Fog, following a career as a commercial director. The film, nominated for three Academy Awards, also marks his first screenplay credit. Perelman was drawn to the story, having been shaped by his own immigrant experience.
House of Sand and Fog is a 1999 novel by Andre Dubus III. It was selected for Oprah's Book Club in 2000, was a finalist for the National Book Award for Fiction, and was adapted into the 2003 film, House of Sand and Fog.
The Report is a 1977 Iranian drama film directed by Abbas Kiarostami and starring Shohreh Aghdashloo.
House of Sand and Fog is the original soundtrack album, on the Varèse Sarabande label, of the 2003 Academy Award and Golden Globe-nominated film House of Sand and Fog starring Jennifer Connelly, Ben Kingsley, Shohreh Aghdashloo and Ron Eldard. The original score was composed by James Horner.
The Stoning of Soraya M. is a 2009 Persian-language American drama film adapted from French-Iranian journalist Freidoune Sahebjam's 1990 book La Femme Lapidée.
Jennifer Lynn Connelly is an American actress. She began her career as a child model before making her acting debut in the 1984 crime film Once Upon a Time in America. After a few more years of modeling, she began to concentrate on acting, starring in a variety of films including the horror film Phenomena (1985), the musical fantasy film Labyrinth (1986), the romantic comedy Career Opportunities (1991), and the period superhero film The Rocketeer (1991). She received praise for her performance in the science fiction film Dark City (1998) and playing a drug addict in Darren Aronofsky's drama film Requiem for a Dream (2000).
Lisa Rachel Zeno Churgin is an American film editor with more than 25 film credits; she was nominated for the Academy Award for Best Film Editing for the 1999 film The Cider House Rules. Since 2002, Churgin has also served as the president of the Motion Picture Editors Guild. Churgin's editing of House of Sand and Fog was nominated for the Satellite Award for Best Editing.
House of Sand and Fog may refer to:
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The Cuban is a 2019 Canadian drama film, directed by Sergio Navarretta and written by Alessandra Piccione. The film stars Ana Golja as Mina, a young woman working at a nursing home managed by her aunt Bano while preparing for medical school, whose outlook on life is profoundly changed when she meets and befriends Luis Garcia, a former Cuban jazz musician who has been living in the home since being diagnosed with dementia.
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